CHAPTER IV PIPPIN GOES TO CYRUS

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PIPPIN always looked back on the weeks he spent in Kingdom as one of his good times. Folks were so everlastingly good to him; they couldn't hardly have been better, he thought, not unless they had been your own. Mrs. Baxter, the baker's wife, was like—well, call it an aunt. Yes, she sure was like a good aunt, and equally so was her uncle; as for Buster, the boy—well, that was Pippin's moral of a boy. Buster would grow up a fine man, you see if he didn't. He'd better! As to looking for the grace of God like he promised Elder Hadley, why, he didn't have to. It stuck right out of 'em, like—like electric lights!

Pippin lodged with the Baxters and paid his board in work, lighting the fires in the morning, heating the ovens, sweeping out the shop, and doing a "hand's turn" in many directions. Mrs. Baxter declared Providence sent him just at that time, when Father had caught his hand in the oven door and lamed him so; she did not know what upon earth they would have done without Pippin. Indeed he showed himself so handy that after the first week Mr. Baxter offered him a permanent job, declared he would make him the smartest baker in the county. Pippin promised to think it over. He loved the smell of new bread; he loved to handle the dough, and rake out the glowing coals; yes, it was a pleasant trade, it sure was; but yet—but yet—

Other offers came to him. Among the crowd who had gathered to hear him sing that first day were Father O'Brien of St. Bridget's and Elder Stebbins, the Methodist Minister. Both were music-lovers. Both made it in their way to drop in at the bakery in the course of the next few days, and invite the young scissor-grinder to sing in their choir while he sojourned in their midst. Was he a Catholic? Father O'Brien asked. No? More was the pity, but let him come and sing in the church, and 'twould be good for him and the rest besides. Pippin assented joyfully. He would be real pleased to come, and sing the best he knew how. Then came Elder Stebbins, ostensibly to buy a coffee cake for supper. Was his young friend a Christian? "You bet!" replied Pippin, wrapping up the cake with deft fingers. "I'd have to be, wouldn't I? Unless that the Lord had seen fit to have me a Chinee, or like that, and I'm just as glad He didn't!"

Mr. Stebbins hoped his young friend was also a Methodist; but Pippin shook his head; he guessed not. They were all good, he guessed; he presumed he belonged to every church there was, in a general way, you know. Mr. Stebbins looked grave, and said that was not a very safe doctrine. He hoped his young friend would join their service of song on Sunday evening; it might be helpful to him, and would assuredly minister to the enjoyment of others. Pippin assented joyfully, after ascertaining that service would be over in time for him to set his sponge to rise.

So on Sunday, and other happy Sundays, he went to St. Bridget's in the morning, and sang stately old Latin hymns and chants; inhaled incense (which he thought real tasty, but yet nothing to what the Lord could do with a field of white clover), kneeled reverently with the rest, listened respectfully to Father O'Brien's excellent little sermon, and liked it all. And the evening found him behind the green moreen half-curtains in the Methodist meetinghouse, pouring out his soul in gospel hymns and assuring his hearers that they would meet beside the river, the beautiful, the beautiful river, in such tones and with such feeling that every woman in meeting wept, and there was a mighty blowing up of nasal trumpets among the men. Elder Stebbins' discourse was rather long-winded and rambling, but when Pippin lost the thread, he would take refuge in a psalm, or recall one of Elder Hadley's brief, pistol-shot addresses, or think how the buttercups shone in the field that day he found the Lord. And here, too, he loved it all, every bit, and came home in a glow of happiness and fervor that was enough to make the dough rise at the sight of him.

The baker was puzzled at first by his new assistant; as the good man himself expressed it, he didn't get on to Pippin's curves. There were things that jarred—for a time—on his sensibilities; as thus. They were together in the shop one evening, and a customer came in for his evening loaf; the shoemaker it was, Jere Cargo, a man of dry, critical humor. He commented on the loaf; it was a shade deeper brown than usual.

"One minute more, young man, and that loaf would have been burnt, that's what!"

Pippin scanned the loaf carefully. "Is that so?" he said. "Now! Why, I was pleased with this batch, I thought the Lord give me an elegant bake on it: that's what I thought! But if folks likes 'em pale, why, pale it is!"

The shoemaker stared; Mr. Baxter coughed apologetically as he accompanied him to the door, and—on a summoning jerk of the head—followed him outside.

"What have you got there?" asked the shoemaker. "A preacher? Where'd you get him?"

"No, he isn't a preacher, though I dare say he might have been, if he'd had education. He's just pious, that's all. It's his way of talking."

His tone was conciliatory, but the shoemaker sniffed.

"'Just pious!'" he repeated. "Look out for 'em, I say, when they're just pious. They'll bear watching. Where'd you say he come from?"

"He's traveling!" Mr. Baxter knew his customer, and had no idea of telling him whence Pippin came. "He's a scissor-grinder by trade, and a master hand at it. I hurt my hand last week, and he come along just in the nick of time and has been helping me since. Real good help he is, too."

"Humph!" said Jere Cargo, shrugging his dry shoulders. "You look out for him, that's all I say. Sharp-looking chap, I call that; he'll bear watching."

Returning to the shop, Mr. Baxter coughed again, this time with his eye on Pippin, who was arranging a tray of creamcakes with a lover's ardor.

"Ain't them handsome?" he cried. "I ask you, Boss, ain't them handsome? And dandy to eat—green grass! Mis' Baxter give me one. They drop fatness all right, no two ways about that!"

Here Pippin broke into song, proclaiming joyously that he was a pilgrim, he was a stranger, he could tarry, he could tarry but a night.

"Do not detain me,
For I am going—"

"Ahem!" said Mr. Baxter, "I was thinking, Pippin—"

Pippin came to attention instantly. "Yes, sir! You was thinkin'—"

"I was wondering—" the baker spoke slowly, in a tone half admonitory, half conciliatory, and wholly embarrassed—"whether maybe you—just in a manner, you understand, just in a manner—was in the habit of making a mite too free with—with your Maker, so to speak."

Pippin's eye grew very round. "Meanin'—with the Lord?" he said.

"Yes! with—with—as you say, with the Lord!" Mr. Baxter was a godly man, but his Deity lived in the meetinghouse and was rarely to be mentioned except within its four walls. "For example," he went on, "I was wondering whether it was exactly a good plan to bring the—the Almighty—into the bakeshop."

"Gorry!" said Pippin. "I'd hate to leave Him out of it!" His eyes, still round and astonished, traveled slowly about the pleasant place. Three sides of it were filled with glass counters displaying a wealth of pies, pumpkin, apple, mince and custard, with cakes of every variety, from the wedding cake which was Mr. Baxter's special pride, to his wife's creamcakes, eagerly sought by the neighborhood for ten miles round. Behind the counter, on neat shelves, were stacked the loaves of bread, white and brown, the crisp rolls and melting muffins. The shop looked as good as it smelled; "ther nys namoore to seye!"

"I'd hate to leave Him out of it!" repeated Pippin. "Dandy place like this! Don't know as I get you this time, Boss!" He turned bewildered brown eyes on Mr. Baxter, who coughed again and reddened slightly.

"What I meant—" the baker ran his eye along a pile of loaves, and straightened one that had slipped out of place—"isn't it making rather free with—ahem! what say?"

"Oh!" Pippin's face lightened. "I get you! Now I get you, sir! Lemme tell you! Lemme tell you just the way it is." Fairly stammering in his eagerness, Pippin leaned across the counter, his eyes shining. "You see, sir, I was raised a crook!"

"Hush!" Mr. Baxter looked over his shoulder. "No need to speak out loud, Pippin. Just as well to keep that between ourselves, you know."

"I was raised," Pippin repeated in a lower tone, "a crook, and I heard—and used—crooks' language. Nor it isn't only crooks!" he cried, smiting the counter. "Where I was raised, 'most everybody had the name of God on their tongues every hour in the day, but not in the way of praisin' Him; no, sir! There's plenty folks—good folks, too—they can't name hardly anything, whatever be it, without 'God damn' before it. You know that, Mr. Baxter. You know what street talk is, sir." The baker nodded gravely. "Well, then! That's what I was raised to, and it run off my tongue like water, till—till I come to know Elder Hadley. I'm tol'able noticin', sir; I expect crooks is, when they're all there; you have to be, to get on. I noticed right off the way he spoke, clean and short and pleasant, no damnin' nor cussin'; and I liked it, same as I liked clean folks and despised dirty ones. That was all there was to it at first. But yet I couldn't stop all of a sudden; it took time, same as anything does, to learn it. Then—come to find the Lord, like I told you, sir, why—I dunno how to put it. I'd ben askin' Him all my life to damn everything, this, that, and the other, folks, and—everything, I say; I didn't mean it, 'twas just a fool way of speakin', but what I thought was, supposin' I was to ask Him to help right along, 'stead of damn, and make it mean something! What say? You get my idea, Mr. Baxter, sir?"

Mr. Baxter nodded again. "I get it, Pippin. I won't say anything more."

"But yet—but yet—" Pippin was stammering again, and halfway across the counter in his passion of eagerness. "I get you, too, Boss! I do, sure thing. You mean it brings some folks up short, like that gen'leman that stepped in just now? He's no use for me, I see that right off; I wondered why, and now 'tis clear as print. I'd oughter sized him up better. Take that kind of man, and he may be good as they make 'em, prob'ly is; but yet—well—you say the Lord's name excep' in the way of cussin'—I don't mean that he's that kind himself—but—it's like he stubbed his toe on the Lord's ladder, see?"

"You've got it! you've got it!" the baker was nodding eagerly in his turn. He laughed and rubbed his hands. "Stubbed his toe on—on the Lord's ladder! I—I expect I stub mine a mite, too, Pippin, but I won't say another word."

"'Cause we're awful glad the ladder's there, ain't we, sir?" Pippin's voice was wistful enough now.

"Ahem! Yes! yes!" The baker took out a clean red handkerchief and rubbed an imaginary spot on the shining glass. "That's all right, Pippin. Do what comes natural to you; only—what are you doing now?"

There was a little stove in the shop, behind the middle counter, used for "hotting up" coffee or the like when people were in a hurry. Pippin, after a glance at the clock, had taken some pennies out of the till, and was laying them carefully on the top of the stove, which glowed red hot.

"What are you doing?" repeated the baker. Pippin grinned.

"Tryin' an experiment!" he said. "There was a quarter missin' yesterday, Boss, you rec'lect, and ten cents the day before, and so along back."

"Yes!" Mr. Baxter looked serious. "I'm afraid, Pippin—"

"Don't be afraid, sir! Just watch me!" Pippin tested the pennies carefully and taking them up one by one on the blade of his jackknife, deposited them on the counter. "I've noticed along about this time every night—there they come! Don't say a word, only watch!"

He retired behind the counter as the door opened and two children came in, a boy and a girl. They were poorly dressed, and there was something furtive and slinking about their looks and manner, but they came forward readily, and the girl asked for a five-cent loaf of white bread, putting at the same moment five pennies on the counter, close beside those which already lay there. As Pippin was tying up the bread, the girl began to ask questions. How much was them cookies? Were they molasses or sugar? What was the price of the custard pie, and when was it baked?

"Baked this mornin'!" Pippin replied cheerfully. "Cost you a quarter, and worth a dollar. What—"

A piercing howl interrupted him. The tinkle of metal was heard, and the boy sprang back from the counter and danced about the shop, crying and spluttering, his fingers in his mouth. Pippin vaulted the counter in an instant.

"What's the matter, Bo?" he asked kindly. "Hurt your finger? Lemme see!" The boy clenched his fist, but Pippin forced the fingers open, not ungently. "Why, you've burnt 'em!" he announced. "My! my! that must hurt! How in the name—why, you must have made a mistake and took up some of Mr. Baxter's pennies. Yes, sir, that's what you done. Didn't you know that bakeshop pennies was hot? They be, sure thing! There goes Sissy!" as the girl, seizing her loaf, slipped noiselessly out of the door. "Now you foller her, Bo, and go home and tell your ma what I say. Bakeshop pennies is hot! Think you'll remember that? Here's something to help your mem'ry!"

Leading the boy to the door, he gave him a carefully modulated kick, and with a friendly, "So long, Bo!" returned to the shop.

"I've had my eye on them kids for two three days!" he explained. "Smart kids! If I met 'em in the city, I should say they was in trainin'. I'll set Father O'Brien on 'em; they go to his gospel shop. I see 'em there."

"I never should have thought it!" said the baker, and he shook his head sadly. "Those little kids! Why, the boy doesn't look to be more than eight years old, and the girl only a year or so older."

"That's the time to start 'em!" Pippin spoke with emphasis. "If you're aimin' to make a first-rate crook, you've got to start in early with him. But Father O'Brien'll see to 'em; he's smart as a jimmy, Father O'Brien is."

"We won't tell the wife!" said Mr. Baxter. "She is nervous, and 'twould ha'nt her, and keep her awake nights. One comfort, they're not Kingdom born, those kids. They belong to them French folks over by the dump, down Devildom way."

Weekday mornings Pippin spent mostly in the bakery, working, singing, whistling, all with a hearty will. After dinner he would take his wheel and go his way through the pretty shady streets of the country town, or out along the green roads that led from it in various directions. When he came to a promising looking corner with houses set within comfortable reach of one another, he would stop, and leaning on his wheel, would put up his shingle, as he called it: in other words, sing his grinding song. He had made it up, bit by bit, as the wheel turned, humming, under his hands. Here it is: but you should hear Pippin sing it!

Knives and scissors to grind, oh!
Have 'em done to your mind, oh!
Large and small,
Damaged and all,
Don't leave any behind, oh!
Knives and scissors to grind, oh!
Every specie and kind, oh!
Bring 'em to me,
And you will see
Satisfaction you'll find, oh!

"Yes, sir, made it my own self!" he replied to Elder Stebbins' questions on the song. "I don't know how I done it. I expect it was a kind of miracle. I sang the first line through two three times, and lo ye! the next one turned right up matchin' of it. Now that isn't nature, you know, but yet it's right, and it fits straight in. When a thing comes like that, I call it a miracle. What say?"

"Very interesting, my young friend! Do you—a—might it perhaps be better to substitute 'species' for 'specie'? The latter means, as you doubtless are aware, current coin; and—"

"Great!" said Pippin. "Current coin is what I'm after every time, so I get it honest. Specie'll do for me, Elder!"

Before he had sung the song through once, doors and windows would be opening, housewives peering out, children running to gather round the magic wheel, listening open-mouthed to the singer. It was all play to Pippin; wonderful, beautiful play.

"I tell you," he would say, "I tell you, seems though just to breathe was enough to keep gay on. Over there to Shoreham—I dunno—I expect the air got discouraged, some way of it. They'd open the windows, but the outside air was shy of comin' in—like the rest of us! But out here in the open—and things lookin' like this—green grass! I'm happy, and don't you forget it!"

Sometimes he got a lift on his way. Solitary drivers, plodding along the road, and seeing the trim, alert figure ahead stepping out briskly with its wheel, were apt to overhaul it, and after a glance at Pippin's face would most likely ask, "Goin' along a piece? Like a lift?" and Pippin, with joyous thanks, would climb eagerly in, all ready to begin a new chapter of human intercourse.

Once, so clambering, he found himself beside a tall man, brown-eyed and brown-haired, who drove a brown horse. Pippin's eyes were brown, too, but they danced and sparkled like running water; the stranger's eyes were like a quiet pool under shady trees, yet there was light in them, too.

"Goin' far?" he asked. His voice was grave, and he spoke slowly.

"Four Corners was what I'd aimed at," said Pippin, "but if you ain't goin' that way—?"

"Goin' right past it, on my reg'lar route! I do business there to the store. I see you carry your trade with you, same as I do!" He jerked his head backward toward a neat arrangement of drawers and tiny cupboards which half filled his roomy wagon. "Nice trade, I expect?"

Pippin laughed his joyous laugh. "Real nice, only it isn't mine, not for keeps, I would say. 'Twas a—well, you might call it a legacy, and you wouldn't be far wrong. It come right to my hand when I was lookin' for a job, and I took it up then and there. Yes, sir, 'tis a good trade, and a man might do well at it, I don't doubt, but yet I don't feel it to be my own trade that I was meant for. So I go about seekin' for that one, and workin' at this one, and helpin' in the bakery—Baxter's to Kingdom; I'm boardin' there—helpin' there mornin's an' evenin's."

The brown eyes studied him carefully.

"About twenty-one years old, son? Twenty-two? I thought about there! Well, what have you been doin' up to now?"

Pippin told him, much as he had told Jacob Bailey. The brown man listened attentively, murmuring, "Sho!" or "Ain't that a sight!" occasionally to himself.

"So you see," Pippin concluded, "I want to be right down sure I've got the real thing before I settle down."

"Sure!" the other assented. "That's right!"

"And I keep feelin' at the back of my head that what I want is work with my hands; not this way, but farmin', or like that. The smell of the earth, and to see things growin', and—don't you know?"

The stranger assented absently.

"Elegant!" he said. "Farmin's elegant, when you've got the gift, but—ever thought of goin' to sea?" he asked; an eager look came into his face.

Pippin shook his head. "Not any!" he said. "I see the sea once, an' honest, it give me the creeps. Cold water mumblin' over the stones, like it wanted to eat 'em; and brown—kind o' like hair it was, floatin' about; and every now and then a big wave would come Sssss! up on the shore—well, honest, I run! I was a little shaver, but I've never wanted any more sea in mine!"

The brown man laughed. "You'd feel different, come to get out in blue water!" he said. "Smell the salt, and get the wind in your face, and—gorry! I'm a sea-farin' man," he said simply. "I spent good part of my life at sea. I'm runnin' a candy route at present—have a pep'mint! Do! 'Twon't cost you a cent, and it's real good for the stummick—but where I belong is at sea. Well! you can't do better than farmin', surely. Would you like a temp'ry job pickin' apples? I dunno but Sam—"

"There's more to it than that!" Pippin was speaking absently now; there was a wistful look in his eyes. "There's all that, the smell of the ground, and—and buttercups and—things; but there's more to it. There! You seem so friendly, I'll say it right out. I want to help!"

"That's right!" murmured the brown man. "Help! that's the stuff!"

"I want to help them that needs help. I want there shouldn't be so many kids in cellars, nor so many boys go wrong. Green grass! Tell you what!" Pippin's eyes were shining now, and his hands clenched. "I've been sayin' along, this month past, I'd forget all that time when I was a kid; I'd forget everything up to where I found the Lord. I kind o' think there was where I was wrong, mister—?"

"Call it Parks!" said the brown man. "Calvin Parks is what I was christened, and I'd like to know your name, son."

"Pippin!"

"Meanin'—?"

"Just Pippin!"

"Christian name or surname?"

"All the name there is!"

"But Pippin ain't no given name; it's an apple!"

"That's right! But it's all the name I've got. Fur back as I remember, Granny Faa called me it, and Dod Bashford called me 'pup' or 'snipe.' That's all I have to go by, so you see how 'tis!"

How should you remember anything more, Pippin? You were a baby when Granny Faa, then still able to travel, living in and out of the tilt cart which was home to her, found you by the roadside with your dying mother. The woman was almost past speech. "Don't roof me!" she muttered, flinging her arms out as the old gypsy lifted her. "Don't roof me!" and so died. Granny Faa felt no responsibility for the corpse. She rifled the body methodically, but found nothing of value. The shoes were better than her own, so she put them on. As for the baby, she took it partly because it smiled in her face and made something stir in that withered region where her heart was still alive, but more because her son wished it. Gypsy Gil (short for Gilbert), bent over the child delightedly; he snapped his fingers, and the baby crowed and jumped in the withered arms that held it. "Hell! ain't he a pippin?" said Gil. "Say, kid, ain't you a pippin?" "Goo!" said the baby. That was all. It was very simple. During the week Gil had still to live, he was "wrop up," as his mother said, in the child, and declared twenty times a day, with a new oath each time, that it was a pippin sure enough. Then, a knife thrust in a drunken scuffle sent Gil wherever he was to go; but he had named the baby. The old woman, mourning like a she-wolf, tended the child grimly because Gil had liked it; called it, for the same reason, by the name-that-was-no-name which he had given it. It was all simple enough, you see, had Pippin but known.

"That's mighty queer!" the brown man ruminated. "I don't know as ever I heard of any one without two names to him, and yet it sounds all right, too. Pippin! Well—well, son, I will say you look it. And now, here we are at the Poor Farm, and I'm goin' in here in my reg'lar way."

"Poor Farm! is this a Poor Farm?"

Ever since it came in sight, Pippin had been looking with a lover's eye at the broad low house of mellow brick, standing back from the road under its giant elms, its neat garden skirts gathered round it, its prim, trim gravel path leading to its white steps and green fan-lighted door.

"This a Poor Farm!" he repeated.

"Sure! Jacob Bailey's idea of one, and I wish there was more like it."

"Jacob Bailey!" cried Pippin. "Why, green grass! Why—why, ain't this great? He's a gentleman I'm acquainted with; he asked me to come and see him, and I promised I would. Well, if this ain't a leadin', I never see one. Mr. Parks, I'm pleased enough at meetin' up with you, just your own self; but add on your bringin' me here—why, I don't know how to thank you, sir!"

"Nothin' at all! nothin' at all!" said Calvin Parks. "I'm just as pleased myself. Think of your knowin' Jacob! Well! well! He's pure fruit and cane sugar, Jacob is, not a mite of glucose in his make-up. Here he comes this minute!"

Such a welcome as they had! Good Mr. Bailey, coming out to welcome his old friend, was quite overcome with pleasure and amazement at finding his new one, too. He had been telling the woman about him ever since that day, he assured Pippin. Only this morning he had said he wished that young feller would turn up, and she had said she wished to goodness he would for there was nothing in the house that would cut except Aunt Mandy's tongue.

"One of the inmates!" he explained. "Poor old lady! M' wife was a mite worked up, and she is cuterin', times when her rheumatism ketches her. Come in! Come in, the two of ye! Make ye welcome, Pippin, to Cyrus Poor Farm!"

He led them through the neat vestibule, through—with a glance of pride—the chilly splendor of the parlor, with its embossed plush rockers and lace curtains, into the kitchen.

"We'll find the woman here!" he said. "Kitchen's home, I always say."

It was a large, brick-paved room, with four broad windows facing south and east. Most of one side was taken up by a black cavern of a fireplace, which sheltered grimly the shining trimness of a modern cookstove. There was plenty of room for the settles on either side, and warm though the day was, two or three old people were sitting there, rubbing their chilly knees and warming their poor old hands. They looked up, and their faces sharpened into lively curiosity at sight of the visitors; but the girl who sat at the window never glanced at them, only crooned to the cat in her lap. The blind man in the corner, weaving willow baskets, listened, and his face lightened at the sound of the brown man's voice.

"Howdy, folks!" he said. "Well, I am a stranger, as you were saying. Say we have a pep'mint all round, what? Or a marshmallow? Uncle Ammi, I've got a treat for you, come all the way from Cyrus!"

While he gossiped cheerily with the old people, a sweet-faced woman came from an inner room and was introduced by Jacob Bailey as "m' wife."

"This is the young man I was tellin' you about, Lucy!" he said. "Cur'us he should happen along to-day, what say?"

"That's right! Only I should call it providential myself, Jacob. Be seated, won't you, Mr.—now Jacob told me your name!—Pippin—to be sure! Be seated, Mr. Pippin. We'll be having supper soon, and you'll set right down with us, I hope."

"Thank you, ma'am! If there was some knives I could be sharpenin', to earn my supper, sort of, I should be tickled to death to stay. Or if there's anything else you'd rather—what I aim at is to please, you see. Them scissors the young lady has in her lap don't appear to be what I'd call real sharp, now."

Mrs. Bailey laid her hand gently on the girl's fair head.

"Flora May can't have sharp scissors!" she said. "She's good as gold, but she's a little wantin', and she might cut off her lovely hair, mightn't you, Flora?"

The girl raised a sweet, vacant face. "I might cut off my lovely hair!" she repeated in a musical singsong. "My lovely, lovely hair! My—" The quiet hand touched her again, and she was silent.

"After supper we'll have some singin'!" she said. "Flora May admires to sing."

"Does she?" Pippin looked earnestly at the young face, pure and perfect in form and tint. "It's like a lamp when you've blown it out!" he thought.

Now Mrs. Bailey brought an apronful of knives and scissors. Pippin retreated to the yard where he had left his wheel, and was soon grinding and singing away, oblivious of all else save flying wheel and shining steel. Glancing up after a while, he saw all the inhabitants of the Poor Farm gathered in the doorway, listening; he paid little heed; folks always listened. That was the way the Lord had given him, to pay folks for bein' so pleasant to him as they always was. He was real thankful.

"Look at the aidge on this knife, will you? Hardly you can't tell which is it, and which is air; see?"

He broke out into a wild, sweet air:

"Oh! carry me 'long!
Dar's no more trouble for me.
I's gwine away to a better land,
Where all de niggers am free.
Long, long hab I worked,
I'b handled many a hoe;
I'll turn my eye before I die,
And see de sugar cane grow."

Something moved near him. He glanced down and saw the girl Flora May. She had crept nearer and nearer, till now she was almost at his feet. She sat, or rather crouched, on the ground, graceful as a creature of the woods, her blue print gown taking the lovely lines of her figure, her masses of fair hair, neatly braided, wound round and round her head. Such a pretty head! Just a little too small, poor Flora May! not for grace, but for other things. Looking at her, Pippin saw, and wondered to see, the face which he had likened to a dead lamp, now full of light, the pale cheeks glowing, the red lips parted, the blue eyes shining.

Yet somehow—what was the matter? They did not shine as other eyes shone; those brown ones, for instance, of the brown man towering in the doorway, or the twinkling gray eyes of Jacob Bailey.

"The lamp's burnin'," said Pippin, "but yet it's went wrong, some ways, but even so—green grass! she's a pictur!"

Coming to the end of his song, he smiled and nodded at the upturned face.

"Sing more for Flora May!" cried the girl. "Sing more!"

"Sure!" said Pippin. "Wait till I get a start on this aidge, Miss Flora May—Now! Here's what'll please you, I expect:

"Joseph was an old man,
An old man was he;
He married sweet Mary,
The Queen of Galilee.
"As they went a-walking
In the garden so gay,
Maid Mary spied cherries
Hanging over yon tree.
"Mary said to cherry tree,
'Bow down to my knee,
That I may pluck cherries
By one, two, and three.'"

A long way back to the cellar, and Granny Faa crooning over her black pot—in her best mood, be sure, or she would not be singing the Cherry Tree Carol. A far longer way back to an English lane in early summer, the gypsy tilt halted under a laden cherry tree, the gypsy mother singing to her little maid as she dangled the cherries over her head. A long, long road to go, and yet as yesterday, as a watch in the night.

"O eat your cherries, Mary,
O eat your cherries now,
O eat your cherries, Mary,
That grow upon the bough."—

"Now, Mr. Pippin," called Mrs. Bailey from the doorway, "it's plain to be seen there'll be no supper in this house till you give over singin'. I'm full loath to ask you to stop, but my cakes have to be eat hot, or they're no good."


                                                                                                                                                                                                                                                                                                           

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