One day when I made a perilous ascent to Keidansky's garret, barely escaping harm through boxes and barrels and darkness and things in the way, I found him hard at work on an article—this time in the English language—on "What Constitutes the Jew?" A kind and interested editor to whom I had the honor of introducing him, asked my discovery to write on the subject, and pleased with the suggestion he took it up. He motioned to an up-turned coal scuttle for a seat as I entered, and bade me take a Jewish paper and be quiet. While I waited he finished his essay. "I haven't any time to talk to you," he said, looking disconsolate and running his long fingers through his curly black hair: "I want to read you this thing I've just scribbled. There he goes again—" he broke off in despair, as the old man in the next attic began to chant the Psalms. "But I shall read louder than he does," said Keidansky, "I pay rent here—sometimes—and King David, the fruit vendor, in there, sha'n't put me down." I listened, and he read as follows: "And after we have read about him in the comic weeklies, have seen him delineated in popular works of fiction, have observed him caricatured in various publications, have beheld him portrayed on the "For, of a verity, he is so complex in his character, so heterogeneous in his general composition, so diverse in his activities, so many sided in his worldly and heavenly pursuits, so widely varying in his appearance, so wonderfully ubiquitous, and withal such a living contradiction, that even after we have made the above painful efforts to understand him, we are still at a loss to know—what we know about him. "He represents one of the ancient races and yet is as up to date as any; he reaches deepest into the past and looks furthest into the future; he is the narrowest conservative and the most advanced radical; in religion he is the most dogmatic, sectarian, "He loans money to kings, and the kings oppress the Jews; he is the great concentrator of wealth, and he is the Socialist and Anarchist working ardently for the abolition of the private ownership of wealth; he is eminently practical, and is ever among the world-forgetting dreamers, 'the great host of impracticables'; he has no fine arts of his own, and he carries off the highest prizes for his glorious contribution to the arts of the nations. Now he is exclusively confined to his own Hebrew, religious lore, believing that beyond it there are no heights to scale, no depths "If, then, he is everything and to be found anywhere, to be seen in all sorts of circumstances, in all walks of life and walking in so many diverse ways, making his way in such strongly contrasting conditions, how shall we know him? How shall we know what constitutes the Jew? He does not always abide in the Ghetto, and, things are coming to such a pass, that he rarely has the old Ghetto appearance. I suppose if our dear Mr. Zangwill had his own way he would fill the world with Ghettos. He could use them in his business. But perhaps the time is drawing nigh when we must have the books of Mr. Zangwill and other works of such excellence to preserve the most picturesque life of a unique people and save it from oblivion. The Ghetto walls are falling, falling. "Old-fashioned folk, like other things, go out of fashion. The old-style long garb, the 'capota,' will take itself away after the toga, and such is the awful power of civilization that even the time-honored skull-caps of the men and the wigs of the women are vanishing before it. Time, with its scythe, cuts down even the curling sidelocks and the long beards dear to tradition. Up-to-date fashion is a democratic tyrant, an expansionist invading and permeating all places and peoples. So we cannot count on these externals. Physiognomy is another thing by which to be misguided. Other outer details may help us as much as medicine can help the dead—or the living, for that matter. Then there are names. What's in a name? An opportunity for misunderstanding. One cannot even know himself by his name. All these artificial designations do not designate. "What, then, are the telling traits, the conspicuous characteristics by which the typical, representative Jew may be known? Now I am blissfully ignorant of anthropology, and could not analyze scientifically, even at the risk of being destroyed critically. But through a certain accident—an accident of birth—I may be enabled to make a few suggestions, which I will offer with all due and undue apologies, of course. "First and foremost I should mention his wonderful versatility; he is the most versatile actor in this play called life. He has acquired this versatility throughout his wanderings, sufferings, trials and "Mentally alert, keen of comprehension, quick to grasp any situation, almost too shrewd to be wise, practical to the detriment of his high ideals, calm, careful, cautious, calculating, hopeful in the face of despair, optimistic to a discouraging degree, often too regular and respectable to become great; intensely individualistic, proud of his past, anxious about the future, ever devoted to his cause, self-appreciatory, at times too sure of his capabilities, confident in the ultimate decency of things, deeply in love with life—these are among the qualities that may be attributed to the Jew. "His isolated, peculiar and purely religious life, 'the spiritual Palestine' which he has carried along with him in his wanderings through the darkness and cold of the Ghettos, has under all circumstances and in all hazards preserved those fine domestic and social qualities for which he is noted. What can now be said about his domesticity, his love of home and "He has talent to waste, and much of it is really wasted because he lacks opportunity for cultivation and frequently has not the required concentration and application. Perhaps it is better so; for if all Jewish talent was brought out in the various forms "The Jew is a great possibility. Sensitive of and susceptible to all things, to the very color of the atmosphere around him, with a soul sharpened by sorrow and a mind of keenest understanding, he can become anything and everything, assimilate himself with any and all conditions, and illustrate life with a new meaning or adorn it with a worthy work. He is like unto an Æolian harp on which various breezes play various tunes. "His beautiful, consecrated, peaceful, religious, home life, the life wherein the home is a synagogue and the synagogue is a home, this on the one hand and the strange world with its hard realities, with its stumbling-blocks and stunning blockheads, on the other, have created in the Jew a striking two-sidedness, a kind of duality and, if I may so call it, a sort of conciliation between the ideal and the real. This "Murder, or any other kind of talent, will out. Say rather that talent will out even if it must come in the shape of murder, so to speak. People capable of the highest good and noblest greatness are often cast down into the abyss of degradation by their loving neighbors, or other circumstances. People must live, you know, and therefore they often live a living death. Not permitted to live rightly and happily, they still must live somehow. The instinct of self-preservation preserves much evil, but life is life. Those who have talent and are not permitted to use it for the good of all, use it for their own temporal good, regardless of the consequences. The thought that I wish to leave here as we part with the Jew is: That they who walk in darkness find the ways that are dark. Over-praise is damning, and I want to be careful. The Jew has on the whole been far, far better than he has been permitted to be—and this, too, is one of the charges against him. He is a graduate of the school of sorrow, with the highest honors. "What is that story about the man who in his long quest after the ideal, at last found her in the woman who has suffered? "Well, here is the Jew, a being who has suffered." |