"Seki San, look at the old woman with black teeth! What made them black? What have the little girls got flowers in their hair for? What are they ringing the bell for?" Seki San sitting on her heels at the car window tried to answer all June's questions at once. The sad parting was over. Mrs. Royston had left in the night on the steamer they had crossed in, and the Captain and the Purser and all the passengers were going to take care of her until she got to Hong Kong, and after that it was only a short way to Manila, and once she was with Father, June felt that his responsibility ceased. When they first boarded the train, June "If God has got to take somebody," June said at length gloomily, "I think He might take one of my grandmothers. I have got four but one of them is an old maid." "Oh no," said Seki, "she isn't." "She is," persisted June, "she keeps every thing put away in little boxes and won't let me play with them. Seki, do you guess God would jes' as lieve for me to have a horn as a harp when I go to Heaven? I want a presser horn like they have in the band." "But you will not go for many long times!" cried Seki, catching his hand as if he were about to slip away. "Look out of the window. See! They are giving the cow a bath!" In a field nearby an old man and woman were scrubbing a patient-looking cow, and when the creature pulled its head away and "We bow with our whole self, so," Seki explained, putting her hands on her knees and bending her body very low, "and we never shake with the hands nor kiss together!" "Don't the mothers ever kiss the children good-night?" asked June incredulously. "Oh! no," said Seki, "we bow." While June was thinking about this strange state of affairs, a man came close under the window, carrying a tray and calling: "Bento! Eo Bento!" The Tea-Party on the train. "Are we going to have a tea-party?" asked June, scrambling down from his perch. "So," said Seki San, reaching under the seat and pulling out a tiny chest, in which were other cups and saucers and a jar of tea leaves, "we will have very nice tea-parties and you shall make the tea." June, following instructions, put some of the tea in the small pot and poured the hot water over it, then he helped Seki San spread two paper napkins on the seat between them. "Now," he said, "where's the party?" Seki San handed him one of the boxes and began to untie the string of the other. "I have some sticks tied on to mine!" cried June, "two big ones and a tiny little one wrapped up in paper." But June was too busy exploring the contents of the two trays that formed his box to stop to take a lesson in the use of chop-sticks. The lower tray was full of smooth white rice. In the top one, was a bit of omelet and some fish, and a queer-looking something that puzzled June. "What is it?" he asked. "Guess it!" said Seki mysteriously, "guess it with your nose." "It's pickle!" cried June. "Pickled sea-weed," said Seki, "and I have also brought you some Japanese candy that you pour out of a bottle." There was no bread, no butter, no knife nor fork nor spoon, but June thought it was the very nicest tea-party he had ever been to. Sitting with his stocking feet curled "Don't you wish you were a little boy, Seki San?" he asked when most of the lunch had disappeared. "Why?" said Seki. "'Cause," said June, "you'd have such a good time playing with me all the time!" "But no," said Seki seriously, "I must be big womans to take care of you." "And tell me stories!" added June with policy: "tell me 'bout Tomi now." "Tomi?" said Seki San, smiling. "You going see Tomi very soon, to-morrow, perhaps to-night. Tomi very bad little dog, makes a cross bark at all big peoples, but loves little children. When Tomi very little his nose stick out, so—Japanese think it very ugly for little pug-dog's nose to stick out, so we push June laughed at the familiar story, but suddenly he sobered: "Say, Seki, I don't think it was very nice to push his nose in; I wouldn't like to have my nose pushed in so I would have to sneeze all the rest of my life." "Ah! but he must be beautiful! Tomi would not be happy if his nose stuck out when other pug-doggies had nice flat nose. Tomi is very happy, he is grateful." It was quite dark when they reached their destination; June had been asleep and when he slipped out on the platform he could not remember at all where he was; Seki's mother and her sisters and brothers besides all the relatives far and near had come to welcome her back from America, and quite a little crowd closed in about her, bowing and bowing and chattering away in Japanese. Suddenly he felt something rub against his leg, and then he heard a queer sound that somehow sounded familiar. Stooping down he discovered a flat-nosed little pug that was kissing his hand just as if it had been brought up in America. "It's Tomi," cried June in delight, and the pug, recognizing his name, capered more madly still, only stopping long enough to sneeze between the jumps. Ten minutes later June was sitting beside Seki San in a broad jinrikisha, rushing through the soft night air, down long gay streets full of light and color and laughter, round sharp corners, up steep hills, over bridges where he could look down and see another world of "Is it like a story-book all the time?" he asked. Seki San laughed: "Oh, no, June, story-book land is back in America, where the grown-up houses are, and the rich, fine furnitures, and the strange ways. This is just home, my very dear home, and I have such glad feelings to be here!" June cuddled close and held her hand, and if he felt a wee bit wistful, and wiped his eyes once in a while on her sleeve, he did it very carefully, so that Seki would have nothing to spoil the glad feeling in her heart at being home again. |