The pride of my heart and the delight of my eyes is my garden. Our house, which is in dimensions very much like a bird-cage, and might, with almost equal convenience, be laid on a shelf or hung up in a tree, would be utterly unbearable in wet weather were it not that we have a retreat out of doors, and a very pleasant retreat it is. To make my readers comprehend it I must describe our whole territories.

Fancy a small plot of ground with a pretty, low, irregular cottage at one end; a large granary, divided from the dwelling by a little court running along one side; and a long thatched shed, open towards the garden, and supported by wooden pillars, on the other. The bottom is bounded half by an old wall and half by an old paling, over which we see a pretty distance of woody hills. The house, granary, wall, and paling, are covered with vines, cherry-trees, roses, honeysuckles, and jessamines, with great clusters of tall hollyhocks running up between them; a large elder overhanging the little gate, and a magnificent bay-tree, such a tree as shall scarcely be matched in these parts, breaking with its beautiful conical form the horizontal lines of the buildings. This is my garden; and the long pillared shed, the sort of rustic arcade, which runs along one side, parted from the flower-beds by a row of geraniums, is our out-of-door drawing-room.

I know nothing so pleasant as to sit there on a summer afternoon, with the western sun flickering through the great elder-tree, and lighting up our gay parterres, where flowers and flowering shrubs are set as thick as grass in a field, a wilderness of blossom, interwoven, intertwined, wreathy, garlandy, profuse beyond all profusion, where we may guess that there is such a thing as mould, but never see it. I know nothing so pleasant as to sit in the shade of that dark bower, with the eye resting on that bright piece of colour, lighted so gloriously by the evening sun, now catching a glimpse of the little birds as they fly rapidly in and out of their nests—for there are always two or three birds'-nests in the thick tapestry of cherry-trees, honeysuckles, and china-roses, which covers our walls—now tracing the gay gambols of the common butterflies as they sport around the dahlias; now watching that rarer moth, which the country people, fertile in pretty names, call the bee-bird;[27] that bird-like insect, which flutters in the hottest days over the sweetest flowers, inserting its long proboscis into the small tube of the jessamine, and hovering over the scarlet blossom of the geranium, whose bright colour seems reflected on its own feathery breast: that insect which seems so thoroughly a creature of the air, never at rest; always, even when feeding, self-poised and self-supported, and whose wings, in their ceaseless motion, have a sound so deep, so full, so lulling, so musical. Nothing so pleasant as to sit amid that mixture of rich flowers and leaves, watching the bee-bird! Nothing so pretty to look at as my garden! It is quite a picture; only unluckily it resembles a picture in more qualities than one—it is fit for nothing but to look at. One might as well think of walking in a bit of framed canvas. There are walks, to be sure—tiny paths of smooth gravel, by courtesy called such—but they are so overhung by roses and lilies, and such gay encroachers—so overrun by convolvulus, and heart's-ease, and mignonette, and other sweet stragglers, that, except to edge through them occasionally for the purpose of planting, or weeding, or watering, there might as well be no paths at all. Nobody thinks of walking in my garden. Even May glides along with a delicate and trackless step, like a swan through the water; and we, its two-footed denizens, are fain to treat it as if it were really a saloon, and go out for a walk towards sunset, just as if we had not been sitting in the open air all day.

[Footnote 27: Sphinx lugustri, privet hawk-moth.]

What a contrast from the quiet garden to the lively street! Saturday night is always a time of stir and bustle in our village, and this is Whitsun-Eve, the pleasantest Saturday of all the year, when London journeymen and servant lads and lasses snatch a short holiday to visit their families. A short and precious holiday, the happiest and liveliest of any; for even the gambols and merry-makings of Christmas offer but a poor enjoyment compared with the rural diversions, the Mayings, revels, and cricket-matches of Whitsuntide.

We ourselves are to have a cricket-match on Monday, not played by the men, who, since a certain misadventure with the Beech-hillers, are, I am sorry to say, rather chop-fallen, but by the boys, who, zealous for the honour of their parish, and headed by their bold leader, Ben Kirby, marched in a body to our antagonists' ground the Sunday after our melancholy defeat, challenged the boys of that proud hamlet, and beat them out and out on the spot. Never was a more signal victory. Our boys enjoyed this triumph with so little moderation that it had like to have produced a very tragical catastrophe. The captain of the Beech-hill youngsters, a capital bowler, by name Amos Stone, enraged past all bearing by the crowing of his adversaries, flung the ball at Ben Kirby with so true an aim that if that sagacious leader had not warily ducked his head when he saw it coming, there would probably have been a coroner's inquest on the case, and Amos Stone would have been tried for manslaughter. He let fly with such vengeance, that the cricket-ball was found embedded in a bank of clay five hundred yards off, as if it had been a cannon shot. Tom Coper and Farmer Thackum, the umpires, both say they never saw so tremendous a ball. If Amos Stone live to be a man (I mean to say if he be not hanged first) he'll be a pretty player. He is coming here on Monday with his party to play the return match, the umpires having respectively engaged Farmer Thackum that Amos shall keep the peace, Tom Coper that Ben shall give no unnecessary or wanton provocation—a nicely worded and lawyer-like clause, and one that proves that Tom Coper hath his doubts of the young gentleman's discretion; and, of a truth, so have I. I would not be Ben Kirby's surety, cautiously as the security is worded—no! not for a white double dahlia, the present object of my ambition.

This village of ours is swarming to-night like a hive of bees, and all the church bells round are pouring out their merriest peals, as if to call them together. I must try to give some notion of the various figures.

First, there is a group suited to Teniers, a cluster of out-of-door customers of the Rose, old benchers of the inn, who sit round a table smoking and drinking in high solemnity to the sound of Timothy's fiddle. Next, a mass of eager boys, the combatants of Monday, who are surrounding the shoemaker's shop, where an invisible hole in their ball is mending by Master Keep himself, under the joint superintendence of Ben Kirby and Tom Coper. Ben showing much verbal respect and outward deference for his umpire's judgment and experience, but managing to get the ball done his own way after all; whilst outside the shop, the rest of the eleven, the less trusted commons, are shouting and bawling round Joel Brent, who is twisting the waxed twine round the handles of the bats—the poor bats, which please nobody, which the taller youths are despising as too little and too light, and the smaller are abusing as too heavy and too large. Happy critics! winning their match can hardly be a greater delight—even if to win it they be doomed! Farther down the street is the pretty black-eyed girl, Sally Wheeler, come home for a day's holiday from B., escorted by a tall footman in a dashing livery, whom she is trying to curtsy off before her deaf grandmother sees him. I wonder whether she will succeed!

Ascending the hill are two couples of a different description. Daniel Tubb and his fair Valentine, walking boldly along like licensed lovers; they have been asked twice in church, and are to be married on Tuesday; and closely following that happy pair, near each other but not together, come Jem Tanner and Mabel Green, the poor culprits of the wheat-hoeing. Ah! the little clerk hath not relented! The course of true love doth not yet run smooth in that quarter. Jem dodges along, whistling "Cherry-ripe," pretending to walk by himself, and to be thinking of nobody; but every now and then he pauses in his negligent saunter, and turns round outright to steal a glance at Mabel, who, on her part, is making believe to walk with poor Olive Hathaway, the lame mantua-maker, and even affecting to talk and to listen to that gentle, humble creature, as she points to the wild flowers on the common, and the lambs and children disporting amongst the gorse, but whose thought and eyes are evidently fixed on Jem Tanner, as she meets his backward glance with a blushing smile, and half springs forward to meet him: whilst Olive has broken off the conversation as soon as she perceived the pre-occupation of her companion, and begun humming, perhaps unconsciously, two or three lines of Burns, whose "Whistle and I'll come to ye, my lad," and "Gi'e me a glance of thy bonny black e'e," were never better exemplified than in the couple before her. Really, it is curious to watch them, and to see how gradually the attraction of this tantalising vicinity becomes irresistible, and the rustic lover rushes to his pretty mistress like the needle to the magnet. On they go, trusting to the deepening twilight, to the little clerk's absence, to the good humour of the happy lads and lasses who are passing and repassing on all sides—or rather, perhaps, in a happy oblivion of the cross uncle, the kind villagers, the squinting lover, and the whole world. On they trip, arm in arm, he trying to catch a glimpse of her glowing face under her bonnet, and she hanging down her head, and avoiding his gaze with a mixture of modesty and coquetry, which well becomes the rural beauty. On they go, with a reality and intensity of affection which must overcome all obstacles; and poor Olive follows her with an evident sympathy in their happiness which makes her almost as enviable as they; and we pursue our walk amidst the moonshine and the nightingales, with Jacob Frost's cart looming in the distance, and the merry sounds of Whitsuntide, the shout, the laugh, and the song, echoing all around us, like "noises of the air."

Mary Russell Mitford.