The Passion Flower is composed in leather of five pieces, and when well made presents a very beautiful specimen of what can be accomplished in that material.

In making the Passion Flower cut out the calyx of five leaves—that is the part of the drawing in the annexed diagram with the pointed end; then cut out the corolla of five petals with the rounded ends; cut also a circular piece for the nectary, which must be cut all round with the knife to form the radii, the centre having many small cuts radiating from the central point; when turned upward, in putting it in its place, forms the fringe-like appearance around the pistil seen in the flowers.

The Passion Flower has five stamina with ladle-shaped ends, or anthers, and three stigmas a little elevated above and turning over the stamina; the anthers and stigma are made of one piece of leather. The involucrum is formed also of one piece, and the three leaves are laid one over the other as in the annexed flower.

To put together the various parts above described and form the Passion Flower, begin by doubling a piece of wire over the angles of the stamina, twisting it underneath; roll a piece of skiver leather round the wire to form the style of the pistil and the stem of the whole flower; then turn up the three stigmas and roll a small piece of leather round them close to the stamina and turn them over; this being done, place the nectary on the stem, taking care that the cut portion in the centre be arranged upwards around the pistil. The petals are next placed on the stem, followed by the calyx; the leaves of the calyx must alternate with the petals; liquid glue must be inserted between each portion of the flower to give it firmness.

The involucrum, which is a sort of calyx, is put on the stem last a little way below the true calyx; we may just add, that all the leaves, petals, &c., with the exception of the involucrum, must have the smooth side of the leather uppermost; the petals and calyx must be hollowed out with the modelling tool for that purpose, or if that is not at hand, use the handle of the veining tool, and laying the petals and also the calyx on a smooth surface, rub them with the ivory end of the veining tool till they become hollow and smooth as in the natural flower.

The above is the way, as plainly as we can possibly describe it, to make a Passion Flower. We have repeatedly made the flower exactly upon the above plan, and it has always been much admired.