We feel assured that a long introduction is neither requisite to the reader or publisher of a Work like the present, and shall, therefore, merely say, that the great success our former little Works have met with, has induced us to send forth this edition, in which will be found every particular connected with this very useful source of amusement and fashionable department of practical art. The illustrations are furnished by a late pupil of the School of Design, who obtained the highest prize for Flower Painting, assisted by a student of the Royal Academy of Arts. Every example given has been practically tested, and, in most instances, the drawings have been copied from the models executed in leather, and will be found to combine durability with beauty of design. In order to make the leather modelling as durable as possible, we have not departed from nature in the finished form, but in the mode of construction; for example, we make several portions of a flower in one piece of leather. The Narcissus and the beautiful White Lily have each six petals; in both instances, we make the entire corolla of the flowers in one piece; thereby, while losing none of the beauty of the natural form of the flowers, we gain strength and solidity; as, were the petals of the Lily or Narcissus to be composed of six pieces, one, if imperfectly cemented, might fall off and detract from the beauty of the entire piece of work. By our method of proceeding, it is impossible to do so: we mention this, as, in our description of Making and Modelling Flowers in Leather, we differ from the literally botanic construction, while, at the same time, we arrive at perfectly correct and artistic formation.

In some flowers, as in the Hop, Dahlia, &c., we have found it impracticable to combine many petals in one piece of leather; where this is the case, especial care must be taken to have good liquid glue, and fasten each petal securely.

All leather to be used in Modelling Leaves, Flowers, &c., must be first wetted, and modelled while wet; and as this is a general rule, the student will understand that mention of the necessity of this operation will not in every instance be repeated.

Amongst the many uses to which Leather Work is applied, that of ornamenting Pulpits will be found a capital field for the display of this art, as it is capable of being moulded into any form, and nothing can possibly have a more substantial and beautiful appearance.

Glasses of varied form, as jelly glasses and old-fashioned goblets, as well as many of modern manufacture, can be covered on the outside with Leather Work. Lilies of the Valley, and other such flowers, being trailed round a groundwork of leaves, and being either gilded or stained, look exceedingly well; and as they are capable of holding water, become really useful as well as ornamental articles for bouquets of flowers.

Fire-screens and scroll work are executed exactly in the same manner, as described in the following pages, for frames. Fire-screens are generally filled with Berlin wool, or some other fancy work. Those who would prefer to have an entire piece of Leather Work, can paint landscapes or flowers upon white leather, using the same medium which is used at the School of Design for body colour painting, mixed with finely powdered colours.

Gold Leather Work looks remarkably well upon a blue or crimson velvet ground, and makes very rich frames, fire screens, &c. When tastefully arranged, the flowers and leaves upon these grounds have a very magnificent appearance.

Amongst the numerous articles which admit of being ornamented with leather, may be enumerated frames, brackets, vases, pole and hand screens, card plates and racks, music and watch stands.