The hacienda San JosÉ de Bavicora lies northwest from Chihuahua 225 of the longest miles on the map. The miles run up long hills and dive into rocky caÑons; they stretch over never-ending burnt plains, and across the beds of tortuous rivers thick with scorching sand. And there are three ways to make this travel. Some go on foot—which is best, if one has time—like the Tahuramaras; others take it ponyback, after the Mexican manner; and persons with no time and a great deal of money go in a coach. At first thought this last would seem to be the best, but the Guerrero stage has never failed to tip over, and the company make you sign away your natural rights, and almost your immortal soul, before they will allow you to embark. So it is not the best way at all, if I may judge from my own experience. We had a coach which seemed to choose the steepest hill on the route, where it then struck a stone, which heaved the coach, pulled out the king-pin, and what I remember of the occurrence is full of sprains and aches and general gloom. Guerrero, too, is only three-fourths of the way to Bavicora, and you can only go there if Don Gilberto, the patron of the hacienda—or, if you know him well enough, “Jack”—will take you in the ranch coach. After bumping over the stones all day for five days, through a blinding dust, we were glad enough when we suddenly came out of the tall timber in the mountain To us was assigned the room of honor, and after shaking ourselves down on a good bed, with mattress and sheeting, we recovered our cheerfulness. A hot toddy, a roaring fireplace, completed the effect. The floor was strewn with bear and wolf skin rugs; it had pictures and draperies on the walls, and in a corner a wash-basin and pitcher—so rare in these parts—was set on a stand, grandly suggestive of the refinements of luxury we had attained to. I do not wish to convey the impression that Mexicans do not wash, because there are brooks enough in Mexico if they want to use them, but wash-basins are the advance-guards of progress, and we had been on the outposts since leaving Chihuahua. Jack’s man William had been ever-present, and administered to our slightest wish; his cheerful “Good-mo’nin’, gemmen,” as he lit the fire, recalled us to life, and after a rub-down I went out to look at the situation. Jack’s ranch is a great straggling square of mud walls enclosing two patios, with adobe corrals and out-buildings, all obviously constructed for the purposes of defence. It was built in 1770 by the Jesuits, and while the English and Dutch were fighting for the possession of the Mohawk Valley, Bavicora was an outpost of civilization, as it is to-day. Locked in a strange language, on parchment stored in vaults in Spain, are the records of this enterprise. In 1840 the good fathers were murdered by the Apaches, the country devasted and deserted, and the cattle I sat on a mud-bank and worked away at a sketch of the yellow sunlit walls of the mud-ranch, with the great plain running away like the ocean into a violet streak under the blue line of the PeÑa Blanca. In the rear rises a curious broken formation of hills like millions of ruins of Rhine castles. The lobos I rose to go inside, and while I gazed I grew exalted in the impression that here, in the year of 1893, I had rediscovered a Fort Laramie after Mr. Parkman’s well-known description. The foreman, Tom Bailey, was dressed in store clothes, and our room had bedsteads and a wash-basin; otherwise it answered very well. One room was piled high with dried meat, and the great stomachs of oxen filled with tallow; another room is a store full of goods—calicoes, buckskin, riatas, yellow leather shoes, guns, and other quaint plunder adapted to the needs of a people who sit on the ground and live on meat and corn-meal. “Charlie Jim,” the Chinese cook, has a big room with a stove in it, and he and the stove are a never-ending wonder to all the folks, and the fame of both has gone across the mountains to Sonora and to the south. Charlie is an autocrat in his curious Chinese way, and by the dignity of his position as Mr. Jack’s private cook, and his unknown antecedents, he conjures the Mexicans and damns the The patron has the state apartment, and no one goes there with his hat on; but the relations with his people are those of a father and children. An old gray man approaches; they touch the left arm with the right—an abbreviated hug; say “Buenos dias, patron!” “Buenos dias, Don Sabino!” and they shake hands. A California saddle stands on a rack by the desk, and the latter is littered with photographs of men in London clothes and women in French dresses, the latter singularly out of character with their surroundings. The old criada squats silently by the fireplace, her head enveloped in her blue rebozo, and deftly rolls her cigarette. She alone, and one white bull-dog, can come and go without restraint. The administrador, which is Mr. Tom Bailey, of Texas, moves about in the discharge of his responsibilities, and they are universal; anything and everything is his work, from the negotiation for the sale of five thousand head of cattle to the “busting” of a bronco which no one else can “crawl.” The clerk is in the store, with his pink boy’s face, a pencil behind his ear, and a big sombrero, trying to look as though he had lived in these wilds longer than at San Francisco, which he finds an impossible part. He has acquired the language and the disregard of time necessary The forge in the blacksmith’s shop is going, and one puncher is cutting another puncher’s hair in the sunlight; ponies are being lugged in on the end of lariats, and thrown down, tied fast, and left in a convulsive heap, ready to be shod at the disposition of their riders. On the roof of the house are two or three men looking and pointing to the little black specks on the plain far away, which are the cattle going into the lagunas to drink. The second patio, or the larger one, is entered by a narrow passage, and here you find horses and saddles and punchers coming and going, saddling and unsaddling their horses, and being bucked about or dragged on a rope. In the little doorways to the rooms of the men stand women in calico dresses and blue cotton rebozos, while the dogs and pigs lie about, and little brown vaqueros are ripening in the sun. In the rooms you find pottery, stone metates for grinding the corn, a fireplace, a symbol of the Catholic Church, some serapes, some rope, and buckskin. The people sit on a mat on the floor, and make cigarettes out of native tobacco and corn-husks, or rolled tortillas; they laugh and chat in low tones, and altogether occupy the tiniest mental world, hardly larger than the patio, and not venturing beyond the little mud town of Temozachic, forty miles over the hills. Physically the men vacillate between the most intense excitement and a comatose state of idleness, where all is quiet and slothful, in contrast to the mad whirl of the roaring rodeo. In the haciendas of old Mexico one will find the law and custom of the feudal days. All the laws of Mexico are in protection of the land-owner. The master is without restraint, and the man lives dependent on his caprice. The vaqueros make their own saddles and reatas; only the iron saddle-rings, the rifles, and the knives come from the patron, and where he gets them God alone knows, and the puncher never cares. No doctor attends the sick or disabled, old women’s nursing standing between life and death. The Creator in His providence has arranged it so that simple folks are rarely sick, and a sprained ankle, a bad bruise from a steer’s horn or a pitching horse, are soon remedied by rest and a good constitution. At times instant and awful death overtakes the puncher—a horse in a gopher-hole, a mad steer, a chill with a knife, a blue hole where the .45 went in, a quicksand closing overhead, and a cross on a hill-side are all. Never is a door closed. Why they were put up I failed to discover. For days I tried faithfully to keep mine shut, but every one coming or going left it open, so that I gave it up in despair. There are only two windows in the ranch of San JosÉ de Bavicora, one in our chamber One night the patron gave a baile. The vaqueros all came with their girls, and a string band rendered music with a very dancy swing. I sat in a corner and observed the man who wears the big hat and who throws the rawhide as he cavorted about with his girl, and the way they dug up the dust out of the dirt floor soon put me to coughing. “Candles shed their soft lustre—and tallow” down the backs of our necks, and the band scraped and thrummed away in a most serious manner. One man had a harp, two had primitive fiddles, and one a guitar. One old fiddler was the leader, and as he bowed his head on his instrument I could not keep my eyes off him. He had come from Sonora, and was very old; he looked as though he had had his share of a very rough life; he was never handsome as a boy, I am sure, but the weather and starvation and time had blown him and crumbled him into a ruin which resembled the pre-existing ape from which the races sprang. If he had never committed murder, it was for lack of opportunity; and Sonora is a long travel from Plymouth Rock. Tom Bailey, the foreman, came round to me, his eyes dancing, and his shock of hair standing up like a Circassian beauty’s, and pointing, he said, “Thar’s a woman who’s prettier than a speckled pup; put your twine on her.” Then, as master of ceremonies, he straightened up and sang out over the fiddles and noise: “Dance, thar, you fellers, or you’ll git the gout.” In an adjoining room there was a very heavy jug of strong-water, and thither the men repaired to pick up, so that as the night wore on their brains began to whirl after their legs, and they whooped at times in a way to put one’s nerves on edge. The band scraped the harder and the dance waxed fast, the spurs clinked, and bang, bang, bang went the Winchester rifles in the patio, while the chorus “Viva el patron” rang around the room—the Old Guard was in action. We sat in our room one evening when in filed the vaqueros and asked to be allowed to sing for the patron. They sat on my bed and on the floor, while we occupied the other; they had their hats in their hands, and their black, dreamy eyes were diverted as though overcome by the magnificence of the apartment. They hemmed and coughed, until finally one man, who was evidently the leader, pulled himself together and began, in a high falsetto, to sing; after two or three words the rest caught on, and they got through the line, when they stopped; thus was one leading and the others following to the end of the line. It was strange, wild music—a sort of general impression of a boys’ choir with a wild discordance, each man giving up his soul as he felt moved. The refrain always ended, for want of breath, in a low, expiring howl, leaving the audience in suspense; but quickly they get at it again, and the rise of the tenor chorus continues. The songs are largely about love and women and doves and flowers, in all of which nonsense punchers take only a perfunctory interest in real life. These are the amusements—although the puncher is always roping for practice, and everything is fair game for his skill; hence dogs, pigs, and men have become as expert in dodging the rope as the vaqueros are in throwing it. A mounted man, in passing, will always throw his The ranch fare is very limited, and at intervals men are sent to bring back a steer from the water-holes, which is dragged to the front door and there slaughtered. A day of feasting ensues, and the doorways and the gutter-pipes and the corral fences are festooned with the beef left to dry in the sun. There is the serious side of the life. The Apache is an evil which Mexicans have come to regard as they do the meteoric hail, the lightning, the drought, and any other horror not to be averted. They quarrel between themselves over land and stock, and there are a great many men out in the mountains who are proscribed by the government. Indeed, while we journeyed on the road and were stopping one night in a little mud town, we were startled by a fusillade of shots, and in the morning were informed that two men had been killed the night before, and various others wounded. At another time a Mexican, with his followers, had invaded our apartment and expressed a disposition to kill Jack, but he found Jack was willing to play his game, and gave up the enterprise. On the ranch the men had discovered some dead stock which had been killed with a knife. Men were detailed to roam the country in search of fresh trails of these cattle-killers. I asked the foreman what would happen in case they found a trail which could be followed, and he said, “Why, we would follow it until we came up, and then kill them.” If a man is to “hold down” a big ranch in Northern Mexico he has got to be “all man,” because it is “a Jack himself is the motive force of the enterprise, and he disturbs the quiet of this waste of sunshine by his presence for about six months in the year. With his strong spirit, the embodiment of generations of pioneers, he faces the Apache, the marauder, the financial risks. He spurs his listless people on to toil, he permeates every detail, he storms, and greater men than he have sworn like troopers under less provocation than he has at times; but he has snatched from the wolf and the Indian the fair land of Bavicora, to make it fruitful to his generation. There lies the hacienda San JosÉ de Bavicora, gray and silent on the great plain, with the mountain standing guard against intruders, and over it the great blue dome of the sky, untroubled by clouds, except little flecks of vapor which stand, lost in immensity, burning bright like opals, as though discouraged from seeking the mountains or the sea whence they came. The marvellous color of the country beckons to the painter; its simple, natural life entrances the blond barbarian, with his fevered brain; and the gaudy vaquero and his trappings and his pony are the actors on this noble stage. But one must be appreciative of it all, or he will find a week of rail and a week of stage and a week of horseback all too far for one to travel to see a shadow across the moon. |