Catalogue of Works Literary Art and Music

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W. REEVES
AND
REEVES & TURNER'S
Publications



CATALOGUE
OF WORKS
Literary . . .
Art and . . .
Music.

ALSO . . . .

Books on . . .
Freemasonry.

London:
83, Charing Cross Rd.
W.C.


How to Memorize Music: With numerous Musical Examples. By C. F. Kenyon, cr. 8vo, 1s.


Treatise on the Training of Boy's Voices: With Examples and Exercises and Chapters on Choir-Organization. Compiled for the Use of Choirmasters. By George T. Fleming, cr. 8vo, cloth, 2s.


Graduated Course of Exercises for Boy Choristers: With Pianoforte Accompaniment. For Use inconjunction with above. By G. T. Fleming, 1s.


Interludes. Seven Lectures by H. C. Banister. Collected and Edited by Stewart Macpherson, with Portrait, cr. 8vo, cloth, 2s. (pub. at 5s.)


ORGAN MUSIC.

(All with ped. obb.)(Prices Music-net).

Chopin's Nocturne (Op. 9, No. 2) 1s. 6d. E. H. Lemare.
Forward! Grand March 1s. 6d. E. H. Sugg.
Lebanon March (Smallwood) 2s. Dr. Westbrook.
Grand Festival March, "Illogan" 2s. H. C. Tonking.
(also arr. for Piano solo; and Vn. & Pi.)
Overture to William Tell (Rossini) 2s. 6d. A. Whittingham.
Overture to Oberon (Weber) 2s. A. Whittingham.
Overture to FreischÜtz (Weber) 2s. A. Whittingham.
Six Pieces for Church Use (arr.) 1s. W. Smallwood.

8vo cloth, 300 pp., 3s. 6d.

HONE (William), Ancient Mysteries described, especially the English Miracle Plays founded on the Apocryphal New Testament Story, extant among the unpublished MSS. in the British Museum, including notices of Ecclesiastical Shows and Festivals of Fools and Asses, the English Boy Bishop, Descent into Hell, the Lord Mayor's Show, the Guildhall Giants, Christmas Carols, etc., with Engravings and Index.


8vo, cloth, 3s. 6d.

HONE (William), The Apocryphal New Testament, being all the Gospels, Epistles and other pieces now extant attributed in the first four centuries to Jesus Christ, his Apostles and their Companions and not included in the New Testament by its compilers.


In 4 Volumes, 8vo. Price £2 2s.

Handsomely bound in designed buckram cloth.

One Hundred Copies specially printed on hand-made paper supplied
By Spalding & Hodge. Price £4 4s. net, bound in Vellum,

Essays & Letters of MONTAIGNE.

Edited by WILLIAM CAREW HAZLITT.
NEW AND ENLARGED INDEX

An Entirely New Edition formed from a Collation of
the Foreign Quotations; a fresh English rendering and
a careful revision of the text throughout. Some
account of the Life of Montaigne, Notes to
which are added, a Translation of all
the Letters known to be extant.

Portraits, Facsimile Letter, and other Illustrations.


Mr. Hazlitt's Montaigne,—An entirely new Edition text of Montaigne's Essays and Letters (founded on the now extremely scarce one published in 1877 in three volumes octavo) has now been brought to completion (Publisher, Messrs. Reeves and Turner) and will, partly by reason of enlarged introductory matter and partly by additional notes, extend to four volumes. The Edition of 1877 was superintended by Mr. Hazlitt's father, though bearing his own name on the title, and he merely contributed the Preface. The book has now at length been adapted to the last French Variorum so far as possible, and innumerable errors of the former English versions have been rectified. The Biographical account of the essayist has been considerably amplified and instead of the sixteen Letters given in 1877 there are thirty-five, many of which are of interest and importance towards understanding the Life of the Author. A salient feature in the present undertaking is to have substituted for the English colloquial equivalents, or rather supposed equivalents of the great Frenchman's language, the words which he actually uses or the sense, which he actually intends to convey; and the difference is often curious and sometimes immense between him and his English renderers.—The AthenÆum.


In the Press.

Modern Orchestral Instruments

Their Origin, Construction, and Use.


BEING A PRACTICAL ILLUSTRATED HANDBOOK
For the use of
AMATEURS OR STUDENTS.

With many additional Illustrations, Tables, an . . . . . .
. . . . . . . . . . . . Appendix, and an Explanatory Index.

BY
K. SCHLESINGER.


Classical Works.

Edited by Prof. Anthon.

Anthon's Horace, Edited by Rev. James Boyd, LL.D., thick post 8vo, 5s. 6d.

Anthon's Homer's Iliad, First Three Books, Edited by B. Davies, LL.D., thick post 8vo, 5s. 6d.

Anthon's CÆsar's Commentaries, Edited by Rev. G. B. Wheeler, thick post 8vo, 4s. 6d.

Anthon's Eclogues and Georgics of Virgil, with English Notes, Critical and Explanatory, and a Metrical Index, post 8vo, price 4s. 6d.

Anthon's Sallust, Edited by Rev. J. Boyd, LL.D., post 8vo, 4s. 6d.

Anthon's Juvenal and Persius' Satires, Edited by J. T. Wheeler, post 8vo, 4s. 6d.

Anthon's Cicero's Orations, with English Commentary and Historical, Geographical and Legal Indexes, Revised and Edited by Rev. G. B. Wheeler, post 8vo, 4s. 6d.


Crown 8vo, Special Designed Cover. 5/-

MASTERSINGERS APPRECIATIONS OF MUSIC AND
MUSICIANS WITH AN ESSAY ON
HECTOR BERLIOZ . . . . . .
By FILSON YOUNG

Contents.—The Pastoral Symphony—Tristan and Isolda—Bach's Organ Fugues—Mozart's Requiem—Tschiakowsky's Sixth Symphony—The Composer in England—Charles HallÉ—Camille Saint-SaËns—An Irish Musician—Hector Berlioz.


Ready. roy. 8vo, boards, 1/6

"THUS SPAKE ZARATHUSTRA"

By F. NIETZSCHE, A BOOK FOR ALL AND NONE. TRANSLATED BY THOMAS COMMON, containing Zarathustra's Prefatory Discourse, with Critical and Bibliographical Notices, Part I.

"Nietzsche's Ethics, however are not the Ethics for boys, nor for old women, nor for dreamers either; they are the Ethics for full grown men, the noble, strong, wide-awake men, who shape the world's destiny."

—EDITOR.


crown 8vo, Limp Cloth, 2/-

THE ART OF MODULATING.

A SERIES OF PAPERS ON MODULATING AT THE PIANOFORTE. WITH 62 MUSICAL EXAMPLES. By HENRY C. BANISTER.

Not only at Examinations—viva voce—but in Actual Experience, is ability required to pass rapidly, with very little "process" from one key to another.


2nd Edition. Thick Crown 8vo. Cloth, Price 7/6.

THE LIFE OF HENRY GEORGE.

Author of "Progress and Poverty,"

With Portraits. By his Son, HENRY GEORGE, JUN.

Thick Crown 8vo., Cloth 10s.

Important Critical Contribution.

CHOPIN: the man and his music.

BY JAMES HUNEKER,
Author of "Mezzotints in Modern Music."

"Mr Huneker is a Chopin enthusiast. He accords admiration to Brahms, to Wagner, to TchaÏkovsky: his worship is reserved for Chopin. Being gifted with clear insight and imagination which grasp many and diverse moods Mr. Huneker is a sane critic and a manly.... There is no pretence at new material in the book. Mr. Huneker has garnered all that has been written about the composer and he has threshed out the grain from the chaff. The result is, therefore, of value."—Musical Standard.


The Large Edition, over 1,000 pp., imp. 8vo.

CHAFFERS (Wm.), MARKS AND MONOGRAMS ON EUROPEAN AND ORIENTAL POTTERY AND PORCELAIN, with Historical Notices of each Manufactory, preceded by an Introductory Essay on Ancient Pottery and on the Vasa Fictilia of England and MediÆval Earthenware Vessels, with over 3,500 Potters Marks and Illustrations, revised and edited by F. Litchfield, ornamental cloth, Ninth Edition, with Additional Information and Marks, 42s.


New Edition (1904.) Entirely Revised and Enlarged by C. A. Markham, F.S.A.

CHAFFERS (W.), HALL MARKS ON GOLD AND SILVER PLATE, Illustrated with Revised Tables of Annual Date Letters employed in the Assay Offices of the United Kingdom, roy. 8vo, cloth, 16s. net.


The Companion to "Hall Marks on Gold and Silver Plate."

CHAFFERS (W.), A HISTORY OF ENGLISH GOLDSMITHS AND PLATEWORKERS (Gilda Aurifa-brorum) and their Marks stamped on Plate, copied in facsimile from celebrated Examples and the earliest Records preserved at Goldsmiths' Hall, London, with their names, addresses and dates of entry, 2,500 Illustrations; also Historical Account of the Goldsmiths' Company and their Hall Marks and Regalia; the Mint; Closing of the Exchequer; Goldsmith Bankers; Shop Signs, a Copious Index, etc., a New Edition, 267 pp., roy. 8vo, cloth, 12s.


CHAFFERS (W.), COLLECTOR'S HANDBOOK OF MARKS AND MONOGRAMS ON POTTERY AND PORCELAIN OF THE RENAISSANCE AND MODERN PERIOD, selected from his larger work, New Edition Revised and considerably Augmented by F. Litchfield, Twelfth Thousand, 234 pp., post 8vo, cloth, gilt, 6s.


CHAFFERS (Wm.) HANDBOOK TO HALL MARKS ON GOLD AND SILVER PLATE, with Revised Tables of Annual Date Letters Employed in the Assay Offices of England, Scotland and Ireland, Extended by C. A. Markham, F.S.A., cr. 8vo, cloth, 5s. 1902


MARKHAM (Chr. A., F.S.A.) HANDBOOK TO FOREIGN HALL MARKS ON GOLD AND SILVER PLATE (except those on French Plate), containing 163 stamps, cr. 8vo, cloth, 5s.


MARKHAM (C.), HANDBOOK TO FRENCH HALL MARKS ON GOLD AND SILVER PLATE. Illustrated. Crown, 8vo, cloth, 5s.1900


COBBETT (W.), RURAL RIDES in the Counties of Surrey, Kent, Sussex, Hants., Wilts., Gloucestershire, etc., edited with Life, New Notes, and the addition of a copious Index, New Edition by Pitt Cobbett, map and portrait, 2 vols, cr. 8vo (xlviii. and 806 pp.), cloth gilt, 12s. 6d.

Cobbett's "Rural Rides" is to us a delightful book, but it is one which few people know. We are not sure that up to the present time it was impossible to get a nice edition of it. We are therefore glad to see that Messrs. Reeves & Turner's recently published edition is a very creditable production—two handy well-filled volumes.—Gardening.


KEATS (John), THE POETICAL WORKS OF JOHN KEATS (large type), given from his own Editions and other Authentic Sources, and collated with many Manuscripts, edited by H. Buxton Forman, portrait, Seventh Edition, 8 pp., cr. 8vo, buckram, 7s. 6d.


THE LETTERS OF JOHN KEATS (Large type), Complete Revised Edition, with a Portrait not published in previous Editions and 24 Contemporary Views of Places visited by Keats, Edited by H. Duxton Forman, 519 pages, cr. 8vo. buckram. 8s.


LORD CHESTERFIELD'S LETTERS TO HIS SON.—Edited with Occasional Elucidatory Notes, Translations of all the Latin, French and Italian Quotations, and a Biographical Notice of the Author. By Chas. Stokes Carey, 2 vols, cr. 8vo, bevelled cloth, 10s. 6d.


FLAGELLATION AND THE FLAGELLANTS, A History of the Rod, in all Countries by the Rev. W. M. Cooper. Plates and Cuts, thick cr. 8vo, cloth, 7s. 6d. (pub. 12s. 6d.)


THE AWAKENING OF WOMEN: or Woman's Part in Evolution, by Frances Swiney, crown 8vo, cloth, 5s. net.

"Strong and soul-stirring.... The Book of the age on the woman question."—The Woman's Tribune.

It is most carefully thought out.... The authorities quoted all seem to point to the fact that woman is more highly evolved than man.—Mrs. Ada Ballin, Editor of "Womanhood."


SHELLEY'S PRINCIPLES has time refuted or confirmed them, a Retrospect and Forecast, by H. S. Salt, post 8vo, 1s.


PERCY BYSSHE SHELLEY, Poet and Pioneer, a Biographical Study by H. S. Salt, etched portrait, cr. 8vo, cloth, 3s. 6d.


SHELLEY LIBRARY (The), An Essay in Bibliography, by H. Buxton Forman, Shelley's Books, Pamphlets and Broadsides, Posthumous Separate Issues, and Posthumous Books, wholly or mainly by him, 127 pp., 8vo, parts 1 and 2, wrappers, 3s. 6d. each.


A SHELLEY PRIMER, By H. S. Salt, cr. 8vo, bds 2s. 6d.


SHELLEY (Percy Bysshe), THE POETICAL WORKS (in large type), given from his own Editions and other Authentic Sources, collated with many MSS., and with all Editions of Authority, together with his Prefaces and Notes, his Poetical Translations and Fragments, and an Appendix of Juvenalia, Edited by H. Buxton Forman, with the Notes of Mary Wollstonecraft Shelley, fine etched portrait, 2 vols., cr. 8vo, cloth (with Design in Gold on cover by Rossetti), 12s. Fourth Edition in the press.


SIDONIA THE SORCERESS, by William Meinhold. Translated by Lady Wilde, with the Amber Witch, translated by Lady Duff Gordon, in 2 vols., crown 8vo, 8s. 6d. 1894


THOMSON (James, "B. V."), POETICAL WORKS, The City of Dreadful Night, Vane's Story, Weddah and Om-el-Bonain, Voice from the Hell, and Poetical Remains, Edited by B. Dobell, with Memoir and Portrait, 2 vols, thick cr. 8vo, cloth, 12s. 6d.


THOMSON (James, "B. V."), BIOGRAPHICAL AND CRITICAL STUDIES, 483 pages, cr. 8vo, cloth. 6s.


LIFE OF DAVID GARRICK, by J. Smyth, post 8vo, boards, 1s.


RUDIMENTS OF GREEK GRAMMAR, by E. Wettenhall, D.D., translated by Rev. G. N. Wright, numerous annotations and Questions for Examination, by Rev. G. B. Wheeler, 3s.


Comte (Auguste), A Discourse on the Positive Spirit, Explanatory Notes by E. S. Beesly, M.A., cr. 8vo. cloth, 2s. net.


Outspoken Essays on Social Subjects: By Ernest Belfort Bax, cr. 8vo, cloth, 2s. 6d.


A Creed for Christian Socialists, with Expositions by Charles William Stubbs, D.D. (The Dean of Ely). Cr. 8vo, cloth, 2s. (paper, 1s.)


Comte (Auguste), General View of Positivism, translated by J. H. Bridges. 2nd Edition, cr. 8vo, cloth, 2s. 6d.


The Social Aspects of Christianity, and other Essays by Richard T. Ely, Ph.D. Cr. 8vo, cloth, 2s. (paper, 1s.)


Progress and Poverty, by Henry George. Cloth, 1s. 6d., (paper, 1s.) or Cabinet Edition, cloth, 2s. 6d.


Karl Marx's Theory of Value (Complete), forming the First 9 Chapters of "Capital." Cr. 8vo, cloth, 2s. (paper, 1s.)


Looking Backward, by Edward Bellamy, with copious Index and Portrait. Limp cloth, 1s. 6d., Cabinet Edition, Steel Portrait, 2s. 6d. (also cheap editions, paper covers, 6d. and 1s.)


Co-operative Commonwealth: Exposition of Modern Socialism, by L. Gronlund. English Edition. Third Edition. Edited by B. Shaw. Cr. 8vo, cloth, 2s. (paper, 1s.)


Tennyson as a Thinker, by Henry S. Salt, paper, 6d. (or large paper copies, 1s. 6d.)


Patriotism and Christianity, by Count Leo Tolstoy. Cr. 8vo, cloth, 1s. (paper, 6d.)


Laws of Eternal Life: Being Studies in the Church Catechism by Rev. Stewart D. Headlam. Cr. 8vo, cloth, 2s. (paper, 1s.)


London Rookeries and Collier's Slums.—A Plea for More Breathing Room. By Robert Williams, A.R.I.B.A., with numerous Diagrams, sm. sewed, 1s.


More Light and Air for Londoners.—By Robert Williams, A.R.I.B.A., with numerous Diagrams, sm. 4to, sewed, 1s.


Ruskin's Notes of the Pictures of Mr. Holman Hunt, Exhibited at the Rooms of the Fine Art Society, 1886, With Criticisms by John Ruskin and other Comments, sewed, 8vo, 1s.

Ruskin's Notes on Some of the Principal Pictures of Sir John Everett Millais, Exhibited at the Grosvenor Gallery, 1886, with a Preface and Original and Selected Criticisms by John Ruskin and other Comments, 8vo, sewed, 1s.

What is Property? An Inquiry into the Principle of Right and of Government, by P. J. Proudhon, Translated by B. R. Tucker, crown 8vo, cloth, 3s. 6d.

Discourses on Positive Religion: By J. H. Bridges, M.B., Second Edition Revised and Enlarged, 8vo, boards, 1s.

Rent, Interest and Wages, or the Real Bearings of the Land Question. By Michael FlÜrscheim. Third Edition, Revised, cr. 8vo, paper 1s. (cloth 2s.)

HISTORICAL, BIOGRAPHICAL WORKS, ETC.

Musical History and Biography (Revised Edition to 1903). By F. J. Crowest, post 8vo, sewed 1s. (cloth, 2s.)

Makers of Music, Biographical Sketches of the Great Composers, With Chronological Summaries of their Works, and Facsimiles from Musical MSS. of Bach, Handel, Purcell, Dr. Arne, Gluck, Haydn, Mozart, Beethoven, Weber, Schubert, Berlioz, Mendelssohn, Chopin, Schumann, Wagner, Verdi, Gounod, Brahms and Greig, with General Chronological Table. By R. Farquharson Sharp, Portrait of Purcell, Second Edition, cr. 8vo, cloth, 5s.

How to Manage a Choral Society. By N. Kilburn, 2nd Edition, post 8vo., 6d.

Wagner's Parsifal and the Bayreuth Fest-Spielhaus. By N. Kilburn, cr. 8vo., 6d.

Wagner, A Sketch of his Life and Works, by N. Kilburn, 6d.

Woman as a Musician, an art Historical Study by F. R. Ritter, 8vo., 1s.

Sixty Years of Music: A Record of the Art in England during the Victorian Era, containing 70 Portrait of the most Eminent Musicians, oblong quarto, boards, cloth back, 2s. 6d.

Cherubini, Memorials illustrative of his Life, by E. Bellasis, thick cr. 8vo, cloth, 6s.

The Bach Letters. Letters of Samuel Wesley, relating to the Introduction into England of the Works of Bach. Ed. by E. Wesley. 2nd Edition, 8vo, cl., 2s. 6d.

Mezzotints in Modern Music, Brahms, TchaÏkovsky, Chopin, Strauss, Liszt, and Wagner, By Jas. Huneker, cr. 8vo, cloth, gilt top, 7s. 6d.

Sketches of English Glee Composers, Historical, Biographical and Critical (From about 1735-1866), by D. Baptie, post 8vo, cloth, 5s.

History of Hungarian Music, by J. Kaldy (Director of the Royal Hungarian Opera), cr. 8vo, bevelled cloth, 2s. 6d. net.

Franz Liszt, by T. Carlaw Martin, 6d.

Half a Century of Music in England, 1837-1887, By F. Hueffer, 8vo, cloth, 3s. 6d. (pub. 8s. 6d.)

Templeton and Malibran: Reminiscences of these Renowned Singers, with Original Letters and Anecdotes, 3 Authentic Portraits by Mayall, 8vo, cloth, 2s. 6d.

Balfe, His Life and Works, by W. A. Barrett, cr. 8vo, bevelled cloth, 3s. 6d. (pub. 7s. 6d.)

Statham (H. H.), Form and Design in Music, a Brief Outline of the Æsthetic conditions of the Art, addressed to general Readers (in a readable Literary form ... in everyday language), 8vo, cloth, 2s (pub. 5s.)

Beethoven, by Richard Wagner, with a Supplement from the Philosophical Works of Arthur Schopenhauer, trans. by Edward Dannreuther, 2nd Ed., cr. 8vo, cl., 6s.

Chopin, Life of, by Franz Liszt, new and very much Enlarged Edition, Englished in full now for the first time by John Broadhouse, cr. 8vo, cloth, 6s.

Wagner, Der Ring des Nibelungen, being the story concisely told of Das Rhinegold, Die WalkÜre, Siegfried and GÖtterdÄmmerung, by N. Kilburn, post 8vo, 9d.

Box (C.), Church Music in the Metropolis, its Past and present Condition, with Notes Critical and Explanatory, post 8vo, cloth, 3s.

The Past and the Future, Inaugural Lecture at Gresham College, Nov. 1890, by J. Frederick Bridge Mus. Doc., cr. 8vo, sewed, 6d.

English Hymn Tunes from the 16th Century to the Present Time, by the Rev. A. W. Malim, containing 21 Musical Illustrations, 8vo, sewed, 1s.

Beethoven, Life of, by Louis Nohl, translated by John J. Lalor, 2nd Edition, cr. 8vo, bevelled cloth, gilt edges, 3s. 6d.

English Glee and Madrigal Writers, by W. A. Barrett, 8vo, cloth, 2s. 6d.

Life and Works of Handel. By A. Whittingham. 1s. (cloth, 1s. 6d.)

Life and Works of Mozart. By A. Whittingham. 1s. (cloth, 1s. 6d.)

Beethoven Depicted by his Contemporaries, by Ludwig Nohl, translated by E. Hill, 2nd Edition, thick cr. 8vo, cloth, 7s. 6d.

EDUCATIONAL.

Dictionary of Musicians, (Cocks') New and Enlarged Edition brought completely up to date, post 8vo, sewed, 1s., cloth, 1s. 6d.

Music, A First Book for Beginners embodying the most recent English and Continental Teaching by a Professor [Alfred Whittingham], post 8vo, 4d.

The two principal objects kept in view in writing this little book were Thoroughness of Definition and Regular Order in the arrangement of Subjects. It differs from all other similar Works in that all the Technical Terms in Music are introduced in the Answers not in the Questions.

Counterpoint: A Simple and Intelligible Treatise, Containing the most Important Rules of all Text Books, in Catechetical Form; (Forming an Answer to the Question "What is Counterpoint?") Intended for Beginners. By A. Livingstone Hirst, cr. 8vo, sewed, 9d.

Dictionary of 2500 British Musicians, from the Earliest Times, by F. J. Crowest, cr. 8vo, stiff cover, 1s.

Manual of Musical History, from the Epoch of Ancient Greece to our present time by Dr. F. L. Ritter, 2nd Edition, cr. 8vo, cl., 2s. 6d.

On Conducting, by Richard Wagner, translated by E. Dannreuther, Second Edition, cr. 8vo, cloth, 5s.

DUDLEY BUCK'S Complete Pronouncing Dictionary of Musical Terms. By Dr. Dudley Buck. Third Edition with the Pronunciation of each Term accurately given, cr. 8vo, paper cover 6d., (cloth 1s.)

The Student's Helmholtz, Musical Acoustics or the Phenomena of Sound as connected with Music, by John Broadhouse, with more than 100 Illustrations, 3rd Edition, cr. 8vo, cloth, 7s. 6d.

The Student's History of Music. History of Music, from the Christian Era to the present time by Dr. F. L. Ritter. 3rd Edition, thick cr. 8vo., cloth, 7s. 6d.

Harmony and the Classification of Chords, with Questions and Exercises, by Dr. J. H. Lewis, Vol. 1, 8vo, boards, cloth back, 5s.

Musical Analysis. A Handbook for Students, with Musical Illustrations, by H. C. Banister, crown 8vo, folio, cloth, 2s.

Elementary Music. A book for Beginners, by Dr. Westbrook, with Questions and Vocal Exercises, Thirteenth Edition, 1s., (cloth, 1s. 6d.)

Purity in Music, by A. F. Thibaut. Translated by J. Broadhouse. Schumann says: "A fine book about music, read it frequently." Crown 8vo., cloth, 2s. 6d.

Exercises on General Elementary Music. A Book for Beginners, by K. Paige, 4th Edition, Part I. price 9d., Part II. price 1s. (2 parts complete in cloth, 2/4)

The Musical Times speaks in the highest terms of above work.

Dr. Ahn's First French Course. Edited by S. Bartlett (Head Master Mercers' and Stationers' School), Post 8vo., cloth, 1s. 6d.

Harmonising of Melodies, A Text-Book for Students and Beginners, by H. C. Banister, cr. 8vo, cloth, 2s.

Musical Shorthand for Composers, Students of Harmony, Counterpoint, etc., can be written very rapidly and is more legible than printed music, with Specimens from Bach, Handel, Chopin, Wagner, Mendelssohn, Spohr, Mozart, etc., by Francis Taylor, 14 pages, 12mo, 6d.

"Composers and Students of Music expend a vast amount of time in mere painful mechanism." We have only six totally unlike signs. These from their simplicity can be written with great rapidity, one dip of the pen sufficing for an entire page, and the writing being as legible as possible.—Preface.

WORKS ON THE PIANOFORTE, &c.

Piano Teaching. Advice to Pupils and Young Teachers, by F. Le Couppey (Prof. in the Conservatory of Paris, etc.), Translated from the 3rd French Edition by M. A. Bierstadt, post 8vo, cloth, 2s.

Greater Works of Chopin, (Polonaises, Mazurkas, Nocturnes, etc.), and how they should be played, by J. Kleczynski, translated by Miss N. Janotha and edited by Sutherland Edwards, with Portrait, Facsimile, etc., cr. 8vo, cloth, 5s.

Pianoforte Teacher's Guide, by L. Plaidy, translated by Fanny Raymond Ritter, cr. 8vo, boards, 1s.

Music and Musicians, Essays and Criticisms, by Robert Schumann, translated, edited and annotated by F. R. Ritter, Portrait of Robert Schumann, photographed from a Crayon by Bendemann, First Series, Sixth Edition, thick cr. 8vo, cloth, 8s. 6d.

Ditto, 2nd Series, 2nd Edition, thick cr. 8vo, cloth, 10s. 6d.

Ehrenfechter (C. A.), Technical Study in the art of Pianoforte Playing (Deppe's principles), with numerous illustrations, fourth edition, cr. 8vo, bevelled cl., 2s. 6d.

An Essay on the Theory and Practice of Tuning in General, and on Schiebler's Invention of Tuning Pianofortes and Organs by the Metronome in Particular. Trans. by A. Wehrhan, sewed, 1s.

The Art of Modulation, A Hand-book Showing at a Glance the Modulations from one Key to any other on the Octave, etc., Edited by Carli Zoeller, 2nd Edition, roy. 8vo, paper, 2s. 6d. or (cloth, 4s.)

Ehrenfechter (C. A.), Delivery in the Art of Pianoforte Playing, on Rhythm, Measure, Phrasing, Tempo, cr. 8vo, cloth, 2s.

Beethoven's Pianoforte Sonatas Explained by Ernst von Elterlein trans. by E. Hill, with Preface by Ernst Pauer, entirely new and revised edition (the Fifth), with Portrait, Facsimile and View of House, cr. 8vo, cloth, 3s. 6d.

Beethoven's Symphonies in their Ideal Significance, explained by Ernst von Elterlein, translated by Francis Weber, with an account of the facts relating to Beethoven's 10th Symphony, by L. Nohl, Second Edition, with Portrait, cr. 8vo, cloth, 3s. 6d.

Pianoforte Scales in Thirds and Sixths for Each Hand in all the Major and Minor Keys, Fingered and Arranged by M. Rock, folio, 2s.

Beethoven's Symphonies Critically discussed by A. T. Teetgen. Second Edition, cloth, 3s. 6d.

The Deppe Finger Exercises for rapidly developing an Artistic Touch in Pianoforte Playing, carefully arranged, classified and explained by Amy Fay, English Fingering, folio, 1s. 6d. (Continental Fingering, 1s. 6d.)

How to Play Chopin. The Works of Chopin and their proper Interpretation. By Kleczynski, translated by A. Whittingham, 5th. Ed., Woodcut and Music Illus. Post 8vo, cloth, 3s. 6d.

Schumann's Rules Maxims for young Musicians, 4d.

Practice Register for Pupil's Daily Practice. A specimen, 1d., or 1s. 4d. per 100.

Reeves' Vamping Tutor, Art of Extemporaneous Accompaniment or Playing by ear on the Pianoforte, rapidly enabling anyone having an ear for music (with or without any knowledge of musical notation) to accompany Waltzes, Polkas, Songs, and with equal facility in any key, with practical examples, including Ma Normandi (in C), Lilla's a Lady, The Swiss Boy, Home Sweet Home, Blue Bells of Scotland, Nancy Dawson, Ma Normandi (in A), The Miller of the Dee by Francis Taylor, folio, 2s.

Mozart's Don Giovanni, a Commentary, from the 3rd French Edition of Charles Gounod, by W. Clark and J. T. Hutchinson, cr. 8vo, cloth, 3s. 6d.

Tuning the Pianoforte.—Smith (Hermann), The Art of Tuning the Pianoforte, a New and Comprehensive Treatise to enable the musician to Tune his Pf. upon the system founded on the Theory of Equal Temperament, cr. 8vo, limp cloth, New Edition Thoroughly Revised, 2s.

A History of Pianoforte Music, With Critical Estimates of its Greatest Masters and Sketches of their Lives by John C. Fillmore, cr. 8vo, cloth, 3s. 6d.

Transposition at Sight, For Students of the Organ and Pianoforte, by H. Ernst Nichol, 2nd Edition, cr. 8vo, sewed, 1s. cloth, 1s. 6d.

THE VIOLIN.

How to Repair Violins and other Musical Instruments With Diagrams, by Alfred F. Common, cr. 8vo, boards, 1s.

Information for Players, Owners, Dealers and Makers of Bow Instruments, also for String Manufacturers, taken from Personal Experiences, Studies and Observations by William Hepworth, with Illustrations of Stainer and Guarnerius Violins, etc., cr. 8vo, cloth, 2s. 6d.

Notice of Anthony Stradivari, the celebrated Violin Maker known by the name of Stradivarius, preceded by Historical and Critical Researches on the origin and Transformations of Bow Instruments, and followed by a Theoretical Analysis of the Bow etc., by F. J. Fetis, translated by J. Bishop, Facsimile, 8vo, cloth, 5s.

Biographical Dictionary of Fiddlers, including Performers on the Violoncello and Double Bass, Past and Present, containing a Sketch of their Artistic Career, together with Notes of their Compositions, by A. Mason Clarke, 9 Portraits, post 8vo, cloth, 5s.

How to Make a Violin, Practically Treated, 2 Folding Plates and many Illustrations, by J. Broadhouse, cr. 8vo, bevelled cloth, 3s. 6d.

Violin Manufacture in Italy and its German Origin, by Dr. E. Schebek, translated by W. E. Lawson, 8vo., sewed, 1s.

Sketches of Great Violinists and Great Pianists. Biographical and Anecdotal, with Account of the Violin and Early Violinists (Viotti, Spohr, Paganini, De Beriot, Ole Bull, Clementi, Moscheles, Schumann (Robert and Clara), Chopin, Thalberg, Gottschalk, Liszt), by G. T. Ferris; Second Edition, cr. 8vo, bevelled cloth, 3s. 6d. (or gilt edges, 4s. 6d.)

Facts about Fiddles, Violins Old and New. By J. Broadhouse, 3rd Edition, 6d.

Technics of Violin Playing. By Karl Courvoisier. With Illustrations, 8th Edition, paper 1s. (or cloth, thick paper, 2s. 6d.) Highly commended by Joachim.

How to Play the Fiddle, for Beginners on the Violin. By H. W. and G. Gresswell. 7th edition, 1s. (cloth, 2s.)

Autobiography of Louis Spohr. 2 vols in 1, thick 8vo, cloth, 7s. 6d. (pub. 15s.)

Treatise on the Structure and Preservation of the Violin and all other Bow Instruments, together with an account of the most celebrated makers and of the genuine characteristics of their Instruments, by J. A. Otto, with additions by J. Bishop, cr. 8vo, cloth, 3s.

ORGAN WORKS.

Modern Organ Tuning, the How and Why, clearly explaining the Nature of the Organ Pipe and the System of Equal Temperament together with an Historic Record of the Evolution of the Diatonic Scale from the Greek Tetrachord by Hermann Smith, crown 8vo, cloth, 3s. 6d.

Analysis of Mendelssohn's Organ Works, a Study of their Structural Features, for the use of Students, 127 Musical Examples, portrait and facsimiles, cr. 8vo, bevelled cloth, 4s. 6d.

Organist's Quarterly Journal of Original Compositions. Edited by Dr. W. Spark, 5s. per part. For Contents see end of Catalogue.

New Series Volume, 160 large pages, oblong folio, bound in cloth, 18s.

Rink's Practical Organ School: A New Edition, Carefully Revised. The Pedal Part printed on a separate Staff, and the Preface, Remarks and Technical Terms translated from the German, expressly for this edition by John Hiles. The Six Books Complete, handsomely bound in red cloth, gilt edges, ob. folio, 10s. 6d. (issued at 20s.), or the six parts 7s. 6d. (issued at 6s. each.)

Organs and Organists in Parish Churches, A Handbook of the Law relating to the Custody, Control and Use of Organs, and to the Position, Lights, and Disabilities of Organists, to which is Added a Chapter on the Hiring of Pianos, and on "The Three Years System," by William C. A. Blow, M.A., Oxon., of the Inner Temple, Esq., Barrister-at-Law, cr. 8vo, cloth, 2s. 6d.

A Short History of the Organ, Organists, and Services of the Chapel of Alleyn's College, Dulwich, with Extracts from the Diary of the Founder, by W. H. Stocks, cr. 8vo, sewed, 1s.

The Influence of the Organ in History. By Dudley Buck, 1s.

Henry Smart's Organ Compositions Analysed. By J. Broadhouse, cr. 8vo, cloth, 2s. 6d.

Reform in Organ Building, by Thomas Casson, 6d.

The Organ, Its Compass, Tablature, and Short and Incomplete Octaves, by John W. Warman, A.C.O., imp. 8vo, sewed, 3s. 6d. or boards, cloth back, 4s. 6d.

Catechism for the Harmonium and American Organ, by John Hiles, post 8vo, sewed, 1s.

Rimbault (Dr. E. F.), The Early English Organ Builders and their Works, from the 15th Century to the Period of the Great Rebellion, an unwritten chapter on the History of the Organ, Well printed, with woodcuts, post 8vo, cloth, 3s. 6d.

VOICE AND SINGING.

Twelve Lessons on Breathing and Breath Control, for Singers, Speakers and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s.

Twenty Lessons on the Development of the Voice, or Singers, Speakers and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s.

50 Musical Hints to Clergymen, Management of Breath, Classification of Male Voices, Management of the Voice, The Service, with twenty specially written Exercises by Geo. F. Grover, 1s.

Catechism of Part Singing and the Choral Services. By John Hiles, 3rd Edition, thick post 8vo, price 1s.

Advice to Singers on every point of interest in reference to the Vocal Organs.

How to Sing an English Ballad. By E. Philp, 7th Edition, 6d.

Vocal Exercises for Choirs and Schools. By Dr. Westbrook, 2d.

Rudiments of Vocal Music. With 42 Preparatory Exercises, Rounds and Songs in the Treble Clef, by T. Mee Pattison, 2nd Ed., 4d.

Some Famous Songs, an Art Historical Sketch. By F. R. Ritter, 1s.

Voice Production and Vowel Enunciation, by F. F. Mewburn Levien, Diagrams by Arthur C. Behrend, post 8vo, 6d.

Position and Action in Singing, a Study of the True Conditions of Tone, a Solution of Automatic (Artistic) Breath Control, by Edmund J. Myer, cr. 8vo, 4s. 6d.

National School of Opera in England; being The Substance of a Paper read before the Licentiates of Trinity College, March, 1882, by Frank Austin, post 8vo, sewed, 6d.

How to Understand Wagner's "Ring of the Nibelung," being the Story and a Descriptive Analysis of the "Rheingold," the "Valkyr," "Siegfried" and the "Dusk of the Gods," with a number of Musical Examples by Gustave KobbÉ, Sixth Edition, post 8vo, cloth, 3s. 6d.

"To be appreciated in the smallest way Wagner must be studied in advance."—Illustrated London News.

Rational Accompaniment to the Psalms by F. Gilbert Webb, post 8vo, 6d.

How to Play from Score.—Treatise on Accompaniment from Score on the Organ or Pianoforte by F. Fetis, trans. by A. Whittingham, cr. 8vo, cloth, 3s. 6d.


Choir Lists for Sunday Services.

No. 1. Morning and Evening, printed in red, 1s. 4d. per 100.

No. 2. Morning, Afternoon, and Evening, printed in red, 1s. 6d. per 100.

No. 3. Morning and Evening, printed in red and black, 1s. 8d. per 100.

No. 4. Morning and Even., printed in red, 1s. 6d. per 100.

No. 5. Quarto Size, Matins, Litany, Holy Communion, First Evensong, Second Evensong, Gothic Letter, printed in red, 6d. per dozen, 3s. per 100.


Choir Attendance Register, 8vo, cloth.

No. 1. Ruled for a Choir of 20 or less, for one year, beginning at any date, 1s. 6d.

No. 2. Ruled for a Choir of 40 or less, for one year, beginning at any date, 2s.

No. 3. Ruled for a choir of 60 or less, for one year, beginning at any date, 2s. 6d.


Performing Edition.

The Creation, A Sacred Oratorio composed by Joseph Haydn, Vocal Score, The Pianoforte Accompaniment arranged and the whole edited by G. A. Macfarren, 8vo, paper covers, 2s., boards, 2s. 6d., scarlet cloth, 4s.


From Lyre to Muse, A History of the Aboriginal Union of Music and Poetry, By J. Donovan, cr. 8vo, cloth, 2s. 6d.


Popular Part Songs.

1. Merrily goes the Mill, by T. B. Southgate, 1d.

2. Take, O Take those Lips away, Part Song for S.A.T.B. by Claude E. Cover, A.R.C.O., 1-1/2d.

3. Pack Clouds Away, for S.A.T.B., by Claude E. Cover, A.R.C.O., 2d.

4. Summer Roses, for S.A.T.B., by G. Rayleigh Vicars, 2d.

5. Erin, Dear Erin, for T.A.T.B., by Churchill Sibley, 2d.

6. Caledonia! Land o' the Rocky Dell, for S.A.T.B., by Churchill Sibley, 3d.


The Publisher of The Musical Standard has secured the whole of the copies left unsold at 14/-net by Messrs. S. Low, Marston and Company, Ltd., of the work entitled

THE
NATIONAL PORTRAIT GALLERY
OF
BRITISH MUSICIANS.

BY JOHN WARRINER, Mus.D.,
Trinity College, Dublin.

INTRODUCTION BY JOSEPH BENNETT.

Over 500 Photo Portraits
Of well-known and eminent living Musicians of Great Britain and Ireland, with short Biographical notice of each.


The Whole Bound in One Handsome oblong folio Volume, cloth lettered. Offered for 7/6 post free (or 8/-post free abroad).


KING'S ROYAL ALBUMS, Nos. 1 and 2.

NATIONAL AND PATRIOTIC SONG ALBUM.

With Pianoforte Accompaniment. In 2 Bks., 1s. each.

Book 1. Book 2.
God Save the King Hearts of Oak
God Bless the Prince of Wales Stand United
There's a Land (Dear England) The Cause of England's Greatness
Victoria The Last Rose of Summer
God Bless our Sailor Prince The Leather Bottle
Here's a Health unto His Majesty Home, Sweet Home
Lord of the Sea Three Cheers for the Red, White and Blue
Roast Beef of Old England The Minstrel Boy
The Blue Bells of Scotland The British Grenadiers
Tom Bowling Auld Lang Syne
Come Lassies and Lads Rule Britannia
Ye Mariners of England
The Bay of Biscay

King's Royal Albums, No. 3. Price 1/-

10 MARCHES FOR THE PIANO. BY J. P. SOUSA.

1. The Washington Post. 6. The Corcoran Cadets.
2. Manhatton Beach. 7. Our Flirtation.
3. The Liberty Bell. 8. March past of the Rifle Regiment.
4. High School Cadets. 9. March past of the National Fencibles.
5. The Belle of Chicago. 10. Semper Fidelis.

King's Royal Album, No. 4. Price 1/-

SIX ORGAN PIECES FOR CHURCH USE.

Edited by William Smallwood.

With Ped. Obb., Selections from rarely known works.

1. Moderato con moto 4. Andante Religioso
2. Adagio Expressivo 5. Andante con moto
3. Andante Moderato 6. Lento Cantabile

King's Royal Album, No. 5. Price 1/-

SMALLWOOD'S ESMERALDA ALBUM FOR PIANO.

Belgium (Galop). Esmeralda (Transcription on Levey's Popular Song).
Belle of Madrid (Tempi di Polka). Placid Stream (Morceau).
Emmeline (Galop). The Seasons (Galop).


King's Royal Album, No. 6. Price 6d.

BALFE'S ROSE OF CASTILLE, 6 Favourite Melodies, easily arranged for the Pianoforte by E. F. Rimbault.

1. Convent Cell (The).
2. 'Twas Rank and Fame.
3. Tho' fortune darkly o'er me frown.
4. I am a simple Muleteer.
5. I'm not the Queen.
6. List to the Gay Castanet.


King's Royal Album, No. 7. Price 1s.

10 MARCHES. By J. P. SOUSA.

Arranged for Mandoline and Piano.

1. The Washington Post. 6. The Corcoran Cadets.
2. Manhatton Beach. 7. Our Flirtation.
3. The Liberty Bell. 8. March past of the Rifle Regiment.
4. High School Cadets. 9. March past of the National Fencibles.
5. The Bell of Chicago. 10. Semper Fidelis.

King's Royal Album, No. 8. Price 1s.

10 MARCHES. By J. P. SOUSA.

Arranged for Banjo and Piano. (Contents as No. 7.)


King's Royal Album, No. 9. Price 1s.

10 MARCHES. By J. P. SOUSA.

Arranged for Violin and Piano. (Contents as No. 7.)


King's Royal Album, No. 10. Price 1s.

10 MARCHES. By J. P. SOUSA.

Arranged for American Organ. (Contents as No. 7.)


King's Royal Album, No. XI.

GRIEG'S "PEER GYNT" SUITE.

1. Dance of the Gnomes. 4. Amitrass' Dance.
2. Ases Death. 5. Solvejags Song.
3. Morning.

King's Royal Album, No. 12.

GRIEG'S LYRISCHE STUCKE AND NORWEGIAN BRIDAL PROCESSION.

1. Arietta. 5. Popular Melody.
2. Waltzer. 6. Norwegian Melody.
3. Watchman's Song. 7. National Song.
4. Fairy Dance. 8. Norwegian Bridal March.


King's Royal Album, No. 13.

GRIEG'S FOUR HUMOURESKES, MINUETS AND FUNERAL MARCH.


King's Royal Album, No. 14.

HIAWATHA MANDOLINE ALBUM.

Arranged by Sydney Osborne.

1. Hiawatha Cake Walk 5. Over the Waves Waltz
2. Minnehaha Cake Walk 6. Donau Wellen Waltz
3. Alice Where Art Thou 7. Blue Danube Waltz
4. Kathleen Mavourneen

King's Royal Album, No. 15.

ORIGINAL VOLUNTARIES FOR AMERICAN ORGAN OR HARMONIUM.

By Edwin M. Flavell.

1. Andante con Moto 6. Prayer
2. Evensong 7. Canzonetta
3. March in F 8. A Call to Battle
4. Chorale 9. Souvenir
5. A Plaintive Song 10. Allegro

King's Royal Album, No. 16.

12 VOLUNTARIES FOR THE AMERICAN ORGAN OR HARMONIUM.

By J. E. Newell.

1. Postludium 7. Offertoire
2. Communion 8. Andante Piacevole
3. Andante con Moto 9. Morning Prayer
4. Prelude 10. Loud Voluntary
5. Diapason Movement 11. Sketch
6. Faith "Melody" 12. Recessional March

Modern Church Music.

1. Easter Anthem, "Jesus Lives!" by Rev. T. Herbert Spinney, price 2d.

2. Anthem for Whitsuntide and General Use, "Come Holy Ghost our Souls Inspire," by Thomas Adams, F.R.C.O., price 2d.

3. Story of the Ascension, by Rev. John Napleton, price 1-1/2d.

4. Anthem, "God so Loved the World," by J. Jamouneau, price 2d.

5. Magnificat in B flat, by Thomas Adams, F.R.C.O., Price 3d.

6. Nunc Dimittis in B flat, by Thomas Adams, F.R.C.O., Price 2d.

7. Four Kyries, by Charles Steggall, Berthold Tours, E. J. Hopkins, J. M. W. Young, price 1-1/2d.

8. Te Deum, by T. E. Spinney, 1-1/2d.

9. Anthem, "I am the Good Shepherd," by G. Rayleigh Vicars, 2d.

10. Story of the Cross, Music by H. Clifton Bowker, 2d.

12. Story of the Cross, Music by Dr. Geo. Prior, 2d.

13. The Lord's Prayer, Music by Ernest Austin, 2d.


American Organ, Folio, Edited by Alfred Whittingham, in Six Books, 1s. each, complete paper covers, 3s., cloth bound, 5s.


Pianoforte (Solo).

Coon Band Contest, Cake Walk, by Arthur Pryor, 2s.

Lefebure-Wely's St. Sulpice. Reminiscence by W. Smallwood, 1s. 6d.

Album Leaves: Pianoforte Sketches, without Octaves, by F. W. Davenport, 1s. 6d. each Number.

No. 1. Waltz in F
Dance in G
No. 2. A Little Fugue in F minor
Caprice in C
No. 3. Prelude in G
Melody in G
No. 4. Sonatina in C

Tschaikowsky's 1812 Overture, arr. by E. Evans, 2s.

Amarylliss, Morceaux de Salon, by Leonard Gautier, 1s. 6d.

Tschaikowsky's Casse Noisette Suite, arr. by E. Evans, 2s.

Grand Festival March, "Illogan," by H. C. Tonking, 2s.


Pianoforte (4 Hands.)

Tschaikowsky's 1812 Overture, arr. from the Full Score by E. Evans, 3s.

Tschaikovsky's Casse Noisette Suite, arr. by E. Evans, 3s.


Violin.

A Selection of Favourite Airs arranged for the Violin by Henry Farmer, complete 1s. 6d., Piano Acc. ad lib. 2s. 6d.

Contents.

1. Theme. Variations (Mozart).

2. With Verdure Clad (Haydn).

3. German Shepherd's Song and Rataplain (Figlia del Reggimento).

4. Da Qual di (Anna Bolena), Souave Immagine (Mercadante).

5. Mecco tu Vieni (La Straniera).


Violin and piano.

Grand Festival March, "Illogan," by H. C. Tonking, 2s.


MANUSCRIPT MUSIC PAPER.

(a) 12 Staves, roy. 8vo (10 by 6-1/2) ruled plain in quires (120 sheets), the lot 2/6.

This is pre-eminently the Musical Students' Paper, as it is light, portable, smooth and easy to write upon; each sheet, too, will hold a large quantity of matter. There is no paper better suited for Exercises on Counterpoint and Harmony.

(b) 12 Staves, oblong, folio (14 by 10), ruled in groups of 3 staves or Organ Music, 5 quires (120 sheets), the lot, 5/-

The paper is of the same size as ordianry oblong folio, Organ Music, e.g., English Organ Music, Best's Arrangements, etc.

(c) 12 Staves, folio, music size (10 by 14), 5 quires (120 sheets), the lot 5/-

Exactly the same in size as ordinary folio printed music so that upon it Songs of Organ Pieces may be written just as they are to be printed. It is a very useful paper, as Manuscript music written on it can be bound with Printed Music.

(d) 12 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), the lot 3/6.

(e) 12 Staves, oblong quarto (9-1/4 by 11-3/4), 5 quires (120 sheets), the lot 3/6.

(f) 12 Staves, folio music size (10 by 14), 5 quires (120 sheets), the lot 5/-

(g) 12 Staves, folio music size (ruled even), 10 by 14, 5 quires (120 sheets), the lot 5/-

(h) 14 Staves, quarto size (11-3/4 by 9-1/4), 5 quires (120 sheets), the lot 3/6.


The Organist's Quarterly Journal.

Of Original Compositions.

Founded by DR. Wm. SPARK, Late Organist, Town Hall, Leeds.
Price 5/-each, or Subscription, 10/6 for 4 issues.


New Series, Volume, containing 160 large pages, all with ped. obb., bound in cloth, 18s.


Part 12, New Series.

1. In Memoriam Rev. Geof. C. Ryly, M.A., Mus. Bac. Oxon.
2. Toccata G. B. Polleri.
3. Overture from Epiphany Alfred King, M.D.

Part XI., New Series.

1. Prelude and Fugue with Postlude E. A. Chamberlayne.
2. Prelude and Fugue F. Young.
3. Fugue Archibald Donald.
4. Fugue William Hope.

Part 10, New Series.

1. Fugue Archibald Donald.
2. Prelude and Fugue with Postlude E. A. Chamberlayne.
3. Prelude and Fugue F. Young.

Part 9, New Series.

1. Andante con Moto W. A. Montgomery, L.T.C.L.
2. Fantasia in E minor Cuthbert Harris, Mus. B.
3. Postlude at Ephes. V. v. 19. Si tibi placeat, Mihi con displicet W. Conradi,(Y. of B. 1816), Paul's Org. St. Church, Schwerin i/m Germany.
4. Harvest March Henry J. Poole.

Part 8, New Series.

1. Scherzo Minuet W. Mullineux, Organist of the Town Hall, Bolton.
2. Introduction to the Hymn on the Passion, "O Haupt Voll Blut und Wunden" W. Conradi. Organist Paul's Church, Schwerin, Germany.
3. Thesis and Antithesis, or Dispute, Appeasement, Conciliation. W. Conradi, Organist Paul's Church, Schwerin, Germany.
4. Carillon in E Cuthbert Harris, Mus.B., F.R.C.O., &c.
5. Andante "Hope" Inglis Bervon.
6. Orchestral March in C James Crapper, L. Mus., Organist of the Parish Ch., Kirkcudbright.

Part 7, New Series.

1. Andante Grazioso in G Chas. E. Melville, F.R.C.O.
2. Polish Song, Arranged for the organ by Percival Garrett. Chopin.
3. Introduction, Variations, and Finale on the Hymn Tune "Rockingham." Ch. R. Fisher, Mus. B.
4. Two Soft Movements W. C. Filey, I.S.M.
1. "EspÉrance." 2. "Tendrerse."
5. Andante in A flat W. Griffiths, Mus. B., Org. of St. Sepulchre Church, Northampton.
6. Fugue, 4 Voice, 3 Subjects Dr. J. C. Tilly.


Part 6, New Series.

1. Con Moto Moderato in C Orlando A. Mansfield, Mus.B., F.R.C.O.
2. Tempo Di Menuetto Geo. H. Ely.
3. Dirge In Memoriam, Reginald Adkins J. E. Adkins, F.R.C.O.
4. Andante in F R. H. Heath.
5. Aberystwyth Offertoire J. G. Mountford.
6. Andante in D (PriÈre) E. Evelyn Barron, M.A.

Part 5, New Series.

1. Allegretto Scherzando in A flat W. E. Ashmall.
2. Andante Religioso in G Dr. J. Bradford.
3. March Pomposo in E flat Charles Darnton.
4. Andante Con Moto "Twilight" Ch. R. Fisher, Mus.B.
5. Minuet In F W. E. Belcher, F.R.C.O.

Part 4, New Series.

1. Andante Moderato F. Read.
2. Prelude and Fugue in D minor E. A. Chamberlayne.
3. Sketch Arthur Geo. Colborn.
4. Fugue James Turpin.
5. Allegro Charles H. Fisher.
6. Marche Mystique Theme by Roland, de Lassus.—A Relic of Ancient Times.

Part 3, New Series.

1. Minuet And Trio in F Ed. J. Bellerby, Mus. B., Oxon.
2. "Dundee" ("or French") John P. Attwater.
3. Adagio. An Elegy in G minor Chas. R. Fisher, Mus. B.
4. Andante, A major F. Hone.
5. Allegro, D minor Geo. Minns (Ely).

Part 2, New Series.

1. Toccata Fantasia (Study in C minor) E. T. Driffiel.
2. Andante Grazioso W. Faulkes.
3. Marche Funebre Arthur Wanderer.
4. Andante Semplice E. A. Chamberlayne.
5. Festal March A. W. Ketelbey.

Part 1, New Series.

1. Offertoire in A minor Fred. W. Dal (Leipzig).
2. Second Fantasia on Scotch Airs William Spark.
3. Adeste Fideles (with Variations and Fugue) Charles Hunt.
4. Intermezzo G. Townshend Driffield.

Part 103 (Old Series).

1. Postlude in G Frederick W. Holloway, F.C.O.
2. Suite: No. 1, Prelude; No. 2, Berceuse; No. 3, Toccata Laurent Parodi (Genoa).
3. Nocturne William Lockett.
4. Andante Pastorale in B minor Jacob Bradford, Mus. D., Oxon.
5. Introductory Voluntary Albert W. Ketelbey.
6. Fugue R. J. Rowe, L.R.A.M.

LONDON: WILLIAM REEVES, 83, CHARING CROSS ROAD, W.


Note the Price, PENCE not SHILLINGS.

POPULAR AND COPYRIGHT MUSIC.

Full Music Size, Well Printed and Critically Correct.

ISSUED BY

2D WILLIAM REEVES. 2D
(Postage ½d. each.) (Postage ½d. each.)

VOCAL.

273. Alice where art thou? J. Ascher
396. Always do as I do Tinney
174. Angels at the Casement, A flat W. M. Hutchison
105. Banner of the King H. Fortesque
172. Barney O'Hea S. Lover
224. Bay of Biscay J. Davey
181. Border Lands (Sacred) Miss Lindsay
180. Borderer's Challenge H. J. Stark
390. Cat in the Chimney L. Kingsmill
392. Child's Good Morning O. Barri
391. Child's Good Night O. Barri
383. Come into the Garden Maud Balfe
184. Crossing the Brook Edith Cooke
389. Dawn of Heaven Buonetti
188. Diver, The E. J. Loder
384. God Save the King Dr. Jno. Bull
226. Hearts of Oak Dr. W. Boyce
100. Honey Are You True to Me (Coon Song) Lindsay Lennox
266. Kathleen Mavourneen Crouch
213. Lady Clara Vere de Vere Miss Lindsay
404. Last Good Bye to Mother C. Dargan
227. Last Rose of Summer Thos. Moore
215. Listen A. H. Behrend
249. Maggie's Promise W. Gordon
115. Sharing the Burden J. E. Webster
225. Tom Bowling C. Dibdin
236. When other Lips (Then you'll remember me) Balfe

VOCAL DUETS.

190. Flow on thou Shining River Sir J. Stevenson
116. Gipsy Countess Glover

PIANOFORTE.

118. A la Valse Roeckel
275. Alice where art thou? (easily arr. by) Percy E. Douglas
278. Army and Navy March Henzell
457. Au Village Tschaikowsky
268. Battle March (Delhi) Pridham
373. Belgium Galop Smallwood
437. Belle of Chicago March J. P. Sousa
122. Berceuse Roeckel
376. Blumenlied Gustav Lange
379. Bridal Chorus and Wedding March Wagner
453. Cadet Two Step (easily arranged) Alard
142. Charming Mazurka Gungl
456. Chanson Triste Tschaikowsky
456. Chant sans Paroles Tschaikowsky
393. Chinese Patrol March D. Pecorini
243. Cloches du Monastere Lefebure-Wely
458. Coon Band Contest A. Pryor
438. Corcoran Cadets March J. P. Sousa
125. Corricolo Galop (Easily arranged) L. Mullen
377. Edelweiss Gustav Lange
374. Emmeline Galop Smallwood
308. Fille du Regiment Oesten
167. Flying Dutchman (La Vaisseau Fantome) Wagner
244. Forward March E. H. Sugg
Four Humoresques:
206.Valse in D, No. 1 Grieg
207.Minuetto in A minor, No. 2 Grieg
208.Allegretto, No. 3 Grieg
209.Allegro Alla Burla, No. 4 Grieg
210. Funeral March Grieg
305. French Air (Marseillaise) Eric Stapleton
306. German Air (Watch on Rhine) Eric Stapleton
264. Gipsies' March C. Heins
252. Grand March (arr. by P. E. Douglas) Blake
151. Grand March of the Warriors H. V. Lewis
276. Hiawatha Cake Walk, (arr. by P. E. Douglas) Moret
436. High School Cadets March J. P. Sousa
304. Irish Air (Last Rose of Summer) Eric Stapleton
303. Italian Air (Ah che la Morte) Eric Stapleton
288. Japanese National Hymn, Harmonized by Sydney Osborne.
133. Kassala Gavotte H. Wilcock
270. Kathleen Mavourneen P. E. Douglas
171. Khartoum Quick March F. P. Rabottini
286. King's Own March Warwick Williams
246. Liberty Bell March Sousa
135. Little Dear Gavotte F. Astrella
162. Lohengrin Wagner
136. Maiden's Prayer Badarazewska
435. Manhattan Beach March J. P. Sousa
137. March in E flat J. B. Mallett
441. March Past of the National Fencibles J. P. Sousa
440. March Past of the Rifle Regiment J. P. Sousa
140. May-Day Galopade J. Gungl
141. Mazurka Badarazewska
143. Melodie Roeckel
247. Melody in F Rubinstein
211. Minuetto (from E minor Sonata) Grieg
163. Mountain Echo March G. Gariboldi
385. Narcissus Nevin
439. Our Flirtation March J. P. Sousa
147. Placid Stream Smallwood
103. Queenie (Intermezzo) P. D'Orsay
165. Rienzi Wagner
253. Robin's Return (arr. by P. E. Douglas) Fischer
148. Scherzino Roeckel
301. Scotch Air (Blue Bells of Scotland) Eric Stapleton
375. Seasons Galop Smallwood
442. Semper Fidelis J. P. Sousa
196. Silvery Echoes Blake
394. Soldiers' Chorus (Faust) Gounod
381. Sonatina in F Beethoven
380. Sonatina in G Beethoven
302. Spanish Air (Dance) Eric Stapleton
378. Stephanie Gavotte A. Czibulka
166. Tannhauser Wagner
150. Tarantella L. B. Mallett
290. Washington Post March (easy) J. P. Sousa
454. White Wings (Transcription) Smallwood
291. Woodland Echoes Wyman

PIANO DUETS.

367. Come o'er the Stream Charlie A. Mullen
371. From Greenland's Icy Mountains A. Mullen
372. I'd Choose to be a Daisy A. Mullen
154. Maiden's Prayer Badarazewka
156. March of the Cameron Men A. Mullen
155. Marche des Croates A. Mullen
159. Minnie, or Lilly Dale A. Mullen
353. Silvery Waves (Wyman) Andre

DANCE.

388. Amorosa Mazurka A. H. Oswald
387. Blue Bells Schottische S. Leslie
262. Blue Danube Waltz Strauss
382. British Army Polka Alec Carlton
285. City Polka J. D. Wimpenny
161. Cosmopolitan Quadrille L. Gautier
127. Cyprus Polka Scotson Clark
402. Donau Wellen Waltz (Easily arr. by) Percy E. Douglas
101. Electric Waltz H. Klein
397. Esmeralda Waltz (easily arranged) S. Osborne
395. Fancy Dress Ball Quadrille Rosenberg
413. Faust Waltz (arr. by P. E. Douglas) Gouno
250. Flora Waltz W. Gordon
386. Horse Guards Schottische S. Leslie
102. Lucifer Polka H. Klein
251. Niagara Waltz Vorzanger
144. Munich Polka Jos. Gungl
403. Olympia Schottische Sydney J. Smith
254. Over the Waves (Sobra las Olas) Rosas
366. Roseland Waltz Marietta Lena
415. Sweetheart Polka Gounod
265. Vinolia Schottische P. Lester
268. Woodland Whispers Waltz Stanley

VIOLIN AND PIANO.

VIOLIN.

170. March St. Olave F. James

MANDOLINE AND PIANO.

274. Alice where art Thou?
407. Belle of Chicago March J. P. Sousa
406. Blue Danube Waltz Strauss
416. Cadet Two Step (arranged) Alard
408. Corcoran Cadets March J. P. Sousa
272. Donau Wellen Waltz Ivanovici
414. Faust Waltz and Flower Song Gounod
277. Hiawatha Popular Cake Walk Neil Moret
401. High School Cadets March J. P. Sousa
289. Honey are you true Sydney Osborne
267. Kathleen Mavourneen Crouch
399. Liberty Bell March J. P. Sousa
400. Manhattan Beach March J. P. Sousa
411. March Past of the National Fencibles J. P. Sousa
410. March Past of the Rifle Regiment J. P. Sousa
255. Oceana Schottische W. H. Stevens
279. Over the Waves Rosas
409. Our Flirtation March J. P. Sousa
412. Semper Fidelis March J. P. Sousa
398. Washington Post March J. P. Sousa

BANJO AND PIANO.

429. Belle of Chicago March J. P. Sousa
406. Cadet Two Step (arranged) Alard
430. Corcoran Cadets March J. P. Sousa
428. High School Cadets March J. P. Sousa
419. Liberty Belle March J. P. Sousa
418. Manhattan Beach March J. P. Sousa
433. March Past of the National Fencibles J. P. Sousa
432. March Past of the Rifle Regiment J. P. Sousa
431. Our Flirtation March J. P. Sousa
434. Semper Fidelis March J. P. Sousa
417. Washington Post March J. P. Sousa

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VOL. 8. Ferdinand David
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TRANSCRIBER NOTES

Symbol inverted asterism (three asterisks arranged as inverted triangle) is presented as ⁂ (asterism) in this e-text.

Inconsistent spelling and apparent printer errors have been retained as printed in original book, except obvious punctuation errors have been repaired.





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