CHAPTER X. MR. PETTICORD.

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Early the next day I was formally installed as manager of the Bolanyo Opera House. The Senator directed the ceremony, marking long meter with his hat, and by his solemn mien appearing to demand of me a serious and majestic chant, the tune of Old Hundred, to express a deep sense of my responsibility—a mere fancy, of course; but as a matter of fact, he did seem to believe that we ought to make a sentiment of this commonplace and businesslike procedure. But I told him that we would waive the rights of a mysterious incantation and look upon the affair as a commercial transaction.

"Yes, of course," he said. "But you know there has always been a sort of mystery about the stage. It holds us to the past, makes us children, afraid of ghosts. It has a peculiar smell; and one thing about it is, that all the people on the stage seem to be foreigners, it makes no difference how well you may have been acquainted with them. I don't know that it's true in all cases. Come to think of it, you don't seem strange to me."

"There has always been a prejudice against the stage, in England and America," I replied. "Our race cannot associate art and religion, when, in fact, there's true religion in every phase of art."

"Well, now, I don't know about that, Belford. The Pagans worshiped idols and some of their idols were works of art, but there was no true religion in that. But be that as it may, we're going to make a success of this thing."

A number of boys, having scented an unusual activity, were hanging about the door, and one of them made bold to ask if there was going to be a show. The Senator answered him. "Yes, there is, my little man, and we'll want you to take around some bills when it comes, next fall. Whose son are you, anyway?"

"Mr. Vark's."

"Oh, yes, the shoemaker down stairs. Well, run along now."

The boys scampered off, and the Senator, looking about, declared that we were making great progress. "Yes, Sir, we'll coin money here; and do you know, Belford, I am beginning to believe that money is a pretty good thing after all? Yes, Sir, I have about arrived at that conclusion. It won't take a man to Heaven, but it arms him against a hell on earth. Let me see, there was something else I intended to say. Oh, yes. Now it's all right to be friendly with everybody, but intimacy is a dangerous thing. Encourage it and the first thing you know the loafers about town will begin to call you by your first name. That kills a man if he's in any sort of public life. Why, Sir, if I had let those fellows call me Giles, I couldn't have remained in the Senate more than one term; would have killed me, Sir, as dead as a door nail. In this human family a man thinks more of you in the long run if you compel him to bow to you than if you permit him to put his arm on your shoulder. Our natures respect exclusiveness. We may make fun of what we conceive to be a groundless dignity, but at its face we bow to it. Well, you can now begin your correspondence. I have put money to your credit at the bank, and there's nothing to keep you from going ahead. There are some other little details that can be arranged at our leisure. And now, as to a boarding place. Our hotels are not first class. And here's what I regard as a good idea. This room off here you can fit up as a sleeping apartment, and you can take your meals at a restaurant. Suit you?"

"Perfectly. And I want to thank you for your—"

"Wait till the end of next season, Sir; we haven't time now. And, by the way, I want you to come out to the house as often as you can conveniently. Just come and go as you please. Well, Mr. Manager, I'll bid you good-morning."

My room was airy, and, proportioned in that wastefulness of space which marks one of the interior differences between the town and the great city, it afforded the luxury of many an imaginary path over which I could walk in meditation upon my play; and that piece of work was uppermost in my mind. It was my hope to exist as a manager until I could pip the shell as a dramatist—selfish, I confess; and so is art a selfishness, and so is every high-born longing in the breast of man. Indeed, philanthropy itself cannot escape the accusation: To give to the needy awakens the applause of the conscience.

A slight tapping attracted my attention, and looking round I saw standing in the doorway a tall, gaunt man with a beard so red as to shoot out the suggestion that it had been put on hot and that sufficient time had not elapsed for it to cool. I invited him in; and, stepping forward, he handed me a card on which in black type and with heavy impression was printed the name Lucian C. Petticord, followed by the information (also heavy and black) that I was in the presence of the Editor of the Bolanyo Daily Times, and the enemy of Senator Giles Talcom.

"Sit down, Mr. Petticord. Glad to meet you," I added, with lie number one.

"Thank you," he said, seating himself. "Match about you?"

I found a match for him, and lighting the stub of a cigar, he said "Thanks," crossed his legs and hooked his thumbs in the arm-holes of his "vest."

"How do you like our town?" he asked.

"Charming place," I answered.

"Used to be, but hard times hit it a crack and it's been staggering ever since. Had two banks—one of them failed. Tough, I tell you, but we'll come out all right. Just heard of your deal. Ought to make the thing pay, I should think. Got to spend some little money, of course. By the way, is old man Talcom interested in it?"

"Well, only as a friend," I answered, with lie number two.

"I heard he was. Always was a sort of a theatrical fellow."

"He is a gentleman, if that's what you mean."

"Yes, in a way," he drawled. "Oh, I know him."

"Then, Sir, you know one of the most generous of men."

"Yes, generous in a way. Pretty keen, though—he's not throwing anything over his shoulder this year, and he didn't last year either, for that matter."

"I didn't know," said I, "that throwing a thing over one's shoulder was esteemed as an example of generosity."

He rolled his cigar about between his fiery lips. "I take it that you know what I mean," he replied. "I mean that Brother Giles ain't giving anything away without cause."

"Who is?" I asked, and I looked at him hard, but, in the vernacular of the neighborhood, I did not "faze" him.

"In general, nobody; and in particular, not Brother Giles. Well, it's all right. Glad he ain't interested financially. Presume, however, he advanced you the necessary money."

"Pardon me, but if he did it doesn't concern you."

"Oh, it's all right; no business of mine except as a matter of news."

"But what doesn't concern the public is not news," I replied.

"No, that's a fact, but then, there comes up a difference of opinion as to what does concern the public." He paused for a few moments and then continued: "Thought I'd step over and see if I could get an ad from you. Do all my own work in that line; do all the editorials and write most of the local leaders. It keeps me busy, but I'm getting out the best paper the city ever had. And my ad rates are not high when the circulation is considered."

"I shall give you an advertisement later on," said I, "but just at present there could be no object in it. It's out of season and there's nothing to advertise."

"But you'll want a write-up announcing the change of management. The people will be interested in it, you know."

"Yes, but doesn't that very fact make it a piece of legitimate news?"

"Well, yes, in a way. But you know I can't afford to print news for nothing. I'm not printing news for my health, you know. Write you up in good shape for ten dollars."

It was the easiest way out of what appeared to be the beginning of an unpleasant entanglement, and I told him that he might proceed with his "write-up." It was a sort of bribery, the purchase of his good opinion in the hope of securing his silence, for I knew that there must be war, and perhaps a complete change of geographical lines, so far as I was concerned, if the newspaper should offensively associate the Senator and the playhouse. But as I sat there, the subject of a "pleasant interview"—meeting smile with smile—I actually ached to kick that red gargoyle down the stairs.

"Well," he said, blowing the cigar stub out of his mouth and letting it fall where it might, "I'll get back to work. Come over sometime."

"Thank you. I may see more of you when the season opens."

"Guess that's right. Haven't got a cut of yourself, have you?"

"No, and I don't care for one."

"You're wrong there; good cut's a first-rate thing—catches the women, and I want to tell you that unless you catch the women you don't catch anybody. Well, good day."

Almost as soothing as a melody was his passing footstep down the stairs. But he halted, and I heard him talking to someone who evidently was coming up. I was afraid that he had turned to come back, and I stood in a tremor of dread, when in stepped old Zack Mason, the steamboat pilot. "Hah, united we stood and divided we went up!" he cried, grasping my hand. "How are you?—first-rate, I know. Oh, this climate will bring a man out of the kinks if he isn't killed instantly. All this atmosphere needs is a few minutes' start. A man can grow a set of new lungs down here. How are you, anyway? Didn't hurt me much—made a trip since then on a snag-boat. Tickled to death to see you again. How are you, anyway?"

During all this time he held me with a grip so tight as to assure me that not even an explosion could blow us apart. And whenever I attempted to tell him how I was, or to impress him with my share of the pleasure derived from our meeting, he gripped me tighter, to hold me under the outpour of his congratulations. "Felt like a brother had left me that day when you were snatched out of my hand. Said to myself, as I flew through the air, 'he's got a little bit the start of me and I don't believe I'll ever see him again.' And last night, when I got home and heard you were around all right, I went straight over to old Jim Bradley's and swallowed a drink as long as a pelican's neck. I want to tell you that Jim's got the stuff right there in his house—been here ever since the Mississippi River was a creek; and he's got licker older than Adam's off ox. And I'll tell you what we'll do this minute—we'll go right over there and take a snort as loud as the sneeze of a hippopotamus."

By this time I had forced him back into his chair, but he showed such a keenness to get at me again that I had to remind him that I had been but a short time out of bed.

"Well, now, I'd about forgotten that," he declared. "But I don't want you to handle me after you get plum back at yourself. You are as strong as a panther right now. But that's neither here nor there. The question is, will you come over with me to see old Jim? I've got a lay-off for about a week, and I've got to have a little fun as I go along. Eat, drink and be merry, for to-morrow you may be blowed up. And we'll see old Joe Vark over there. Joe's got a shoeshop right down here—best shoemaker that ever pounded the hide of a steer—works till he gets ready to have fun, and then he whoops it up. He's smarter than a serpent, even if he ain't always as harmless as a dove. They started a little public library here once, and the first thing they knew old Joe had nearly all the books stacked up in his shop; and he read them, too. Come on and we'll go down to old Jim Bradley's; and he's all right, too. What do you say?"

"To tell you the truth, I'd rather go with you than to do almost anything; it would fit me like a glove; but I can't. I've had to quit. One drink would mean a spree, and that would ruin everything."

"Yes, but here," he insisted, "the liquor that Bradley keeps won't put a man off on a spree. It's a fact. It would take a man two weeks to get drunk on it, and by that time he'd have enough. Come on."

"No, I can't go."

"Well, if you can't drink without taking too much I'm the last man in the world to persuade you. Glad to see you, anyway. And I reckon you're going to give us a first-rate line of shows. Met the Senator just now and he told me. He's another man that can't drink. I can drink and I can let it alone—that is, I know I can drink, and I think I can let it alone. Well," he said, getting up and taking my hand, "I'm glad to have seen you again, anyway. Take care of yourself, and when your first show opens up I'll come round with the boys and we'll whoop things up."


                                                                                                                                                                                                                                                                                                           

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