Slowly and by almost imperceptible stages, spring had crept into summer and summer had crawled sluggishly into autumn. Rose color had turned to green, green to gold, and then all colors had faded to the uniform gray of November. To Beatrix it seemed that nature's change typified that of her life; to Thayer and Arlt the rose color and the gold were still glowing. For the time being, the problems of their professional lives were absorbing them both, to the exclusion of more human interests. Such epochs are bound to come to every man. However broad and generous-minded he may be, there are hours when it seems to him that the rising of the sun and the going down of the same are functions of nature ordained merely for the sake of giving chronological record of his own professional advancement. November brought them both to this mood and, while it lasted, each found the other his only satisfactory companion. To Thayer the summer had been a matter of personal mathematics, the solving of simultaneous Even in these few short months, it had become Lorimer still loved Beatrix with all the fervor of his nature. To him, she was the one and only woman in the world, someone to be caressed and indulged and played with, the comrade of his domestic hours. But, when the other mood was upon him, he acknowledged no right upon her part to offer advice or warning. He treated her as one treats a spoiled child, fondling her until her presence bored him or interfered with his other plans, then quietly setting her aside and going his own way alone. As far as any woman On a few occasions, Beatrix had endeavored to hold her husband, not from temptation itself, but from the first steps towards it. She might as well have tried to bar the rising tide with a pint sieve. At such times, it seemed to her that Lorimer deliberately made up his mind to have a revel, that he set himself to work to carry out his desires to a satisfactory conclusion. These periods came at irregular intervals; but, all in all, the intervals were shortening and the revels were increasing. Beatrix learned their symptoms far too quickly; she learned to know the depression and irritability which greeted her every effort to rouse and to please him. It was at such times that Lorimer made bitter revolt against what he termed her narrowness and prejudice, or burst into occasional angry petulance, if she tried to urge him to cut loose from the club and from the constantly-growing influence of Lloyd Avalons who was discerning enough to discover that Lorimers appetite was a possible lever by which he Afterwards, when the depression had ended in the revel, when they both had ended in penitence, Lorimer temporarily came back again to the old ways. The caressing intonations returned to his voice, as he talked to Beatrix; his eyes followed her with loving pride, as she moved about the room; for days at a time he devoted himself to her wishes, serving her with a tireless chivalry which made her long to forget all that had gone before. However, Beatrix could not forget certain facts; certain episodes were so fixed in her memory that they seemed branded upon the very tissue of her life. In some respects, these intervening days were the hardest ones she had to bear. Lorimer seemed totally unable to grasp the fact that any permanent barrier was rising between them, that there was any real reason why they should not With the general scattering of people which heralds the coming of summer, it seemed to Thayer that, for the time being, Lorimer's danger was over, and it was with a sigh of utter relief that he saw Lorimer and Beatrix starting for Monomoy. Strong as he was, Thayer had felt the strain of the past six weeks; and it was good to hide himself with Arlt in a Canadian fishing vil He had planned to spend August and September in Germany; but fate willed otherwise. Less than a week before he was to sail, he received a laconic epistle from Bobby Dane, dated at the hotel where he himself had spent the previous summer.
Yours, R. F. Dane." Thayer hesitated for three minutes. Then he wrote two telegrams. One was to the office of the steamship company. The other was to the hotel near Monomoy. The reaction which followed, was a natural one. Late in September, Thayer returned to New York, preparatory to a concert tour through New England. Exhausted by the long strain of mastering both himself and Lorimer, he threw himself into his work with a feverish intensity which The tour had been a prosperous one for Arlt, as well. Upon several occasions, he had met with marked favor, and the little touch of success had reacted upon his personality, rendering him more at ease, more masterful with his audience. To be popular, art must be modest; but woe betide it, if it be in the least deprecating! However, Arlt was learning to face his public with a fairly good grace, and his public showed itself willing to smile back at him in a thoroughly friendly fashion. Arlt's overture was to have its first hearing, the week before Thanksgiving. The matter had been arranged through the influence of his teacher, and Arlt had been invited to conduct the orchestra for the event. However, in spite of his added ease, Arlt had judged such an ordeal too great for his courage. Accordingly, the teacher and Thayer had taken council together, with the result that Thayer was engaged as soloist for the The arrangement of these details, the orchestral rehearsals of the overture and his own rehearsals with Arlt were engrossing Thayer completely. Heart and soul, he was working for the boy's success, for he realized that into this simple overture Arlt had put the very best of himself, that the young composer's happiness was bound up in the success or failure of his maiden effort. The creative power had come upon him; he had worked to the utmost limit with the material ready to his brain. Now he was waiting to have the world pass judgment whether his work was worth the doing, whether he should keep on, or turn his back upon his chosen path. Thayer's own plans, too, were maturing. In the watching them develop, in the helping Arlt to pass the time of waiting, he almost succeeded in forgetting the Lorimers. Almost; but not quite. The forgetting was a little too intentional to be entirely complete. He met them rarely. Society had not yet organized its winter campaign, and it was He was in Arlt's room, one evening, less than a week before the concert. He had been dining with Miss Gannion; but he had left her early, in order to impress upon Arlt that he must accept his bidding to the supper which the Lorimers were to give after the concert. The invitations had been noncommittal, and Arlt had announced his intention of declining his own, on the plea of being too tired with his overture to care to do anything more, that night. Miss Gannion had told Thayer what he already half suspected, that Beatrix was really giving this supper in Arlt's honor and that it was to be the first large affair of the season, in the hope of focussing public attention upon the boy at the very moment of his having proved his real genius as composer. Thayer appreciated to the full the gracious kindliness of the plan, and he had excused himself to Miss Gannion and hurried away in search of Arlt, devoutly praying, as he went, that the note of regret might not be already on its way. He was but just in time. The sealed note lay on the table, and Arlt was shrugging himself into "Mr. Arlt?" A strange voice followed the knock. Arlt opened the door hospitably. The dim light in the hallway showed him a figure known to every opera singer in America and half of Europe. "Will you come in?" he asked, in some surprise. "Is Mr. Thayer here?" "I am." Thayer stepped into the lighted doorway. "You wished me?" "Yes. What is more, I need you. We know each other well by sight, so I suppose there is no call for us to waste time on introductions. Mr. Thayer, Principali, one of my best baritones, is ill and is forced to cancel his engagements. Will you take his place?" Thayer meditated swiftly, during a moment of silence. "What are the operas?" "Wagner, Faust of course, and—oh, the usual run of extras." "What reason have you to think that I am fitted for your vacancy?" Thayer asked directly. The impresario smiled. "Your old master in Berlin is one of my most intimate friends. He gave you a letter of introduction to me, I think?" The accent was interrogative, although it was plain that only one answer was expected. "He did," Thayer assented quietly. "Yes, and I have been waiting for more than a year in the hope that you would present it. Since you will not come to me, I am at last driven to go in search of you." Thayer bowed gravely in recognition of the implied compliment. He realized that he was suddenly facing a question which might affect his whole after life, and he was too much in earnest to waste words on mere conventional phrases. He liked the old man, and he felt a swift, burning longing to accept his offer. It had come unsought, unexpected. Was not fate in it; and was not a man always justified in following out his fate? To accept it would be in a great measure to cut himself off from his present social life. An operatic engagement would engross him completely. All in all, it might be better so. And yet, there was something to be said upon the other side. Was he justified in working out his own professional salvation at the certain cost of "How long would you need me?" "The entire season." "How soon?" "In Faust, on the tenth of next month." "In Faust?" The impresario saw that Thayer was hesitating. The idea of Faust plainly attracted him, and the impresario hastily followed up the advantage. "Yes, we want you for Valentine." "My favorite part," Thayer said, half to himself. The impresario smiled serenely. He felt no question now as to the outcome of his errand. "CalvÉ will sing Marguerite; it will be a good cast. After that, we shall need you, two or three times a week, and the salary—" Impatiently Thayer brushed his words aside. "How soon must you have my answer?" "To-night." "Very well. Then, no." The impresario straightened up in his chair. "Mr. Thayer!" he remonstrated. "It is impossible for me to bind myself for an entire season, without more time to think the matter over," Thayer said quietly. "But it is important that I should know, in order to make my other arrangements." "Then you would better consider it settled in the negative," Thayer returned. The impresario wavered. "How much time do you need?" he asked a little impatiently. "I must have a week." "Impossible." "Very well, then. But I thank you for the honor you have done me in asking me to fill the place." Thayer rose with an air of decision, and the impresario could do nothing else than follow his example. At the door, he turned back. "Mr. Thayer, there is no use in my trying to conceal the fact that I want you badly. If I will wait until a week from to-night, will you give me your answer then?" "I will," Thayer replied imperturbably. "And sign the contracts on the spot?" "I will," Thayer repeated; "but remember this: in the meantime, I am binding myself to nothing. Good-night." He went down the stairs with the impresario. When he returned to Arlt's room, a moment later, he took up the conversation at the precise point where they had dropped it; but, even in the dusky room, Arlt could see that Thayer's eyes were blazing as he had never seen them till then. Not long afterwards, Thayer glanced down at his own strong, slim hand that rested on the table beside him. The fingers were moving restlessly and, on the back, the cords twitched a little now and then. Thayer watched it curiously for a moment. Then he clasped his hands on his knee and held them there, motionless. |