INDEX

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A.

  • Aberdeen Breviary, 133–135.
  • Advertisements, early booksellers', 105.
  • Alcuin, 63, 64.
  • Aldus Manutius, 104, 113, 115, 151.
  • Aleria, Bp. of, 104.
  • Alexandria, 16, 30–32.
  • Alost, 117.
  • Alphabet, the, 10.
  • Amsterdam, 118.
  • Antiquarii, 49.
  • Antwerp, 144.
  • Arabs, the, 13.
  • Assyria, 12, 14, 30.
  • Assyrians, 11.
  • Augsburg, 104.
  • Aungervyle, R. (see Richard de Bury).
  • Ave Maria Lane, 52.
  • Avignon, 85.

B.

  • Babylonia, 12, 30, 145.
  • Babylonians, 11.
  • Bamberg, 75, 94, 103.
  • Basle, 104.
  • Benedict Biscop, 63.
  • Beowulf, 24.
  • Berthelet, Thomas, 156.
  • Bible, the, 17.
  • —— Mazarin or Gutenberg, 94–100.
  • —— thirty-six-line, 97.
  • —— Mentz, 1462, 102.
  • Biblia Pauperum, 74–77, 89.
  • BibliothÈque Nationale, 67, 68.
  • Bindings, 144, 159.
  • Block-books, 73, 80.
  • Block-printing, 71.
  • Bonhomme, Pasquier, 116.
  • Book of Durrow, 39.
  • —— Kells, 39–41.
  • —— St Albans, 25, 128, 131.
  • —— St Cuthbert (see Lindisfarne Gospels).
  • Book, production of modern, 159.
  • Bookbinding, 144–159.
  • Books, adventures of, 144.
  • —— beginning of, 10.
  • —— chained, 58, 69, 70.
  • —— heretical, 22.
  • —— in classical times, 104, 116, 119, 128, 131.
  • Hostingue, Laurence, 131, 132.

I.

J.

K.

  • Kelmscott press, 80.
  • Ketelaer, Nycolaum, 116.
  • Kirkstall Abbey, 57.
  • Klosterneuburg, 75.
  • Koburger, Antony, 106, 154.

L.

  • Lanfranc, 47.
  • Latin document, earliest, 15.
  • Latin names of towns, 109.
  • Leempt, Gerard de, 116.
  • Lettou, John, 126.
  • Leicester, 61.
  • Lekprevik, Roibeard, 137, 138.
  • Leland, 61.
  • Leyden, 118.
  • Libraries, ancient, 28–36.
  • —— collegiate, 58.
  • —— monastic, 56–65.
  • Librarii, 16, 49.
  • Lignamine, J.P. de, 111.
  • Lindisfarne Gospels, 42–45, 147.
  • Lincoln Cathedral, 143, 144.
  • Literature, Anglo-Saxon, 24.
  • —— beginning of, 13.
  • —— of Greece, 14, 15, 19TURNBULL AND SPEARS, PRINTERS, EDINBURGH.

    [1] The Codex Sinaiticus, now at St Petersburg.

    [2] The first printed musical notes appear in de Gerson's Collectorium super Magnificat, printed at Esslingen in 1473 by Conrad Fyner.

    [3] The Pye, or Pica, directed how saints'-days falling in Lent, Easter, Whitsuntide, and the octave of Trinity, were to be observed with respect to the “commemorations” of these seasons.

    [4] It is hardly necessary to remind the reader that at this period Westminster was quite distinct from London.

                                                                                                                                                                                                                                                                                                           

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