TABLE OF THE PRINCIPAL MATTERS CONTAINED IN THIS ESSAY |
  | PAGE | The Triumph of Letters | 1 | The Problem of Style | 3 | The Instrument and the Audience, with a Digression on the Actor | 4 | The Sense-Elements | 8 | The Functions of Sense | 10 | Picture | 11 | Melody | 14 | Meaning, Exampled in Negation | 17 | The Weapons of Thought | 21 | The Analogy from Architecture | 23 | The Analogy Rectified. The Law of Change | 24 | The Good Slang | 27 | The Bad Slang | 29 | Archaism | 32 | Romantic and Classic | 36 | The Palsy of Definition | 39 | Distinction | 43 | Assimilation | 45 | Synonyms | 46 | Variety of Expression | 49 | Variety Justified | 50 | Metaphor and Abstraction: Poetry and Science | 55 | The Doctrine of the Mot Propre | 61 | The Instrument | 65 | The Audience | 65 | The Relation of the Author to his Audience | 71 | The Poet and his Audience | 71 | Public Caterers | 77 | The Cautelous Man | 78 | Sentimentalism and Jocularity | 81 | The Tripe-Seller | 83 | The Wag | 85 | Social and Rhetorical Corruptions | 87 | Sincerity | 88 | Insincerity | 93 | Austerity | 94 | The Figurative Style | 98 | Decoration | 100 | Allusiveness | 102 | Simplicity and Strength | 104 | The Paradox of Letters | 107 | Drama | 108 | Implicit Drama | 111 | Words Again | 115 | Quotation | 116 | Appropriation | 119 | The World of Words | 123 | The Teaching of Style | 124 | The Conclusion | 127 |
|
  |