Conaeus. (Jebb: De Vita ac Rebus, vol. ii. p. 15.)

Her main course of study was directed towards the attainment of the best European languages. So graceful was her French that the judgment of the most learned men recognised her command of the language; nor did she neglect Spanish or Italian, although she aimed rather at an useful knowledge than at a pretentious fluency. She followed Latin more readily than she spoke it. The charm of her poetry owed nothing to art. Her penmanship was clear, and (what is rare in a woman) swift. Her excellence in singing arose from a natural, not an acquired, ability to modulate her voice: the instruments she played were the cittern, the harp, and the harpsichord. Being very agile, she danced admirably to a musical accompaniment, yet with beauty and comeliness, for the silent and gentle movement of her limbs kept time to the harmony of the chords. She devoted herself to learning to ride so far as it is necessary for travelling or for her favourite exercise of hunting, thinking anything further more fitted for a man than for a woman.... Several tapestries worked by her with wonderful skill are yet to be seen in France, dedicated to the altars of God, especially in the monastery in which she was nurtured on her first arrival in the kingdom.