INTRODUCTION.

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I.

MESOPOTAMIA.—THE MOUNDS.—THE FIRST SEARCHERS.

1. In or about the year before Christ 606, Nineveh, the great city, was destroyed. For many hundred years had she stood in arrogant splendor, her palaces towering above the Tigris and mirrored in its swift waters; army after army had gone forth from her gates and returned laden with the spoils of conquered countries; her monarchs had ridden to the high place of sacrifice in chariots drawn by captive kings. But her time came at last. The nations assembled and encompassed her around. Popular tradition tells how over two years lasted the siege; how the very river rose and battered her walls; till one day a vast flame rose up to heaven; how the last of a mighty line of kings, too proud to surrender, thus saved himself, his treasures and his capital from the shame of bondage. Never was city to rise again where Nineveh had been.

2. Two hundred years went by. Great changes had passed over the land. The Persian kings now held the rule of Asia. But their greatness also was leaning towards its decline and family discords undermined their power. A young prince had rebelled against his elder brother and resolved to tear the crown from him by main force. To accomplish this, he had raised an army and called in the help of Grecian hirelings. They came, 13,000 in number, led by brave and renowned generals, and did their duty by him; but their valor could not save him from defeat and death. Their own leader fell into an ambush, and they commenced their retreat under the most disastrous circumstances and with little hope of escape.

3. Yet they accomplished it. Surrounded by open enemies and false friends, tracked and pursued, through sandy wastes and pathless mountains, now parched with heat, now numbed with cold, they at last reached the sunny and friendly Hellespont. It was a long and weary march from Babylon on the Euphrates, near which city the great battle had been fought. They might not have succeeded had they not chosen a great and brave commander, Xenophon, a noble Athenian, whose fame as scholar and writer equals his renown as soldier and general. Few books are more interesting than the lively relation he has left of his and his companions' toils and sufferings in this expedition, known in history as "The Retreat of the Ten Thousand"—for to that number had the original 13,000 been reduced by battles, privations and disease. So cultivated a man could not fail, even in the midst of danger and weighed down by care, to observe whatever was noteworthy in the strange lands which he traversed. So he tells us how one day his little army, after a forced march in the early morning hours and an engagement with some light troops of pursuers, having repelled the attack and thereby secured a short interval of safety, travelled on till they came to the banks of the Tigris. On that spot, he goes on, there was a vast desert city. Its wall was twenty-five feet wide, one hundred feet high and nearly seven miles in circuit. It was built of brick with a basement, twenty feet high, of stone. Close by the city there stood a stone pyramid, one hundred feet in width, and two hundred in height. Xenophon adds that this city's name was Larissa and that it had anciently been inhabited by Medes; that the king of Persia, when he took the sovereignty away from the Medes, besieged it, but could not in any way get possession of it, until, a cloud having obscured the sun, the inhabitants forsook the city and thus it was taken.

4. Some eighteen miles further on (a day's march) the Greeks came to another great deserted city, which Xenophon calls Mespila. It had a similar but still higher wall. This city, he tells us, had also been inhabited by Medes, and taken by the king of Persia. Now these curious ruins were all that was left of Kalah and Nineveh, the two Assyrian capitals. In the short space of two hundred years, men had surely not yet lost the memory of Nineveh's existence and rule, yet they trod the very site where it had stood and knew it not, and called its ruins by a meaningless Greek name, handing down concerning it a tradition absurdly made up of true and fictitious details, jumbled into inextricable confusion. For Nineveh had been the capital of the Assyrian Empire, while the Medes were one of the nations who attacked and destroyed it. And though an eclipse of the sun—(the obscuring cloud could mean nothing else)—did occur, created great confusion and produced important results, it was at a later period and on an entirely different occasion. As to "the king of Persia," no such personage had anything whatever to do with the catastrophe of Nineveh, since the Persians had not yet been heard of at that time as a powerful people, and their country was only a small and insignificant principality, tributary to Media. So effectually had the haughty city been swept from the face of the earth!

5. Another hundred years brought on other and even greater changes. The Persian monarchy had followed in the wake of the empires that had gone before it and fallen before Alexander, the youthful hero of Macedon. As the conqueror's fleet of light-built Grecian ships descended the Euphrates towards Babylon, they were often hindered in their progress by huge dams of stone built across the river. The Greeks, with great labor, removed several, to make navigation more easy. They did the same on several other rivers,—nor knew that they were destroying the last remaining vestige of a great people's civilization,—for these dams had been used to save the water and distribute it into the numerous canals, which covered the arid country with their fertilizing network. They may have been told what travellers are told in our own days by the Arabs—that these dams had been constructed once upon a time by Nimrod, the Hunter-King. For some of them remain even still, showing their huge, square stones, strongly united by iron cramps, above the water before the river is swollen with the winter rains.

6. More than one-and-twenty centuries have rolled since then over the immense valley so well named Mesopotamia—"the Land between the Rivers,"—and each brought to it more changes, more wars, more disasters, with rare intervals of rest and prosperity. Its position between the East and the West, on the very high-road of marching armies and wandering tribes, has always made it one of the great battle grounds of the world. About one thousand years after Alexander's rapid invasion and short-lived conquest, the Arabs overran the country, and settled there, bringing with them a new civilization and the new religion given them by their prophet Mohammed, which they thought it their mission to carry, by force of word or sword, to the bounds of the earth. They even founded there one of the principal seats of their sovereignty, and Baghdad yielded not greatly in magnificence and power to Babylon of old.

7. Order, laws, and learning now flourished for a few hundred years, when new hordes of barbarous people came pouring in from the East, and one of them, the Turks, at last established itself in the land and stayed. They rule there now. The valley of the Tigris and Euphrates is a province of the Ottoman or Turkish Empire, which has its capital in Constantinople; it is governed by pashas, officials sent by the Turkish government, or the "Sublime Porte," as it is usually called, and the ignorant, oppressive, grinding treatment to which it has now been subjected for several hundred years has reduced it to the lowest depth of desolation. Its wealth is exhausted, its industry destroyed, its prosperous cities have disappeared or dwindled into insignificance. Even Mossul, built by the Arabs on the right bank of the Tigris, opposite the spot where Nineveh once stood, one of their finest cities, famous for the manufacturing of the delicate cotton tissue to which it gave its name—(muslin, mousseline)—would have lost all importance, had it not the honor to be the chief town of a Turkish district and to harbor a pasha. And Baghdad, although still the capital of the whole province, is scarcely more than the shadow of her former glorious self; and her looms no longer supply the markets of the world with wonderful shawls and carpets, and gold and silver tissues of marvellous designs.

8. Mesopotamia is a region which must suffer under neglect and misgovernment even more than others; for, though richly endowed by nature, it is of a peculiar formation, requiring constant care and intelligent management to yield all the return of which it is capable. That care must chiefly consist in distributing the waters of the two great rivers and their affluents over all the land by means of an intricate system of canals, regulated by a complete and well-kept set of dams and sluices, with other simpler arrangements for the remoter and smaller branches. The yearly inundations caused by the Tigris and Euphrates, which overflow their banks in spring, are not sufficient; only a narrow strip of land on each side is benefited by them. In the lowlands towards the Persian Gulf there is another inconvenience: the country there being perfectly flat, the waters accumulate and stagnate, forming vast pestilential swamps where rich pastures and wheat-fields should be—and have been in ancient times. In short, if left to itself, Upper Mesopotamia, (ancient Assyria), is unproductive from the barrenness of its soil, and Lower Mesopotamia, (ancient Chaldea and Babylonia), runs to waste, notwithstanding its extraordinary fertility, from want of drainage.

9. Such is actually the condition of the once populous and flourishing valley, owing to the principles on which the Turkish rulers carry on their government. They look on their remoter provinces as mere sources of revenue for the state and its officials. But even admitting this as their avowed and chief object, they pursue it in an altogether wrong-headed and short-sighted way. The people are simply and openly plundered, and no portion of what is taken from them is applied to any uses of local public utility, as roads, irrigation, encouragement of commerce and industry and the like; what is not sent home to the Sultan goes into the private pouches of the pasha and his many subaltern officials. This is like taking the milk and omitting to feed the cow. The consequence is, the people lose their interest in work of any kind, leave off striving for an increase of property which they will not be permitted to enjoy, and resign themselves to utter destitution with a stolid apathy most painful to witness. The land has been brought to such a degree of impoverishment that it is actually no longer capable of producing crops sufficient for a settled population. It is cultivated only in patches along the rivers, where the soil is rendered so fertile by the yearly inundations as to yield moderate returns almost unasked, and that mostly by wandering tribes of Arabs or of Kurds from the mountains to the north, who raise their tents and leave the spot the moment they have gathered in their little harvest—if it has not been appropriated first by some of the pasha's tax-collectors or by roving parties of Bedouins—robber-tribes from the adjoining Syrian and Arabian deserts, who, mounted on their own matchless horses, are carried across the open border with as much facility as the drifts of desert sand so much dreaded by travellers. The rest of the country is left to nature's own devices and, wherever it is not cut up by mountains or rocky ranges, offers the well-known twofold character of steppe-land: luxuriant grassy vegetation during one-third of the year and a parched, arid waste the rest of the time, except during the winter rains and spring floods.

10. A wild and desolate scene! Imposing too in its sorrowful grandeur, and well suited to a land which may be called a graveyard of empires and nations. The monotony of the landscape would be unbroken, but for certain elevations and hillocks of strange and varied shapes, which spring up, as it were, from the plain in every direction; some are high and conical or pyramidal in form, others are quite extensive and rather flat on the summit, others again long and low, and all curiously unconnected with each other or any ridge of hills or mountains. This is doubly striking in Lower Mesopotamia or Babylonia, proverbial for its excessive flatness. The few permanent villages, composed of mud-huts or plaited reed-cabins, are generally built on these eminences, others are used as burying-grounds, and a mosque, the Mohammedan house of prayer, sometimes rises on one or the other. They are pleasing objects in the beautiful spring season, when corn-fields wave on their summits, and their slopes, as well as all the surrounding plains, are clothed with the densest and greenest of herbage, enlivened with countless flowers of every hue, till the surface of the earth looks, from a distance or from a height, as gorgeous as the richest Persian carpet. But, on approaching nearer to these hillocks or mounds, an unprepared traveller would be struck by some peculiar features. Their substance being rather soft and yielding, and the winter rains pouring down with exceeding violence, their sides are furrowed in many places with ravines, dug by the rushing streams of rain-water. These streams of course wash down much of the substance itself and carry it far into the plain, where it lies scattered on the surface quite distinct from the soil. These washings are found to consist not of earth or sand, but of rubbish, something like that which lies in heaps wherever a house is being built or demolished, and to contain innumerable fragments of bricks, pottery, stone evidently worked by the hand and chisel; many of these fragments moreover bearing inscriptions in complicated characters composed of one curious figure shaped like the head of an arrow, and used in every possible position and combination,—like this:

11. In the crevices or ravines themselves, the waters having cleared away masses of this loose rubbish, have laid bare whole sides of walls of solid brick-work, sometimes even a piece of a human head or limb, or a corner of sculptured stone-slab, always of colossal size and bold, striking execution. All this tells its own tale and the conclusion is self-apparent: that these elevations are not natural hillocks or knolls, but artificial mounds, heaps of earth and building materials which have been at some time placed there by men, then, collapsing and crumbling to rubbish from neglect, have concealed within their ample sides all that remains of those ancient structures and works of art, clothed themselves in verdure, and deceitfully assumed all the outward signs of natural hills.

12. The Arabs never thought of exploring these curious heaps. Mohammedan nations, as a rule, take little interest in relics of antiquity; moreover they are very superstitious, and, as their religious law strictly forbids them to represent the human form either in painting or sculpture lest such reproduction might lead ignorant and misguided people back to the abominations of idolatry, so they look on relics of ancient statuary with suspicion amounting to fear and connect them with magic and witchcraft. It is, therefore, with awe not devoid of horror that they tell travellers that the mounds contain underground passages which are haunted not only by wild beasts, but by evil spirits—for have not sometimes strange figures carved in stone been dimly perceived in the crevices? Better instructed foreigners have long ago assumed that within these mounds must be entombed whatever ruins may be preserved of the great cities of yore. Their number formed no objection, for it was well known how populous the valley had been in the days of its splendor, and that, besides several famous cities, it could boast no end of smaller ones, often separated from each other by a distance of only a few miles. The long low mounds were rightly supposed to represent the ancient walls, and the higher and vaster ones to have been the site of the palaces and temples. The Arabs, though utterly ignorant of history of any kind, have preserved in their religion some traditions from the Bible, and so it happens that out of these wrecks of ages some biblical names still survive. Almost everything of which they do not know the origin, they ascribe to Nimrod; and the smaller of the two mounds opposite Mosul, which mark the spot where Nineveh itself once stood, they call "Jonah's Mound," and stoutly believe the mosque which crowns it, surrounded by a comparatively prosperous village, to contain the tomb of Jonah himself, the prophet who was sent to rebuke and warn the wicked city. As the Mohammedans honor the Hebrew prophets, the whole mound is sacred in their eyes in consequence.

13. If travellers had for some time been aware of these general facts concerning the Mounds, it was many years before their curiosity and interest were so far aroused as to make them go to the trouble and expense of digging into them, in order to find out what they really contained. Until within the last hundred years or so, not only the general public, but even highly cultivated men and distinguished scholars, under the words "study of antiquity," understood no more than the study of so-called "Classical Antiquity," i.e., of the language, history and literature of the Greeks and Romans, together with the ruins, works of art, and remains of all sorts left by these two nations. Their knowledge of other empires and people they took from the Greek and Roman historians and writers, without doubting or questioning their statements, or—as we say now—without subjecting their statements to any criticism. Moreover, European students in their absorption in and devotion to classical studies, were too apt to follow the example of their favorite authors and to class the entire rest of the world, as far as it was known in ancient times, under the sweeping and somewhat contemptuous by-name of "Barbarians," thus allowing them but a secondary importance and an inferior claim to attention.

14. Things began greatly to change towards the end of the last century. Yet the mounds of Assyria and Babylonia were still suffered to keep their secret unrevealed. This want of interest may be in part explained by their peculiar nature. They are so different from other ruins. A row of massive pillars or of stately columns cut out on the clear blue sky, with the desert around or the sea at their feet,—a broken arch or battered tombstone clothed with ivy and hanging creepers, with the blue and purple mountains for a background, are striking objects which first take the eye by their beauty, then invite inspection by the easy approach they offer. But these huge, shapeless heaps! What labor to remove even a small portion of them! And when that is done, who knows whether their contents will at all repay the effort and expense?

15. The first European whose love of learning was strong enough to make him disregard all such doubts and difficulties, was Mr. Rich, an Englishman. He was not particularly successful, nor were his researches very extensive, being carried on entirely with his private means; yet his name will always be honorably remembered, for he was the first who went to work with pickaxe and shovel, who hired men to dig, who measured and described some of the principal mounds on the Euphrates, thus laying down the groundwork of all later and more fruitful explorations in that region. It was in 1820 and Mr. Rich was then political resident or representative of the East India Company at Baghdad. He also tried the larger of the two mounds opposite Mosul, encouraged by the report that, a short time before he arrived there, a sculpture representing men and animals had been disclosed to view. Unfortunately he could not procure even a fragment of this treasure, for the people of Mosul, influenced by their ulema—(doctor of the law)—who had declared these sculptures to be "idols of the infidels," had walked across the river from the city in a body and piously shattered them to atoms. Mr. Rich had not the good luck to come across any such find himself, and after some further efforts, left the place rather disheartened. He carried home to England the few relics he had been able to obtain. In the absence of more important ones, they were very interesting, consisting in fragments of inscriptions, of pottery, in engraved stone, bricks and pieces of bricks. After his death all these articles were placed in the British Museum, where they formed the foundation of the present noble Chaldea-Assyrian collection of that great institution. Nothing more was undertaken for years, so that it could be said with literal truth that, up to 1842, "a case three feet square inclosed all that remained, not only of the great city Nineveh, but of Babylon itself!"[A]

16. The next in the field was Mr. Botta, appointed French Consul at Mosul in 1842. He began to dig at the end of the same year, and naturally attached himself specially to the larger of the two mounds opposite Mosul, named Koyunjik, after a small village at its base. This mound is the Mespila of Xenophon. He began enthusiastically, and worked on for over three months, but repeated disappointments were beginning to produce discouragement, when one day a peasant from a distant village happened to be looking on at the small party of workmen. He was much amused on observing that every—to him utterly worthless—fragment of alabaster, brick or pottery, was carefully picked out of the rubbish, most tenderly handled and laid aside, and laughingly remarked that they might be better repaid for their trouble, if they would try the mound on which his village was built, for that lots of such rubbish had kept continually turning up, when they were digging the foundations of their houses.

17. Mr. Botta had by this time fallen into a rather hopeless mood; yet he did not dare to neglect the hint, and sent a few men to the mound which had been pointed out to him, and which, as well as the village on the top of it, bore the name of Khorsabad. His agent began operations from the top. A well was sunk into the mound, and very soon brought the workmen to the top of a wall, which, on further digging, was found to be lined along its base with sculptured slabs of some soft substance much like gypsum or limestone. This discovery quickly brought Mr. Botta to the spot, in a fever of excitement. He now took the direction of the works himself, had a trench dug from the outside straight into the mound, wide and deep, towards the place already laid open from above. What was his astonishment on finding that he had entered a hall entirely lined all round, except where interruptions indicated the place of doorways leading into other rooms, with sculptured slabs similar to the one first discovered, and representing scenes of battles, sieges and the like. He walked as in a dream. It was a new and wonderful world suddenly opened. For these sculptures evidently recorded the deeds of the builder, some powerful conqueror and king. And those long and close lines engraved in the stone, all along the slabs, in the same peculiar character as the short inscriptions on the bricks that lay scattered on the plain—they must surely contain the text to these sculptured illustrations. But who is to read them? They are not like any known writing in the world and may remain a sealed book forever. Who, then, was the builder? To what age belong these structures? Which of the wars we read about are here portrayed? None of these questions, which must have strangely agitated him, could Mr. Botta have answered at the time. But not the less to him remains the glory of having, first of living men, entered the palace of an Assyrian king.

18. Mr. Botta henceforth devoted himself exclusively to the mound of Khorsabad. His discovery created an immense sensation in Europe. Scholarly indifference was not proof against so unlooked-for a shock; the revulsion was complete and the spirit of research and enterprise was effectually aroused, not to slumber again. The French consul was supplied by his government with ample means to carry on excavations on a large scale. If the first success may be considered as merely a great piece of good fortune, the following ones were certainly due to intelligent, untiring labor and ingenuous scholarship. We see the results in Botta's voluminous work "Monuments de Ninive"[B] and in the fine Assyrian collection of the Louvre, in the first room of which is placed, as is but just, the portrait of the man to whose efforts and devotion it is due.

19. The great English investigator Layard, then a young and enthusiastic scholar on his Eastern travels, passing through Mosul in 1842, found Mr. Botta engaged on his first and unpromising attempts at Koyunjik, and subsequently wrote to him from Constantinople exhorting him to persist and not give up his hopes of success. He was one of the first to hear of the astounding news from Khorsabad, and immediately determined to carry out a long-cherished project of his own, that of exploring a large mound known among the Arabs under the name of Nimrud, and situated somewhat lower on the Tigris, near that river's junction with one of its chief tributaries, the Zab. The difficulty lay in procuring the necessary funds. Neither the trustees of the British Museum nor the English Government were at first willing to incur such considerable expense on what was still looked upon as very uncertain chances. It was a private gentleman, Sir Stratford Canning, then English minister at Constantinople, who generously came forward, and announced himself willing to meet the outlay within certain limits, while authorities at home were to be solicited and worked upon. So Mr. Layard was enabled to begin operations on the mound which he had specially selected for himself in the autumn of 1845, the year after that in which the building of Khorsabad was finally laid open by Botta. The results of his expedition were so startlingly vast and important, and the particulars of his work on the Assyrian plains are so interesting and picturesque, that they will furnish ample materials for a separate chapter.

Decoration

FOOTNOTES:

[A] Layard's "Discoveries at Nineveh," Introduction.

[B] In five huge folio volumes, one of text, two of inscriptions, and two of illustrations. The title shows that Botta erroneously imagined the ruins he had discovered to be those of Nineveh itself.

Decoration

II.

LAYARD AND HIS WORK.

1. In the first part of November, 1845, we find the enthusiastic and enterprising young scholar on the scene of his future exertions and triumphs. His first night in the wilderness, in a ruinous Arab village amidst the smaller mounds of Nimrud, is vividly described by him:—"I slept little during the night. The hovel in which we had taken shelter, and its inmates, did not invite slumber; but such scenes and companions were not new to me; they could have been forgotten, had my brain been less excited. Hopes, long-cherished, were now to be realized, or were to end in disappointment. Visions of palaces underground, of gigantic monsters, of sculptured figures, and endless inscriptions floated before me. After forming plan after plan for removing the earth, and extricating these treasures, I fancied myself wandering in a maze of chambers from which I could find no outlet. Then again, all was reburied, and I was standing on the grass-covered mound."

2. Although not doomed to disappointment in the end, these hopes were yet to be thwarted in many ways before the visions of that night became reality. For many and various were the difficulties which Layard had to contend with during the following months as well as during his second expedition in 1848. The material hardships of perpetual camping out in an uncongenial climate, without any of the simplest conveniences of life, and the fevers and sickness repeatedly brought on by exposure to winter rains and summer heat, should perhaps be counted among the least of them, for they had their compensations. Not so the ignorant and ill-natured opposition, open or covert, of the Turkish authorities. That was an evil to which no amount of philosophy could ever fully reconcile him. His experiences in that line form an amusing collection. Luckily, the first was also the worst. The pasha whom he found installed at Mosul was, in appearance and temper, more like an ogre than a man. He was the terror of the country. His cruelty and rapacity knew no bounds. When he sent his tax-collectors on their dreaded round, he used to dismiss them with this short and pithy instruction: "Go, destroy, eat!" (i.e. "plunder"), and for his own profit had revived several kinds of contributions which had been suffered to fall into disuse, especially one called "tooth-money,"—"a compensation in money, levied upon all villages in which a man of such rank is entertained, for the wear and tear of his teeth in masticating the food he condescends to receive from the inhabitants."

3. The letters with which Layard was provided secured him a gracious reception from this amiable personage, who allowed him to begin operations on the great mound of Nimrud with the party of Arab workmen whom he had hired for the purpose. Some time after, it came to the Pasha's knowledge that a few fragments of gold leaf had been found in the rubbish and he even procured a small particle as sample. He immediately concluded, as the Arab chief had done, that the English traveller was digging for hidden treasure—an object far more intelligible to them than that of disinterring and carrying home a quantity of old broken stones. This incident, by arousing the great man's rapacity, might have caused him to put a stop to all further search, had not Layard, who well knew that treasure of this kind was not likely to be plentiful in the ruins, immediately proposed that his Excellency should keep an agent at the mound, to take charge of all the precious metals which might be discovered there in the course of the excavations. The Pasha raised no objections at the moment, but a few days later announced to Layard that, to his great regret, he felt it his duty to forbid the continuation of the work, since he had just learned that the diggers were disturbing a Mussulman burying-ground. As the tombs of true believers are held very sacred and inviolable by Mohammedans, this would have been a fatal obstacle, had not one of the Pasha's own officers confidentially disclosed to Layard that the tombs were sham ones, that he and his men had been secretly employed to fabricate them, and for two nights had been bringing stones for the purpose from the surrounding villages. "We have destroyed more tombs of true believers," said the Aga,—(officer)—"in making sham ones, than ever you could have defiled. We have killed our horses and ourselves in carrying those accursed stones." Fortunately the Pasha, whose misdeeds could not be tolerated even by a Turkish government, was recalled about Christmas, and succeeded by an official of an entirely different stamp, a man whose reputation for justice and mildness had preceded him, and whose arrival was accordingly greeted with public rejoicings. Operations at the mound now proceeded for some time rapidly and successfully. But this very success at one time raised new difficulties for our explorers.

4. One day, as Layard was returning to the mound from an excursion, he was met on the way by two Arabs who had ridden out to meet him at full speed, and from a distance shouted to him in the wildest excitement: "Hasten, O Bey! hasten to the diggers! for they have found Nimrod himself. It is wonderful, but it is true! we have seen him with our eyes. There is no God but God!" Greatly puzzled, he hurried on and, descending into the trench, found that the workmen had uncovered a gigantic head, the body to which was still imbedded in earth and rubbish. This head, beautifully sculptured in the alabaster furnished by the neighboring hills, surpassed in height the tallest man present. The great shapely features, in their majestic repose, seemed to guard some mighty secret and to defy the bustling curiosity of those who gazed on them in wonder and fear. "One of the workmen, on catching the first glimpse of the monster, had thrown down his basket and run off toward Mossul as fast as his legs could carry him."

2.—TEMPLE OF ÊA AT ERIDHU (ABU-SHAHREIN). BACK-STAIRS. (Hommel.) 2.—TEMPLE OF ÊA AT ERIDHU (ABU-SHAHREIN). BACK-STAIRS.

(Hommel.)

5. The Arabs came in crowds from the surrounding encampments; they could scarcely be persuaded that the image was of stone, and contended that it was not the work of men's hands, but of infidel giants of olden times. The commotion soon spread to Mosul, where the terrified workman, "entering breathless into the bazars, announced to every one he met that Nimrod had appeared." The authorities of the town were alarmed, put their heads together and decided that such idolatrous proceedings were an outrage to religion. The consequence was that Layard was requested by his friend Ismail-Pasha to suspend operations for awhile, until the excitement should have subsided, a request with which he thought it wisest to comply without remonstrance, lest the people of Mosul might come out in force and deal with his precious find as they had done with the sculptured figure at Koyunjik in Rich's time. The alarm, however, did not last long. Both Arabs and Turks soon became familiar with the strange creations which kept emerging out of the earth, and learned to discuss them with great calm and gravity. The colossal bulls and lions with wings and human heads, of which several pairs were discovered, some of them in a state of perfect preservation, were especially the objects of wonder and conjectures, which generally ended in a curse "on all infidels and their works," the conclusion arrived at being that "the idols" were to be sent to England, to form gateways to the palace of the Queen. And when some of these giants, now in the British Museum, were actually removed, with infinite pains and labor, to be dragged down to the Tigris, and floated down the river on rafts, there was no end to the astonishment of Layard's simple friends. On one such occasion an Arab Sheikh, or chieftain, whose tribe had engaged to assist in moving one of the winged bulls, opened his heart to him. "In the name of the Most High," said he, "tell me, O Bey, what you are going to do with these stones. So many thousands of purses spent on such things! Can it be, as you say, that your people learn wisdom from them? or is it as his reverence the Cadi declares, that they are to go to the palace of your Queen, who, with the rest of the unbelievers, worships these idols? As for wisdom, these figures will not teach you to make any better knives, or scissors, or chintzes, and it is in the making of these things that the English show their wisdom."

6. Such was the view very generally taken of Layard's work by both Turks and Arabs, from the Pasha down to the humblest digger in his band of laborers, and he seldom felt called upon to play the missionary of science, knowing as he did that all such efforts would be but wasted breath. This want of intellectual sympathy did not prevent the best understanding from existing between himself and these rangers of the desert. The primitive life which he led amongst them for so many months, the kindly hospitality which he invariably experienced at their hands during the excursions made and the visits he paid to different Bedouin tribes in the intervals of recreation which he was compelled to allow himself from time to time—these are among the most pleasurable memories of those wonderful, dreamlike years. He lingers on them lovingly and retraces them through many a page of both his books[C]—pages which, for their picturesque vividness, must be perused with delight even by such as are but slightly interested in the discovery of buried palaces and winged bulls. One longs to have been with him through some of those peerless evenings when, after a long day's work, he sat before his cabin in the cool starlight, watching the dances with which those indefatigable Arabs, men and women, solaced themselves deep into the night, while the encampment was lively with the hum of voices, and the fires lit to prepare the simple meal. One longs to have shared in some of those brisk rides across plains so thickly enamelled with flowers, that it seemed a patchwork of many colors, and "the dogs, as they returned from hunting, issued from the long grass dyed red, yellow, or blue, according to the flowers through which they had last forced their way,"—the joy of the Arab's soul, which made the chief, Layard's friend, continually exclaim, "rioting in the luxuriant herbage and scented air, as his mare waded through the flowers:—'What delight has God given us equal to this? It is the only thing worth living for. What do the dwellers in cities know of true happiness? They never have seen grass or flowers! May God have pity on them!'" How glorious to watch the face of the desert changing its colors almost from day to day, white succeeding to pale straw color, red to white, blue to red, lilac to blue, and bright gold to that, according to the flowers with which it decked itself! Out of sight stretches the gorgeous carpet, dotted with the black camel's-hair tents of the Arabs, enlivened with flocks of sheep and camels, and whole studs of horses of noble breed which are brought out from Mosul and left to graze at liberty, in the days of healthy breezes and fragrant pastures.

7. So much for spring. A beautiful, a perfect season, but unfortunately as brief as it is lovely, and too soon succeeded by the terrible heat and long drought of summer, which sometimes set in so suddenly as hardly to give the few villagers time to gather in their crops. Chaldea or Lower Mesopotamia is in this respect even worse off than the higher plains of Assyria. A temperature of 120° in the shade is no unusual occurrence in Baghdad; true, it can be reduced to 100° in the cellars of the houses by carefully excluding the faintest ray of light, and it is there that the inhabitants mostly spend their days in summer. The oppression is such that Europeans are entirely unmanned and unfitted for any kind of activity. "Camels sicken, and birds are so distressed by the high temperature, that they sit in the date-trees about Baghdad, with their mouths open, panting for fresh air."[D]

8. But the most frightful feature of a Mesopotamian summer is the frequent and violent sand-storms, during which travellers, in addition to all the dangers offered by snow-storms—being buried alive and losing their way—are exposed to that of suffocation not only from the furnace-like heat of the desert-wind, but from the impalpable sand, which is whirled and driven before it, and fills the eyes, mouth and nostrils of horse and rider. The three miles' ride from Layard's encampment to the mound of Nimrud must have been something more than pleasant morning exercise in such a season, and though the deep trenches and wells afforded a comparatively cool and delightful retreat, he soon found that fever was the price to be paid for the indulgence, and was repeatedly laid up with it. "The verdure of the plain," he says in one place, "had perished almost in a day. Hot winds, coming from the desert, had burnt up and carried away the shrubs; flights of locusts, darkening the air, had destroyed the few patches of cultivation, and had completed the havoc commenced by the heat of the sun.... Violent whirlwinds occasionally swept over the face of the country. They could be seen as they advanced from the desert, carrying along with them clouds of dust and sand. Almost utter darkness prevailed during their passage, which lasted generally about an hour, and nothing could resist their fury. On returning home one afternoon after a tempest of the kind, I found no traces of my dwellings; they had been completely carried away. Ponderous wooden frame-works had been borne over the bank and hurled some hundred yards distant; the tents had disappeared, and my furniture was scattered over the plain."

9. Fortunately it would not require much labor to restore the wooden frames to their proper place and reconstruct the reed-plaited, mud-plastered walls as well as the roof composed of reeds and boughs—such being the sumptuous residences of which Layard shared the largest with various domestic animals, from whose immediate companionship he was saved by a thin partition, the other hovels being devoted to the wives, children and poultry of his host, to his own servants and different household uses. But the time came when not even this accommodation, poor as it was, could be enjoyed with any degree of comfort. When the summer heat set in in earnest, the huts became uninhabitable from their closeness and the vermin with which they swarmed, while a canvas tent, though far preferable in the way of airiness and cleanliness, did not afford sufficient shelter.

10. "In this dilemma," says Layard, "I ordered a recess to be cut into the bank of the river where it rose perpendicularly from the water's edge. By screening the front with reeds and boughs of trees, and covering the whole with similar materials, a small room was formed. I was much troubled, however, with scorpions and other reptiles, which issued from the earth forming the walls of my apartment; and later in the summer by the gnats and sandflies which hovered on a calm night over the river." It is difficult to decide between the respective merits of this novel summer retreat and of the winter dwelling, ambitiously constructed of mud bricks dried in the sun, and roofed with solid wooden beams. This imposing residence, in which Layard spent the last months of his first winter in Assyria, would have been sufficient protection against wind and weather, after it had been duly coated with mud. Unfortunately a heavy shower fell before it was quite completed, and so saturated the bricks that they did not dry again before the following spring. "The consequence was," he pleasantly remarks, "that the only verdure on which my eyes were permitted to feast before my return to Europe, was furnished by my own property—the walls in the interior of the rooms being continually clothed with a crop of grass."

3.—VIEW OF EUPHRATES NEAR THE RUINS OF BABYLON. (Babelon.) 3.—VIEW OF EUPHRATES NEAR THE RUINS OF BABYLON.

(Babelon.)

11. These few indications are sufficient to give a tolerably clear idea of what might be called "Pleasures and hardships of an explorer's life in the desert." As for the work itself, it is simple enough in the telling, although it must have been extremely wearisome and laborious in the performance. The simplest way to get at the contents of a mound, would be to remove all the earth and rubbish by carting it away,—a piece of work which our searchers might no doubt have accomplished with great facility, had they had at their disposal a few scores of thousands of slaves and captives, as had the ancient kings who built the huge constructions the ruins of which had now to be disinterred. With a hundred or two of hired workmen and very limited funds, the case was slightly different. The task really amounted to this: to achieve the greatest possible results at the least possible expense of labor and time, and this is how such excavations are carried out on a plan uniformly followed everywhere as the most practical and direct:

12. Trenches, more or less wide, are conducted from different sides towards the centre of the mound. This is obviously the surest and shortest way to arrive at whatever remains of walls may be imbedded in it. But even this preliminary operation has to be carried out with some judgment and discernment. It is known that the Chaldeans and Assyrians constructed their palaces and temples not upon the level, natural soil, but upon an artificial platform of brick and earth, at least thirty feet high. This platform was faced on all sides with a strong wall of solid burned brick, often moreover cased with stone. A trench dug straight from the plain into the lower part of the mound would consequently be wasted labor, since it could never bring to anything but that same blind wall, behind which there is only the solid mass of the platform. Digging therefore begins in the slope of the mound, at a height corresponding to the supposed height of the platform, and is carried on straight across its surface until a wall is reached,—a wall belonging to one of the palaces or temples. This wall has then to be followed, till a break in it is found, indicating an entrance or doorway.[E] The burrowing process becomes more and more complicated, and sometimes dangerous. Shafts have to be sunk from above at frequent intervals to introduce air and light into the long and narrow corridor; the sides and vault have to be propped by beams to prevent the soft earthy mass from falling in and crushing the diggers. Every shovelful of earth cleared away is removed in baskets which are passed from hand to hand till they are emptied outside the trench, or else lowered empty and sent up full, through the shafts by means of ropes and pulleys, to be emptied on the top. When a doorway is reached, it is cleared all through the thickness of the wall, which is very great; then a similar tunnel is conducted all along the inside of the wall, the greatest care being needed not to damage the sculptures which generally line it, and which, as it is, are more or less injured and cracked, their upper parts sometimes entirely destroyed by the action of fire. When the tunnel has been carried along the four sides, every doorway or portal carefully noted and cleared, it is seen from the measurements,—especially the width—whether the space explored be an inner court, a hall or a chamber. If the latter, it is sometimes entirely cleared from above, when the rubbish frequently yields valuable finds in the shape of various small articles. One such chamber, uncovered by Layard, at Koyunjik, proved a perfect mine of treasures. The most curious relics were brought to light in it: quantities of studs and small rosettes in mother-of-pearl, ivory and metal, (such as were used to ornament the harness of the war-horses), bowls, cups and dishes of bronze,[F] besides caldrons, shields and other items of armor, even glass bowls, lastly fragments of a royal throne—possibly the very throne on which King Sennacherib sat to give audience or pronounce judgments, for the palace at Koyunjik where these objects were found was built by that monarch so long familiar to us only from the Bible, and the sculptures and inscriptions which cover its walls are the annals of his conquests abroad and his rule at home.

4.—MOUND OF BABIL. (RUINS OF BABYLON.) (Oppert.) 4.—MOUND OF BABIL. (RUINS OF BABYLON.)

(Oppert.)

A description of the removal of the colossal bulls and lions which were shipped to England and now are safely housed in the British Museum, ought by rights to form the close of a chapter devoted to "Layard and his work." But the reference must suffice; the vivid and entertaining narrative should be read in the original, as the passages are too long for transcription, and would be marred by quoting.

5.—BRONZE DISH. 5.—BRONZE DISH.

FOOTNOTES:

[C] "Nineveh and its Remains," and "Discoveries in Nineveh and Babylon."

[D] Rawlinson's "Five Great Monarchies of the Ancient World," Vol. I., Chap. II.

[E] See Figure 15, on p. 53.

[F] See Figures 5, 6, and 7.

Decoration

III.

THE RUINS.

"And they said to one another, Go to, let us make brick, and burn them thoroughly. And they had brick for stone and slime for mortar."—Gen. xi. 3.

1. It is a principle, long ago laid down and universally recognized, that every country makes its own people. That is, the mode of life and the intellectual culture of a people are shaped by the characteristic features of the land in which it dwells; or, in other words, men can live only in a manner suited to the peculiarities of their native country. Men settled along the sea-shore will lead a different life, will develop different qualities of mind and body from the owners of vast inland pasture-grounds or the holders of rugged mountain fastnesses. They will all dress differently, eat different food, follow different pursuits. Their very dwellings and public buildings will present an entirely different aspect, according to the material which they will have at hand in the greatest abundance, be it stone, wood or any other substance suitable for the purpose. Thus every country will create its own peculiar style of art, determined chiefly by its own natural productions. On these, architecture, the art of the builder, will be even more dependent than any other.

6.—BRONZE DISH (RUG-PATTERN). 6.—BRONZE DISH (RUG-PATTERN).

2. It would seem as though Chaldea or Lower Mesopotamia, regarded from this point of view, could never have originated any architecture at all, for it is, at first sight, absolutely deficient in building materials of any sort. The whole land is alluvial, that is, formed, gradually, through thousands of years, of the rich mud deposited by the two rivers, as they spread into vast marshy flats towards the end of their course. Such soil, when hardened into sufficient consistency, is the finest of all for cultivation, and a greater source of wealth than mines of the most precious ore; but it bears no trees and contains no stone. The people who were first tempted to settle in the lowlands towards the Persian Gulf by the extraordinary fertility of that region, found nothing at all available to construct their simple dwellings—nothing but reeds of enormous size, which grew there, as they do now, in the greatest profusion. These reeds "cover the marshes in the summer-time, rising often to the height of fourteen or fifteen feet. The Arabs of the marsh region form their houses of this material, binding the stems together and bending them into arches, to make the skeletons of their buildings; while, to form the walls, they stretch across from arch to arch mats made of the leaves."[G]

7.—SECTION OF BRONZE DISH. 7.—SECTION OF BRONZE DISH.

3. There can be no doubt that of such habitations consisted the villages and towns of those first settlers. They gave quite sufficient shelter in the very mild winters of that region, and, when coated with a layer of mud which soon dried and hardened in the sun, could exclude even the violent rains of that season. But they were in no way fitted for more ambitious and dignified purposes. Neither the palaces of the kings nor the temples of the gods could be constructed out of bent reeds. Something more durable must be found, some material that would lend itself to constructions of any size or shape. The mud coating of the cabins naturally suggested such a material. Could not this same mud or clay, of which an inexhaustible supply was always on hand, be moulded into cakes of even size, and after being left to dry in the sun, be piled into walls of the required height and thickness? And so men began to make bricks. It was found that the clay gained much in consistency when mixed with finely chopped straw—another article of which the country, abounding in wheat and other grains, yielded unlimited quantities. But even with this improvement the sun-dried bricks could not withstand the continued action of many rainy seasons, or many torrid summers, but had a tendency to crumble away when parched too dry, or to soak and dissolve back into mud, when too long exposed to rain. All these defects were removed by the simple expedient of baking the bricks in kilns or ovens, a process which gives them the hardness and solidity of stone. But as the cost of kiln-dried bricks is naturally very much greater than that of the original crude article, so the latter continued to be used in far greater quantities; the walls were made entirely of them and only protected by an outward casing of the hard baked bricks. These being so much more expensive, and calculated to last forever, great care was bestowed on their preparation; the best clay was selected and they were stamped with the names and titles of the king by whose order the palace or temple was built, for which they were to be used. This has been of great service in identifying the various ruins and assigning them dates, at least approximately. As is to be expected, there is a notable difference in the specimens of different periods. While on some bricks bearing the name of a king who lived about 3000 b.c. the inscription is uncouth and scarcely legible, and even their shape is rude and the material very inferior, those of the later Babylonian period (600 b.c.) are handsome and neatly made. As to the quality, all explorers agree in saying it is fully equal to that of the best modern English bricks. The excellence of these bricks for building purposes is a fact so well known that for now two thousand years—ever since the destruction of Babylon—its walls, temples and palaces have been used as quarries for the construction of cities and villages. The little town of Hillah, situated nearest to the site of the ancient capital, is built almost entirely with bricks from one single mound, that of Kasr—once the gorgeous and far-famed palace of Nebuchadnezzar, whose name and titles thus grace the walls of the most lowly Arab and Turkish dwellings. All the other mounds are similarly used, and so far is the valuable mine from being exhausted, that it furnishes forth, to this day, a brisk and flourishing trade. While a party of workmen is continually employed in digging for the available bricks, another is busy conveying them to Hillah; there they are shipped on the Euphrates and carried to any place where building materials are in demand, often even loaded on donkeys at this or that landing-place and sent miles away inland; some are taken as far as Baghdad, where they have been used for ages. The same thing is done wherever there are mounds and ruins. Both Layard and his successors had to allow their Arab workmen to build their own temporary houses out of ancient bricks, only watching them narrowly, lest they should break some valuable relic in the process or use some of the handsomest and best-preserved specimens.

8.—VIEW OF NEBBI YUNUS 8.—VIEW OF NEBBI YUNUS

4. No construction of bricks, either crude or kiln-dried, could have sufficient solidity without the help of some kind of cement, to make them adhere firmly together. This also the lowlands of Chaldea and Babylonia yield in sufficient quantity and of various qualities. While in the early structures a kind of sticky red clay or loam is used, mixed with chopped straw, bitumen or pitch is substituted at a later period, which substance, being applied hot, adheres so firmly to the bricks, that pieces of these are broken off when an attempt is made to procure a fragment of the cement. This valuable article was brought down by water from Is on the Euphrates (now called Hit), where abundant springs of bitumen are to this day in activity. Calcareous earth—i.e., earth strongly mixed with lime—being very plentiful to the west of the lower Euphrates, towards the Arabian frontier, the Babylonians of the latest times learned to make of it a white mortar which, for lightness and strength, has never been surpassed.

9.—BUILDING IN BAKED BRICK (MODERN). (Perrot and Chipiez.) 9.—BUILDING IN BAKED BRICK (MODERN).

(Perrot and Chipiez.)

5. All the essential materials for plain but durable constructions being thus procurable on the spot or in the immediate neighborhood, the next important point was the selection of proper sites for raising these constructions, which were to serve purposes of defence as well as of worship and royal majesty. A rocky eminence, inaccessible on one or several sides, or at least a hill, a knoll somewhat elevated above the surrounding plain, have usually been chosen wherever such existed. But this was not the case in Chaldea. There, as far as eye can see, not the slightest undulation breaks the dead flatness of the land. Yet there, more than anywhere else, an elevated position was desirable, if only as a protection from the unhealthy exhalations of a vast tract of swamps, and from the intolerable nuisance of swarms of aggressive and venomous insects, which infest the entire river region during the long summer season. Safety from the attacks of the numerous roaming tribes which ranged the country in every direction before it was definitely settled and organized, was also not among the last considerations. So, what nature had refused, the cunning and labor of man had to supply. Artificial hills or platforms were constructed, of enormous size and great height—from thirty to fifty, even sixty feet, and on their flat summits the buildings were raised. These platforms sometimes supported only one palace, sometimes, as in the case of the immense mounds of Koyunjik and Nimrud in Assyria, their surface had room for several, built by successive kings. Of course such huge piles could not be entirely executed in solid masonry, even of crude bricks. These were generally mixed with earth and rubbish of all kinds, in more or less regular, alternate layers, the bricks being laid in clay. But the outward facing was in all cases of baked brick. The platform of the principal mound which marks the place of ancient Ur, (now called Mugheir),[H] is faced with a wall ten feet thick, of red kiln-dried bricks, cemented with bitumen. In Assyria, where stone was not scarce, the sides of the platform were even more frequently "protected by massive stone-masonry, carried perpendicularly from the natural ground to a height somewhat exceeding that of the platform, and either made plain at the top, or else crowned into stone battlements cut into gradines."[I]

(Hommel.)

6. Some mounds are considerably higher than the others and of a peculiar shape, almost like a pyramid, that is, ending in a point from which it slopes down rapidly on all sides. Such is the pyramidal mound of Nimrud, which Layard describes as being so striking and picturesque an object as you approach the ruins from any point of the plain.[J] Such also is the still more picturesque mound of Borsip (now Birs Nimrud) near Babylon, the largest of this kind.[K] These mounds are the remains of peculiar constructions, called Ziggurats, composed of several platforms piled one on the other, each square in shape and somewhat smaller than the preceding one; the topmost platform supported a temple or sanctuary, which by these means was raised far above the dwellings of men, a constant reminder not less eloquent than the exhortation in some of our religious services: "Lift up your hearts!" Of these heavenward pointing towers, which were also used as observatories by the Chaldeans, great lovers of the starry heavens, that of Borsip, once composed of seven stages, is the loftiest; it measures over 150 feet in perpendicular height.

11.—MOUND OF MUGHEIR (ANCIENT UR). 11.—MOUND OF MUGHEIR (ANCIENT UR).

7. It is evident that these artificial hills could have been erected only at an incredible cost of labor. The careful measurements which have been taken of several of the principal mounds have enabled explorers to make an accurate calculation of the exact amount of labor employed on each. The result is startling, even though one is prepared for something enormous. The great mound of Koyunjik—which represents the palaces of Nineveh itself—covers an area of one hundred acres, and reaches an elevation of 95 feet at its highest point. To heap up such a pile of brick and earth "would require the united exertions of 10,000 men for twelve years, or of 20,000 men for six years."[L] Then only could the construction of the palaces begin. The mound of Nebbi-Yunus, which has not yet been excavated, covers an area of forty acres and is loftier and steeper than its neighbor: "its erection would have given full employment to 10,000 men for the space of five years and a half." Clearly, none but conquering monarchs, who yearly took thousands of prisoners in battles and drove home into captivity a part of the population of every country they subdued, could have employed such hosts of workmen on their buildings—not once, but continually, for it seems to have been a point of honor with the Assyrian kings that each should build a new palace for himself.

12.—TERRACE WALL AT KHORSABAD. (Perrot and Chipiez.) 12.—TERRACE WALL AT KHORSABAD.

(Perrot and Chipiez.)

8. When one considers the character of the land along the upper course of the Tigris, where the Assyrians dwelt, one cannot help wondering why they went on building mounds and using nothing but bricks in their constructions. There is no reason for it in the nature of the country. The cities of Assyria—Nineveh (Koyunjik), Kalah (Nimrud), Arbela, Dur-Sharrukin (Khorsabad) were built in the midst of a hilly region abounding in many varieties of stone, from soft limestone to hard basalt; some of them actually stood on rocky ground, their moats being in part cut through the rock. Had they wanted stone of better quality, they had only to get it from the Zagros range of mountains, which skirts all Assyria to the East, separating it from Media. Yet they never availed themselves of these resources, which must have led to great improvements in their architecture, and almost entirely reserved the use of stone for ornamental purposes. This would tend to show, at all events, that the Assyrians were not distinguished for inventive genius. They had wandered northward from the lowlands, where they had dwelt for centuries as a portion of the Chaldean nation. When they separated from it and went off to found cities for themselves, they took with them certain arts and tricks of handicraft learned in the old home, and never thought of making any change in them. It does not even seem to have occurred to them that by selecting a natural rocky elevation for their buildings they would avoid the necessity of an artificial platform and save vast amount of labor and time.

13.—RAFT BUOYED BY INFLATED SKINS. (ANCIENT.) (Kaulen.) 13.—RAFT BUOYED BY INFLATED SKINS. (ANCIENT.)

(Kaulen.)

14.—RAFT BUOYED BY INFLATED SKINS. (MODERN.) (Kaulen.) 14.—RAFT BUOYED BY INFLATED SKINS. (MODERN.)

(Kaulen.)

9. That they did put stone to one practical use—the outward casing of their walls and platforms—we have already seen. The blocks must have been cut in the Zagros mountains and brought by water—rafted down the Zab, or some other of the rivers which, springing from those mountains, flow into the Tigris. The process is represented with perfect clearness on some of the sculptures. That reproduced in Fig. 13 is of great interest, as showing a peculiar mode of transport,—rafts floated on inflated skins—which is at the present moment in as general and constant use as it appears to have been in the same parts three thousand years ago and probably more. When Layard wished to send off the bulls and lions which he had moved from Nimrud and Koyunjik down the Tigris to Baghdad and Busrah, (or Bassorah), there to be embarked for Europe, he had recourse to this conveyance, as no other is known for similar purposes. This is how he describes the primitive, but ingenious contrivance: "The skins of full-grown sheep and goats, taken off with as few incisions as possible, are dried and prepared, one aperture being left, through which the air is forced by the lungs. A framework of poplar beams, branches of trees, and reeds, having been constructed of the size of the intended raft, the inflated skins are tied to it by osier twigs. The raft is then complete and is moved to the water and launched. Care is taken to place the skins with their mouths upward, that, in case any should burst or require refilling, they can be easily reached. Upon the framework are piled bales of goods, and property belonging to merchants and travellers.... The raftmen impel these rude vessels by long poles, to the ends of which are fastened a few pieces of split cane. (See Fig. 14.) ... During the floods in spring, or after heavy rains, small rafts may float from Mosul to Baghdad in about eighty-four hours; but the larger are generally six or seven days in performing the voyage. In summer, and when the river is low, they are frequently nearly a month in reaching their destination. When they have been unloaded, they are broken up, and the beams, wood and twigs, sold at considerable profit. The skins are washed and afterward rubbed with a preparation, to keep them from cracking and rotting. They are then brought back, either on the shoulders of the raftmen or upon donkeys, to Mossul and Tekrit, where the men engaged in the navigation of the Tigris usually reside." Numerous sculptures show us that similar skins were also used by swimmers, who rode upon them in the water, probably when they intended to swim a greater distance than they could have accomplished by their unassisted efforts. (See Figure 16.)

15.—EXCAVATIONS AT MUGHEIR (UR). 15.—EXCAVATIONS AT MUGHEIR (UR).

10. Our imagination longs to reconstruct those gigantic piles as they must have struck the beholder in their towering hugeness, approached from the plain probably by several stairways and by at least one ascent of a slope gentle enough to offer a convenient access to horses and chariots. What an imposing object must have been, for instance, the palace of Sennacherib, on the edge of its battlemented platform (mound of Koyunjik), rising directly above the waters of the Tigris,—named in the ancient language "the Arrow" from the swiftness of its current—into the golden and crimson glory of an Eastern sunset! Although the sameness and unwieldy nature of the material used must have put architectural beauty of outline out of the question, the general effect must have been one of massive grandeur and majesty, aided as it was by the elaborate ornamentation lavished on every portion of the building. Unfortunately the work of reconstruction is left almost entirely to imagination, which derives but little help from the shapeless heaps into which time has converted those ancient, mighty halls.

16.—WARRIORS SWIMMING ON INFLATED SKINS. (Babelon.) 16.—WARRIORS SWIMMING ON INFLATED SKINS.

(Babelon.)

11. Fergusson, an English explorer and scholar whose works on subjects connected with art and especially architecture hold a high place, has attempted to restore the palace of Sennacherib such as he imagines it to have been, from the hints furnished by the excavations. He has produced a striking and most effective picture, of which, however, an entire half is simply guesswork. The whole nether part—the stone-cased, battlemented platform wall, the broad stairs, the esplanade handsomely paved with patterned slabs, and the lower part of the palace with its casing of sculptured slabs and portals guarded by winged bulls—is strictly according to the positive facts supplied by the excavations. For the rest, there is no authority whatever. We do not even positively know whether there was any second story to Assyrian palaces at all. At all events, no traces of inside staircases have been found, and the upper part of the walls of even the ground-floor has regularly been either demolished or destroyed by fire. As to columns, it is impossible to ascertain how far they may have been used and in what way. Such as were used could have been, as a rule, only of wood—trunks of great trees hewn and smoothed—and consequently every vestige of them has disappeared, though some round column bases in stone have been found.[M] The same remarks apply to the restoration of an Assyrian palace court, also after Fergusson, while that of a palace hall, after Layard, is not open to the same reproach and gives simply the result of actual discoveries. Without, therefore, stopping long to consider conjectures more or less unsupported, let us rather try to reproduce in our minds a clear perception of what the audience hall of an Assyrian king looked like from what we may term positive knowledge. We shall find that our materials will go far towards creating for us a vivid and authentic picture.

17.—VIEW OF KOYUNJIK. (Hommel.) 17.—VIEW OF KOYUNJIK.

(Hommel.)

12. On entering such a hall the first thing to strike us would probably be the pavement, either of large alabaster slabs delicately carved in graceful patterns, as also the arched doorways leading into the adjacent rooms (see Figs. 24 and 25, pp. 69 and 71), or else covered with rows of inscriptions, the characters being deeply engraven and afterwards filled with a molten metallic substance, like brass or bronze, which would give the entire floor the appearance of being covered with inscriptions in gilt characters, the strange forms of cuneiform writing making the whole look like an intricate and fanciful design.

18.—STONE LION AT THE ENTRANCE OF A TEMPLE. NIMRUD. (Perrot and Chipiez.) 18.—STONE LION AT THE ENTRANCE OF A TEMPLE. NIMRUD.

(Perrot and Chipiez.)

13. Our gaze would next be fascinated by the colossal human-headed winged bulls and lions keeping their silent watch in pairs at each of the portals, and we should notice with astonishment that the artists had allowed them each an extra leg, making the entire number five instead of four. This was not done at random, but with a very well-calculated artistic object—that of giving the monster the right number of legs, whether the spectator beheld it in front or in profile, as in both cases one of the three front legs is concealed by the others. The front view shows the animal standing, while it appears to be striding when viewed from the side. (See Figures 18 and 27, pp. 59 and 75.) The walls were worthy of these majestic door-keepers. The crude brick masonry disappeared up to a height of twelve to fifteen feet from the ground under the sculptured slabs of soft grayish alabaster which were solidly applied to the wall, and held together by strong iron cramps. Sometimes one subject or one gigantic figure of king or deity was represented on one slab; often the same subject occupied several slabs, and not unfrequently was carried on along an entire wall. In this case the lines begun on one slab were continued on the next with such perfect smoothness, so absolutely without a break, as to warrant the conclusion that the slabs were sculptured after they had been put in their places, not before. Traces of paint show that color was to a certain extent employed to enliven these representations, probably not over plentifully and with some discrimination. Thus color is found in many places on the eyes, brows, hair, sandals, the draperies, the mitre or high headdress of the kings, on the harness of horses and portions of the chariots, on the flowers carried by attendants, and sometimes on trees. Where a siege is portrayed, the flames which issue out of windows and roofs seem always to have been painted red. There is reason to believe, however, that color was but sparingly bestowed on the sculptures, and therefore they must have presented a pleasing contrast with the richness of the ornamentation which ran along the walls immediately above, and which consisted of hard baked bricks of large size, painted and glazed in the fire, forming a continuous frieze from three to five feet wide. Sometimes the painting represented human figures and various scenes, sometimes also winged figures of deities or fantastic animals,—in which case it was usually confined above and below by a simple but graceful running pattern; or it would consist wholly of a more or less elaborate continuous pattern like Fig. 22, 23, or 25, these last symbolical compositions with a religious signification. (See also Fig. 21, "Interior view," etc.) Curiously enough the remains—mostly very trifling fragments—which have been discovered in various ruins, show that these handsomely finished glazed tiles exhibited the very same colors which are nowadays in such high favor with ourselves for all sorts of decorative purposes: those used most frequently were a dark and a pale yellow, white and cream-color, a delicate pale green, occasionally orange and a pale lilac, very little blue and red; olive-green and brown are favorite colors for grounds. "Now and then an intense blue and a bright red occur, generally together; but these positive hues are rare, and the taste of the Assyrians seems to have led them to prefer, for their patterned walls, pale and dull hues.... The general tone of their coloring is quiet, not to say sombre. There is no striving after brilliant effects. The Assyrian artist seeks to please by the elegance of his forms and the harmony of his hues, not to startle by a display of bright and strongly contrasted colors.[N]"

19.—COURT OF HAREM AT KHORSABAD. (RESTORED.) (Perrot and Chipiez.) 19.—COURT OF HAREM AT KHORSABAD. (RESTORED.)

(Perrot and Chipiez.)

20.—CIRCULAR PILLAR-BASE. 20.—CIRCULAR PILLAR-BASE.

14. It has been asked: how were those halls roofed and how were they lighted? questions which have given rise to much discussion and which can scarcely ever be answered in a positive way, since in no single instance has the upper part of the walls or any part whatever of the roofing been preserved. Still, the peculiar shape and dimensions of the principal palace halls goes far towards establishing a sort of circumstantial evidence in the case. They are invariably long and narrow, the proportions in some being so striking as to have made them more like corridors than apartments—a feature, by the by, which must have greatly impaired their architectural beauty: they were three or four times as long as they were wide, and even more. The great hall of the palace of Asshur-nazir-pal on the platform of the Nimrud mound (excavated by Layard, who calls it, from its position, "the North-West palace") is 160 feet long by not quite 40 wide. Of the five halls in the Khorsabad palace the largest measures 116 ft. by 33, the smallest 87 by 25, while the most imposing in size of all yet laid open, the great hall of Sennacherib at Koyunjik, shows a length of fully 180 ft. with a width of 40. It is scarcely probable that the old builders, who in other points have shown so much artistic taste, should have selected this uniform and unsatisfactory shape for their state apartments, unless they were forcibly held to it by some insuperable imperfection in the means at their disposal. That they knew how to use proportions more pleasing in their general effect, we see from the inner open courts, of which there were several in every palace, and which, in shape and dimensions are very much like those in our own castles and palaces,—nearly square, (about 180 ft. or 120 ft. each way) or slightly oblong: 93 ft. by 84, 124 ft. by 90, 150 ft. by 125. Only two courts have been found to lean towards the long-and-narrow shape, one being 250 ft. by 150, and the other 220 by 100. But even this is very different from those passage-like galleries. The only thing which entirely explains this awkward feature of all the royal halls, is the difficulty of providing them with a roof. It is impossible to make a flat roof of nothing but bricks, and although the Assyrians knew how to construct arches, they used them only for very narrow vaults or over gateways and doors, and could not have carried out the principle on any very extensive scale. The only obvious expedient consisted in simply spanning the width of the hall with wooden beams or rafters. Now no tree, not even the lofty cedar of Lebanon or the tall cypress of the East, will give a rafter, of equal thickness from end to end, more than 40 ft. in length, few even that. There was no getting over or around this necessity, and so the matter was settled for the artists quite aside from their own wishes. This also explains the great value which was attached by all the Assyrian conquerors to fine timber. It was often demanded as tribute, nothing could be more acceptable as a gift, and expeditions were frequently undertaken into the distant mountainous regions of the Lebanon on purpose to cut some. The difficulty about roofing would naturally fall away in the smaller rooms, used probably as sleeping and dwelling apartments, and accordingly they vary freely from oblong to square; the latter being generally about 25 ft. each way, sometimes less, but never more. There were a great many such chambers in a palace; as many as sixty-eight have been discovered in Sennacherib's palace at Koyunjik, and a large portion of the building, be it remembered, is not yet fully explored. Some were as highly decorated as the great halls, some faced with plain slabs or plastered, and some had no ornaments at all and showed the crude brick. These differences probably indicate the difference of rank in the royal household of the persons to whom the apartments were assigned.

21.—INTERIOR VIEW OF ONE OF THE CHAMBERS OF THE HAREM AT KHORSABAD. (RESTORED.) (Perrot and Chipiez.) 21.—INTERIOR VIEW OF ONE OF THE CHAMBERS OF THE HAREM AT KHORSABAD. (RESTORED.)

(Perrot and Chipiez.)

15. The question of light has been discussed by eminent explorers—Layard, Botta, Fergusson—at even greater length and with a greater display of ingenuity than that of roofing. The results of the learned discussion may be shortly summed up as follows: We may take it for granted that the halls were sufficiently lighted, for the builders would not have bestowed on them such lavish artistic labor had they not meant their work to be seen in all its details and to the best advantage. This could be effected only in one of three ways, or in two combined: either by means of numerous small windows pierced at regular intervals above the frieze of enamelled bricks, between that and the roof,—or by means of one large opening in the roof of woodwork, as proposed by Layard in his own restoration, or by smaller openings placed at more frequent intervals. This latter contrivance is in general use now in Armenian houses, and Botta, who calls it a louvre, gives a drawing of it.[O] It is very ingenious, and would have the advantage of not admitting too great a mass of sunlight and heat, and of being easily covered with carpets or thick felt rugs to exclude the rain. The second method, though much the grandest in point of effect, would present none of these advantages and would be objectionable chiefly on account of the rain, which, pouring down in torrents—as it does, for weeks at a time, in those countries—must very soon damage the flooring where it is of brick, and eventually convert it into mud, not to speak of the inconvenience of making the state apartments unfit for use for an indefinite period. The small side windows just below the roof would scarcely give sufficient light by themselves. Who knows but they may have been combined with the louvre system, and thus something very satisfactory finally obtained.

22.—COLORED FRIEZE IN ENAMELLED TILES. 22.—COLORED FRIEZE IN ENAMELLED TILES.
23.—COLORED FRIEZE IN ENAMELLED TILES. 23.—COLORED FRIEZE IN ENAMELLED TILES.

16. The kings of Chaldea, Babylonia and Assyria seem to have been absolutely possessed with a mania for building. Scarcely one of them but left inscriptions telling how he raised this or that palace, this or that temple in one or other city, often in many cities. Few contented themselves with repairing the buildings left by their predecessors. This is easy to be ascertained, for they always mention all they did in that line. Vanity, which seems to have been, together with the love of booty, almost their ruling passion, of course accounts for this in a great measure. But there are also other causes, of which the principal one was the very perishable nature of the constructions, all their heavy massiveness notwithstanding. Being made of comparatively soft and yielding material, their very weight would cause the mounds to settle and bulge out at the sides in some places, producing crevices in others, and of course disturbing the balance of the thick but loose masonry of the walls constructed on top of them. These accidents could not be guarded against by the outer casing of stone or burnt brick, or even by the strong buttresses which were used from a very early period to prop up the unwieldy piles: the pressure from within was too great to be resisted.

24.—PAVEMENT SLAB. 24.—PAVEMENT SLAB.

17. An outer agent, too, was at work, surely and steadily destructive: the long, heavy winter rains. Crude brick, when exposed to moisture, easily dissolves into its original element—mud; even burned brick is not proof against very long exposure to violent wettings; and we know that the mounds were half composed of loose rubbish. Once thoroughly permeated with moisture, nothing could keep these huge masses from dissolution. The builders were well aware of the danger and struggled against it to the best of their ability by a very artfully contrived and admirably executed system of drainage, carried through the mounds in all directions and pouring the accumulated waters into the plain out of mouths beautifully constructed in the shape of arched vaults.[P] Under the flooring of most of the halls have been found drains, running along the centre, then bending off towards a conduit in one of the corners, which carried the contents down into one of the principal channels.

25.—SECTION OF ORNAMENTAL DOORWAY (ENAMELLED BRICK OR TILES). KHORSABAD. (Perrot and Chipiez.) 25.—SECTION OF ORNAMENTAL DOORWAY (ENAMELLED BRICK OR TILES). KHORSABAD.

(Perrot and Chipiez.)

18. But all these precautions were, in the long run, of little avail, so that it was frequently a simpler and less expensive proceeding for a king to build a new palace, than to keep repairing and propping up an old one which crumbled to pieces, so to speak, under the workmen's hands. It is not astonishing that sometimes, when they had to give up an old mansion as hopeless, they proceeded to demolish it, in order to carry away the stone and use it in structures of their own, probably not so much as a matter of thrift, as with a view to quickening the work, stone-cutting in the quarries and transport down the river always being a lengthy operation. This explains why, in some later palaces, slabs were found with their sculptured face turned to the crude brick wall, and the other smoothed and prepared for the artist, or with the sculptures half erased, or piled up against the wall, ready to be put in place. The nature of the injuries which caused the ancient buildings to decay and lose all shape, is very faithfully described in an inscription of the Babylonian king Nebuchadnezzar, in which he relates how he constructed the Ziggurat of Borsip on the site of an ancient construction, which he repaired, as far as it went. This is what he says: "The temple of the Seven Spheres, the Tower of Borsip which a former king had built ... but had not finished its upper part, from remote days had fallen into decay. The channels for drawing off the water had not been properly provided; rain and tempest had washed away its bricks; the bricks of the roof were cracked; the bricks of the building were washed away into heaps of rubbish." All this sufficiently accounts for the peculiar aspect offered by the Mesopotamian ruins. Whatever process of destruction the buildings underwent, whether natural or violent, by conquerors' hands, whether through exposure to fire or to stress of weather, the upper part would be the first to suffer, but it would not disappear, from the nature of the material, which is not combustible. The crude bricks all through the enormous thickness of the walls, once thoroughly loosened, dislodged, dried up or soaked through, would lose their consistency and tumble down into the courts and halls, choking them up with the soft rubbish into which they crumbled, the surplus rolling down the sides and forming those even slopes which, from a distance, so deceivingly imitate natural hills. Time, accumulating the drift-sand from the desert and particles of fertile earth, does the rest, and clothes the mounds with the verdant and flowery garment which is the delight of the Arab's eyes.

26.—WINGED LION WITH HUMAN HEAD. (Perrot and Chipiez.) 26.—WINGED LION WITH HUMAN HEAD.

(Perrot and Chipiez.)

19. It is to this mode of destruction the Assyrian kings allude in their annals by the continually recurring phrase: "I destroyed their cities, I overwhelmed them, I burned them in the fire, I made heaps of them." However difficult it is to get at the treasures imbedded in these "heaps," we ought not to repine at the labor, since they owe their preservation entirely to the soft masses of earth, sand and loose rubbish which have protected them on all sides from the contact with air, rain and ignorant plunderers, keeping them as safely—if not as transparently—housed as a walnut in its lump of candied sugar. The explorers know this so well, that when they leave the ruins, after completing their work for the time, they make it a point to fill all the excavated spaces with the very rubbish that has been taken out of them at the cost of so much labor and time. There is something impressive and reverent in thus re-burying the relics of those dead ages and nations, whom the mysterious gloom of their self-erected tombs becomes better than the glare of the broad, curious daylight. When Layard, before his departure, after once more wandering with some friends through all the trenches, tunnels and passages of the Nimrud mound, to gaze for the last time on the wonders on which no man had looked before him, found himself once more on the naked platform and ordered the workmen to cover them up again, he was strongly moved by the contrast: "We look around in vain," says he, "for any traces of the wonderful remains we have just seen, and are half inclined to believe that we have dreamed a dream, or have been listening to some tale of Eastern romance. Some, who may hereafter tread on the spot when the grass again grows over the Assyrian palaces, may indeed suspect that I have been relating a vision."

27.—WINGED BULL. (Perrot and Chipiez.) 27.—WINGED BULL.

(Perrot and Chipiez.)

20. It is a curious fact that in Assyria the ruins speak to us only of the living, and that of the dead there are no traces whatever. One might think people never died there at all. Yet it is well known that all nations have bestowed as much care on the interment of their dead and the adornment of their last resting-place as on the construction of their dwellings—nay, some even more, for instance, the Egyptians. To this loving veneration for the dead history owes half its discoveries; indeed we should have almost no reliable information at all on the very oldest races, who lived before the invention of writing, were it not for their tombs and the things we find in them. It is very strange, therefore, that nothing of the kind should be found in Assyria, a country which stood so high in culture. For the sepulchres which are found in such numbers in some mounds down to a certain depth, belong, as is shown by their very position, to later races, mostly even to the modern Turks and Arabs. This peculiarity is so puzzling that scholars almost incline to suppose that the Assyrians either made away with their dead in some manner unknown to us, or else took them somewhere to bury. The latter conjecture, though not entirely devoid of foundation, as we shall see, is unsupported by any positive facts, and therefore was never seriously discussed. The question is simply left open, until something happens to shed light on it.

28.—MAN-LION. (Perrot and Chipiez.) 28.—MAN-LION.

(Perrot and Chipiez.)

21. It is just the contrary in Babylonia. It can boast few handsome ruins or sculptures. The platforms and main walls of many palaces and temples have been known from the names stamped on the bricks and the cylinders found in the foundations, but they present only shapeless masses, from which all traces of artistic work have disappeared. In compensation, there is no country in the world where so many and such vast cemeteries have been discovered. It appears that the land of Chaldea,—perhaps because it was the cradle of nations which afterwards grew to greatness, as the Assyrians and the Hebrews—was regarded as a place of peculiar holiness by its own inhabitants, and probably also by neighboring countries, which would explain the mania that seems to have prevailed through so many ages, for burying the dead there in unheard of numbers. Strangely enough, some portions of it even now are held sacred in the same sense. There are shrines in Kerbela and Nedjif (somewhat to the west of Babylon) where every caravan of pilgrims brings from Persia hundreds of dead bodies in their felt-covered coffins, for burial. They are brought on camels and horses. On each side of the animal swings a coffin, unceremoniously thumped by the rider's bare heels. These coffins are, like merchandise, unladen for the night—and sometimes for days too—in the khans or caravanseries (the enclosed halting-places), where men and beasts take their rest together. Under that tropical clime, it is easy to imagine the results. It is in part to this disgusting custom that the great mortality in the caravans is to be attributed, one fifth of which leave their bones in the desert in healthy seasons. However that may be, the gigantic proportions of the Chaldean burying-grounds struck even the ancient Greek travellers with astonishment, and some of them positively asserted that the Assyrian kings used to be buried in Chaldea. If the kings, why not the nobler and wealthier of their subjects? The transport down the rivers presented no difficulties. Still, as already remarked, all this is mere conjecture.

29.—FRAGMENT OF ENAMELLED BRICK.(Perrot and Chipiez.) 29.—FRAGMENT OF ENAMELLED BRICK.

(Perrot and Chipiez.)

22. Among the Chaldeans cities Erech (now Warka) was considered from very old times one of the holiest. It had many extremely ancient temples and a college of learned priests, and around it gradually formed an immense "city of the dead" or Necropolis. The English explorer, Loftus, in 1854-5, specially turned his attention to it and his account is astounding. First of all, he was struck by the majestic desolation of the place. Warka and a few other mounds are raised on a slightly elevated tract of the desert, above the level of the yearly inundations, and accessible only from November to March, as all the rest of the time the surrounding plain is either a lake or a swamp. "The desolation and solitude of Warka," says Loftus, "are even more striking than the scene which is presented at Babylon itself. There is no life for miles around. No river glides in grandeur at the base of its mounds; no green date groves flourish near its ruins. The jackal and the hyÆna appear to shun the dull aspect of its tombs. The king of birds never hovers over the deserted waste. A blade of grass or an insect finds no existence there. The shrivelled lichen alone, clinging to the weathered surface of the broken brick, seems to glory in its universal dominion over those barren walls. Of all the desolate pictures I have ever seen that of Warka incomparably surpasses all." Surely in this case it cannot be said that appearances are deceitful; for all that space, and much more, is a cemetery, and what a cemetery! "It is difficult," again says Loftus, "to convey anything like a correct idea of the piles upon piles of human remains which there utterly astound the beholder. Excepting only the triangular space between the three principal ruins, the whole remainder of the platform, the whole space between the walls and an unknown extent of desert beyond them, are everywhere filled with the bones and sepulchres of the dead. There is probably no other site in the world which can compare with Warka in this respect." It must be added that the coffins do not simply lie one next to the other, but in layers, down to a depth of 30-60 feet. Different epochs show different modes of burial, among which the following four are the most remarkable.

30.—RAM'S HEAD IN ALABASTER. (British Museum.) 30.—RAM'S HEAD IN ALABASTER.

(British Museum.)

31.—EBONY COMB. (Perrot and Chipiez.) 31.—EBONY COMB.

(Perrot and Chipiez.)

32.—BRONZE FORK AND SPOON. (Perrot and Chipiez.) 32.—BRONZE FORK AND SPOON.

(Perrot and Chipiez.)

23. Perhaps the queerest coffin shape of all is that composed of two earthen jars (a and b), which accurately fit together, or one slightly fits into the other, the juncture being made air-tight by a coating of bitumen (d, d). The body can be placed in such a coffin only with slightly bent knees. At one end (c) there is an air-hole, left for the escape of the gases which form during the decomposition of the body and which might otherwise burst the jars—a precaution probably suggested by experience (fig. 36). Sometimes there is only one jar of much larger size, but of the same shape, with a similar cover, also made fast with bitumen, or else the mouth is closed with bricks. This is an essentially national mode of burial, perhaps the most ancient of all, yet it remained in use to a very late period. It is to be noted that this is the exact shape of the water jars now carried about the streets of Baghdad and familiar to every traveller.

33.—ARMENIAN LOUVRE. (Botta.) 33.—ARMENIAN LOUVRE.

(Botta.)

24. Not much less original is the so-called "dish-cover coffin," also very ancient and national. The illustrations sufficiently show its shape and arrangement.[Q] In these coffins two skeletons are sometimes found, showing that when a widow or widower died, it was opened, to lay the newly dead by the side of the one who had gone before. The cover is all of one piece—a very respectable achievement of the potter's art. In Mugheir (ancient Ur), a mound was found, entirely filled with this kind of coffins.

34.—VAULTED DRAINS. (KHORSABAD.) (Perrot and Chipiez.) 34.—VAULTED DRAINS. (KHORSABAD.)

(Perrot and Chipiez.)

35.—VAULTED DRAIN. (KHORSABAD.) (Perrot and Chipiez.) 35.—VAULTED DRAIN. (KHORSABAD.)

(Perrot and Chipiez.)

25. Much more elaborate, and consequently, probably reserved for the noble and wealthy, is the sepulchral vault in brick, of nearly a man's height.[R] In these sepulchres, as in the preceding ones, the skeleton is always found lying in the same position, evidently dictated by some religious ideas. The head is pillowed on a large brick, commonly covered with a piece of stuff or a rug. In the tattered rags which sometimes still exist, costly embroideries and fringed golden tissue have more than once been recognized, while some female skeletons still showed handsome heads of hair gathered into fine nets. The body lies on a reed mat, on its left side, the right hand stretched out so as to reach with the tips of the fingers a bowl, generally of copper or bronze, and sometimes of fine workmanship, usually placed on the palm of the left hand. Around are placed various articles—dishes, in some of which remnants of food are found, such as date stones,—jars for water, lamps, etc. Some skeletons wear gold and silver bangles on their wrists and ankles. These vaults were evidently family sepulchres, for several skeletons are generally found in them; in one there were no less than eleven. (Fig. 39, p. 89.)

36.—CHALDEAN JAR-COFFIN. (Taylor.) 36.—CHALDEAN JAR-COFFIN.

(Taylor.)

26. All these modes of burial are very old and peculiarly Chaldean. But there is still another, which belongs to more recent times, even as late as the first centuries after Christ, and was used by a different and foreign race, the Parthians, one of those who came in turns and conquered the country, stayed there awhile, then disappeared. These coffins are, from their curious form, known under the name of "slipper-shaped." They are glazed, green on the outside and blue on the inside, but of very inferior make: poor clay, mixed with straw, and only half baked, therefore very brittle. It is thought that they were put in their place empty, then the body was laid in, the lid put down, and the care of covering them with sand left to the winds. The lid is fastened with the same mortar which is used in the brick masonry surrounding the coffin, where such a receptacle has been made for it; but they more usually lie pell-mell, separated only by thin layers of loose sand. There are mounds which are, as one may say, larded with them: wherever you begin to dig a trench, the narrow ends stick out from both sides. In these coffins also various articles were buried with the dead, sometimes valuable ones. The Arabs know this; they dig in the sand with their hands, break the coffins open with their spears, and grope in them for booty. The consequence is that it is extremely difficult to procure an entire coffin. Loftus succeeded, however, in sending some to the British Museum, having first pasted around them several layers of thick paper, without which precaution they could not have borne the transport.

37.—"DISH-COVER" TOMB AT MUGHEIR. (Taylor.) 37.—"DISH-COVER" TOMB AT MUGHEIR.

(Taylor.)

38.—"DISH-COVER" TOMB. (Taylor.) 38.—"DISH-COVER" TOMB.

(Taylor.)

27. On the whole, the ancient Chaldean sepulchres of the three first kinds are distinguished by greater care and tidiness. They are not only separated by brick partitions on the sides, and also above and below by a thin layer of brick masonry, but the greatest care was taken to protect them against dampness. The sepulchral mounds are pierced through and through, from top to bottom, by drainage pipes or shafts, consisting of a series of rings, solidly joined together with bitumen, about one foot in diameter. These rings are made of baked clay. The top one is shaped somewhat like a funnel, of which the end is inserted in perforated bricks, and which is provided with small holes, to receive any infiltration of moisture. Besides all this the shafts, which are sunk in pairs, are surrounded with broken pottery. How ingenious and practical this system was, we see from the fact that both the coffins and their contents are found in a state of perfect dryness and preservation. (Fig. 41, p. 90.)

39.—SEPULCHRAL VAULT AT MUGHEIR. (Taylor.) 39.—SEPULCHRAL VAULT AT MUGHEIR.

(Taylor.)

40.—STONE JARS FROM GRAVES. (LARSAM.) (Hommel.) 40.—STONE JARS FROM GRAVES. (LARSAM.)

(Hommel.)

28. In fact the Chaldeans, if they could not reach such perfection as the Assyrians in slab-sculpture, on account of not having stone either at home or within easy reach, seem to have derived a greater variety of architectural ornaments from that inexhaustible material of theirs—baked clay or terra-cotta. We see an instance of it in remnants—unfortunately very small ones, of some walls belonging to that same city of Erech. On one of the mounds Loftus was puzzled by the large quantity of small terra-cotta cones, whole and in fragments, lying about on the ground. The thick flat end of them was painted red, black or white. What was his amazement when he stumbled on a piece of wall (some seven feet in height and not more than thirty in length), which showed him what their use had been. They were grouped into a variety of patterns to decorate the entire wall, being stuck with their thin end into a layer of soft clay with which it was coated for the purpose. Still more original and even rather incomprehensible is a wall decoration consisting of several bands, composed each of three rows of small pots or cups—about four inches in diameter—stuck into the soft clay coating in the same manner, with the mouth turned outward of course! Loftus found such a wall, but unfortunately has given no design of it. (Figures 43 and 44.)

(Perrot and Chipiez.)

29. As to the ancient Babylonian, or rather Chaldean, art in sculpture, the last word has by no means been said on that subject. Discoveries crowd in every year, constantly leading to the most unexpected conclusions. Thus, it was long an accepted fact that Assyria had very few statues and Babylonia none at all, when a few years ago (1881), what should a French explorer, Mr. E. De Sarzec, French consul in Basra, bring home but nine magnificent statues made of a dark, nearly black stone as hard as granite, called diorite.[S] Unfortunately they are all headless; but, as though to make up for this mutilation, one head was found separate,—a shaved and turbaned head beautifully preserved and of remarkable workmanship, the very pattern of the turban being plain enough to be reproduced by any modern loom.[T] These large prizes were accompanied by a quantity of small works of art representing both men and animals, of a highly artistic design and some of them of exquisite finish of execution. This astounding find, the result of several years' indefatigable work, now gracing the Assyrian rooms of the Louvre in Paris, comes from one of the Babylonian mounds which had not been opened before, the ruins of a mighty temple at a place now called Tell-Loh, and supposed to be the site of Sir-burla, or Sir-gulla, one of the most ancient cities of Chaldea. This "Sarzec-collection," as it has come to be generally called, not only entirely upsets the ideas which had been formed on Old-Chaldean art, but is of immense historical importance from the inscriptions which cover the back of every statue, (not to speak of the cylinders and other small objects,) and which, in connection with the monuments of other ruins, enable scholars to fix, at least approximately, the date at which flourished the city and rulers who have left such extraordinary memorials of their artistic gifts. Some place them at about 4500 b.c., others about 4000. However overwhelming such a valuation may be at first sight, it is not an unsupported fancy, but proofs concur from many sides to show that the builders and sculptors of Sir-gulla could in no case have lived and worked much later than 4000 b.c. It is impossible to indicate in a few lines all the points, the conjectures, the vexed questions, on which this discovery sheds light more or less directly, more or less decisively; they come up continually as the study of those remote ages proceeds, and it will be years before the materials supplied by the Sarzec-Collection are exhausted in all their bearings.

42.—WALL WITH DESIGNS IN TERRA-COTTA CONES, AT WARKA (ERECH). (Loftus.) 42.—WALL WITH DESIGNS IN TERRA-COTTA CONES, AT WARKA (ERECH).

(Loftus.)

43.—TERRA-COTTA CONE, NATURAL SIZE. (Loftus.) 43.—TERRA-COTTA CONE, NATURAL SIZE.

(Loftus.)

Decoration

FOOTNOTES:

[G] Rawlinson's "Five Monarchies," Vol. I., p. 46.

[H] Ur of the Chaldees, from which Abraham went forth.

[I] Rawlinson's "Five Monarchies," Vol. I., p. 349.

[J] Figure 10.

[K] Figure 71, p. 281.

[L] Rawlinson's "Five Monarchies," Vol. I., pp. 317 and 318.

[M] See Fig. 20, p. 63. There is but one exception, in the case of a recent exploration, during which one solitary broken column-shaft was discovered.

[N] G. Rawlinson's "Five Monarchies," Vol. I., pp. 467, 468.

[O] See Fig. 33, p. 83.

[P] Figures 34 and 35, p. 84.

[Q] Figs. 37 and 38, p. 87.

[R] Fig. 39, p. 89.

[S] See Fig. 59, p. 217.

[T] See Figs. 44 and 45, p. 101.

Decoration

IV.

THE BOOK OF THE PAST.—THE LIBRARY OF NINEVEH.

1. When we wish to learn the great deeds of past ages, and of mighty men long dead, we open a book and read. When we wish to leave to the generations who will come long after us a record of the things that were done by ourselves or in our own times, we take pen, ink and paper, and write a book. What we have written is then printed, published in several hundreds—or thousands—of copies, as the case may be, and quickly finds its way to all the countries of the world inhabited by people who are trained from childhood to thought and study. So that we have the satisfaction of knowing that the information which we have labored to preserve will be obtainable any number of years or centuries after we shall have ceased to exist, at no greater trouble than procuring the book from the shelves of a bookstore, a public or a private library. It is all very simple. And there is not a small child who does not perfectly know a book by its looks, and even has not a pretty correct idea of how a book is made and what it is good for.

2. But books are not always of the shape and material so familiar to us. Metal, stone, brick, walls and pillars, nay, the very rocks of nature's own making, can be books, conveying information as plainly as our volumes of paper sheets covered with written or printed lines. It only needs to know how to read them, and the necessary knowledge and skill may be acquired by processes as simple as the art of ordinary reading and writing, though at the cost of a somewhat greater amount of time and pains.

3. There are two natural cravings, which assert themselves strongly in every mind not entirely absorbed by the daily work for bread and by the anxious care how to procure that work: these are the wish, on the one hand, to learn how the people who came before us lived and what they did, on the other—to transmit our own names and the memory of our deeds to those who will come after us. We are not content with our present life; we want to stretch it both backward and forward—to live both in the past and the future, as it were. This curiosity and this ambition are but parts of the longing for immortality which was never absent from any human soul. In our own age they are satisfied mainly by books; indeed they were originally the principal causes why books began to be made at all. And how easy to satisfy these cravings in our time, when writing materials have become as common as food and far cheaper, and reading may be had for nothing or next to nothing! For, a very few dollars will supply a writer with as much paper as he can possibly use up in a year, while the public libraries, the circulating and college libraries and the reading-rooms make study a matter more of love and perseverance than of money.

4. Yet if the papermill and the printing press were the only material aid to our researches into the past, these researches would stop short very soon, seeing that printing was invented in Europe scarce four hundred years ago, and paper has not been manufactured for more than six hundred years at the outside. True, other materials have been used to write on before paper: bark of trees, skins of animals—(parchment)—cunningly worked fibres of plants—(papyrus, byblos)—even wooden tablets covered with a thin layer of wax, on which characters were engraved with a pointed instrument or "style,"—and these contrivances have preserved for us records which reach back many hundreds of years beyond the introduction of paper. But our curiosity, when once aroused, is insatiable, and an area of some twenty, or thirty, or forty centuries seems to it but a narrow field. Looking back as far as that—and no kind of manuscript information takes us much further—we behold the world wondrously like what it is now. With some differences in garb, in manners, and a much greater one in the range of knowledge, we find men living very nearly as we do and enacting very nearly the same scenes: nations live in families clustered within cities, are governed by laws, or ruled by monarchs, carry on commerce and wars, extend their limits by conquest, excel in all sorts of useful and ornamental arts. Only we notice that larger regions are unknown, vaster portions of the earth, with their populations, are unexplored, than in our days. The conclusion is clearly forced on us, that so complicated and perfect an organization of public and private life, a condition of society implying so many discoveries and so long a practice in thought and handicraft, could not have been an early stage of existence. Long vistas are dimly visible into a past far vaster than the span as yet laid open to our view, and we long to pierce the tantalizing gloom. There, in that gloom, lurk the beginnings of the races whose high achievements we admire, emulate, and in many ways surpass; there, if we could but send a ray of light into the darkness of ages, we must find the solution of numberless questions which suggest themselves as we go: Whence come those races? What was the earlier history of other races with which we find them contending, treating, trading? When did they learn their arts, their songs, their forms of worship? But here our faithful guide, manuscript literature, forsakes us; we enter on a period when none of the ancient substitutes for paper were yet invented. But then, there were the stones. They did not need to be invented—only hewn and smoothed for the chisel.

5. Fortunately for us, men, twenty-five, and forty, and fifty centuries ago, were actuated by the same feelings, the same aspirations as they are now, and of these aspirations, the passionate wish of perpetuating their names and the memory of their deeds has always been one of the most powerful. This wish they connected with and made subservient to the two things which were great and holy in their eyes: their religion and the power of their kings. So they built, in brick and stone, at an almost incalculable expense of time, human labor and human life, palaces and temples. On these huge piles they lavished treasures untold, as also all the resources of their invention and their skill in art and ornament; they looked on them with exulting pride, not only because they thought them, by their vastness and gorgeousness, fit places for public worship and dwellings worthy of their kings, but because these constructions, in their towering grandeur, their massive solidity, bid fair to defy time and outlast the nations which raised them, and which thus felt assured of leaving behind them traces of their existence, memorials of their greatness. That a few defaced, dismantled, moss-grown or sand-choked fragments of these mighty buildings would one day be the only trace, the sole memorial of a rule and of nations that would then have past away forever, even into nothingness and oblivion, scarcely was anticipated by the haughty conquerors who filled those halls with their despotic presence, and entered those consecrated gates in the pomp of triumph to render thanks for bloody victories and warlike exploits which elated their souls in pride till they felt themselves half divine. Nothing doubting but that those walls, those pillars, those gateways would stand down to the latest ages, they confided to them that which was most precious to their ambition, the record of their deeds, the praises of their names, thus using those stony surfaces as so many blank pages, which they covered with row after row of wondrous characters, carefully engraved or chiselled, and even with painted or sculptured representations of their own persons and of the scenes, in war or peace, in which they had been leaders and actors.

6. Thus it is that on all the points of the globe where sometime great and flourishing nations have held their place, then yielded to other nations or to absolute devastation—in Egypt, in India, in Persia, in the valley of the Tigris and Euphrates, in the sandy, now desert plains of Syria, in the once more populous haunts of ancient Rome and Greece—the traveller meets clusters of great ruins, lofty still in their utter abandonment, with a strange, stern beauty hovering around their weather-beaten, gigantic shafts and cornices, wrapt in the pathetic silence of desolation, and yet not dumb—for their pictured faces eloquently proclaim the tale of buoyant life and action entrusted to them many thousands of years ago. Sometimes, it is a natural rock, cut and smoothed down at a height sufficient to protect it from the wantonly destructive hand of scoffing invaders, on which a king of a deeper turn of thought, more mindful than others of the law which dooms all the works of men to decay, has caused a relation of the principal events of his reign to be engraved in those curious characters which have for centuries been a puzzle and an enigma. Many tombs also, besides the remains of the renowned or wealthy dead, for whom they have been erected at a cost as extravagant and with art as elaborate as the abodes of the living, contain the full description of their inmate's lineage, his life, his habits and pursuits, with prayers and invocations to the divinities of his race and descriptions or portrayed representations of religious ceremonies. Or, the walls of caves, either natural, or cut in the rock for purposes of shelter or concealment, yield to the explorer some more chapters out of the old, old story, in which our interest never slackens. This story man has himself been writing, patiently, laboriously, on every surface on which he could trace words and lines, ever since he has been familiar with the art of expressing his thoughts in visible signs,—and so each such surviving memorial may truly be called a stray leaf, half miraculously preserved to us, out of the great Book of the Past, which it has been the task of scholars through ages, and especially during the last eighty years, to decipher and teach others how to read.

44.—HEAD OF ANCIENT CHALDEAN. FROM TELL-LOH (SIR-GULLA). SARZEC COLLECTION. (Perrot and Chipiez.) 44.—HEAD OF ANCIENT CHALDEAN. FROM TELL-LOH (SIR-GULLA). SARZEC COLLECTION.

(Perrot and Chipiez.)

45.—SAME, PROFILE VIEW. 45.—SAME, PROFILE VIEW.

7. Of this venerable book the walls of the Assyrian palaces, with their endless rows of inscriptions, telling year for year through centuries the history of the kings who built them, are so many invaluable pages, while the sculptures which accompany these annals are the illustrations, lending life and reality to what would otherwise be a string of dry and unattractive records. But a greater wonder has been brought to light from amidst the rubbish and dust of twenty-five centuries: a collection of literary and scientific works, of religious treatises, of private and public documents, deposited in rooms constructed on purpose to contain them, arranged in admirable order, in short—a Library. Truly and literally a library, in the sense in which we use the word. Not the only one either, nor the first by many hundred years, although the volumes are of singular make and little like those we are used to.

8. When Layard was at work for the second time amidst the ruins along the Tigris, he devoted much of his labor to the great mound of Koyunjik, in which the remains of two sumptuous palaces were distinctly discerned, one of them the royal residence of Sennacherib, the other that of his grandson Asshurbanipal, who lived some 650 years before Christ—two of the mightiest conquerors and most magnificent sovereigns of the Eastern world. In the latter palace he came upon two comparatively small chambers, the floor of which was entirely littered with fragments—some of considerable size, some very small—of bricks, or rather baked-clay tablets, covered on both sides with cuneiform writing. It was a layer more than a foot in height which must have been formed by the falling in of the upper part of the edifice. The tablets, piled in good order along the walls, perhaps in an upper story—if, as many think, there was one—must have been precipitated promiscuously into the apartment and shattered by the fall. Yet, incredible as it may appear, several were found entire. Layard filled many cases with the fragments and sent them off to the British Museum, fully aware of their probable historical value.

9. There they lay for years, heaped up at random, a mine of treasures which made the mouths of scholars water, but appalled them by the amount of labor, nay, actual drudgery, needful only to sift and sort them, even before any study of their contents could be begun. At length a young and ambitious archÆologist, attached to the British Museum, George Smith, undertook the long and wearisome task. He was not originally a scholar, but an engraver, and was employed to engrave on wood cuneiform texts for the magnificent atlas edited by the British Museum under the title of "Cuneiform Inscriptions of Western Asia." Being endowed with a quick and enquiring mind, Smith did not content himself, like most of his colleagues, with a conscientious and artistic, but merely technical reproduction; he wished to know what he was doing and he learned the language of the inscriptions. When he took on himself the sorting of the fragments, it was in the hope of distinguishing himself in this new field, and of rendering a substantial service to the science which had fascinated him. Nor was he deceived in this hope. He succeeded in finding and uniting a large quantity of fragments belonging together, and thus restoring pages of writing, with here and there a damaged line, a word effaced, a broken corner, often a larger portion missing, but still enough left to form continuous and readable texts. In some cases it was found that there was more than one copy of this or that work or document, and then sometimes the parts which were hopelessly injured in one copy, would be found whole or nearly so in another.

10. The results accomplished by this patient mechanical process were something astonishing. And when he at length restored in this manner a series of twelve tablets containing an entire poem of the greatest antiquity and highest interest, the occasion seemed important enough to warrant the enterprising owners of the London Daily Telegraph in sending the young student to resume excavations and try to complete some missing links. For of some of the tablets restored by him only portions could be found among the fragments of the British Museum. Of course he made his way straight to the Archive Chambers at Koyunjik, had them opened again and cleared them of another large instalment of their valuable contents, among which he had the inconceivable good fortune to find some of the very pieces which were missing in his collection. Joyfully he returned to England twice with his treasures, and hopefully set out on a third expedition of the same kind. He had reason to feel buoyant; he had already made his name famous by several works which greatly enriched the science he loved, and had he not half a lifetime before him to continue the work which few could do as well? Alas, he little knew that his career was to be cut short suddenly by a loathsome and brutal foe: he died of the plague in Syria, in 1876—just thirty-six years old. He was faithful to the end. His diary, in which he made some entries even within a very few days before his death, shows that at the last, when he knew his danger and was fast losing hope, his mind was equally divided between thoughts of his family and of his work. The following lines, almost the last intelligible ones he wrote, are deeply touching in their simple, single-minded earnestness:—"Not so well. If Doctor present, I should recover, but he has not come, very doubtful case; if fatal farewell to ... My work has been entirely for the science I study.... There is a large field of study in my collection. I intended to work it out, but desire now that my antiquities and notes may be thrown open to all students. I have done my duty thoroughly. I do not fear the change but desire to live for my family. Perhaps all may be well yet."—George Smith's death was a great loss, which his brother-scholars of all countries have not ceased to deplore. But the work now proceeds vigorously and skilfully. The precious texts are sorted, pieced, and classified, and a collection of them, carefully selected, is reproduced by the aid of the photographer and the engraver, so that, should the originals ever be lost or destroyed, (not a very probable event), the Museum indeed would lose one of its most precious rarities, but science would lose nothing.

11. An eminent French scholar and assyriologist, Joachim MÉnant, has the following picturesque lines in his charming little book "La BibliothÈque du Palais de Ninive": "When we reflect that these records have been traced on a substance which neither fire nor water could destroy, we can easily comprehend how those who wrote them thus thirty or forty centuries ago, believed the monuments of their history to be safe for all future times,—much safer than the frail sheets which printing scatters with such prodigious fertility.... Of all the nations who have bequeathed to us written records of their past life, we may assert that none has left monuments more imperishable than Assyria and Chaldea. Their number is already considerable; it is daily increased by new discoveries. It is not possible to foresee what the future has in store for us in this respect; but we can even now make a valuation of the entire material which we possess.... The number of the tablets from the Nineveh Library alone passes ten thousand.... If we compare these texts with those left us by other nations, we can easily become convinced that the history of the Assyro-Chaldean civilization will soon be one of the best known of antiquity. It has a powerful attraction for us, for we know that the life of the Jewish people is mixed up with the history of Nineveh and Babylon...."

46.—CUNEIFORM INSCRIPTION. (ARCHAIC CHARACTERS.) (Perrot and Chipiez.) 46.—CUNEIFORM INSCRIPTION. (ARCHAIC CHARACTERS.)

(Perrot and Chipiez.)

12. It will be seen from this that throughout the following pages we shall continually have to refer to the contents of Asshurbanipal's royal library. We must therefore dispense in this place with any details concerning the books, more than a general survey of the subjects they treated. Of these, religion and science were the chief. Under "science" we must understand principally mathematics and astronomy, two branches in which the old Chaldeans reached great perfection and left us many of our own most fundamental notions and practices, as we shall see later on. Among the scientific works must also be counted those on astrology, i.e., on the influence which the heavenly bodies were supposed to exert on the fate of men, according to their positions and combinations, for astrology was considered a real science, not only by the Chaldeans, but by much later nations too; also hand-books of geography, really only lists of the seas, mountains and rivers, nations and cities then known, lastly lists of plants and animals with a very rude and defective attempt at some sort of classification. History is but scantily represented; it appears to have been mostly confined to the great wall inscriptions and some other objects, of which more hereafter. But—what we should least expect—grammars, dictionaries, school reading-books, occupy a prominent place. The reason is that, when this library was founded, the language in which the venerable books of ancient sages were written not only was not spoken any longer, but had for centuries been forgotten by all but the priests and those who made scholarship their chief pursuit, so that it had to be taught in the same way that the so-called "dead languages," Latin and Greek, are taught at our colleges. This was the more necessary as the prayers had to be recited in the old language called the Accadian, that being considered more holy—just as, in Catholic countries, the common people are even now made to learn and say their prayers in Latin, though they understand not a word of the language. The ancient Accadian texts were mostly copied with a modern Assyrian translation, either interlinear or facing it, which has been of immense service to those who now decipher the tablets.

47.—INSCRIBED CLAY TABLET. (Smith's "Assyria.") 47.—INSCRIBED CLAY TABLET.

(Smith's "Assyria.")

13. So much for what may be called the classical and reference department of the library. Important as it is, it is scarcely more so than the documentary department or Archive proper, where documents and deeds of all kinds, both public and private, were deposited for safe keeping. Here by the side of treatises, royal decrees and despatches, lists of tribute, reports from generals and governors, also those daily sent in by the superintendents of the royal observatories,—we find innumerable private documents: deeds of sale duly signed, witnessed and sealed, for land, houses, slaves—any kind of property,—of money lent, of mortgages, with the rate of interest, contracts of all sorts. The most remarkable of private documents is one which has been called the "will of King Sennacherib," by which he entrusts some valuable personal property to the priests of the temple of Nebo, to be kept for his favorite son,—whether to be delivered after his (the king's) death or at another time is not stated.

48.—CLAY TABLET IN ITS CASE. (Hommel.) 48.—CLAY TABLET IN ITS CASE.

(Hommel.)

14. It requires some effort to bear in mind the nature and looks of the things which we must represent to ourselves when we talk of Assyrian "books." The above (Fig. 47) is the portrait of a "volume" in perfect condition. But it is seldom indeed that one such is found. Layard, in his first description of his startling "find," says: "They (the tablets) were of different sizes; the largest were flat, and measured nine inches by six and a half; the smaller were slightly convex, and some were not more than an inch long, with but one or two lines of writing. The cuneiform characters on most of them were singularly sharp and well-defined, but so minute in some instances as to be illegible without a magnifying glass." Most curiously, glass lenses have been found among the ruins; which may have been used for the purpose. Specimens have also been found of the very instruments which were employed to trace the cuneiform characters, and their form sufficiently accounts for the peculiar shape of these characters which was imitated by the engravers on stone. It is a little iron rod—(or style, as the ancients used to call such implements)—not sharp, but triangular at the end: open triangle. By slightly pressing this end on the cake of soft moist clay held in the left hand no other shape of sign could be obtained than a wedge,closed triangle, the direction being determined by a turn of the wrist, presenting the instrument in different positions. When one side of the tablet was full, the other was to be filled. If it was small, it was sufficient to turn it over, continuing to hold the edges between the thumb and third finger of the left hand. But if the tablet was large and had to be laid on a table to be written on, the face that was finished would be pressed to the hard surface, and the clay being soft, the writing would be effaced. This was guarded against by a contrivance as ingenious as it was simple. Empty places were left here and there in the lines, in which were stuck small pegs, like matches. On these the tablet was supported when turned over, and also while baking in the oven. On many of the tablets that have been preserved are to be seen little holes or dints, where the pegs have been stuck. Still, it should be mentioned that these holes are not confined to the large tablets and not found on all large tablets. When the tablet was full, it was allowed to dry, then generally, but not always, baked. Within the last few years several thousands unbaked tablets have been found in Babylonia; they crumbled into dust under the finders' fingers. It was then proposed to bake such of them as could at all bear handling. The experiment was successful, and numbers of valuable documents were thus preserved and transported to the great repository of the British Museum. The tablets are covered with writing on both sides and most accurately classed and numbered, when they form part of a series, in which case they are all of the same shape and size. The poem discovered by George Smith is written out on twelve tablets, each of which is a separate book or chapter of the whole. There is an astronomical work in over seventy tablets. The first of them begins with the words: "When the gods Anu and ..." These words are taken as the title of the entire series. Each tablet bears the notice: First, second, third tablet of "When the gods Anu and ..." To guard against all chance of confusion, the last line of one tablet is repeated as the first line of the following one—a fashion which we still see in old books, where the last word or two at the bottom of a page is repeated at the top of the next.

49.—ANTIQUE BRONZE SETTING OF CYLINDER. (Perrot and Chipiez.) 49.—ANTIQUE BRONZE SETTING OF CYLINDER.

(Perrot and Chipiez.)

50.—CHALDEAN CYLINDER AND IMPRESSION. (Perrot and Chipiez.) 50.—CHALDEAN CYLINDER AND IMPRESSION.

(Perrot and Chipiez.)

51.—ASSYRIAN CYLINDER. (Perrot and Chipiez.) 51.—ASSYRIAN CYLINDER.

(Perrot and Chipiez.)

15. The clay tablets of the ancient Chaldeans are distinguished from the Assyrian ones by a curious peculiarity: they are sometimes enclosed in a case of the same material, with exactly the same inscription and seals as on the inner tablet, even more carefully executed.[U] It is evidently a sort of duplicate document, made in the prevision that the outer one might be injured, when the inner record would remain. Rows of figures across the tablet are impressed on it with seals called from their shape cylinders, which were rolled over the soft moist clay. These cylinders were generally of some valuable, hard stone—jasper, amethyst, cornelian, onyx, agate, etc.,—and were used as signet rings were later and are still. They are found in great numbers, being from their hardness well-nigh indestructible. They were generally bored through, and through the hole was passed either a string to wear them on, or a metal axis, to roll them more easily.[V] There is a large and most valuable collection of seal cylinders at the British Museum. Their size ranges from a quarter of an inch to two inches or a little more. But cylinders were also made of baked clay and larger size, and then served a different purpose, that of historical documents. These are found in the foundations of palaces and temples, mostly in the four corners, in small niches or chambers, generally produced by leaving out one or more bricks. These tiny monuments range from a couple of inches to half a foot in height, seldom more; they are sometimes shaped like a prism with several faces (mostly six), sometimes like a barrel, and covered with that compact and minute writing which it often requires a magnifying glass to make out. Owing to their sheltered position, these singular records are generally very well preserved. Although their original destination is only to tell by whom and for what purpose the building has been erected, they frequently proceed to give a full though condensed account of the respective kings' reigns, so that, should the upper structure with its engraved annals be destroyed by the vicissitudes of war or in the course of natural decay, some memorial of their deeds should still be preserved—a prevision which, in several cases, has been literally fulfilled. Sometimes the manner and material of these records were still more fanciful. At Khorsabad, at the very interior part of the construction, was found a large stone chest, which enclosed several inscribed plates in various materials. "... In this only extant specimen of an Assyrian foundation stone were found one little golden tablet, one of silver, others of copper, lead and tin; a sixth text was engraved on alabaster, and the seventh document was written on the chest itself."[W] Unfortunately the heavier portion of this remarkable find was sent with a collection which foundered on the Tigris and was lost. Only the small plates,—gold, silver, copper and tin (antimonium scholars now think it to be)—survived, and the inscriptions on them have been read and translated. They all commemorate, in very nearly the same terms, the foundation and erection of a new city and palace by a very famous king and conqueror, generally (though not correctly) called Sargon, and three of them end with a request to the kings his successors to keep the building in good repair, with a prayer for their welfare if they do and a heavy curse if they fail in this duty: "Whoever alters the works of my hand, destroys my constructions, pulls down the walls which I have raised,—may Asshur, NinÊb, RamÂn and the great gods who dwell there, pluck his name and seed from the land and let him sit bound at the feet of his foe." Most inscriptions end with invocations of the same kind, for, in the words of MÉnant: "it was not mere whim which impelled the kings of Assyria to build so assiduously. Palaces had in those times a destination which they have no longer in ours. Not only was the palace indeed the dwelling of royalty, as the inscriptions have it,—it was also the Book, which each sovereign began at his accession to the throne and in which he was to record the history of his reign."[X]

And each such book of brick and stone we can with perfect truth call a chapter—or a volume—of the great Book of the Past whose leaves are scattered over the face of the earth.

52.—PRISM OF SENNACHERIB. ALSO CALLED "TAYLOR CYLINDER." 52.—PRISM OF SENNACHERIB. ALSO CALLED "TAYLOR CYLINDER."
53.—INSCRIBED CYLINDER FROM BORSIP. 53.—INSCRIBED CYLINDER FROM BORSIP.
Decoration

FOOTNOTES:

[U] See Fig. 48, p. 111.

[V] See above, Figs. 49 and 50.

[W] Dr. Julius Oppert, "Records of the Past," Vol. XI., p. 31.

[X] "Les Écritures CunÉiformes," of Joachim MÉnant: page 198 (2d edition, 1864).

CHALDEA AND NEIGHBORING COUNTRIES CHALDEA AND NEIGHBORING COUNTRIES

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