Some of these drawings remind us that the great cartoonist's message was primarily delivered to his own countrymen. They explain why he was accused, but not convicted, of endangering the neutrality of the Netherlands. He presents the German monster as a menace to all freedom, and not least to the freedom of the Dutch people. Germany's allies have sold theirs; they are harnessed to the Prussian war chariot, and must drag it whither the driver bids them, whip in hand. The nations in arms against Germany are fighting for their own and each other's freedom; and the neutrals stand looking anxiously on. Raemaekers warns them that their freedom too is at stake. He sees that it will disappear if the Allies fail in the struggle, and he shows his countrymen what they may expect.

In every country there are some ignoble souls who would rather embrace servitude than fight for freedom. They have a conscientious objection to—danger. How far the Dutch Junkers deserve Raemaekers' satire it is not for foreigners to judge. But we know the type he depicts—the sporting "nuts," with their careful get-up, effeminate paraphernalia, and vacuous countenances. So long as they can wear a sporting costume and carry a gun they are prepared to take a menial place under a Prussian over-lord and submit with a feeble fatalism to the loss of national independence. It is light satire in keeping with the subject, and it provides a relief to the sombre tragedy which is the artist's prevailing mood.

A. SHADWELL.