In this war, where the ranks of the enemy present to us so many formidable, sinister, and shocking figures, there is one, and perhaps but one, which is purely ridiculous. If we had the heart to relieve our strained feelings by laughter, it would be at the gross Coburg traitor, with his bodyguard of assassins and his hidden coat-of-mail, his shaking hands and his painted face. The world has never seen a meaner scoundrel, and we may almost bring ourselves to pity the Kaiser, whom circumstances have forced to accept on equal terms a potentate so verminous.

But we no longer smile, we are tempted rather to weep, when we think of the nation over whom this Ferdinand exercises his disastrous authority. Forty years will have expired this spring since the Christian peasants of Bulgaria rose in arms against the Turkish oppressor. After a year of wild mountain fighting, Russia, with fraternal devotion, came to their help, and at San Stefano in March, 1877, the aspirations of Bulgaria were satisfied under Russia auspices. Ten years later Ferdinand the usurper descended upon Sofia, shielded by the protection of Austria, and since then, under his poisonous rule, the honour and spirit of the once passionate and romantic Bulgarian nation have faded like a plant in poison-fumes.

Raemaekers presents the odious Ferdinand to us in the act of starting for the wars—he who faints at the sight of a drawn sword. His hired assassins guard him from his own people and from the revenge of the thousands whom he has injured. But will they always be able to secure so vile a life against the vengeance of history? How soon will Fate condescend to crush this painted creature?

EDMUND GOSSE.