Adams, Dr.,

Aeolian Harp,
circumstances under which it was written,
Coleridge's opinion of,

Aids to Reflection,
its popularity,
its value as a spiritual manual,
its inferiority from a literary point of view,

Allan Bank,

Allsop, Mr. Thomas,

Ancient Mariner,
how and when first conceived,
its uniqueness,
Wordsworth's account of its origin
and of his suggestions,
a sublime "pot-boiler,"
realistic force of its narrative,
its vividness of imagery,
its wonderful word-pictures,
its evenness of execution,
examples of its consummate art,
its chief characteristics,

Anecdotes,

Ball, Sir Alexander,

Beaumont, Lady,

Berkeley,

Biographia Literaria,
its interest, critical and illustrative,
its main value,
its analysis of the principles of poetry,
its examination of Wordsworth's theory,
its contents,

Blackwood's Magazine,
Coleridge's contributions to,

Bonaparte,

Borderers (Wordsworth's),

Bowles, William Lisle,

Burke,
sonnet to,

Byron,

Calne, Coleridge at,

Cambridge Intelligencer (Flower's),

Carlyle, description of Coleridge by,

Carrlyon, Dr.,
reminiscences of Coleridge in Germany by,

Christabel,
Coleridge's opinion of,
its unfinished condition,
the lines on the "spell,"
its high place as a work of creative art,
its fragmentary beauties,
the description of Christabel's chamber,
its main idea,
outline of the unfinished parts,
Lamb and Hartley Coleridge on,
its perfection from the metrical point of view,
publication of the second part,
its popularity,
Coleridge's great desire to complete it,

Circassian Love Chant,
its charm of melody,

Coleridge, Samuel Taylor.
His biographers,
birth and family history,
his boyhood and school days,
early childhood,
death of his father,
goes to Christ's Hospital,
goes to Jesus College, Cambridge,
wins the Browne Gold Medal,
leaves Cambridge suddenly and enlists in the army,
his discharge,
returns to Cambridge,
his meeting with Southey and Sara Fricker (his future wife),
writes the Fall of Robespierre with Southey,
leaves Cambridge,
delivers the Bristol lectures,
marries Sara Fricker at Bristol,
writes the Aeolian Harp,
plunges into politics and journalism,
projects the Watchman and goes on a canvassing tour,
preaches Unitarian sermons by the way,
brings out the Watchman,
retires to a cottage in Somersetshire with Charles Lloyd,
his meeting with Wordsworth,
cooling of his revolutionary enthusiasm,
his intercourse with Wordsworth,
writes Osorio,
his rambles with Wordsworth among the Quantock Hills,
projects the Lyrical Ballads,
writes the Ancient Mariner,
Christabel,
Love,
Kubla Khan,
undertakes the duties of a Unitarian preacher at Shrewsbury,
accepts an annuity from the two Wedgwoods,
goes to Germany with the Wordsworths,
returns to England after a year's absence,
translates Schiller's Wallenstein,
devotes himself again to journalism,
goes to the Lake country,
takes opium as an anodyne,
writes the Ode to Dejection,
goes on a tour with Thomas Wedgwood,
visits the Wordsworths at Grasmere,
his illness there,
goes to Malta,
ill effects of his stay there,
becomes Secretary to the Governor of the island,
goes to Italy,
returns to England after two and a half years' absence,
his wretched condition of mind and body,
estrangement from his wife,
domestic unhappiness,
meeting with De Quincey,
pecuniary embarrassments,
his lectures at the Royal Institution,
lives with Wordsworth at Allan Bank,
founds and edits the Friend,
delivers lectures on Shakespeare,
returns to journalism,
his necessities,
loses his annuity,
neglect of his family,
successful production of his play Remorse,
lectures again at Bristol,
retires to Calne with Mr. Morgan,
more financial troubles,
lives with Dr. Gillman at Highgate,
undergoes medical treatment for the opium habit,
returning health and vigour,
renewed literary activity,
writes the Biographia Literaria,
lectures again in London,
more money troubles,
publishes Aids to Reflection,
accompanies Wordsworth on a tour up the Rhine,
his declining years,
contemplation of his approaching end,
his death,

Poet and Thinker.
His early bent towards poetry and metaphysics,
his prose style,
his early poems, their merits and defects,
his sonnets,
Coleridge at his best,
untimely decline of his poetic impulse,
Wordsworth's great influence on him,
Coleridge's mastery of the true ballad manner,
estimate of his poetic work,
comparison with Byron and Wordsworth,
his wonderful power of melody,
his great projects,
his critical powers,
his criticism of Shakespeare,
his philosophy,
his contemplated "Great Work,"
his materials for various poems,
his metaphysics and theology,
his discourses,
exaggerated notions of his position and influence,
his "unwritten books,"

Precocious boyhood,
descriptions of him at various times,
his voice,
his conduct as a husband,
religious nature,
revolutionary enthusiasm,
consciousness of his great powers,
generous admiration for the gifts of others,
his womanly softness,
his pride in his personal appearance,
his contempt for money,
his ill-health,
his opium-eating,
his restlessness,
best portrait of him,
his unbusinesslike nature,
sorrows of his life,
his laudanum excesses,
his talk,
his weaknesses,

Coleridge, Mrs.,

Coleridge, Rev. Derwent,

Coleridge, Rev. George,

Coleridge, Hartley,

Coleridge, Rev. John,

Coleridge, Luke,

Coleridge, Nelson,

Coleridge, Sarah,

Coleridge and Opium Eating (De Quincey's),

Condones ad Populum (Bristol Lectures),
their warmth of language,
evidence of deep thought and reasoning in,
their crudeness,

Consulate, Coleridge on the French,

Cottle, Joseph,

Courier, The,

Dark Ladie,

Dejection, Ode to,
Coleridge's swan song,
its promise,
Coleridge's spiritual and moral losses bewailed in,
stanzas from,
biographical value of,

De Quincey,

Descartes,

Descriptive Sketches (Wordsworth's),

Devil's Thoughts,

Early Years and Late Reflections (Dr. Carrlyon's),

Effusions,

Erasmus,

Essays on his own Times,

Eve of St Agnes (Keats's),

Excursion (Wordsworth's),

Fall of Robespierre,

Fears in Solitude,

Fire, Famine and Slaughter,

Fox, Letters to,

France, Coleridge on,
ode to,

Fricker, Edith,
Mary,
Sara,

Friend, The,
Coleridge's object in starting it,
its short-lived career,
causes of its failure,
compared with the Spectator,

Frost at Midnight (lines),

Georgiana, Duchess of Devonshire,
Ode to,

Germany, Coleridge and Wordsworth in,

Gibbon,

Gillman, Mr.,

Green, Mr. J. H.,

Grenville, Lord,

Greta Hall, description of,

Group of Englishmen (Miss Meteyard's),

Harz Mountains, Coleridge's tour through the,

Hazlitt,

Hume,

Joan of Arc (Southey's), Coleridge's contribution to,

Johnson, Samuel,

Juvenile Poems,

Kean,

Keats,
Coleridge's meeting with and description of,

Keswick,

Kosciusko (Sonnet),

Kubla Khan,
a wild dream-poem,
its curious origin,
when written,

Lake Poets (De Quincey's),

Lamb, Charles,

Lamb, Mary,

Lay Sermons,

"Lear,": Coleridge on,

Lectures, Coleridge's,
at Bristol,
at the Royal Institution,
on Shakespeare and Milton,
at Flower de Luce Court,
extempore lecture,

Le Grice, Charles,

Liberal, The,

Lines on ascending the Bracken,

Lines to William Wordsworth,

Literary Remains,

Lloyd, Charles,

Locke,

Love,
fascination of melody in,

Lovell, Robert,

Lover's Resolution,

Luther,

Lyrical Ballads,
origin of,
Coleridge's contributions to,
appearance of,
anecdote concerning,

Malta, Coleridge's stay at,

Maurice,

Metaphysics and theology;
Coleridge's,

Meteyard, Miss,

Milton,
lectures on Shakespeare and,

Monody on the Death of Chatterton,

Montagu, Mr. and Mrs.,

Morgan, Mr. John,

Morning Post, The,
Coleridge's connection with,

Nether Stowey, Coleridge at,

New Monthly Magazine,

Nightingale,

Omniana (Southey's),
Coleridge's contribution to,

Opium,
Coleridge's resort to,
origin of the habit,
De Quincey on,

Pains of Sleep,

"Pantisocraey,"

Parry, Coleridge's fellow-student in Germany,

Peau de Chagrin (Balzac's),

Philosophy, Coleridge's,
(see Spiritual Philosophy)

Pilgrimage (Purchas's),

Pitt,
sonnet to,

Pius VII., Pope,

Poems on Various Subjects,

Poetical and Dramatic Works,

Poetry and the Fine Arts, Coleridge's lectures on,

"Polonius,"
Coleridge's estimate of the character of,

Poole, Mr. Thomas,

Prometheus, Coleridge's paper on,

Quantock Hills, Coleridge and Wordsworth among the,

Recantation,

Recollections (Cottle's),

Recollections of a Literary Life (Miss Mitford's)

Reflections on having left a Place of Retirement,

Religious Musings,

Remorse,

Revolution, the French,

Robbers,

Rome, Coleridge in,

Rousseau,

Royal Institution, Coleridge's lectures at the,

Schiller,

Schlegel,

Scott, Sir Walter,

Sermons, Lay,

Shakespeare,
lectures on,
criticisms on,

Shakespearianism, German,

Shelley,

Sheridan,

Shrewsbury,
Coleridge's preaching in,

Sibylline Leaves,

Slave Trade,
Coleridge's Greek Ode on the,

Songs of the Pixies,

Sonnets on Eminent Characters,

Sotheby, Mr.,

Southey,

Southey, Cuthbert,

Southey, Edith,

Spectator,

Spiritual Philosophy (Green's),
an exposition of Coleridge's Philosophy,
Coleridge's great fundamental principle,
the reason and the understanding,
will, not thought, the ultimate fact of self-consciousness,
a philosophy of Realism,
philosophy valued by Coleridge mainly as an organon of religion,
growth of the soul,
the idea of God,
idea of the Trinity,
"a guidebook written in hieroglyphics,"

Statesman's Manual,

Sterling, Life of (Carlyle's),

Sterne,

Stuart, Mr. Daniel,

Swinburne's praise of Coleridge's lyrics,

Table Talk,

Theology and metaphysics, Coleridge's system of,

Unitarian, Coleridge as a,

Visionary Hope,

Voltaire,

Voyages (Shelvocke's),

Wallenstein, Coleridge's translation of,

Warburton,

Watchman,

Wedgwood, Josiah,

Wedgwood, Thomas,

Wordsworth,

Wordsworth, Dorothy,

Year, Ode to the Departing,

Zapolya,