[1809-1810.] From the close of this series of lectures in the month of May 1808 until the end of the year it is impossible to trace Coleridge's movements or even to determine the nature of his occupation with any approach to exactitude. The probability is, however, that he remained in London at his lodgings in the Courier office, and that he supported himself by rendering assistance in various ways to Mr. Daniel Stuart. We know nothing of him, however, with certainty until we find him once more at the Lakes in the early part of the year 1809, but not in his own home. Wordsworth had removed from his former abode at Grasmere to Allan Bank, a larger house some three-quarters of a mile distant, and there Coleridge took up his residence, more, it would seem, as a permanent inmate of his friend's house than as a guest. The specific cause of this migration from Greta Hall to Allan Bank does not appear, but all the accessible evidence, contemporary and subsequent, seems to point to the probability that it was the result of a definite break-up of Coleridge's own home. He continued, at any rate, to reside in Wordsworth's house during the whole seven months of his editorship of the Friend, a new venture in periodical literature which he undertook at this period; and we shall see that upon its failure he did not resume his residence at Greta Hall, but quitted the Lake country at once and for ever. We need not take too literally Coleridge's declaration in the Biographia Literaria that one "main object of his in starting the Friend was to establish the philosophical distinction between the Reason and the Understanding." Had this been so, or at least had the periodical been actually conducted in conformity with any such purpose, even the chagrined projector himself could scarcely have had the face to complain, as Coleridge did very bitterly, of the reception accorded to it by the public. The most unpractical of thinkers can hardly have imagined that the "general reader" would "take in" a weekly metaphysical journal published at a town in Cumberland. The Friend was not quite so essentially hopeless an enterprise as that would have been; but the accidents of mismanagement and imprudence soon made it, for all practical purposes, sufficiently desperate. Even the forlorn Watchman, which had been set on foot when Coleridge had fourteen years' less experience of the world, was hardly more certainly foredoomed. The first care of the founder of the Friend was to select, as the place of publication, a town exactly twenty-eight miles from his own abode – a distance virtually trebled, as De Quincey observes, "by the interposition of Kirkstone, a mountain only to be scaled by a carriage ascent of three miles, and so steep in parts that without four horses no solitary traveller can persuade the neighbouring innkeepers to convey him." Here, however, at Penrith, "by way of purchasing intolerable difficulties at the highest price," Coleridge was advised and actually persuaded to set up a printer, to buy and lay in a stock of paper, types, etc., instead of resorting to some printer already established at a nearer place – as, for instance, Kendal, which was ten miles nearer, and connected with Coleridge's then place of residence by a daily post, whereas at Penrith there was no post at all. Having thus studiously and severely handicapped himself, the projector of the new periodical set to work, upon the strength of what seems to have been in great measure a fancy list of subscribers, to print and, so far as his extraordinary arrangements permitted, to circulate his journal. With naÏve sententiousness he warns the readers of the Biographia Literaria against trusting, in their own case, to such a guarantee as he supposed himself to possess. "You cannot," he observes, "be certain that the names on a subscription list have been put down by sufficient authority; or, should that be ascertained, it still remains to be known whether they were not extorted by some over-zealous friend's importunity; whether the subscriber had not yielded his name merely from want of courage to say no! and with the intention of dropping the work as soon as possible." Thus out of a hundred patrons who had been obtained for the Friend by an energetic canvasser, "ninety threw up the publication before the fourth number without any notice, though it was well known to them that in consequence of the distance and the slowness and irregularity of the conveyance" [it is amusing to observe the way in which Coleridge notes these drawbacks of his own creation as though they were "the act of God"] "I was compelled to lay in a stock of stamped paper for at least eight weeks beforehand, each sheet of which stood me in fivepence previous to its arrival at my printer's; though the subscription money was not to be received till the twenty-first week after the commencement of the work; and, lastly, though it was in nine cases out of ten impracticable for me to receive the money for two or three numbers without paying an equal sum for the postage." Enough appears in this undesignedly droll account of the venture to show pretty clearly that, even had the Friend obtained a reasonable measure of popularity at starting, the flagrant defects in the methods of distributing and financing it must have insured its early decease. But, as a matter of fact, it had no chance of popularity from the outset. Its first number appeared on 1st August 1809, and Coleridge, writing to Southey on 20th October of the same year, speaks of his "original apprehension" that the plan and execution of the Friend is so utterly unsuitable to the public taste as to preclude all rational hopes of its success. "Much," he continues, "might have been done to have made the former numbers less so, by the interposition of others written more expressly for general interest;" and he promises to do his best in future to "interpose tales and whole numbers of amusement, which will make the periods lighter and shorter." Meanwhile he begs Southey to write a letter to the Friend in a lively style, rallying its editor on "his Quixotism in expecting that the public will ever pretend to understand his lucubrations or feel any interest in subjects of such sad and unkempt antiquity." Southey, ever good-natured, complied, even amid the unceasing press of his work, with the request; and to the letter of lightly-touched satire which he contributed to the journal he added a few private lines of friendly counsel, strongly urging Coleridge to give two or three amusing numbers, and he would hear of admiration on every side. "Insert too," he suggested, "a few more poems – any that you have, except Christabel, for that is of too much value. And write now that character of Bonaparte, announced in former times for 'to-morrow, and to-morrow, and to-morrow.'" It was too late, however, for good advice to be of any avail: the Friend was past praying for. It lingered on till its twenty-eighth number, and expired, unlike the Watchman, without any farewell to its friends, in the third week of March 1810. The republication of this periodical, or rather selections from it, which appeared in 1818, is hardly perhaps described with justice in De Quincey's words as "altogether and absolutely a new work." A reader can, at any rate, form a pretty fair estimate from it of the style and probable public attractions of the original issue; and a perusal of it, considered in its character as a bid for the patronage of the general reader, is certainly calculated to excite an astonishment too deep for words. We have, of course, to bear in mind that the standard of the readable in our grandfathers' days was a more liberal and tolerant one than it is in our own. In those days of leisurely communications and slowly moving events there was relatively at least a far larger public for a weekly issue of moral and philosophical essays, under the name of a periodical, than it would be found easy to secure at present, when even a monthly discourse upon things in general requires Mr. Euskin's brilliancy of eloquence, vivacity of humour, and perpetual charm of unexpectedness to carry it off. Still the Spectator continued to be read in Coleridge's day, and people therefore must have had before them a perpetual example of what it was possible to do in the way of combining entertainment with instruction. How, then, it could have entered into the mind of the most sanguine projector to suppose that the longueurs and the difficulty of the Friend would be patiently borne with for the sake of the solid nutriment which it contained it is quite impossible to understand. Even supposing that a weekly, whose avowed object was "to aid in the formation of fixed principles in politics, morals, and religion," could possibly be floated, even "with literary amusements interspersed," it is evident that very much would depend upon the character of these "amusements" themselves. In the republication of 1817 they appear under the heading of "landing-places." One of them consists of a parallel between Voltaire and Erasmus, and between Rousseau and Luther, founded, of course, on the respective attitudes of the two pairs of personages to the Revolution and the Reformation. Another at the end of the series consists of a criticism of, and panegyric on, Sir Alexander Ball, the governor of Malta. Such are the landing-places. But how should any reader, wearied with "for ever climbing up the climbing wave" of Coleridge's eloquence, have found rest or refreshment on one of these uncomfortable little sandbanks? It was true that the original issue of the Friend contained poetical contributions which do not appear in the republication; but poetry in itself, or, at any rate, good poetry, is not a relief to the overstrained faculties, and, even if it were, the relief would have been provided at too infrequent intervals to affect the general result. The fact is, however, that Coleridge's own theory of his duty as a public instructor was in itself fatal to any hope of his venture proving a commercial success. Even when entreated by Southey to lighten the character of the periodical, he accompanies his admission of the worldly wisdom of the advice with something like a protest against such a departure from the severity of his original plan. His object, as he puts it with much cogency from his own unpractical point of view – his object being to teach men how to think on politics, religion, and morals, and thinking being a very arduous and distasteful business to the mass of mankind, it followed that the essays of the Friend (and particularly the earlier essays, in which the reader required to be "grounded" in his subject) could hardly be agreeable reading. With perfect frankness indeed does he admit in his prospectus that he must "submit to be thought dull by those who seek amusement only." He hoped, however, as he says in one of his earlier essays, to become livelier as he went on. "The proper merit of a foundation is its massiveness and solidity. The conveniences and ornaments, the gilding and stucco-work, the sunshine and sunny prospects, will come with the superstructure." But the building, alas! was never destined to be completed, and the architect had his own misgivings about the attractions even of the completed edifice. "I dare not flatter myself that any endeavours of mine, compatible with the duty I owe to the truth and the hope of permanent utility, will render the Friend agreeable to the majority of what is called the reading public. I never expected it. How indeed could I when, etc." Yet, in spite of these professions, it is clear from the prospectus that Coleridge believed in the possibility of obtaining a public for the Friend. He says that "a motive for honourable ambition was supplied by the fact that every periodical paper of the kind now attempted, which had been conducted with zeal and ability, was not only well received at the time, but has become popular;" and he seems to regard it as a comparatively unimportant circumstance that the Friend would be distinguished from "its celebrated predecessors, the Spectator and the like," by the "greater length of the separate essays, by their closer connection with each other, and by the predominance of one object, and the common bearing of all to one end." It was, of course, exactly this plus of prolixity and minus of variety which lowered the sum of the Friend's attractions so far below that of the Spectator as to deprive the success of Addison of all its value as a precedent. Nor is it easy to agree with the editor of the reprint of 1837 that the work, "with all its imperfections, is perhaps the most vigorous" of its author's compositions. That there are passages in it which impress us by their force of expression, as well as by subtlety or beauty of thought, must of course be admitted. It was impossible to a man of Coleridge's literary power that it should be otherwise. But "vigorous" is certainly not the adjective which seems to me to suggest itself to an impartial critic of these too copious disquisitions. Making every allowance for their necessary elasticity of scope as being designed to "prepare and discipline the student's moral and intellectual being, not to propound dogmas and theories for his adoption," it must, I think, be allowed that they are wanting in that continuity of movement and co-ordination of parts which, as it seems to me, enters into any intelligible definition of "vigour," as attributed to a work of moral and political exposition considered as a whole. The writer's discursiveness is too often and too vexatiously felt by the reader to permit of the survival of any sense of theorematic unity in his mind; he soon gives up all attempts at periodical measurement of his own and his author's progress towards the prescribed goal of their journey; and he resigns himself in this, as in so many other of Coleridge's prose works, to a study of isolated and detached passages. So treated, however, one may freely admit that the Friend is fully worthy of the admiration with which Mr. H. N. Coleridge regarded it. If not the most vigorous, it is beyond all comparison the most characteristic of all his uncle's performances in this field of his multiform activity. In no way could the peculiar pregnancy of Coleridge's thoughts, the more than scholastic subtlety of his dialectic, and the passionate fervour of his spirituality be more impressively exhibited than by a well-made selection of loci from the pages of the Friend. |