Iron tannages may be very shortly dismissed, as their practical interest is at present either historical or prospective, but iron salts enter in so many ways into the chemistry of leather manufacture, that their properties must be briefly considered. Iron exists in salts in two states, the ferrous, and the ferric, in the first of which it is divalent, and in the second trivalent. Thus ferrous chloride is FeCl2; ferrous oxide, FeO; ferrous sulphate, FeSO4; ferrous hydrate, Fe(OH)2. The compounds of ferrous iron are mostly green, like ferrous sulphate (“green vitriol,” “copperas”): exposed to air and moisture, they easily absorb oxygen, and pass into the ferric form. Ferric chloride is FeCl3 (or, as it is sometimes written without much reason, Fe2Cl6), ferric hydrate Fe(OH)3, ferric oxide Fe2O3, ferric sulphate Fe2 (SO4)3, and so on. The atomic weight of iron is 56. Ferric salts are mostly yellow or orange, ferric hydrate is yellow-brown, and on ignition is converted into deep red ferric oxide, which is very difficultly soluble in acids. Ferric salts in contact with more easily oxidisable matters, readily give up oxygen, and pass into the ferrous state; and especially does this happen in the presence of organic matter, under the influence of sunlight. Thus iron-salts often act as carriers of oxygen, and oxidisers of organic matter, absorbing oxygen from the air, and giving it up again under the influence of light or heat. There are several other oxides of iron which do not form salts, and there is a ferric acid, apparently corresponding to chromic acid, which is so unstable that it has been very imperfectly investigated. Ferric salts correspond in structure to those of alumina, and like these are powerful tanning agents, and readily form basic salts, while the ferrous salts have no tanning effect until they become oxidised, when they form basic ferric salts. Ferric salts Ferric iron, like alumina, forms an “alum,” a double sulphate of iron and potassium, Fe2(SO4)3K2SO4, 24Aq, forming fine pale-violet crystals, but dissolving to a yellow-brown solution. (It must be distinctly understood that iron-alum and chrome-alum contain no alumina, but are simply called alums because of their similarity of constitution, iron or chrome taking the place of the aluminium. Iron-alum, in conjunction with salt, can be used for tanning, giving a pale buff-coloured leather very similar to an ordinary alum leather. Thus the presence of a small quantity of iron in an alum used for tawing is of no consequence, except as affecting the colour of the leather. In impure sulphate of alumina such as “alumino-ferric,” it, however, generally exists in the green ferrous state, and only acquires tanning properties on oxidation. Without common salt iron-salts are still less satisfactory tanning agents than those of alumina under the same conditions, as the acid is yet more loosely held, and though basic ferric salts are taken up in considerable quantities by hide, the leather produced is thin, and usually brittle. Professor Knapp devoted much study to the production of a commercial sole-leather by basic iron-salts; and took several patents, which did not prove practically successful, though the brittleness was to some extent overcome by the incorporation of compounds of iron with organic materials such as blood and urine, of iron-soaps, and of rosin and paraffin in the leather. Like most mineral tannages, the process was far more rapid than that with vegetable materials. Knapp’s basic tanning liquor was made by the oxidation of ferrous sulphate with a small quantity of nitric acid. Patents have also been taken for the oxidation of ferrous sulphate by peroxide of manganese in presence of sulphuric acid, which produces basic ferric sulphate in mixture with manganese sulphate, which has also some tanning properties. Attempts have also been made to tan by treatment of the hide with solutions of ferrous sulphate, and subsequent exposure to the air, in order to oxidise the iron on the fibre and convert it into a basic ferric salt, but have not proved of any commercial value. The principal use of iron at present in leather manufacture is in dyeing blacks (see p. 413), but in this case, its feeble hold upon acids in the ferric state, and its tendency to act as an oxidising agent, or oxygen carrier, renders the blacks somewhat unstable, and is frequently injurious to the leather. There is also little doubt that the presence of ferric salts in leather blacks has a great tendency to cause the resinification of the oil, known as “spueing,” by promoting its oxidation. Chrome tannages, from a practical point of view, stand on a very different footing to those which have just been mentioned; having established their position in the manufacture of almost all sorts of light leathers, in competition with all the older methods, and making a serious claim to a share in the production of belting and even of sole leathers. Chromium is a grey, and very infusible metal, which chemically much resembles iron in its compounds, and has an atomic weight of 52, or a little over. Like iron, it possesses a divalent and a trivalent form, but the divalent has so strong an affinity for oxygen, and passes so readily into the trivalent form, that until easier means are found for its preparation, it is of little practical interest. Its salts are blue. On the other hand, salts of the trivalent form, corresponding to the ferric salts of iron, are very stable, and powerful tanning agents. They are mostly green, but violet modifications are known, corresponding to the violet crystals of iron-alum, but of a much deeper tint. There is also a hexavalent form, probably corresponding to that of iron in the unstable ferrates, but in the case of chromium, of considerable stability. Its oxide is chromic anhydride, CrO3, commonly called chromic acid, which combines with bases, and especially with the alkalies to form yellow or orange-red salts, and the anhydride itself is almost crimson in the solid form, though dissolving to orange or yellow solutions. Chromic acid though it hardens and preserves animal tissues, has no tanning properties till it becomes reduced to chromic oxide. There is also a higher, but very unstable oxide, perchromic acid, possibly corresponding to persulphuric acid, which is soluble in ether to an intensely blue solution. The name chromium is derived from the intense colour of many of its compounds. Our supplies of chromium are derived from chrome-iron-ore, a mineral which contains oxides both of chrome and iron. This
and its molecular weight is 294, while that of sodium dichromate, which is similar in constitution, but crystallises with 2Aq, is 298. The molecular weight of CrO3 is 100. Chromic acid, and acidified potassium dichromate are powerful oxidising agents, and are used as such in many processes, and especially in the manufacture of alizarine. If sulphuric acid be used in molecular proportions, the product of the reaction is chrome-alum: 4H2SO4 + Cr2K2O7 = 3O + 4OH2 + K2Cr2(SO4)4. This, like ordinary alum, crystallises with 24Aq, and hence has a molecular weight of 998. It forms dark purple, almost black crystals, which are a fine garnet-red by transmitted light. In cold water it dissolves to a violet solution, which becomes green on boiling, but very slowly resumes the violet condition when cold. This change, which is not uncommon in chrome solutions, is probably due to a partial decomposition into free acid and a basic salt, the basic salts of chromium being generally green. It has been noticed that raw pelt swells much more in the green, than in the violet solution. Being derived from waste products, chrome-alum is often a cheap and valuable source of chromium for chrome tanning. For the analysis of chrome compounds see L.I.L.B., p. 141 et seq. Chrome oxide, and basic chrome salts, when strongly ignited, become insoluble even in concentrated acids, and their Chrome is not only of importance in tanning, but in dyeing; on account of its power of forming insoluble colour-lakes with many mordant colouring matters. For this purpose normal or basic chromic salts are sometimes used, sometimes chromic acid or dichromates, the latter acting not only by yielding chrome-oxide on reduction, but as oxidising agents to the colouring matters. Most of the colours produced with chrome mordants are of dark shades, that with logwood being deep violet or black. The mordanting power of chromium is important in the dyeing of chrome leather. Bichromate of potash is often used in dilute solution for darkening the shade of leather dyed with other materials, but is not to be recommended on account of its destructive action on the leather. Numerous patents have been taken for processes of chrome tannage. The first practical method was described by Professor Knapp in 1858 (see p. 210), though he did not recognise its value. Some of the patents have a historical interest, though of no importance. Among these may be mentioned that of Cavallin, a Swedish apothecary, whose object was dyeing rather than tanning, but who treated raw hide with a solution of bichromate, which was afterwards reduced on the fibre by one of ferrous sulphate. The leather produced is dark reddish brown, and tender from the amount of basic ferric salt formed at the same time. Mr. J. W. Swan, well known in connection with photographic processes, and electric lighting, also patented a process of chrome tannage (as an addendum to a patent on carbon printing), in which the chromic acid first fixed in the pelt was reduced by “oxalic, or other suitable acid.” Although it is possible to produce [115] Journ. Soc. Chem. Ind., p. 251, 1895. The first really important advance in practical chrome tanning was made by Augustus Schultz, in 1884. Schultz was not a tanner, but a chemist, employed by a New York firm of aniline colour merchants, and his attention was accidentally drawn to leather by a friend who asked him if it were possible to produce a leather for covering corset steels, which would not rust them as ordinary alumed leathers do. The process which he adopted was probably suggested by a method then recently patented for the mordanting of wool by chrome oxide, and depended on the power of the pelt to absorb free chromic acid (as it does all other free acids), and the subsequent reduction of the latter on the fibre to a basic chrome salt, which produced the tannage. The reducing substance employed was the free sulphurous or thiosulphuric acid of an acidified solution of sodium thiosulphate (hyposulphite), and as it was not certain which of the two acids was the really active agent, Schultz duplicated his patent, so as to cover both. Though he made no claim in his patent to having discovered the best proportions of his ingredients, those which he specified have proved practically useful after allowing for the modifications required by different skins, and slightly different methods of working. His first bath consisted of a solution of 5 per cent. of bichromate of potash, and 21/2 per cent. of concentrated hydrochloric acid (or 1·25 per cent. of concentrated sulphuric acid), reckoned on the wet weight of the prepared pelt, and dissolved in sufficient water for convenient use in the paddle or drum which was to be used in the process. In this bath the skins were worked till they took a uniform yellow colour throughout, but without any tanning effect being produced. They were now freed from superfluous chrome liquor by draining or “putting out,” and transferred to the second bath, which consisted of 10 per cent. of “hypo” and 5 per cent. of hydrochloric acid similarly dissolved. In this, they rapidly took a duck-egg green colour from the reduction of the chromic acid; and when this was uniform throughout the skin, the tannage was complete. The exact quantity of water is not of great importance, and good results can be obtained with anything varying from 20
As ordinary concentrated hydrochloric acid does not contain more than about 30 per cent. of actual HCl, [116] Acid of S.G. 1·16 (32° Tw.) contains 31·5 per cent. of HCl by weight or 36·6 grm. per liter, and therefore is practically 10 × normal strength. Acid of S.G. 1·2 (40° Tw.) contains 39·1 per cent. or 469 grm. per liter. The reactions which take place in the second bath are somewhat complicated. Eitner, in a valuable series of articles on chrome tannage, which have been appearing in the ‘Gerber’ since January 1900, states that even better results are obtained by using the hydrochloric acid in slight excess, as the action of chromic acid (in the presence of the potassium chloride of the chrome-bath) is not swelling but hardening to the skin, and the slight swelling action of the hydrochloric acid tends to counteract this, and also to facilitate the subsequent reduction. The two views are not contradictory, as the excess of bichromate behaves to the hide as an alkaline salt, which also produces a slight swelling effect, and it is quite probable that better results are attained when the solution is either alkaline or acid, than when the potassium chromate is exactly decomposed. Eitner recommends the use of four parts by weight of bichromate, and four parts of the strongest hydrochloric acid, dissolved in 400 parts of water, for [117] Gerber, p. 297, 1900. In the first stage, very slight acidification is required, and if the skins have been chromed with excess of hydrochloric acid, may be altogether dispensed with. The skins become brownish from the conversion of the chromic acid into so-called “chromium dioxide” (probably really a basic chromic chromate, Cr2CrO4(OH)4, which on ignition leaves Cr3O6); no sulphurous acid is liberated, or sulphur deposited, but sodium tetrathionate is formed in the bath, and the reaction may be represented as follows:
Further addition of hydrochloric acid brightens the colour of the skins, while the liquid still remains clear, and chromium chloride is formed instead of chromic chromate, the main reaction being:
On still further addition of hydrochloric acid, sulphur is separated according to the following equation, and is deposited partly in the skins, and partly in the bath:
After complete reduction, and consumption of the free hydrochloric acid, further reactions take place at the expense of the excess of thiosulphate which should be present, resulting in the
The thiosulphate bath therefore not only reduces, but precipitates sulphur in the skin, and reduces the chromic salt to a basic state. In boiling solution, thiosulphate precipitates the whole of the chromium as chromic oxide, but in the cold, and in presence of free sulphurous acid, it only reduces to a basic salt. Eitner does not consider the possibility, which certainly requires investigation, that instead of basic salts, sulphite-sulphates are formed at least in the first instance. Such salts of one base and two acids are quite possible, and it is very probable that in the use of chroming baths containing organic acids, they have considerable influence on the tannage. The free sulphur which is liberated is partially deposited on and among the fibres of the leather, and adds to its softness, and also acts chemically on the oils used in “fatliquoring,” so that it is probably one of the main causes of difference between the products of the Schultz or “two-bath” method, and the “one-bath” processes subsequently to be described. It does not fall within the scope of this book to describe in detail the working methods for the production of the different kinds of chrome leather, but a few precautions common to all forms of the process may be named. It is not absolutely important in all cases that goods should be completely freed from lime before chrome-tannage, but in this case a sufficiency of acid must be allowed in the first bath to neutralise the lime introduced. Pretty thorough liming is generally advisable, to plump and separate the fibres, but as a rule the bating or puering of goods for chroming should not be excessive, [118] Goat-skins for glacÉ kid need thorough puering to produce a smooth grain. The skins, on coming from the chroming bath may be allowed to lie for some time without serious injury, but should be carefully protected from the action of light, which reduces the chrome at the expense of the skin, and renders the subsequent tannage irregular. It is found that skins, if brought into a weak or neutral reducing bath, are apt to “bleed” or lose chromic acid, which is reduced wastefully in the bath. On the other hand a strong “hypo” bath is apt to draw the grain and contract the skins, owing to the tannage taking place too suddenly. A somewhat strong “hypo” bath is therefore often employed as a preparatory “dip,” the skins being simply drawn through it to fix the chrome on the surface, piled on a “horse” and subsequently reduced in a bath of ordinary strength. The tendency to bleed is lessened, but at the expense of the pelt, by the reduction which takes place if the skins are allowed to lie overnight in the chromed state. Eitner states that skins chromed in an acid bath (i.e. where the whole of the chromic acid is in a free state) show little tendency to bleed. After reduction, the skins are well washed with warm water, and their subsequent treatment is the same as that of skins tanned by the one-bath process, which is subsequently described (see p. 211). Naturally in practical work, the reduction cannot be made to proceed rigidly in the definite steps described by Eitner on p. 206, but all go on in different proportions together, though by supplying the acid in proper quantities, and at proper intervals, they may be made in the main to follow in the given order. Both on this account, and because neither the exact amount of chromic acid in the skins, nor the sulphurous acid lost by escape into the air can be exactly determined, the reduction cannot be conducted on theoretical principles, but the best conditions must be empirically determined. Eitner states that 12 parts of thiosulphate dissolved in 400 parts of water, and 6 parts of (40 per cent.) hydrochloric acid are sufficient for 4 parts of bichromate per 100 of wet pelt employed in the chrome bath, of which not more than one-half to two-thirds is absorbed; and that if equal parts of bichromate and acid are employed in In a paper on “Die Natur und Wesen der Gerberei” published by Professor Knapp, in 1858, he describes clearly a chrome tanning process with basic chromic chloride, formed by the addition of sodium carbonate to a solution of the normal salt, but he expressly states that the product was not more resistant to water than the ordinary alum tannages. How he fell into this error is hard to explain, for leathers produced according to his directions, resist not merely washing in cold but boiling water. As soon as the Schultz process proved successful, many attempts were made to evade the patent by the use of other reducing agents than the “hypo,” and other salts of sulphurous acid which it covered. Among these, the use of hydrogen sulphide, and acidified solutions of alkaline sulphides, and especially of [119] “Liver of sulphur” or solutions, made by boiling sodium sulphide or soda with excess of sulphur. Under these circumstances, Martin Dennis, either by fresh discovery, or otherwise, revived the original process of Knapp, which he patented [120] Martin Dennis, U.S.A. Pat. 495028, 1893; and 511411, 1893, 7732, 1893. E. Pat. Gallagher. [121] Leather Trades Review, Jan. 12, 1897. [122] Compare Eberle’s German patents, 119042, 1898, and 130678, 1899. The last of these appears to be anticipated, at least as regards the use of glucose, sugar and starch, by the writer’s publication in 1897 above cited. [123] Leather Trades Review. Later investigations have shown that the temperature of the water is unimportant if alkali be added, but chrome-alum dissociates to some extent in hot water, and comparative experiments have shown that solutions of the normal salt made with the aid of heat act on skin as if more acid than those made in the cold. Eitner [124] Gerber, 1901, pp. 3 et seq. Eitner states that he has made chrome-solutions of various types, containing organic compounds in combination with the chrome-salt, which combine with the leather, producing a fuller and softer tannage, but he gives no details as to their preparation, as they are made commercially by the “Erste Oesterreichische Soda-Fabrik” at Hruschau. The writer has found that in some cases by the addition of say 3 parts of sugar, or still better of glucose, to 10 parts of the chrome-alum in making up the basic liquor, a much fuller and plumper leather is produced, which dries perfectly soft, even without staking or fat-liquoring; and it is probable that many other organic compounds may be found which produce similar effects. The addition of very small quantities of even neutral tartrates or lactates, and probably of many other organic salts or acids, have a remarkable effect in lowering the apparent basicity of the solution, and it is possible that these may also be usefully employed in combination with very basic liquors. It is highly probable that the unsatisfactory tanning liquors produced by direct reduction with some samples of glucose are due to the presence of small quantities of some organic acid produced during the oxidation. It has been found that these solutions may be made to tan by the liberal addition of soda. It is probable that more satisfactory results in chrome-tanning will be attained by the direct addition of known organic substances to basic liquors of definite constitution, than by the somewhat uncertain products of organic oxidations. The quantity of salt to be added depends on the qualities desired in the leather, and upon whether chloride or sulphate liquors are employed; salt in chloride-liquors increasing the softness of the leather, but in excess tending to flatness, while in sulphate-liquors it practically diminishes their basicity by converting the chromium sulphate into the equivalent chloride, which, as Eitner points out, behaves as a less basic salt, and hence but little advantage is to be gained from its use. It is best to begin with a very weak liquor, to avoid drawn grain, and for the same purpose a preparatory tannage with alumina salts, or an addition of alum or sulphate of alumina and salt may be made to the first liquor, as the attraction of the chrome salt for the fibre is sufficient to produce a chrome tannage, even in presence of excess of alumina salts. 10 lb. of chrome alum will tan about 100 lb. of wet pelt, but more must be used for the Basic chrome liquors, such as have been described, may also be used in chrome combination tannage. It is generally best to let the light vegetable tannage precede the chrome, and lightly tanned skins, such as “Persians” and East India kips, acquire many of the qualities of chrome-tanned leather by the treatment. The effect is still further increased by a previous detannisation of the leather with alkaline solutions (see p. 241). Several firms beside Dennis now supply basic chrome liquors ready prepared for use. The time of tannage will of course vary with the thickness of the goods, and for calf-skins will usually extend over some days, though it can be much quickened by drumming. The tannage is generally best accomplished in the paddle, but can be carried out by frequent handling in pits or tubs, or, where very smooth grain is important, by suspension. When the goods come out of the final liquor, they may be allowed to lie in pile for twenty-four hours, or even for some days, with advantage, as the surplus chrome liquor is pressed out, and the tannage becomes more complete. They are then washed with plenty of warm water, till it ceases to be coloured with chrome. They may be kept for an almost unlimited time in a wet condition, as they do not bleed, and have little tendency to heat even in pile. They have now reached the stage at which we left the “two-bath” leather, and the subsequent treatment may be the same in both cases. Although by both processes, the chrome-salt fixed in the fibre is of a decidedly basic character, it still contains enough acid to act injuriously on the leather in course of time, and to lead to [125] Procter and Griffith, Journ. Soc. Chem. Ind., 1900, p. 223. It is probable that one of the great causes of difference between “one-bath” and “two-bath” leathers is the presence of free sulphur in the latter. This may also be introduced into “one-bath” leather, by treating it in the wet chromed state, without washing out the chrome liquor, with excess of a solution of hyposulphite, or of an alkaline polysulphide, which at the same time will neutralise the skin. The more acid the chrome liquor, the greater the quantity of sulphur which will be introduced. The simplest means of distinguishing “two-bath” from “one-bath” tannages is to test for the presence of sulphur, by wrapping up a silver coin, with a piece of the leather in paper, and leaving the parcel for an hour in the water-oven, or some other The leather must now be dyed and fat-liquored. Which of these two operations should be first undertaken will depend on circumstances. Most leathers dye more easily before fat-liquoring, but as many dyes are soluble in the alkaline fat-liquor, a good deal of colour is often lost. This may be compensated by dissolving a suitable aniline (acid) colour in the fat-liquor. “Bluebacking” is generally done before fat-liquoring by drumming with methyl-violet, or some other aniline colour (with or without logwood, which gives alone a very dark violet). Any shaving or splitting required must of course be done before bluebacking. The fat-liquor is an emulsion of soap and oil, which for chrome leather should be as neutral as possible, if the neutralising has been thorough; but if any acid be left on the skins, a neutral fat-liquor will be precipitated as a greasy mass. This can sometimes be remedied by the addition of a little ammonia or borax, or by re-fat-liquoring with soap solution only, but if the washing of the skins has been incomplete, and soluble chrome-salts remain, the mischief is almost irretrievable, as sticky chrome-soaps are formed, often coloured with the aniline violet, which adhere to the skins, and which can scarcely be removed by any solvent which does not injure the leather. As regards the soaps and oils used, there is considerable latitude: 11/2 per cent. of castor-oil soap, and 3/4 per cent. of castor or olive oil on the wet weight of the pelt has done good service in my hands, but many manufacturers employ soft soaps, curd soaps, etc., with castor, olive, cod or neatsfoot oil, and sometimes sod-oil or degras. Eitner considers olive-oil and olive-oil potash soap the most suitable, and particularly warns against the use either of drying oils or of oils containing tallow (such as neatsfoot), which are not only apt to cause a white efflorescence, but to give the leather a disagreeable rancid smell. Fish-oils are unsuitable, but mineral oils are often useful constituents of fat-liquors. Wool-fat also makes a good fat-liquor, but is unsuitable for goods which are to be glazed. “Turkey-red oil” (which is sulphated castor) may be used as a fat-liquor, simply mixed with warm water, without soap, and has been recommended where delicate Chrome leather can be dyed by many of the acid aniline colours without a mordant. Basic colours are only fixed when the leather has been first prepared with a vegetable tannin, gambier, or a mixture of gambier and sumach being the most suitable. Considerable care must be employed in the application of tannins to chrome leather, as they have a tendency to harden it and diminish its stretch, or even to render it tender, but traces of tannin in the dye probably facilitate glazing. Before dyeing, it is advantageous to fix the tannin with tartar emetic, or for browns and yellows, with titanium potassium oxalate solution, which itself gives a good yellow-brown with tannin. In place of employing the tannin and titanium salt in two separate baths, they may be combined, using a weight of the gambier or tanning extract (oakwood, chestnut, etc.) about equal to that of the titanium salt, or titanium tanno-oxalate solution may be used. Chrome leather may be dyed with the various dye-woods, which Chrome skins may be glazed in the ordinary way with blood or albumen mixtures under glass or agate, but require good pressure and repeated seasonings and glazings, and much care is required in fat-liquoring. The glazing is often assisted by the previous application of barberry juice (Épine vinette) or of lactic or tartaric acid solution with a trace of sugar. Much of the difficulty which has been experienced in glazing chrome leathers is due either to the natural fat of the skin, or to oils used in fat-liquoring in excessive quantity or of unsuitable character. |