WHAT a bundle of contradictions is a man! Surely, humour is the saving grace of us, for without it we should die of vexation. With me, nothing illustrates the contrariness of things better than the matter of sleep. If, for example, my intention is to write an essay, and I have before me ink and pens and several sheets of virgin paper, you may depend upon it that before I have gone very far I feel an overpowering desire for sleep, no matter what time of the day it is. I stare at the reproachfully blank paper until sights and sounds become dim and confused, and it is only by an effort of will that I can continue at all. Even then, I proceed half-heartedly, in a kind of dream. But let me be between the sheets at a late hour, and I can do anything but sleep. Between chime and chime of the clock I can write essays by the score. Fascinating subjects and noble ideas come pell-mell, each with its If it be true that our thoughts and mental images are perfectly tangible things, like our books and pictures, to the inhabitants of the next world, then I am making for myself a better reputation there than I am in this place. Give me a restless hour or two in bed and I can solve, to my own satisfaction, all the doubts of humanity. When I am in the humour I can compose grand symphonies, and paint magnificent pictures. I am, at once, Shakespeare, Beethoven, and Michael Angelo; yet it gives me no satisfaction; for the one thing I cannot do is to go to sleep. Once in bed, when it is time to close the five ports of knowledge, most folks I know seem to find no difficulty in plunging their earthly parts into oblivion. It is not so with me, to whom sleep is a coy mistress, much given to a teasing inconstancy and for ever demanding to be wooed—‘lest too light winning make the prize light.’ I used to read, with wonder, those sycophantic stories of the warlike supermen, the great troublers of the world’s peace, Cromwell, Napoleon, To share a bed-room with one of these fellows is to lose one’s faith in human nature, for, even after the most eventful day, there is no comparing notes with them, no midnight confidence, no casting up the balance of the day’s pleasure and pain. They sink, at once, into stupid, heavy slumber, leaving you to your own mental devices. And they all snore abominably! The artificial ways of inducing sleep are legion, and are only alike in their ineffectuality. In Lavengro (or is it Romany Rye?) there is an impossible character, a victim of insomnia, who finds that a volume of Wordsworth’s poems is the only sure soporific; but that was Borrow’s malice. The famous old plan of counting sheep jumping over a stile has never served my turn. I have herded imaginary sheep until they insisted on turning themselves into white bears or blue pigs, and I defy any reasonable man to fall asleep while mustering a herd of cerulean swine. Discussing the question, some time ago, Dreams and the light imaginings of men, is the dreary phantom of an unstraightened picture upon a ghostly wall. And there it shall stay, for I have no further use for it. But I have not yet given up all hope of finding some way of hastening the approach of sleep. Even yet there is a glimmer, for re-reading (not for the first, and, please Heaven! not the last time) Lamb’s letters, I came upon the following, in a note to Southey; ‘But there is a man in my office, a Mr. H., who proses it away from morning to night, and never gets beyond corporal and material verities!... When I can’t sleep o’ nights, I imagine a dialogue with Mr. H., upon a given subject, and go prosing on in fancy with him, till I either laugh or fall asleep. I have literally found it answer.’ ... There is promise in this, and we all have our Mr. H.’s, whose talk, bare of anything like fancy and wit, acts upon us like a dose of laudanum. This very night I will dismiss such trivial phantasies as jumping sheep and crooked pictures, and evoke the phantom of a crushing, stupendous Bore. |