ROUTINE AND REACTION Where is the pain that does not become deadened after a thousand years? or what is the nature of that pleasure or happiness which never wearies by monotony? Earthly pleasures and pains are short in proportion as they are keen; of any others, which are both intense and lasting, we can form no idea.... To beings constituted as we are, the monotony of singing Psalms would be as great an affliction as the pains of hell and might even be pleasantly interrupted by them. Jowett, Introduction to Plato’s Phaedo. St Benedict’s common sense is nowhere more strikingly shown than in his division of the routine of monastic life between the three occupations of divine service, manual labour and reading. Not only has this arrangement the merit of developing the different sides of men’s natures, spirit, body and brain, but it fulfils a deep psychological necessity. The essence of communal life is regularity, but no human being can subsist without a further ingredient of variety. St Benedict knew well enough that unless he provided the stimulus of change within the Rule, outraged nature would seek for it outside. Hence the careful adjustment of occupations to combine variety with regularity. The services were the supreme joy and duty of the monk and nun and the life of the convent was centred in its church. But these services were not excessively long and were divided from each other by periods of sleep by night and of work, or study, or meditation by day, after the manner which Crashaw inimitably set forth in his Description of a Religious House and Condition of Life: A hasty portion of prescribÈd sleep; Except for certain specified periods of relaxation, strict silence was supposed to be observed for a large part of the day, and if it were necessary for the nuns to communicate with each other, they were urged to do so in an abbreviated form, or by signs. Thus in 1319 Bishop Stapeldon of Exeter wrote to the nuns of Polsloe that silence be kept in due places, according to the Rule and observances of St Benedict; and, if it be desirable that any word be spoken in the aforesaid places, for any reasonable occasion, then let it be gently and so low that it be scarce heard of the other nuns, and in as few words as may be needed for the comprehension of those who hear; and better in Latin than in any other tongue; yet the Latin need not be well-ordered by way of grammar, but thus, candela, liber, missale, gradale, panis, vinum, cervisia, est, non, sic and so forth[909]. PLATE VI DOMINICAN NUNS IN QUIRE The time set apart in the monastic day for work was divided between brain work and manual labour. In the golden days of monasticism the time devoted to reading enabled the monasteries to become homes of learning; splendid libraries were collected for the use of the monks and in the scriptorium men skilled in writing and in illumination copied books and maintained the great series of chronicles, in which the middle ages live again. The nuns of certain Anglo-Saxon houses, and of certain continental houses at a later date, had some reputation for learning. In early days, too, the hours devoted to labour were spent in the fields, or more often in the workshops of the house; and those who had been skilled in crafts in the world continued to exercise them. The nuns of Anglo-Saxon England were famed for the needlework executed during the hours of work. Besides this labour the Rule ordained that the monks and nuns should take it in turns to serve their brethren in the kitchen every week and an eleventh century chronicler records “in the monasteries The benefits of routine are obvious: any life which exists for the regular performance of specific duties, above all any life which is carried on in a community, must depend very largely upon fixed hours and carefully organised occupations. The Rule of St Benedict made a serious attempt to render monastic life possible and beneficial to the average human being, by the combination of regularity and variety which has been described above. There was constant change of occupation, but there was no waste and no muddle. It is extremely significant that monasticism broke down directly St Benedict’s careful adjustment of occupations became upset. With the growing wealth of the monasteries manual labour became undignified; some orders relied on lay brethren, the majority on servants. Gone was the day when counts cooked in the kitchens; in the fourteenth century monks and nuns paid large wages to their cooks and even in a small nunnery it was regarded as legitimate cause for complaint not to have a convent servant. Learning also fell away after the growth of the universities in the twelfth century; the poverty of the monastic chronicles of the fourteenth and fifteenth centuries is one witness to the fact; the necessity to send injunctions to nunneries first in French and then in English, as the knowledge of Latin and then of French died out in them, is another. Of the three occupations, learning, manual labour All safeguards against a petrifying routine were now broken down. We are wont to-day to look with disquiet upon the life of a clerk in an office, endlessly adding up rows of figures, with an interval for luncheon; but the clerk has his evenings, his Sundays, his annual holiday, his life as son, or husband, or father. For the medieval monk there was no such relaxation. When the salutary labour of hand and brain ordained by St Benedict no longer found a place in his life, he was delivered over bound to an endless routine of dorter, church, frater and cloister, which stretched from day to night and from night to day again. For nuns the monotony was even greater, for they had lost more completely than monks their early tradition of learning and they could not pass happy years in study at a university (as a few monks from great abbeys were able to do), nor find some solace in exercising the functions of a priest; moreover women were more apt even than men to enter the religious life without any real vocation for it, since there was hardly any other career for unmarried ladies of gentle birth. It would be an exaggeration to say that this uneventful life was necessarily distasteful. To the majority it was doubtless a happy existence; monotony appears peace to those who love it. No cruel guard of diligent cares, that keep Here behind the walls of the convent “a common grayness silvered everything” and all care was remote, save that, never to be escaped by womankind, of making two ends meet. Nevertheless the danger was there. Only a minority, one may be sure, revolted actively against the duties which are Sono tintinnabulum “Nuns fret not at their convent’s narrow room” is a charming justification of the sonnet, but it is neither good psychology nor good history. It can never be too often repeated that many monks and nuns entered religion as a career while still children, with no particular vocation for the religious life. To such, even though they might experience no longing for the forbidden pleasures of the world, the monotony of the cloister would often be hard to bear. Their young limbs would kick against its restrictions and the changing moods of adolescence would turn and twist in vain within the iron bars of its unadaptable routine. Even to those no longer young happiness would depend at the best upon the fostering of a quick spiritual life, at the worst upon lack of imagination and of vitality. The undaunted daughter of desires, the man in whom religion burned as a strong fire, could find This reaction from routine took several forms. It is somewhere at the bottom of all the more serious sins, which the pitchfork method of attaining salvation brought upon human creatures with bodies as well as souls. In this chapter, however, we are concerned not with these graver faults of immorality, but with things less gross, and yet in their cumulative effect no less fatal to monastic life. Such was the neglect of that praise of God, which was the primary raison d’Être of the monk and nun, so that services sometimes became empty forms, to be hurried through with scant devotion, occasionally with scandalous irreverence. Such was the deadly sin of accidie, the name of which is forgotten today, though the thing itself is with us still. Such were the nerves on edge, the small quarrels, the wear and tear of communal life; such also the gay clothes, the pet animals and the worldly amusements, with which nuns sought to enliven their existence. For all these things were in some sense a reaction from routine. Carelessness in the performance of the monastic hours was an exceedingly common fault during the later middle ages and often finds a place in episcopal injunctions. Sometimes monks and nuns “cut” the services, as at Peterborough in 1437, when only ten or twelve of the 44 monks came on ordinary days to church[915], or at Nuncoton in 1440, where many of the nuns failed to come to compline, but busied themselves instead in various domestic offices, or wandered idly in the garden[916]. Often they Episcopal injunctions not infrequently animadvert against this irreverent treatment of the offices. At Catesby in 1442 Isabel Benet asserted that “divine service is chanted at so great speed that no pauses are made,” and at Carrow in 1526 several of the older nuns complained that the sisters sang and said the service more quickly than they ought, without due pauses. A strong injunction sent to Nuncoton in 1531 declares that the hours have been “doon with grete festinacon, haste and without deuocon, contrarye to the good manner and ordre of religion”[919]. Hii sunt qui psalmos corrumpunt nequiter almos, A holy Cistercian abbot once interviewed Tittivillus; this is the tale as the nuns of Syon read it in their Myroure of Oure Ladye: We rede of an holy Abbot of the order of Cystreus that whyle he stode in the quyer at mattyns, he sawe a fende that had a longe and a greate poke hangynge about hys necke, and wente aboute the quyer from one to an other, and wayted bysely after all letters, and syllables, and wordes, and faylynges, that eny made; and them he gathered dylygently and putte them in hys poke. And when he came before the Abbot, waytynge yf oughte had escaped hym, that he myghte have gotten and put in hys bagge; the Abbot was astoned and aferde of the foulenes and mysshape of hym, and sayde vnto hym. What art thow; And he answered and sayd. I am a poure dyuel, and my name ys Tytyuyllus, and I do myne offyce that is commytted vnto me. And what is thyne offyce sayd the Abbot, he answeryd I muste eche day he sayde brynge my master a thousande pokes full of faylynges, and of neglygences in syllables and wordes, that ar done in youre order in redynge and in syngynge. And else I must be sore beten[921]. Carelessness in the singing of the services was not, however, the most serious result of reaction against routine. If the men and women of sensibility failed to keep intelligence active in the pursuit of spiritual or temporal duties, if they cared no longer to use brain and spirit as they performed the daily round, accidia[922], that dread disease, half ennui and half melancholia, which, though common to all men, was recognised as the peculiar Fitti nel limo dicon: Tristi fummo Fixed in the slime, they say, “Sullen were we in the sweet air, that is gladdened by the sun, carrying lazy smoke in our hearts; now lie we sullen here in the black mire”[925]. But the working of the poison is most brilliantly described by Chaucer, in his Persones Tale: “After the sinnes of Envie and of Ire, now wol I speken of the sinne of Accidie. For Envye blindeth the herte of a man, and Ire troubleth a man; and Accidie maketh him hevy, thoghtful and wrawe. Envye and Ire maken bitternesse in herte; which bitternesse is moder of Accidie and binimeth him the love of alle goodnesse. Thanne is Accidie the anguissh of a trouble herte.... He dooth alle thing with anoy and with wrawnesse, slaknesse and excusacioun, and with ydelnesse and unlust.... Now comth Slouthe, that wol nat sufre noon hardnesse ne no penaunce.... Thanne comth drede to biginne to werke any gode werkes; for certes he that is enclyned to sinne, him thinketh it is so greet an empryse for to undertake to doon werkes of goodnesse.... Now comth wanhope, that is despeir of the mercy of God, that comth somtyme of to muche outrageous sorwe, and somtyme of to muche drede; imagininge that he hath doon so much sinne, that it wol nat availlen him, though he wolde repenten him and forsake sinne: thurgh which despeir or drede he abaundoneth al his herte to every maner sinne, as seith seint Augustin. Which dampnable sinne, if that it continue unto his ende, it is cleped sinning in the holy gost.... Soothly he that despeireth him is lyk the coward champioun recreant, that seith creant withoute nede. Allas! allas! nedeles is he recreant and nedeles despeired. Certes the mercy of God is euere redy to every penitent and is aboven alle hise werkes.... Thanne cometh sompnolence, that is sluggy slombringe, which maketh a man be hevy and dul in body and in soule; and this sinne comth of Slouthe.” He proceeds to describe further symptoms, “Necligence or recchelnesse ... ydelnesse ... the sinne that man clepen Tarditas” and “Lachesse,” and concludes thus, “Thanne comth a manere coldnesse, that freseth al the herte of man. Thanne comth undevocioun, thurgh which a man is so blent, as seith seint Bernard, and hath swiche langour in soule, that he may neither rede ne singe in holy chirche, ne here ne thinke of no devocioun, ne travaille with his handes in no good werk, that it nis him unsavory and al apalled. Thanne wexeth he slow and slombry, and sone wol This masterly diagnosis of the sin of spiritual sloth and its branches is illustrated by several stories which bear unmistakably the impress of a dreadful truth. Johann Busch’s account of his early temptations and doubts has often been quoted. A strong character, he overcame the temptation and emerged stronger[927]. But Caesarius of Heisterbach has two anecdotes of weaker brethren which show how exactly Chaucer described the anguish of a troubled heart. The first is of particular interest to us because it concerns a woman: “A certain nun, a woman of advanced age, and, as was supposed, of great holiness, was so overcome by the vice of melancholy (tristitiae) and so vexed with a spirit of blasphemy, doubt and distrust, that she fell into despair. And she began altogether to doubt those things which she had believed from infancy and which it behoved her to believe, nor could she be induced by anyone to take the holy sacraments; and when her sisters and also her nieces in the flesh besought her why she was thus hardened, she answered “I am of the lost, of those who shall be damned.” One day the Prior, growing angry, said to her, “Sister, unless you recover from your unbelief, when you die I will have you buried in a field.” And she, hearing him, was silent but kept his words in her heart. One day, when certain of the sisters were to go on a journey I know not whither, she secretly followed them to the banks of the river Moselle, whereon the monastery is situated, and when the ship, which was carrying the sisters, put off, she threw herself from the shore into the river. Those who were in the ship heard the sound of a splash, and looking out thought her body to be a dog, but one of them, desiring (by God’s will) to know more certainly what it was, ran quickly to the place and seeing a human being, entered the river and drew her out. Then when they perceived that it was the aforesaid nun, already wellnigh drowned, they were all frightened, and when they had cared for her and she had coughed up the water and could speak, they asked her, “Why, sister, didst thou act thus cruelly?” and she replied, pointing to the Prior, “My lord there threatened that I should be buried when dead in a field, wherefore I preferred to be drowned in the flood rather than to be buried The other anecdote tells of an old lay brother, who at the end of a long life fell into despair: “I know not,” says Caesarius, “by what judgment of God he was made thus sad and fearful, that he was so greatly afraid for his sins and despaired altogether of the life eternal. He did not indeed doubt in his faith, but rather despaired of salvation. He could be cheered by no scriptural authorities and brought back to the hope of forgiveness by no examples. Yet he is believed to have sinned but little. When the brothers asked him, ‘What makes you fear, why do you despair?’ he answered, ‘I cannot pray as I was used to do, and so I fear hell.’ Because he laboured with the vice of tristitia, therefore he was filled with accidia, and from each of these was despair born in his heart. He was placed in the infirmary and on a certain morning he prepared him for death, and came to his master, saying, ‘I can no longer fight against God.’ And when his master paid but little attention to his words, he went forth to the fish pond of the monastery near by and threw himself into it and was drowned”[929]. Only a small minority, it is needless to say, was driven to this anguish of despair. For the majority the strain of conventual life found outlet, not in these black moods, but in a tendency to bicker one with another, to get excitement by exaggerating the small events of daily existence into matter for jealousies and disputes. For the strain was a double one; to monotony was added the complete lack of privacy, the wear and tear of communal life; not only always doing the same thing at the same time, but always doing it in company with a number of other people. The beauty of human fellowship, the happy friendliness of life in a close society are too obvious to need description. For if heuene be on this erthe · and ese to any soule, I have an aunte to nonne · and an abbesse bothe, From “thow lixte” to “Gr-r-r you swine” how little change! Sober records bear out Langland’s contention that Wrath was at home in nunneries. Some of the worst cases have already been described; election disputes, disputes arising from a prioress’s favouritism, Margaret Wavere dragging her nuns about the choir by their hair, and screaming insults at them, Katherine Wells hitting them on the head with fists and feet[932]. Doubtless quarrels seldom got as far as blows; but bad temper and wordy warfare were common. Insubordination was sometimes at the root of the discord; nuns refused to submit meekly to correction after the proclamation of their faults in chapter, or to obey their superiors. The words of another satirist show that the monastic vow of obedience sometimes sat lightly upon their shoulders: Also another lady there was At St Mary’s, Winchester, insubordination was evidently the chief fault. William of Wykeham writes to the Abbess: By public rumour it has come to our ears that some of the nuns of the aforesaid house ... care not to submit to or even to obey you and the deans and other obedientiaries lawfully constituted by you in those things which concern regular observances nor to show them due reverence, and that they will not bear or undergo the reproofs and corrections inflicted upon them by their superiors for their faults, but break out into vituperation and altercation with each other and in no way submit to these corrections; meanwhile other nuns of your house by detractions, conspiracies, confederacies, leagues, obloquies, contradictions and other breaches of discipline (insolenciis) and laxities (concerning which we speak not at present) neglect the rule of St Benedict and other due observances. The Abbess is warned to punish the nuns and to enforce the rule more firmly than heretofore and to furnish the Bishop with the names of rebels. At the same time he addresses a letter to the nuns bidding them show obedience to their superiors and receive correction humbly “henceforth blaming no one therefore nor altercating one with another, saying that these or those were badly or excessively punished”[934]. It would seem that discipline had become lax in the convent and that the Bishop’s attempt to introduce reform by the agency of the abbess was meeting with opposition from unruly nuns. Visitors were forced constantly to make the double injunction that nuns should show obedience to their superiors and that those superiors should be equable and not harsh in correction: Also we enioyne you, pryoresse, ... that oftentymes ye come to the chapitere for to correcte the defautes of your susters, and that as wele then as att other tymes and places ye treyte your said susters moderlie wyth all resonable fauour; and that ye rebuke ne repreue thaym cruelly ne feruently at no tyme, specyally in audience of seculeres, and that ye kepe pryvye fro seculeres your correccyons and actes of your chapitere.... Also we enioyne yowe of the couent and eueryche oon of yowe vndere peyn of imprisonyng, that mekely and buxumly ye obeye the prioresse procedyng discretely in hire correccyone, and also that in euery place ye do hire dewe reuerence, absteynyng yowe fro all elacyone of pryde and wordes of disobeysaunce or debate[935]. On 16 January 1527 in the chapter house of the monastery of Romsey, before the vicar general, sitting judicially, Lady Alice Gorsyn appeared and confessed that she had used bad language with her sisters [her greatest oath evidently transcended “by sËynt Loy”] and spread abroad reproachful and defamatory words of them. He absolved her from the sentence of excommunication and enjoined on her in penance that if she used bad language in future and spread about defamatory words of them, a red tongue made of cloth should be used on the barbe under the chin (in sua barba alba) and remain there for a month[936]. a kinder punishment than the scold’s bridle or the ducking stool of common folk. Occasionally an inveterate scold would be removed altogether by the Bishop and sent to some convent where she was not known; two nuns were transferred from Burnham to Goring in 1339 “for the peace and quiet of the house” and in 1298 a quarrelsome nun of Nuncoton was sent to Greenfield to be kept in solitary confinement as long as she remained incorrigible, “until according to the discipline of her order she shall know how to live in a community”[937]. It was more difficult to restore peace when a whole nunnery was seething with dispute and heart-burnings. General injunctions to cease quarrelling would seem to show that this was sometimes the case, and, without having recourse to such an extreme instance as that of Littlemore in the sixteenth century, it is possible to quote from bishops’ registers documents which go far to bear out even Langland’s picture. One such document may be quoted in It is discovered that Amice de Rue is a slanderer and a liar and impatient and odious to the convent and a rebel; and so are almost all the convent when the misdeeds of delinquents are proclaimed in chapter; wherefore the prioress or whoever is acting for her is not sufficient, without the help of the lord archbishop, to make corrections according to the requirements of the rule.... Item, it is discovered that three sisters in the flesh and spirit, to wit, Sibyl, Bella and Amy, frequently rebel against the corrections of the Prioress, and having leagued together with them several other sisters, they conspire against their sisters, to the great harm of the regular discipline; and Alice de Scrutevil, Beatrice de St Quintin and Maud Constable cleave to them.... Item, it is discovered that the Prioress is a suspicious woman and too credulous and breaks out at a mere word into correction, and frequently punishes unequally for the same fault and pursues with long rancour those whom she dislikes, until the time of their vindication cometh; whence it befals that the nuns, when they suspect that they are going to be burdened with too heavy a correction, procure the mitigation of her severity by means of the threats of their relatives. Item, it is discovered that the nuns and the sisters are at discord in many things, because the sisters contend that they are equal to the nuns and use black veils even as the nuns[938], which is said not to be the custom in other houses of the same order[939]. Apostasy, accidia, quarrels, all rose in part from monotony. The majority of nuns were probably content with their life, but they strove to bring some excitement and variety into it, not only unconsciously by cliques and contentions, but also by a conscious aping of the worldly amusements which enlivened their mothers and sisters outside the convent walls. The chÂtelaine or mistress of a manor, when not busied with the care of an estate, amused herself in the pursuit of fashion; even the business-like Margaret Paston hankered after a scarlet robe. She amused herself with keeping pets, those little dogs which scamper so gaily round the borders of manuscripts, or play so Dear to the soul of men and women alike, dear to monks and nuns as well as to the children of the world, were the gay colours and extravagant modes of contemporary dress. Popular preachers inveighed against the devils’ trappings of their flocks, but when those trappings flaunted themselves in the cloister there was matter for more than words. As early as the end of the seventh century St Aldhelm penned a severe indictment of the fashionable nuns of his day: A vest of fine linen of a violet colour is worn, above it a scarlet tunic with a hood, sleeves striped with silk and trimmed with red fur; the locks on the forehead and the temples are curled with a crisping iron, the dark head-veil is given up for white and coloured head-dresses, which, with bows of ribbon sewn on, reach down to the ground; the nails, like those of a falcon or sparrow-hawk, are pared to resemble talons[941]. Synods sat solemnly over silken veils and pleated robes with long trains; they shook their heads over golden pins and silver belts, jewelled rings, laced shoes, cloth of burnet and of Rennes, dresses open at the sides, gay colours (especially red) and fur of gris[942]. High brows were fashionable in the world and the nuns could not resist lifting and spreading out their veils to expose saw with the evidence of his own eyes that the nuns do wear their veils spread out on either side and above their foreheads, (and) he enjoined upon the prioress ... that she should wear and cause her sisters to wear their veils spread down to their eyes[943]. The words of Beatrix’s maid in Much Ado About Nothing spring to the mind: “But methinks you look with your eyes as other women do.” For three weary centuries the bishops waged a holy war against fashion in the cloister and waged it in vain, for as long as the nuns mingled freely with secular women it was impossible to prevent them from adopting secular modes. Occasionally a conscientious visitor found himself floundering unhandily through something very like a complete catalogue of contemporary fashions. So Bishop Longland at Elstow in 1531: We ordeyne and by way of Iniuncon commande undre payne of disobedyence from hensforth that no ladye ne any religious suster within the said monasterye presume to were ther apparells upon ther hedes undre suche lay fashion as they have now of late doon with cornered crests, nether undre suche manour of hight shewing ther forhedes moore like lay people than religious, butt that they use them without suche crestes or secular fashions and off a lower sort and that ther vayle come as lowe as ther yye ledes and soo contynually to use the same, unles itt be at suche tymes as they shalbe occupied in eny handycrafte labour, att whiche tymes itt shalbe lefull for them to turne upp the said vayle for the tyme of suche occupacon. And undre like payne inoyne that noon of the said religious susters doo use or were hereafter eny such voyded shoys, nether crested as they have of late ther used, butt that they be of suche honeste fashion as other religious places both use and that ther gownes and kyrtells be closse afore and nott so depe voyded at the breste and noo more to use rede stomachers but other sadder colers in the same[944]. It is interesting to conjecture how the nuns obtained these gay garments and ornaments. The growing custom of giving them a money allowance out of which to dress themselves instead of providing them with clothes in kind out of the common purse, certainly must have given opportunity for buying the Not only in their clothes did medieval nuns seek to enliven existence after the manner of their lay sisters. The bishops struggled long and unsuccessfully against another custom of worldly women, the keeping of pet animals[947]. Dogs were certainly the favourite pets. Cats are seldom mentioned, though the three anchoresses of the Ancren Riwle were specially permitted to keep one[948], and Gyb, that “cat of carlyshe kynde,” which slew Philip Sparrow, apparently belonged to Carrow; perhaps there was spread among the nunneries of England the grisly tradition of the Prioress of Newington, who was smothered in bed by her cat[949]. Birds, from the larks of the Abbaye-aux-Dames at Caen, to the parrot Vert-Vert at Nevers, are often mentioned[950]. Monkeys, squirrels and rabbits were also kept. But dogs and puppies abounded. Partly because the usages of society inevitably found their way into the aristocratic convents, partly (Objet permis À leur oisif amour, the nuns clung to their “smale houndes.” Archbishop Peckham had to forbid the Abbess of Romsey to keep monkeys or “a number of dogs” in her own chamber and she was charged at the same time with stinting her nuns in food; one can guess what became of the “rosted flesh or milk and wastel-breed”[951]. At Chatteris and at Ickleton in 1345 the nuns were forbidden to keep fowls, dogs or small birds within the precincts of the convent or to bring them into church during divine service[952]. This bringing of animals into church was a common custom in the middle ages, when ladies often attended service with dog in lap and men with hawk on wrist[953]; Lady Audley’s twelve dogs, which so disturbed the nuns of Langley, will be remembered[954]. Injunctions against the bringing of dogs or puppies into choir by the nuns are also found at Keldholme and Rosedale early in the fourteenth century[955]. But the most flagrant case of all is Romsey, to which in 1387 William of Wykeham wrote as follows: But the crusade against pets was not more successful than the crusade against fashions. The feminine fondness for something small and alive to pet was not easily eradicated and it seems that visitors were sometimes obliged to indulge it. The wording of Peckham’s decree leaves an opening for the retention of one humble and very self-effacing little dog, not prone to unseemly yelps and capers before the stony eye of my lord the Archbishop on his rounds; Dean Kentwode in the fifteenth century ordered the Prioress of St Helen’s Bishopsgate, to remove dogs “and content herself with one or two”[957], and in 1520 the Prioress of Flixton was bidden to send all dogs away from the convent “except one which she prefers”[958]. Perhaps the welcome of a thumping tail and damp, insinuating nose occasionally overcame the scruples even of a Bishop, who probably kept dogs himself and mourned if oon of hem were deed, Dogs kept for hunting purposes come into rather a different category. It is well known that medieval monks were mighty yaf not of that text a pulled hen It is significant that Dame Juliana Berners is supposed by tradition (unsupported, however, by any other evidence) to have been a prioress of Sopwell. The gift of hunting rights to a nunnery is a common one; for instance, Henry II granted to Wix the right of having two greyhounds and four braches to take hares through the whole forest of Essex[961]. Doubtless these rights were usually exercised by proxy[962]; but considering the popularity of hunting and hawking as sports for women, a popularity so great that no lady’s education was complete if she knew not how to manage a hawk and bear herself courteously in the field, it is Besides gay clothes and pets other frivolous amusements broke at times the monotony of convent life. Dancing and mumming and minstrelsy were not unknown and the nuns shared in the merrymaking on feasts sacred and profane, as is witnessed by the account rolls of St Mary de PrÉ (1461-90), with their list of payments for wassail at New Year and Twelfth Night, for May games, for bread and ale on bonfire nights and for harpers and players at Christmas[963]. In 1435 the nuns of Lymbrook were forbidden “all maner of mynstrelseys, enterludes, daunsyng or reuelyng with in your sayde holy place”[964], and about the same time Dean Kentwode wrote to St Helen’s Bishopsgate: “Also we enioyne you that all daunsyng and reuelyng be utterly forborne among yow, except Christmasse and other honest tymys of recreacyone among yowre self usyd in absence of seculars in all wyse”[965]. The condemnation of dancing in nunneries is not surprising, for the attitude of medieval moralists generally to this pastime is summed up in Etienne de Bourbon’s aphorism, “The Devil is the inventor and governor and disposer of dances and dancers”[966]. Minstrels were similarly under the ban of the church, and clerks were forbidden by canon law and by numerous papal, conciliar and episcopal injunctions to listen to their “ignominious art”[967], a regulation which, needless to say, went unobeyed in an age when many a bishop had his private histrio[968], and when the same stern reformer Grosseteste, who warned his clergy “ne mimis, ioculatoribus aut histrionibus intendant,” loved so much to hear the harp that he kept his harper’s chamber “next hys chaumbre besyde hys stody”[969]. Langland asserts that churchmen and laymen alike spent on Clerkus and kny?tes · welcometh kynges mynstrales, Even in monasteries they found a ready welcome[971] and the reforming council of Oxford passed an ineffectual decree forbidding their performances to be seen or heard or allowed before the abbot or monks, if they came to a house for alms[972]. Indeed there was sometimes need for care. Where but at one of those minstrelsies or interludes forbidden at Lymbrook did sister Agnes of St Michael’s Priory, Stamford, meet a jongleur, who sang softly in her ear that Lenten was come with love to town? The Devil (alas) had all the good tunes, even in the fifteenth century. “One Agnes, a nun of that place,” reported the Prioress, “has gone away into apostasy cleaving to a harp-player, and they dwell together, as it is said, in Newcastle-on-Tyne”[973]. For her no longer the strait discipline of her rule, the black-robed nuns But the merrymakers in nunneries were not necessarily strange jongleurs or secular folk. The dancing and revelry, which were forbidden at Lymbrook and allowed in Christmastime at St Helen’s, were probably connected with the children’s feast of St Nicholas. As early as the twelfth century the days immediately before and after Christmas had become, in ecclesiastical circles, the occasion for uproarious festivities[976]. The three days after Christmas were appropriated by the three orders of the Church. On St Stephen’s Day (Dec. 26) the deacons performed the service, elected their Abbot of Fools and paraded the streets, levying contributions from the householders and passers-by; on St John the Evangelist’s Day (Dec. 27) the deacons gave way to the priests, who “gave a mock blessing and proclaimed a ribald form of indulgence”; and on Innocents’ Day it was the turn of the choir or schoolboys to hold their feast. In cathedral and monastic churches the Boy Bishop (who had been elected on December 5th, the Eve of St Nicholas, patron saint of schoolboys) attended service on the eve of Innocents’ Day, and at the words of the Magnificat “He hath put down the mighty from their seat” changed places with the Bishop or Dean or Abbot, and similarly the canons and other dignitaries of the church changed places with the boys. On Innocents’ Day all services, except the essential portions of the mass, were performed by the Boy Bishop; he and his staff processed through the streets, levying large contributions of food and money and for about a fortnight The celebration of the Feast of Innocents by children, which we do not approve, but rather suffer with disapproval, is on no account to be undertaken by those children, nor are they to take any part in it, until after the end of the vespers of St John the Evangelist’s Day; and the nuns are not to retire from the office, but having excluded from the choir all men and women ... they are themselves to supply the absence of the little ones lest (which God forbid) the divine praise should become a mockery[978]. A more specific reference still is found at Carrow in 1526; Dame Joan Botulphe deposed at a visitation that it was customary at Christmas for the youngest nun to hold sway for the day as abbess and on that day (added the soured ancient) was consumed and dissipated everything that the house had acquired by alms or by the gift of friends[979]. The connection between these revels and the Feast of Fools appears clearly in the injunction sent by Bishop Longland to Nuncoton about the same time: The admission of seculars dressed up as nuns, and of boys dressed up as women, the performance of interludes and the wild dancing were reason enough for the distaste with which ecclesiastical authorities regarded these festivities. For the nuns clearly did not exclude strangers as Peckham had bidden. Indeed it seems probable that where they did not elect a Girl Abbess, they admitted a Boy Bishop, either from some neighbouring church, or just possibly one of their own little schoolboys. Among the accounts of St Swithun’s monastery at Winchester for 1441 there is a payment for the boys of the Almonry together with the boys of the chapel of St Elizabeth, dressed up after the manner of girls, dancing, singing and performing plays before the Abbess and nuns of St Mary’s Abbey in their hall on the Feast of Innocents[981]; and the account of Christian Bassett, Prioress of St Mary de PrÉ, contains an item “paid for makyng of the dyner to the susters upon Childermasday iij s iiij d, item paid for brede and ale for seint Nicholas clerks iij d”[982]. The inventories of Cheshunt and Sheppey at the time of the Dissolution contain further references to the custom and seem to show that nunneries occasionally “ran” a St Nicholas Bishop of their own: at Cheshunt there was found in the dorter “a chisell (chasuble) of white ffustyan and a myter for a child bysshoppe at xx d”[983], and at Sheppey, in a chapel, “ij olde myters for S. Nicholas of fustyan brodered”[984]. These childish festivities sound harmless and attractive enough, and modern writers are sometimes apt to sentimentalise over their abolition by Henry VIII[985]. But in this, as in his appeared in masks with the faces of monsters or in the dresses of women, sang improper songs in the choir, ate fat pork on the horns of the altar, close by the priest celebrating mass, played dice on the altar, used stinking incense made of old shoes, and ran about the choir leaping and shouting[987]; and about the same time the Synod of Basle had specifically denounced the children’s festival in hardly less violent terms as that disgraceful, bad custom practised in some churches, by which on certain high days during the year some with mitre, staff and pontifical vestments like Bishops and others dressed as kings and princes bless the people; the which festival in some places is called the Feast of Fools or Innocents or Boys, and some making games with masks and mummeries, others dances and breakdowns of males and females, move people to look on with guffaws, while others make drinkings and feasts there[988]. It is only necessary to compare these denunciations with such accounts of the festivities in nunneries as have survived, to understand that the revelling and disguising were less harmless than modern writers are apt to represent them. Mr Leach attributes the schoolboys’ feast to the fact that regular holidays were unknown in the medieval curriculum and that the boys found in the ribaldries of Childermastide some outlet for their long suppressed spirits. Similarly the cramped and solemn existence led by the nuns for the rest of the year probably made their one outbreak the more violent. Nevertheless one cannot avoid feeling somewhat out of sympathy with the bishops. “Dost thou think because thou art virtuous there shall be no more cakes and ale?” Nuns were ever fond of ginger “hot i’ the mouth.” |