Alixe had faith enough in David to believe that he would keep silent about the affair of that afternoon, and her confidence was not misplaced. No one save Laure knew of the caprice and the projected sin that had led them into their dangerous plight. And to the dwarf’s credit be it said that he never attached any blame to Alixe for their adventure. Indeed, thereafter, his manner toward her was marked by unusual consideration, a little veiled interest and sympathy, sprung from a knowledge that their habits of mind had led them both in the same ways of thought and desire. During the remainder of the summer, however, neither of them ventured again into the Goblin’s Cave; and, from Alixe’s Indeed, the Castle had set its seal upon every one of its inmates. The little household had acquired the peculiar characteristics that generally grow up in a secluded community. Every dweller in the Twilight Land was unconsciously possessed of the same quiet manner, the same air of tranquil repose, the same habit of abstracted thought. And these things had stolen upon them so unawares that none was conscious of it in any other, and least of all in herself. It was a singularly beautiful atmosphere in which to bring up a little being fresh to the world. In this place a new soul might have dwelt forever untainted by any mark of worldliness, of passion, or of sin; for these things were foreign to the whole place. No There was no one in the Castle that did not at times reflect upon these things; but of them all, Eleanore saw most clearly whence they had all come, and where they now were. Whither they might be going—ah, that! that, who should say? But she could see and understand the quiet happiness that Lenore had reached through her child; and the increasing contentment, that was more than resignation, in Laure. And if she was ignorant of the route by which Courtoise, Alixe, and David had come into the kingdom of tranquillity, at least she knew that Summer wove out its web over the Castle by the sea, and at length its golden heat began to give way before the attacks of chilly nights and shortening days. The earth grew rich and red with autumn. Chestnut fires began to blaze upon peasants’ hearths, and the early morning air had in it that little sting that brings the blood to the cheek and fire to the eye. It was still too early for flights of storks toward the Nile, and the year, hovering on the edge of dissolution, was at the zenith of its glory. It was the time when the smoke from the forest fires lingers pungently over the land for days on end, like incense proffered to the beauty of Mother Earth. It was the time when the sun rises and sets in a veil of mist that transcends the splendor of its golden gleams, till, before the incomparable richness and purity of its glory, the human spectator can only stand back, aghast and trembling with awe. In fine, It was late in the afternoon of such an autumn day that the three women of Le CrÉpuscule, Laure, Lenore, and Eleanore, each lightly wrapped about to protect her from the slight chill in the air, went out of the Castle to the terrace bordering the cliff, for their evening walk. In the hearts of all three lay that little wistful sadness that was part of the time of year, and in their surrounding solitude they involuntarily drew close each to the other. Yet their faces were not wholly sad. None of them wept at the thought of the long winter that was again upon them. Hand in hand, by the murmurous sea, they walked, looking off upon the broad plain of moving waters, each unconsciously seeking to read there the destiny of her remaining years. The hour was a holy one, and there came no sound from the living world to pierce its The sweet dusk deepened, but it was not yet time for the rising of the moon. There was still a flush of red in the west, and still the breasts of the gulls that veered over the waters flashed white and luminous in the gathering gray. The silence was absolute, save for the silken swish of the tide rising gently along the shore. The spell of twilight, the great soul-twilight of the middle ages, hung heavy on the battlements of the Castle on the cliff. On the terrace the three women paused in their “How sweet it is,—and how beautiful,—our home!” The silence of the others throbbed assent to her whispered words. The gulls were sinking slowly toward their nests. The drawbridge over the moat was just lifting for the night. A lapwing or two floated round the high turrets of the Castle; and from the doorway there, Alixe was coming forth, bearing Lenore’s baby in her arms. The stillness grew more intense, and over the edge of the eastern trees slipped the round, pink harvest moon. Then, one by one, a few great stars came sparkling out into the sky. “See,” murmured Eleanore, very softly, “the east is clear around the rising moon.” And Laure replied to her: “Yes, very clear. How beautiful will be the morrow’s dawn!” THE END A story of English monastic life in the thirteenth century during the momentous reign of King John. The leading character, Anthony Fitz-Hubert, is a brilliant young courtier, son of the Archbishop of Canterbury, who turns monk to insure the safety of his father’s soul. The interpretation of King John’s character and acts differs widely from the traditional view, but it is one which investigation is now beginning to present with confidence. One of the most powerful historical romances that has ever appeared over the name of an American writer.—Philadelphia Inquirer. In such romances we shall always delight, turning to them from much that is dull and inane in what passes for the realistic reflex of our present-day life.—Harper’s Magazine. It is a noteworthy book of its very attractive kind.—The Independent. SIXTH EDITION WITH FRONTISPIECE. 12mo. $1.50 A. C. McCLURG & CO., Publishers This book is for those who are weary of conventional romances and are searching for a story that does not give them the dusty and worn-out historic trappings with which they are over familiar. The story of Randalin, the beautiful Danish maiden who served King Canute disguised as a page, is spontaneous and unhackneyed, and has a mediÆval atmosphere of the most inspiring kind. The reader forgets his practical twentieth-century point of view, and loses himself in the glamour of these brave old days of the Danish conquest. It is a romance of enthralling interest.... Written in plain, unadorned Anglo-Saxon, it is as pure and wholesome as the lovely maiden whose face smiles between the lines. It is one of the few novels that can be read a second time with increased enjoyment. Than this, what more can be said?—Chicago Tribune. Readers of “The Thrall of Leif the Lucky” can understand without description the pleasure in store for them in Miss Liljencrantz’s latest tale. The volume is a remarkable example of bookmaking, the colored illustrations showing to what heights the art of book illustration may attain.—Boston Transcript. A stalwart and beautiful tale—a fine, big thing, full of men’s strength and courage and a girl’s devotion, the atmosphere of great days and primitive human passions.—Philadelphia Ledger. THIRD EDITION WITH SIX FULL-PAGE PICTURES IN COLOR AND OTHER DECORATIONS BY THE KINNEYS. $1.50 A. C. McCLURG & CO., Publishers A remarkable book because it not only tells an unusual and fascinating story, with a novel and seldom used—and therefore interesting—historical background, but it was everywhere declared “the most beautiful book of fiction of 1902.” The striking appearance of the volume is due to the appropriate character of the type, initials, end-papers, etc., and to the wonderful pictures in color. It is the story of Alwin, the son of an English earl, and how he served the great Leif Ericsson on his famous voyage to the New World, and how he finally won his freedom and the beautiful Helga by his own high courage. Nearer to absolute novelty than any book published this spring.—New York World. The most beautifully illustrated and artistically ornamented romance published this year.—New York Journal. A tale which moves among stalwart men, and in the palaces of leaders.—New York Mail and Express. One of the best constructed historical romances that has appeared in America in some years.—Brooklyn Eagle. The atmosphere of the old days of fighting and adventure glows in the book.—Springfield Republican. SIXTH EDITION WITH SIX FULL-PAGE PICTURES IN COLOR, AND OTHER DECORATIONS BY THE KINNEYS. $1.50 A. C. McCLURG & CO., Publishers TRANSCRIBER’S NOTES
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