Derby did not realize until afterward that the entire conversation at the Palazzo Sansevero had been about his projects, and that, aside from a few generalities, he really knew nothing of Nina's winter or of her Italian experiences. He returned to his hotel at about five o'clock, and was striding directly toward the smoking-room without glancing to right or left among the attractive groups that characterize the tea hour at the Excelsior, when he was arrested by some one's calling, "Why, John Derby!" In the crowd of persons and tables he looked blankly for a familiar face, but, as his name was repeated, he recognized Mrs. Bobby Davis and her sister, Mildred Hoyt. As soon as Derby reached their table, Mrs. Davis glibly rattled off the names of the four or five men who comprised their party. They were all Europeans, who, in regular afternoon attire—frock coats, and flower in buttonhole—were sipping tea and eating cake. Derby was in tweeds, and afternoon tea was by no means part of his daily program. However, he made the best of it, and also of the This idea seemed to be a new one to Derby. "Should you?" The question was asked so reflectively that Mrs. Davis almost stopped to think; but the habit of prattling carried her on. "To have men like that sighing for one—I should call it thrilling, to say the least." Derby's look questioned. "I wonder why the Europeans make such a hit with you women," he said. "Why, for instance, do you find that man over there attractive? What do you like about him?" "Seriously?" Mrs. Davis patted her hair up the back with a little smoothing movement of satisfaction. "I don't know how to put it—it is very in Derby looked rather disgusted. "And you think that is why Nina likes them?" "Oh, there are other reasons—lots of them. In the first place, Nina has a bad case of 'allure de noblesse.' In her case I don't wonder! You can't imagine anything so heavenly as her aunt's palace; it is every bit as fine as any of the galleries or museums." As though this remark added a new link to a chain of old impressions, Derby found himself asking: "By the way—they have a famous picture gallery out in the country somewhere, haven't they?" Mrs. Davis turned for information to Prince Minotti, sitting next to her; who, as he was not especially welcomed by the Romans, much affected the society of Americans, since to them, as a rule, a prince is a prince, and the name that follows of comparative unimportance. "Torre Sansevero," he said pompously, "is one of the finest estates we have in Italy. In fact, the gardens are hardly less celebrated than those of the Villa d'Este, and there are a few excellent paintings. Do you ask for any special reason?" "No," replied Derby casually. "I heard they had a Raphael that was especially beautiful; I should like to see it—that is all." "Do you, by chance, know the Princess Sansevero's "Miss Randolph? Yes." "Ah, then it will be easy for you to get permission to see the painting. The gallery is not open to the public, though Cook's, I believe, send a party out once a week, to see the gardens." To Derby the suspicion at once became a certainty that, in overhearing the talk between the Cook's guide and the official, he had by accident stumbled upon something of serious importance to the Sanseveros. He was puzzling over it when, in the smoking-room, a few moments later, he encountered Eliot Porter, an American writer who was making a study of Roman life. At sight of Derby he called out heartily, "Hello, Jack, when did you come over?" Derby drew up a chair beside him, and briefly sketched the object of his visit. "Negotiating with Scorpa, I suppose?" asked Porter. "The Sulphur King?" Derby shook his head. "No, I don't think I shall need him. I have my hands on a property that promises to be what I am looking for. The duke wants to work his mines himself and in his own way. I am merely trying a scheme; if it turns out well, good! If not, I shall have tested it." "When do you begin operations? I suppose you realize, my friend, that it is no joke to interfere with the Sicilians? They are as suspicious of a new face "I am not going to try his property." "No, but he controls the sulphur output. If you come into his market—well, I'd not give a soldo for your skin. Besides, that would be the second grudge he'd have against you!" "Second? I don't understand——" "He wants to marry your best girl! Oh, hold on—no offense meant. She is having a splendid time of it, if a string of satellites as long as the Ponte San Angelo constitutes a woman's joy. All the same, my boy; put this in your pipe and smoke it: 'Ware Scorpa, don't turn your back to any one who might be in his employ, and bolt your door at night. Will you have my Winchester?" Derby smoked on, unperturbed. "It sounds as though it might be interesting. I had expected a mere proposition of machinery; the human element always adds. Wasn't it you who told me that?" "In a book, decidedly!" and then with a sudden impulse, "By Jove, Jack, I believe it would be a good thing for me to go along with you! I might get new copy." Derby laughed incredulously. "Well, if you mean it, come along! I wish you would." Porter Derby went to the Palazzo Sansevero the next day, but again he had much to talk over with the prince, and saw little of Nina. In some unaccountable way she seemed changed; nothing definite happened to mark the difference that he vaguely felt, but Mrs. Davis's remark came back to him—"The Europeans are so finished," and he wondered whether Nina found him unfinished; he even wondered whether he was or not—which was a good deal of wondering for him. At first, Sansevero's investment in the "Little Devil" had seemed to Derby merely the unfortunate venture the prince thought it, but when, in the course of their talk, it came out that Scorpa was the "friend" who had sold him the mine, Derby was sure that the duke had deliberately saddled him with a property which he knew to be useless. And yet every word that Scorpa had urged as a reason for the mine's value, was—taken literally—true. The mine was in close proximity to his own; the surveys, furthermore, showed the "Little Devil" to be the richest in sulphur deposit of any in the region. But if the mine was as valuable as Scorpa declared, it was scarcely compatible with all that was known of his character that out of purely disinterested friendship, he should put such a prize in Sansevero's hands, while he bought up for himself less As Derby was leaving, Nina deliberately went from the room with him. "I want to speak with John a few minutes," she said to her aunt. "We are both Americans, you know," she added, laughing. In the adjoining room she motioned him to sit beside her, but he stood instead, leaning against the window frame. She looked up with something like apology. "Am I keeping you?" she asked quickly. "Are you in a hurry?" Almost with the manner of Mr. Randolph, he pulled out his watch. "Not especially. I have an appointment with the Duke Scorpa—but not for half an hour." She had not noticed before the nervously hurried manner of her countrymen. There were many things she wanted to talk to John about—but she might as well have tried to carry on a restful conversation at a railroad station, when the train was coming in. "With Scorpa?" She tried to hold his attention. "What are you going to see him about?" Derby seemed preoccupied. "I don't think I'm very sure myself—further than that he wants to buy my patents, which I have no intention of selling, and I want to rent his mines, which he has no intention of renting. Rather asinine, going to see him! Still, as he insists——" But Nina's thoughts were not on the processes of mining just then, though they were on Scorpa. She looked at Derby appealingly. "Jack!" "Yes, Nina?" "Do you know what I think?—Aunt Eleanor won't say a word; she hides it all she can, but she must have lost almost her entire fortune. Jack, do you think that Duke Scorpa could be at the bottom of it?" Derby gave her a glance of keen interest, but he expressed no surprise and asked her no questions. As a matter of fact, the gossip of the Cook's guide had partly prepared him for Nina's revelation about her aunt's fortune, and he had his own theories about Scorpa. "Quite likely," he answered dryly, "but it is also quite likely that we shall get the better of him——" Then, with a sudden change in his manner he looked at her steadily. "But perhaps you don't want us to get the better of him?" "Do you mean——?" "I hear he is very devoted—and he has not only the handle to his name that you women seem to be keen about, but he is too rich to be after your money." Derby had no sooner said the words than he regretted them. But seeing Nina color, he misinterpreted her feelings, and spoke under a sudden Nina was deeply hurt. "That is pretty blunt," she said, the pupils of her eyes contracted as though the sun blinded them. "Have you ever seen the man you speak of? No? Well, you would not say such a thing if you had. I hate him!" Derby seemed fated to blunder. Again he made the wrong remark. "Hate, they say, is next to love." His lack of insight, so palpable in contrast with Giovanni's keenness of perception, was too much for Nina's new sensitiveness. She suddenly congealed, and stood up, very straight, with the little upward tilt of the chin that indicated fast approaching temper. Derby knew this symptom well enough, but he had not the slightest idea that his own obtuseness was the cause. Without analyzing, he accepted her starting up as a signal to leave, and promptly said good-by. "Good-by, then!" Nina said frigidly; and, turning on her heel, she abruptly left him. Under the spur of her anger against him, the words framed themselves in her mind—"How unfinished he is!" But down in her heart there was an ache, deeper than could have been caused by mere irritation, or even disappointment. Never before in her life had there been a breach between John and her. She felt it was all the fault of his own density—or was it lack of feeling? She went to her room to put on her riding habit, for she was going to the meet. Then, as she dressed, the thought came to her that John, a foreigner, and the most venturesome person in the world, was going off to Sicily, into the very center of one of the wildest districts. And gradually fear for him made her forget her resentment. Just as she was leaving her room a big cornucopia of roses was brought in, to which was appended the following note: "If we weren't such old friends and you didn't know what a blundering fool I am, I wouldn't dare to apologize for this morning. Judge me by intent, though, won't you—and forgive me? "Jack." Nina broke off a rose and fastened it to the lapel of her habit; but the note she tucked in between the buttonholes. Suddenly humming a gay little song, she ran through the rooms and corridors to join her aunt and uncle, who were waiting for her to motor out to the hunt, the horses having been sent ahead with the grooms. As they drove out of the courtyard she noticed that the sun was brilliantly shining. At the meet the scene was really animated, for the day was perfect, and the Via Appia was a bright moving picture of carriages, large and small, big motors and little runabouts, the road dotted here and there with the brilliant scarlet coats of those who There was apparently much lack of system: the huntsmen chatted aimlessly with persons in the carriages; while the hounds scurried around according to their own inclinations, paying little attention to the snap of the whip. The Contessa Potensi, who had appeared in a pink hunting coat, was the cynosure of all eyes. The innovation created quite a stir and no little admiration. She bowed to Nina with unusual civility, and made a formal acknowledgment of the pleasure of riding with her. Yet shortly after, when she joined a group of friends a distance farther on, she was laughing and glancing back as she spoke, in a way that left little doubt that she was making disparaging remarks. Sansevero and Giovanni had mounted their hunters, and now joined Nina, but that gave her little pleasure, for the contessa immediately returned. Nina was glad when Donna Francesca Dobini and the young Prince Allegro cantered up. Donna Francesca was soon talking with Sansevero, leaving Nina to Allegro—an attractive youth, but light as a bit of fluff. As for Giovanni, she felt that he was as unstable as the dead leaves which the wind at that moment was blowing around and around. They were graceful, too, those leaves, and Giovanni was fascinating, agile, charming—but in case one counted upon him seriously, where would he be? Smiling sweetly, no doubt, The contrasting image of John Derby came sharply to mind. John was going to Sicily to do a man's work in a man's way. A little later she noticed Tornik, who was cantering ahead of her: his figure was not unlike John's—he was strong and masculine. She wondered aimlessly if they might be in any other way alike. Supposing, in some unaccountable situation she were to be thrown upon his chivalry for protection, what would he do? Shrug his shoulders and look bored? Or detail a company from his regiment to stand guard over her? The idea made her laugh. "You are gay this morning," observed Giovanni, light-heartedly joining in her laughter. With a quizzical little expression Nina looked at him—"I wonder if you would be amused if you knew why I laughed." "If it gives you pleasure—it is delicious, whatever it is!" All the softness went out of the girl's brown eyes; they glittered curiously. "Yes," she said, "that is just what I thought." After which ambiguous remark she returned to her former gayety—"Come," she said, "let's go fast; we shall be the last!" Urging her horse, she galloped across the fields. She would have been at a loss to understand her own vacillations of mood that day: she seemed to feel an unaccountable revulsion against every one. The But the exhilaration of jumping brought her to a more equable frame of mind, and at the first check she and the Prince Allegro were in the lead. Her cheeks were pink and her eyes bright from the long gallop. They had stopped on a knoll out on the Campagna, and Nina remained apart from the other hunters, walking her horse slowly, while Allegro went over to the carriage to get a handkerchief for her from the Princess Sansevero. She drew in deep breaths of the fresh air, as she gazed out over the rolling hills to the snowclad tops of the Albanian mountains glistening in the sunshine. Then suddenly a deep, oily voice jarred through her wandering thoughts. "You are very pensive!" exclaimed the Duke Scorpa, appearing beside her. Nina started violently, for, besides his unexpected appearance, there was something in this man's personality that always sent a shudder through her. "The Marchese di Valdo has been telling me that I am very gay," she answered, not so much to give the duke the information as to contradict him. "Then I am doubly sad, since you are gay with others, and absent-minded when I come." A lurking familiarity in his smile made Nina wince. He "Why are you so cruel?" he murmured. "Diana never had so many votaries as Venus." "I am not interested in mythology," said Nina, her heart fluttering with fright. "Please allow me to pass—I want to join my uncle." "Sweet, pale little Diana,"—he leaned over in his saddle and purred the words at her—"where mythology failed was in not marrying Diana to Mars. Exactly as—you are going to marry me!" "I will not! I told you before I would not! Let me pass!" She pulled the reins so taut that her horse reared as she urged him forward, but again the duke ranged his horse close beside her, heading off her attempt to get past. "A woman's 'won't' as often means she will," he answered deliberately. "It is when she says she is not certain that her irrevocable decision is made." "I hate you, I utterly hate you!" cried Nina, her anger getting the better of her fear. The duke laughed maliciously. "I had scarcely hoped to make so deep a mark on your emotions! If you hate me, then truly you will marry me!—against your will, if need be," he added, reining back his horse at last. "I will wait to make you love me afterward." At this point Allegro returned with the handkerchief, and the duke let Nina pass. Tornik, also, now joined her, the master of the hounds gave the signal, and again the riders were off. Nina, between Tornik and Allegro, was protected from the duke's approach, but she kept apprehensively glancing back. She looked about for her uncle, but could not see him. As a matter of fact, Sansevero's horse had strained itself slightly in one of the jumps, and he had thought it best to drop out of the hunt. He had gone only a short distance on his way toward Rome when he was joined by Scorpa, who said that he did not care to ride farther but would go back with Sansevero. The prince was glad of his company until Scorpa began: "You have not yet given me a favorable answer to my proposal for Miss Randolph's hand." The abruptness with which the subject was introduced irritated Sansevero, and he answered sulkily: "I told you, when you first spoke to me, that it was a matter Miss Randolph would have to decide for herself. An American girl never allows other people to arrange her marriage for her, and I found my niece not at all disposed to reconsider her answer." An ugly light shone in the duke's eyes. "I do not want to seem importunate," he said, "but—I would do very much for the man who furthered my marriage with Miss Randolph, and you would find He sighed deeply and then, as though turning his attention to the first trivial thought that came to mind, he said casually: "By the way, I have been reading lately an extremely interesting book on celebrated criminal cases, and I was particularly impressed by the way in which circumstantial evidence can be built up out of harmless trifles. Since reading it I have been rather amusing myself by constructing hypothetical cases. For instance"—Scorpa pursed his lips and lowered his eyes, as though trying to invent a fanciful story—"take a transaction such as your letting me have that picture. One could build a very stirring case upon that!" "Yes?" encouraged the prince. "How do you mean?" "Well, to begin, we would send word to the government that your Raphael Madonna had been sold out of the country." "I don't think that a good beginning, because it is easy enough to prove it is in your palace." "Ah, of course. But for the amusement of the argument we will say that I want to do you an injury and so smuggle it out of the country! Then when I am questioned, I deny all knowledge of it. Yes, I would have you there! It would be quite feasible, because no one saw the picture change hands, and your notes to me—the only proof of the transfer—could easily be destroyed. You see? This really grows interesting! Then comes all the cumulative evidence of the type I was speaking about; for instance: After the supposed sale of the picture, you indulge in unwonted expenditures—of course, it is easy to say that they are those of the American heiress stopping with you"—he paused, in apparent thoughtfulness—"but when, in addition, an enemy buys in Paris a pair of earrings, matchless emeralds, that are recognized as having been worn——" "Dio mio! My wife's emeralds!" Sansevero was startled into exclaiming. Then suddenly he blazed out: "What do you mean by your story? If you have anything to say, say it so I can follow you." From the gross lips of the duke his apology fell like drops of thickest oil: "I regret you take my pleasantry so ill, and I ask your pardon as many times as you require, my friend! It happened by chance that I saw a pair of emeralds in Paris that were duplicates of the magnificent gems I have often admired when the princess wore them, and the They had long since passed through the Porta San Giovanni and had arrived at the Coliseum. Scorpa gave Sansevero little chance to answer, but with a friendly good-by, he turned toward the Monte Quirinal. Sansevero pursued his way along the foot of the Palatine. He was disturbed; but he could not bring himself to read into the duke's words a covert threat. His first impulse was to repeat the conversation to Eleanor, but he knew how the mere suspicion that Scorpa had detected her false stones had worried her. Curiously enough, in Sansevero's mind the larger issue of the picture was quite overlooked in the more immediate consideration of the jewels. By the time he reached home he had decided to wait until further events should show Scorpa's intentions. And until then he would say nothing to any one—least of all to Eleanor. In the meantime Nina was galloping across the Campagna. For a while the fear of Scorpa remained, but when she realized that he was no longer with the hunt, she breathed more freely, and again began to enjoy the day. It was almost as though she were riding through the country at home. She |