Nina had intended taking her Italian teacher out with her in the automobile. She did this quite often, as it was as easy to practice Italian conversation in a motor-car as anywhere else. But after half an hour—Favorita was nearly that late—she had given up waiting and telephoned Zoya Olisco suggesting that they two spend the day at Tivoli. Zoya agreed, and Nina was on her way to fetch her when she passed Giovanni and Favorita. But she neither saw the former nor recognized the latter.

It was after six o'clock when Nina returned from Tivoli, and she had to hurry to dress for an early dinner, as it was the Sanseveros' regular Lenten evening at home.

Nina particularly liked these informal receptions, where the company was composed, for the most part, of really interesting, agreeable people. There was always music, generally by amateur performers; occasionally there was some other form of impromptu entertainment, an impersonation or a recitation. Throughout the evening there was the simplest sort of buffet supper: tea, bouillon—a claret cup, perhaps, and possibly chocolate, little cakes, and sandwiches; never more. But the princess was one of those hostesses whose personality thoroughly pervades a house; a type which is becoming rare with every change in our modern civilization, and without which people might as well congregate in a hotel parlor. Each guest at the Palazzo Sansevero carried away the impression that not only had he been welcome himself, but that his presence had added materially to the enjoyment of others.

Early in the evening Nina was standing with Giovanni a little apart. Giovanni was unusually quiet, and both had fallen into reverie, from which Nina was aroused by the sudden announcement of a jarring name. Like the ceaseless beating of the waves upon a beach, she had heard the long rolling titles, "Sua Excellenza la principessa di Malio," "Il Conte e la Contessa Casabella," "Donna Francesca Dobini," "Sua Excellenza il Duca e la Duchessa Astarte," and then—"Messa Smeet!"

Nina felt a swift pity for the beautiful woman who was forced to suffer the ignominy of being thus announced. She had herself been daily conscious of that same flatness when, after the long announcement of her aunt's and uncle's names, came the blankness of "Messa Randolf."

And in that moment, divining the impression made upon her mind, Giovanni seized his opportunity. His eyes looked ardently into hers, his smile was transporting as, with all the warmth of which his voice was capable, he said, "Donna Nina Sansevero, Marchesa di Valdo!"

Nina's heart fluttered strangely, her will was swayed by the moment's thrill, as she heard him continuing: "It can surely not surprise you to hear in spoken words what has long been in my heart to——" But his sentence was broken off abruptly, for a sudden thinning of the crush revealed the Contessa Potensi close beside them. Heedless of Nina, the contessa demanded that Giovanni take her into the supper room for a cup of tea, and Nina was left with Carpazzi, who had at that moment also joined them. He took no notice of her absent-mindedness and kept the conversation going briskly without much help from her, until gradually she became able to focus her attention upon him.

He talked of many things and finally of Cecelia Potenzi. That he should have spoken the name of the girl he loved was quite foreign to his, or in fact to any, Italian nature. But by now Nina had become thoroughly interested in what he was telling her and her sympathetic eyes had a way of urging confidences, and besides, as Carpazzi knew, she was very fond of Cecelia. He spoke quite frankly therefore of his hopes and plans. He was desperately interested in Derby's mining project because he owned a piece of property within a few miles of Vencata and if the Sansevero sulphur mines turned out well probably all the land in the neighborhood would also be leased by Derby's company, and it might be that he and Cecelia could be married.

Nina had already observed the young girl in question and she and Carpazzi made their way toward her. Gradually other young people joined them until a merry group was formed at that side of the room.

The music at that moment was by a young violinist, a protÉgÉ of the Princess Sansevero's (a brother, by the way, of the peasant Marcella, whose marriage to Pedro the princess had arranged). The boy had real talent, and the princess had denied herself not a few things in order to help him complete his education.

At the close of his second selection the young violinist came over to her, with that look of devoted allegiance which cannot be imitated, and the princess held out her hand for him to kiss. "I am so pleased with your success," she said to him. "Come, I want to present you to the Duchessa Astarte, who was much delighted with your playing." Smiling, she led him away.

The young man traversed the rooms with perfect ease and unconsciousness—this peasant boy who four years previously had run ragged and barefooted, begging for soldos from the tourists who were driving out to Torre Sansevero! From one of the doorways Sansevero watched them. "Per Dio, she is wonderful, my Leonora!" he exclaimed to the Countess Masco, whom he had taken to the supper room. "Look what she has made of that ragamuffin! You Americans are an extraordinary people." The countess, as she watched the prince's open admiration of his wife, showed the finest, the most generous side of her cheerful nature. Her expression was scarcely less admiring than his own.

"I'd like well enough to take all the credit for my country," she returned, with her usual good humor, "but in Eleanor's case it is the woman and not the nationality that is wonderful——" Then she added brusquely, "I'm glad you appreciate her." The next moment she tossed the topic aside and discoursed noisily of the latest Roman gossip.

About this time the Count and Countess Olisco were announced. Seeing Derby, who had arrived just ahead of them, Zoya walked up to him without hesitation or manoeuvre. "I should like to talk to you," she said; "will you take me to a seat? There is one over there."

He gave her his arm and led her to a sofa at the far end of the room. "Have you been out to Torre Sansevero?" she asked when they had sat down.

"No. We had planned to motor out next week, but I must go to Sicily to-morrow, so the motor trip is postponed until I come back. You asked as though you had something special in mind. Had you?"

"Yes. I might as well tell you—though maybe you know—there is a rumor that a Sansevero painting—the Raphael Madonna—has been sold out of the country. The way I know is secret; but through somebody connected with the Government I have learned that there are grave suspicions against the prince."

Derby gave her his full attention, but said nothing. "Everybody knows," continued the contessa, "that he has spent all his wife's money in gambling, and that they have sold everything that is not covered by the family entail." Her listener did not know it, but his face betrayed no surprise. "This picture, they say, has been smuggled out of the country to a rich American." Her face grew troubled and she spoke lower and more distinctly. "I do not find it possible to think that Sansevero did such a thing. He is weak, if you like; he would fall into temptation; he might gamble or make love to a pretty woman"—she shrugged her shoulders—"but that he would do anything really against the law, I don't believe. Yet—I have never seen such furs as the princess wears this winter. Can't you find out about the picture? Everybody believes it is in America. Think what it would be if Sansevero were put in prison! But I am sure you will set everything straight."

"Your faith in me is flattering, to say the least," he laughed. "But you seem to think that finding an object in America is as simple as though it were mislaid in a fishing village. Do you realize the vastness of the territory which I am to search in the twinkling of an eye?"

"No, no! You must not laugh. I am very serious. I know that America is a land in which everything may be accomplished, even though I may have a false idea of its size. And in you, as an American, my faith is unbounded. You see, I feel convinced that it all depends on you!" Then, under the impulsion of her enthusiasm she clapped her hands together as she exclaimed: "Oh, I am sure you will clear the prince! And then, like the hero in all good story books, win the reward."

"And the reward?" he queried. "What is it to be? Unfortunately, you are asking me to save a prince—a poor prince at that, with no favors to bestow. In the good story books it is always a beautiful princess. To be sure," he added, "the princess is as beautiful as one could wish, but alas! she is married."

"I do not find you at all amiable," the contessa pouted. "I am serious—very serious, and you make fun."

"Not at all. I am very serious, and you talk of fairy tales. Still, if you are my fairy godmother, there is no knowing what stroke of fortune may await me in Sicily." Then, changing his tone, he said earnestly: "I am really sorry, but I am afraid I shall have to leave the picture question until I come back."

"You are going straight off to Sicily?"

"Yes."

"To be gone how long?"

"I don't know; I have no idea. Weeks, perhaps. Months, very likely; why do you ask?"

"May I say something—something very frank to you?" Zoya leaned forward with a sudden direct impulse.

"Say what you please, by all means!" Derby braced himself for her remark, but even so he colored as she said: "Are you in love with Nina? Please, don't be angry; I don't ask you to answer. But if you are, I can't see why you go away to work mines and such things. I should have married her long ago had I been you."

Derby's eyes blazed. "Do you mean I should try to marry her and live on her money?"

"Why not? Since she has enough for two—enough for twenty! There is no need to be so furious. Per l'amore di Dio! You Americans have always the ears up, listening for a sound that you can fly at!" Languorously she leaned back among the cushions of the sofa. "It is all so silly—your idea of life." And then she stopped and looked at him curiously. "What is your idea of life?"

"Life? One might put it in three words: One must work!"

Zoya shook her head—she did it charmingly. "No, no," she said softly; "you are altogether wrong—though I also can put it in three words. Life lies in this: One must love. That's all there is!"

The conversation ended there, for the Duke Scorpa and Count Masco came up to speak to the contessa. Derby arose and was about to leave when the duke stopped him. Masco sat down to talk with Zoya, and Scorpa spoke to Derby in an undertone. "I hear you are going to Sicily to-morrow?"

"Yes, I leave early in the morning."

"Take my advice"—his glance was sinister—"and stay away."

Derby smiled frankly. "May I ask why?"

"Because your process will not work."

"That might be taken in two ways," Derby rejoined: "either that you believe my patents useless, or else that some means will be taken to prevent my trying them. I rather wonder—after our conversation on the subject—if you intend a threat?" He spoke without stress of feeling, quite simply, in fact.

The duke's unctuous smile was not wholly pleasant to see. "That is for you to decide. To-morrow morning you intend to go. That is not far off; but you have until then to reconsider your refusal to sell me your patents. I made you a fair offer, which I should in your place accept. However, if you go to Sicily"—he spread out his hands with a shrug—"I shall have warned you, and whatever comes will be off my conscience."

For answer Derby spoke quietly, but with clear, level distinctness. "I go to-morrow to Vencata, to work a piece of land which is the property of the Prince and Princess Sansevero. As their representative, I am vested with every legal right to apply my invention to the mine known as the 'Little Devil.' And I may add"—he put it casually—"that back of me is the full strength and protection of the United States Government." He looked straight into the small rat-like eyes nearly a foot below his own. Then with a smile he bowed to the Contessa Zoya and went in search of the Princess Sansevero, to say good-by.

He found her in the adjoining room, absorbed in the music; and luckily there was an empty chair beside her, into which he quietly dropped. She smiled her welcome as he sat down beside her, but she had accepted her young countryman into too good a friendship to make either of them feel the need of rushing into speech. After a little she turned to him; even then her sentence seemed to complete a conversation interrupted rather than a new one begun, "Above all, do not forget to present Sandro's letter to the Archbishop! I know you will be drawn to him. His Eminence is one of those rare persons who have not waited to die to become angels." She smiled. "I am sure you will be safe under his protection."

"I wish you would tell me, Princess, why there is so much talk of protection—it sounds as though I were going to explore the interior of Africa! I shall be, at most, twenty-four hours away from Rome."

"There is no knowing what you are going to explore"—a shade of anxiety had come into her face. "The Mafia is there, the people are ignorant, and the lava wastes are as desolate and wild as any spot in Africa. I hope there will be no danger, but it is well to take precautions before going into such a country. You will promise me won't you?—to follow the directions of his Eminence." Unconsciously she put her hand against her heart.

Derby gave his promise easily, and she held out her hand. He kissed it after the European custom; and as he did so he felt her fingers tighten over his, as she whispered with a little underlying emotional vibration, "God bless you, my dear boy!—and a safe return."

Vaguely, as he went through the rooms in search of Nina, the princess's words echoed through his mind, and through some unknown train of suggestion he remembered that Miller, the butler in New York, had wished Nina a "safe return." The association of the two seemed ridiculous, yet a thought held: Was it at all certain that she was going to return home? Was he, perhaps, not going to return from Sicily? He put himself in the category of idiots and banished the idea. But the echo of the blessing that the princess had given him settled softly upon his sensibilities. "God bless her!" he said almost aloud.

Presently he found Nina, unapproachably hemmed in, and too near the music to talk. For a moment she hesitated, on the verge of extricating herself or encouraging him to enter the circle despite the general disturbance it must cause. But the moment passed. His lips framed "Good-by" and hers answered, both smiled brightly—and that was the parting.

Derby was in many ways a fatalist—not one of those who thought that by sitting still the gifts from the horn of fortune would tumble into his lap; but one of those who believe (to use his own expression), in pegging away at the thing in hand; further than that, what was to be, would be.

As Derby descended the stairs he encountered the Countess Masco. "Hello, John!" she exclaimed, and then as she held him by the arm, her voice came down to what for her was a low whisper; at twenty feet any one could have overheard her, but fortunately the hall was deserted, save for a couple of footmen standing at the green baize door that led to the outer stairs of the courtyard. "Have you heard the news? Giovanni Sansevero agreed to go on a cruise to Malta with Rosso, and Rosso won't let him out of it! You may imagine he does not relish leaving Rome just now, especially with you again out of the field!"

Derby was not given an opportunity either to accept or to resent her intrusion into his affairs, for the dashing lady immediately fled, and Derby went on. As he waited for his cab, he felt inclined to go back and try to see Nina. He was letting her drift very, very far away. But while he was hesitating, his cab drove up, and without more ado he jumped into it and drove to his hotel. As soon as he reached his room, he began a letter to Nina; but all the things he had vowed to himself not to say, swarmed to the very tip of his pen. He threw it down, therefore, and tore up the paper that showed, under "Dear Nina," an erased "Darl—" After pacing the floor a while, he again picked up the pen, but this time he wrote to Mr. Randolph. At the end of a letter of details relating to the mines, he added:

While Derby was writing to Mr. Randolph, an animated conversation was taking place in a little room on the ground floor of the gigantic palace of the Scorpas. The doors were bolted, and the two inmates of the apartment talked in whispers.

"You understand your instructions?"

"Yes, Excellency."

"Repeat them."

"I take the boat to-morrow—go to Vencata. Keep watch upon the Americano—the one whose name I have here."

"John Derby, yes. But he is very big—a giant. Make no mistake, find the one who is the padrone! And——? Continue!"

"I am to watch if it is true that he begins working the 'Little Devil,' and if so—I know the rest. It is nothing! A pig's skin is thick—a man's thin!" As he said this he glanced at the duke, and there was a sinister gleam in the man's deep-set eyes, and beneath the sharp nose the mouth was hard and straight, like a seam across the face.

The duke nodded as though satisfied. "It may be well for you to remember," he observed impressively, "that the reward will make you and yours easy for life."

The man saluted respectfully, but with a dogged surliness that revealed no loyalty. Yet there was in his look a hint of fanatical intensity. Outside in the passageway he smiled grimly. For once the errand on which the duke had sent him fell in with his own inclinations. He opened a window and looked out through the gratings into the night. In his heart he bore no love for the duke, but he was by race and inheritance a dependent of the house of Scorpa. It had always been so—the dukes had been masters since time immemorial. The present duke had made the lives of Sicilians terrible enough, but he, Luigi Calluci, would have no stranger Americano forcing his people to work that hell-mine of the "Little Devil"!