hen Mr. Plomer consented at my request to write a short history of English printing which should stop neither at the end of the fifteenth century, nor at the end of the sixteenth century, nor at 1640, but should come down, as best it could, to our own day, we were not without apprehensions that the task might prove one of some difficulty. How difficult it would be we had certainly no idea, or the book would never have been begun, and now that it is finished I would bespeak the reader's sympathies, on Mr. Plomer's behalf, that its inevitable shortcomings may be the more generously forgiven. If we look at what has already been written on the subject the difficulties will be more easily appreciated. In England, as in other countries, the period in the history of the press which is best known to us is, by the perversity of antiquaries, that which is furthest removed from our own time. Of all that can be learnt about Caxton the late Mr. William Blades set down in his monumental work nine-tenths, and the zeal of Henry Bradshaw, of Mr. Gordon Duff, and of Mr. E. J. L. Scott, has added nearly all that was lacking in this storehouse. Mr. Duff has extended his labours to the other English printers of the 15th century, giving in his Early English Printing (Kegan Paul, 1896) a conspectus, with facsimiles of their types, and in his privately printed Sandars Lectures presenting a detailed account of their work, based on the personal examination of every book or fragment from their presses which his unwearied diligence has been able to discover. Originality for this period being out of the question, Mr. Plomer's task was to select, under a constant sense of obligation, from the mass of details which have been brought together for this short period, and to preserve due proportion in their treatment.

Of the work of the printers of the next half-century our knowledge is much less detailed, and Mr. Plomer might fairly claim that he himself, by the numerous documents which he has unearthed at the Record Office and at Somerset House, has made some contributions to it of considerable value and interest. It is to his credit, if I may say so, that so little is written here of these discoveries. In a larger book the story of the brawl in which Pynson's head came so nigh to being broken, or of John Rastell's suit against the theatrical costumier who impounded the dresses used in his private theatre, would form pleasant digressions, but in a sketch of a large subject there is no room for digressions, and these personal incidents have been sternly ignored by their discoverer. Even his first love, Robert Wyer, has been allotted not more than six lines above the space which is due to him, and generally Mr. Plomer has compressed the story told in the Typographical Antiquities of Ames, Herbert, and Dibdin with much impartiality.

When we pass beyond the year 1556, which witnessed the incorporation of the Stationers' Company, Mr. Arber's Transcripts from the Company's Registers become the chief source of information, and Mr. Plomer's pages bear ample record of the use he has made of them, and of the numerous documents printed by Mr. Arber in his prefaces. After 1603, the date at which Mr. Arber discontinues, to the sorrow of all bibliographers, his epitome of the annual output of the press, information is far less abundant. After 1640 it becomes a matter of shreds and patches, with no other continuous aid than Mr. Talbot Reed's admirable work, A History of the Old English Letter Foundries, written from a different standpoint, to serve as a guide. His own researches at the Record Office have enabled Mr. Plomer to enlarge considerably our knowledge of the printers at work during the second half of the seventeenth century, but when the State made up its mind to leave the printers alone, even this source of information lapses, and the pioneer has to gather what he may from the imprints in books which come under his hand, from notices of a few individual printers, and stray anecdotes and memoranda. Through this almost pathless forest Mr. Plomer has threaded his way, and though the road he has made may be broken and imperfect, the fact that a road exists, which they can widen and mend, will be of incalculable advantage to all students of printing.

Besides the indebtedness already stated to the works of Blades, Mr. Gordon Duff, Mr. Arber, and Mr. Reed, acknowledgments are also due for the help derived from Mr. Allnutt's papers on English Provincial Printing (Bibliographica, vol. ii.) and Mr. Warren's history of the Chiswick Press (The Charles Whittinghams, Printers; Grolier Club, 1896). Lest Mr. Plomer should be made responsible for borrowed faults, it must also be stated that the account of the Kelmscott Press is mainly taken from an article contributed to The Guardian by the present writer. The hearty thanks of both author and editor are due to Messrs. Macmillan and Bowes for the use of two devices; to the Clarendon Press for the three pages of specimens of the types given to the University of Oxford by Fell and Junius; to the Chiswick Press for the examples of the devices and ornamental initials which the second Whittingham reintroduced, and for the type-facsimiles of the title-page of the book with which he revived the use of old-faced letters; to Messrs. Macmillan for the specimen of the Macmillan Greek type, and to the Trustees of Mr. William Morris for their grant of the very exceptional privilege of reproducing, with the skilful aid of Mr. Emery Walker, two pages of books printed at the Kelmscott Press.

That the illustrations are profuse at the beginning and end of the book and scanty in the middle must be laid to the charge of the printers of the seventeenth and eighteenth centuries, in whose work good ornament finds no place. It was due to Caslon and Baskerville to insert their portraits, though they can hardly be called works of art. That of Roger L'Estrange, which is also given, may suggest, by its more prosperous look, that in the evil days of the English press its Censor was the person who most throve by it.

Alfred W. Pollard.