I DID not tell you, when I paid you my last visit, that I had composed something in praise of your son; because, in the first place, I wrote it not for the sake of talking about my performance, but simply to satisfy my affection, to console my sorrow for the loss of him. Again, as you told me, my dear Spurinna, that you had heard I had been reciting a piece of mine, I imagined you had also heard at the same time what was the subject of the recital, and besides I was afraid of casting a gloom over your cheerfulness in that festive season, by reviving the remembrance of that heavy sorrow. And even now I have hesitated a little whether I should gratify you both, in your joint request, by sending only what I recited, or add to it what I am thinking of keeping back for another essay. It does not satisfy my feelings to devote only one little tract to a memory so dear and sacred to me, and it seemed also more to the interest of his fame to have it thus disseminated by separate pieces. But the consideration, that it will be more open and friendly to send you the whole now, rather than keep back some of it to another time, has determined me to do the former, especially as I have your promise that it shall not be communicated by either of you to anyone else, until I shall think proper to publish it. The only remaining favour I ask is, that you will give me a proof of the same unreserve by pointing out to me what you shall judge would be best altered, omitted, or added. It is difficult for a mind in affliction to concentrate itself upon such little cares. However, as you would direct a painter or sculptor who was representing the figure of your son what parts he should retouch or express, so I hope you will guide and inform my hand in this more durable or (as you are pleased to think it) this immortal likeness which I am endeavouring to execute: for the truer to the original, the more perfect and finished it is, so much the more lasting it is likely to prove. Farewell.