ILLUSIONS OF THE SENSES

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ur senses have been called the "Five Gateways of Knowledge" because all that we know of the world in which we live reaches the mind, either directly or indirectly, through these avenues. From the "ivory palace," in which she dwells apart, and which we call the skull, the mind sends forth her scouts—sight, hearing, feeling, taste, and smell—bidding them bring in reports of all that is going on around her, and if the information which they furnish should be untrue or distorted, the most dire results might follow. She, therefore, frequently compares the tale that is told by one with the reports from the others, and in this way it is found that under some conditions these reporters are anything but reliable; the stories which they tell are often distorted and untrue, and in some cases their tales have no foundation whatever in fact, but are the "unsubstantial fabric of a vision."

It is, therefore, of the greatest importance to us, that we should find out the points on which these information bearers are most likely to be deceived so that we may guard against the errors into which they would otherwise certainly lead us.

All the senses are liable to be imposed upon under certain conditions. The senses of taste and of smell are frequently the subject of phantom smells and tastes, which are as vivid as the sensations produced by physical causes acting in the regular way. Even those comparatively new senses[9] which have been differentiated from the sense of touch and which, with the original five, make up the mystic number seven, are very untrustworthy guides under certain circumstances. Thus we all know how the sense of heat may be deceived by the old experiment of placing one hand in a bowl of cold water and the other in a bowl of hot water, and then, after a few minutes, placing both hands together in a bowl of tepid water; the hand, which has been in the cold water will feel warm, while that which has just been taken from the hot water, will feel quite cold.

We have all experienced the deceptions to which the sense of hearing exposes us. Who has not heard sounds which had no existence except in our own sensations? And every one is familiar with the illusions to which we are liable when under the influence of a skilful ventriloquist.

Even the sense of touch, which most of us regard as infallible, is liable to gross deception. When we have "felt" anything we are always confident as to its shape, number, hardness, etc., but the following very simple experiment shows that this confidence may be misplaced:

Fig. 22.

Take a large pea or a small marble or bullet and place it on the table or in the palm of the left hand. Then cross the fingers of the right hand as shown in the engraving, Fig. 22, the second finger crossing the first, and place them on the ball, so that the latter may lie between the fingers, as figured in the cut. If the pea or ball be now rolled about, the sensation is apparently that given by two peas under the fingers, and this illusion is so strong that it cannot be dispelled by calling in any of the other senses (the sense of sight for example) as is usually the case under similar circumstances. We may try and try, but it will only be after considerable experience that we shall learn to disregard the apparent impression that there are two balls.

The cause of this illusion is readily found. In the ordinary position of the fingers the same ball cannot touch at the same time the exterior sides of two adjoining fingers. When the two fingers are crossed, the conditions are exceptionally changed, but the instinctive interpretation remains the same, unless a frequent repetition of the experiment has overcome the effect of our first education on this point. The experiment, in fact has to be repeated a great number of times to make the illusion become less and less appreciable.

But of all the senses, that of sight is the most liable to error and illusion, as the following simple illustrations will show.

Fig. 23.
Fig. 24.

In Fig. 23 a black spot has been placed on a white ground, and in Fig. 24 a white spot is placed on a black ground; which is the larger, the black spot or the white one? To every eye the white spot will appear to be the largest, but as a matter of fact they are both the same size. This curious effect is attributed by Helmholtz to what is called irradiation. The eye may also be greatly deceived even in regard to the length of lines placed side by side. Thus, in Fig. 25 a thin vertical line stands upon a thick horizontal one; although the two lines are of precisely the same length, the vertical one seems to be considerably longer than the other.

Fig. 25.

In Figs. 26 and 27 a series of vertical and horizontal lines are shown, and in both forms the space that is covered seems to be longer one way than the other. As a matter of fact the space in each case is a perfect square, and the apparent difference in width and height depends upon whether the lines are vertical or horizontal.

Fig. 26.
Fig. 27.

Advantage is taken of this curious illusion in decorating rooms and in selecting dresses. Stout ladies of taste avoid dress goods having horizontal stripes, and ladies of the opposite conformation avoid those in which the stripes are vertical.

But the greatest discrepancy is seen in Figs. 28 and 29, the middle line in Fig. 29 appearing to be much longer than in Fig. 28. Careful measurement will show that they are both of precisely the same length, the apparent difference being due to the arrangement of the divergent lines at the ends.

Fig. 28.
Fig. 29.

Converging lines have a curious effect upon apparent size. Thus in Fig. 30 we have a wall and three posts, and if asked which of the posts was the highest, most persons would name C, but measurement will show that A is the highest and that C is the shortest.

Fig. 30.

A still more striking effect is produced in two parallel lines by crossing them with a series of oblique lines as seen in Figs. 31 and 32. In Fig. 31 the horizontal lines seem to be much closer at the right-hand ends than at the left, but accurate measurement will show that they are strictly parallel.

Fig. 31.

By changing the direction of the oblique lines, as shown in Fig. 32, the horizontal lines appear to be crooked although they are perfectly straight.

Fig. 32.

All these curious illusions are, however, far surpassed by an experiment which we will now proceed to describe.

FOOTNOTES:

[9] The old and generally recognized list of the senses is as follows: Sight, Hearing, Smell, Taste, and Touch. This is the list enumerated by John Bunyan in his famous work, "The Holie Warre." It has, however, been pointed out that the sense which enables us to recognize heat is not quite the same as that of touch and modern physiologists have therefore set apart, as a distinct sense, the power by which we recognize heat.

The same had been previously done in the case of the sense of Muscular Resistance but, as the author of "The Natural History of Hell" says, "when we differentiate the 'Sense of Heat,' and the 'Sense of Resistance' from the Sense of Touch, we may set up new signposts, but we do not open up any new 'gateways', things still remain as they were of old, and every messenger from the material world around us must enter the ivory palace of the skull through one of the old and well-known ways."


                                                                                                                                                                                                                                                                                                           

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