Light, according to Newton, is the effect of luminous particles which dart from the surfaces of bodies in all directions. According to this theory, the solar light which we receive would depart from the sun and travel to the earth. According to Huyghens, light is caused by an infinitely elastic ether, diffused through all space. This ether, existing everywhere, is excited into waves, or vibrations, by the luminous body. The theory of light is so undetermined that neither the views of Newton, nor those of Huyghens, can be said to be exclusively adopted. Writers upon natural philosophy seize hold of either or both of those theories, as they present themselves more or less favourably in the explanation of natural phenomena. In "The Reason Why," as we have to speak of the effects of light rather than of its cause, we shall avoid, as far as possible, the doubtful points. But let no "And God said, Let there be light: and there was light." Ninety five millions of miles. At the rate of 192,000 miles in a second, through our atmosphere; and 192,500 miles in a second through a vacuum. Eight minutes and thirteen seconds. It is a spherical body, 1,384,472 times larger than the earth. From a luminous atmosphere, or, as M. Arago named it, photosphere, which completely surrounds the body of the sun, and which is probably burning with great intensity. Light may be produced by chemical action, by electricity, and by phosphoresence, in the latter of which various agencies unite. A ray of light is the smallest portion of light which we can recognise. A medium is a body which affords a passage for the rays of light. A beam of light is a group of parallel rays. A pencil of light is a body of rays which come from or move towards a point. "And God saw the light, that it was good: and God divided the light from the darkness."—Gen. i. The radiant point is that from which diverging rays of light are emitted. The focus is the point to which converging rays are directed. Diverging, starting from a point, and separating. Converging, drawing together towards a point. A ray of white light, as we receive it from the sun, is composed of a number of elementary rays, which, with the aid of a triangular piece of glass, called a prism, may be separated, and will produce under refraction the following colours:— 1. An extreme red ray—a mixture of red and blue, the red predominating. 2. Red. 3. Orange—red passing into and combining with yellow. 4. Yellow—the most luminous of all the rays. 5. Green—yellow passing into and combining with the blue. 6. Blue. 7. Indigo—a dark and intense blue. 8. Violet—blue mingled with red. 9. Lavender grey—a neutral tint. 10. Rays called fluorescent, which are either of a pure silvery blue, or a delicate green. Because the colour of light is governed by the rapidity of the vibrations of the ether-waves. When a ray of light is refracted by, or transmitted through a body, its vibrations are frequently disturbed and altered, and thus a different impression is made upon the eye. Light which gives 37,640 vibrations in an inch, or 458,000,000,000,000 in a second of time, produces that sensation "The light of the body is the eye: if therefore thine eye be single, thy whole body shall be full of light."—Matt. v. Accepting the theory of vibrations, and applying it to the elucidation of the phenomena of light—it is unnecessary, we think, to believe that a ray of white light contains rays in a state of colour. It is said that if we divide a circular surface into parts, and paint the various colours in the order and proportions in which they occur in the refracted ray, and then spin the circle with great velocity, the colours will blend and appear white. But such is not the case; the result is in some degree an illusion, arising out of the sudden removal of the impression made upon the eye by the colours; and if a piece of white paper be held by the side of the coloured circle in motion, the latter will be found to be grey. When it is remembered that in colouring a white surface with thin colours, the white materially qualifies the colours, it must be admitted that the experiment fails to support the assertion that the colours of the spectrum produce white. But there can be no difficulty in understanding that a ray of light undergoing refraction, becomes divided into minor rays, which differing in their degrees of refrangibility, vary also in the velocity of their vibrations, and produce the several sensations of colour. Because it reflects the light that falls upon it without altering its vibrations. Because it absorbs the light and puts an end to the vibrations. Because it imparts to the light that falls upon it that change in its vibratory condition, which produces on our eyes the sensation of redness. Because it reflects the light without altering its vibrations. Because, though it receives white light, it alters its vibrations to 44,000 in an inch, and 535,000,000,000,000 in a second, and this is the velocity of vibration which produces upon the eye a sensation of yellow. "But if thine eye be evil, thy whole body shall be full of darkness. If therefore the light that is in thee be darkness, how great is that darkness."—Matt. v. Because every surface has a peculiar constitution, or atomic condition, by which the light falling upon it is influenced. In tropical climates, where the brightness of the sun is the most intense, there the colours of natural objects are the richest; the foliage is of the darkest green; the flowers and fruits present the brightest hues; and the plumage of the birds is of the most gaudy description. In the temperate climates these features are more subdued, still bearing relation to the degree of light. And at a certain depth of the ocean, where light penetrates only in a slight degree, the objects that abound are nearly colourless. It has been held by many philosophers (and the theory is so far conclusive that it cannot be dispensed with) that there is an analogy between the vibratory causes of sound, and the vibratory causes of colour. Any one who has seen an Æolian harp, and listened to the wild notes of its music, will be aware that the wires of the harp are swept by accidental currents of air; that when those currents have been strong, the notes of the harp have been raised to the highest pitch, and as the intensity of the currents has fallen, the musical sounds have deepened and softened, until, with melodious sighing, they have died away. No finger has touched the strings; no musical genius has presided at the harp to wake its inspiring sounds; but the vibration imparted to the air, as it swept the wires, has alone produced the chromatic sounds that have charmed the listener. If, then, the varied vibrations of the air are capable of imparting dissimilar sensations of sounds to the ear, is it not only possible, but probable, that the different vibrations of light may impart the various sensations of colours to the eye? |