A man stood on the crown of a limestone quarry, where it bit into the slope of a green hill. Perched here, three hundred feet above the valley bottom, a varied scene spread round about, but he was only concerned with the other side of the coomb and the great pile of Dene Paper Mill that stood over against him. On his left opened the creek heavily fringed with trees. Mud banks oozed out upon it and the river channel twinkled in the midst of them. The beholder saw that the sea ascended to this rural scene, bringing its weeds and shells to the little beaches and its birds to the air. From this inlet, the great valley broke and pointed west. It expanded and widened among such rolling green steeps as that upon which the stranger stood, and the heights were capped at the skyline, here by clumps of Scotch fir; here, by spinneys of oak and elm; here, by arable or pasture. Rows of small houses lay among the orchards in the bottom, where a stream wound, and the methodical ordering of those tenements marked a sharp contrast with the irregular and older cottages round them. They were the homes of busy people drawn hither for one purpose, and above them towered the great hive wherein they worked. The Mill spread under a knoll of trees on the hillside and shone out grey and blue against the autumn colour of the hanging woods behind it. Wide roofs glittered with glass and the northern face rose finely with tier on tier of windows outlined in red brick. Lesser buildings supported the mass to right and left and a clock-tower and weather-vane surmounted the The building must have been imposing on a plain, but the hills rolling round about tended to dwarf its size by their immense contours. Under some lights indeed the Mill bulked greater than the surrounding scene and to the meditative mind far transcended the inert matter heaved and heaped around it; but to-day Nature was clad in glory and no building built with hands could compete against her splendour of blue sky, emerald green grass lands and autumn groves of beech and oak. Seen in this brilliant setting Dene Mill was an impression of restrained grey and silver. Broad lights and shadows brooded over it and sunshine found the roofs but not the face of the buildings. Yet no sobriety marked the mass. It never brooded or sulked, unless the sky lowered and dropped darkness upon it. There was joy in the feathers of steam that leapt, and laughter in the broad golden weather-vane above the clock-tower. Labour pursued in this rural valley seemed to offer some hope of lessened asperity. Eyes weary with work might lift to the windows and mirror green and gracious things—meadows climbing and orchards and thatched roofs; or shorn stubbles spreading like cloth of gold upon the shoulders of the eastern hills. The beholder marked the people moving about the many mouths of the great hive beneath him, and being a man apt to link impressions, he guessed that the Mill had been built of the stone from the quarry that gaped at his feet. The A bell rang and the people streamed away—men and women—in a little thin trickle, like beads irregularly scattered on a thread. Here and there the line was brightened by a flash of colour from a bright sun bonnet, or gown. The watcher descended now, gained the road below, then climbed the other side to the Mill. He was a middle-aged, good-looking man, with a round face, hair turning grey, and black, rather shifty eyes. Humour homed on his countenance and merriment and cunning shared his expression. He carried a large, brown paper bundle and wore a new, homespun suit, a paper collar, a sky-blue tie and a cloth cap. As he passed Mr. Trood’s house at the entrance of the works and proceeded towards them, looking round about him, there emerged the master, and the new-comer guessed that he was so. He touched his hat therefore and said: “You’ll be the boss, I reckon.” “Right—and what do you want?” “Work, Mr. Matthew Trenchard.” It was not strange to see a wandering paper maker. The body of these men is small; they know their own value and, being always precious, can count upon making a change with safety. They are sought and a first rate workman need be in no fear of not winning a welcome where hand paper continues to be manufactured. “What department?” asked Trenchard. “A vatman, if so be you’re wanting a good one.” “I’m always wanting a good vatman. We’ve got three of the best in England here.” “Take me and you’ll have four,” said the man. Trenchard laughed and looked at him. “Why are you changing?” he asked. They were standing opposite Mr. Trood’s house at the main gate and the master turned and knocked at the door. Trood himself appeared. “A vatman,” said Trenchard. “By name, Philander Knox,” explained the stranger. “I must tell you,” he added, “that I’ve got rather a queer stroke at the vat. People laugh to see me with a mould; but they don’t laugh when they see the paper.” “We shan’t quarrel with your stroke if we don’t with your sheet,” said Trood. “I’m for a nice, easy stroke myself, because it goes farther and faster; but we all know no two men have the same stroke. We’ve got a man now with a stroke like a cow with a musket; but his paper’s all right.” “You can come for a week on trial,” declared Trenchard. “Begin to-morrow if you’re agreeable to terms. We’re very busy. This is Mr. Trood, our foreman.” He went homewards and left the others together, while Mr. Knox produced his credentials. |