CHAPTER VIII. ILLAHUN. 1889-90.

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Having finished opening the pyramid of Hawara, the next attraction was that of Illahun, a few miles to the east of it, in the Nile valley, at the entrance to the Fayum. This pyramid differs from all others in that the lower part is a natural rock cut into shape; upon that a mass of mud-brick rises, like that of Hawara, and around the base lie the fragments of the fine limestone casing which originally covered it. As almost all the pyramids had their chambers built in a sort of well in the rock base, I tried this pyramid on such an hypothesis, and therefore cleared the edge of its rocky portion all round as far as possible, to search for the cut into it, expected to lead to the excavation for the chamber. At the south-east corner this was difficult, as the rock was there deficient, and the core had been made up by layers of chips. Still, for months we went on clearing the sides and searching. Much other work was going on meanwhile, and by different sources I had found that the pyramid belonged to Usertesen II, as we shall notice presently. Amongst other work, I searched along a ledge in the rock at the base, where the pavement had originally been placed. While doing this we found a well, which I did not clear, as I was near the end of my season for work; but, on Mr. Fraser coming to secure the place during my absence, I commended this well to his notice as a possible entrance. He cleared it out, and at forty feet deep found a passage leading up into the pyramid. Then it was evident that no other external sign on the pyramid itself was possible, for the passages and chambers were wholly cut in the rock, and the pyramid merely stood on the surface, without any connection with the sepulchre beneath it.

There were two well-entrances to the pyramid, close together. One beyond the pavement was so carefully covered with rubbish that I could not have found it unless I had made a great clearance; by this the sarcophagus and large blocks of masonry were taken in. The smaller well was evidently for the workmen to gain access to the lower side of the blocks that were in course of being taken in: it was hidden by the pavement, was found anciently, and served for spoilers to enter by, and lastly was found again in my digging. Had it not been for this smaller well, I believe the pyramid would have been still inviolate.

The passage in the inside is rough hewn in the soft rock, and was smeared over with a coat of thin plaster originally, but without a trace of ornament or inscription. It is wide, and high enough to walk upright freely. At the end it opened into a chamber lined with blocks of limestone, of which a large part has been removed, probably by the Ramesside masons, when they plundered the pyramid and its temples for stone. At the west end of this chamber, which runs east and west, is the door to a red granite chamber, containing the sarcophagus. This second chamber is roofed exactly like that of Menkaura’s pyramid at Gizeh, with slanting blocks cut out in a curve below. The sarcophagus is one of the finest products of mechanical skill that is known from ancient times. It is of red granite, of a form not before met with, having a wide rectangular brim. The surfaces are all ground flat, but not polished; truth, and not effect, was sought for. And its errors of work in flatness and regularity are not more than the thickness of a visiting card. Its accuracy of proportion is also fine, as each dimension is a whole number of palms, with a fluctuation of only one part in a thousand. In front of the sarcophagus stood the alabaster table of offerings, for the ka of Usertesen II, now in the Gizeh Museum. Strange to say, there is not a trace of a coffin, or a lid to the sarcophagus; and, indeed, as this chamber is not under the middle of the pyramid, it may be questioned whether the real interment is not yet to be reached by some other passage.

From the north wall of this chamber a strange passage is cut in the rock, first northwards, then west, then south, then east, and lastly northwards again, opening into the limestone chamber; in fact, it passes around the granite chamber. It was not a workman’s passage intended to be closed up again, as the doorway of it has a bevelled edge and is curved at the top. It rather looks as if intended to prove to any spoilers that there was no other concealed passage leading out from the granite chamber, and thus to check their destructive searchings. If so, we may be tolerably certain that there is some other chamber containing the real interment.

The chambers in the pyramid are to the east of the centre; and adjoining the east face of the pyramid externally there stood a shrine, on the walls of which were figured the tables and lists of offerings for the ka of Usertesen II. The sculptures were of beautiful work, and brilliantly coloured. What process was used for fixing these coats of colour we do not know; but still, from over four thousand years, after being broken and thrown into heaps, these colours are firmly fixed on the stone, and soaking and washing make no change in them. Only one large piece was found, now in the Gizeh Museum, but hundreds of portions of hieroglyphs were recovered among the chips. Who the destroyers were we can guess by an inscription of Ramessu II, rudely painted on a block of the stone. Among the ruins some chips of a black-granite seated statue of Usertesen II, were found, showing that the shrine was furnished like the earlier temples of the fourth dynasty.

The regular temple of the pyramid stood about half a mile to the east of it, on the edge of the desert; and it has been destroyed like the shrine, and by the same hands, as two cartouches of Ramessu II were found on the blocks; several beads, &c., of the nineteenth dynasty occur in the ruins; and I found the name of Usertesen II on a piece of a granite pillar of Ramessu II at Ahnas, some miles to the south, showing for what purpose Illahun had been plundered. The outline of the temple can be traced by the thick brick wall which surrounded it. The plan is square, and it seems to have consisted of brickwork externally, lined with limestone masonry. But of the internal arrangement not a trace can be recovered. Probably a shrine of granite stood at the west end of the court, and objects of sandstone in the area, judging by the position of the chips. Also a large basalt statue existed here, of which only one fragment was found; the statue must therefore have been removed (probably to Ahnas), and not broken up here. One interesting discovery was made, however. In the middle of the area I noticed a slight hollow in the rock surface, about two and a half feet square. I thought of a foundation deposit, and examined this place. A block of stone lay fitted into it; on breaking and raising this, a second block was seen; when that was removed, we found plain sand. Scraping this out, we came on much broken pottery, and then some bronze models of tools, and a large number of carnelian beads. There were four sets of objects, thrown in pell mell; but the strings of carnelian beads, all exactly alike, are a puzzle. Is it possible that they were bead-money? They have the requisites of an exchange standard, as well as gold; they need a regular amount of labour to produce them, they are unalterable, and they serve for ornament when not used for exchange. However that may be, we have here far the oldest foundation-deposit known.

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82. Foundation Deposit. 1: 4.

The great prize of Illahun was unknown and unsuspected by any one. On the desert adjoining the north side of the temple, I saw evident traces of a town, brick walls, houses and pottery; moreover, the pottery was of a style as yet unknown to me. The town-wall started out in a line with the face of the temple; and it dawned on me that this could hardly be other than the town of the pyramid builders, originally called Ha-Usertesen-hotep, and now known as Kahun. A little digging soon put it beyond doubt, as we found cylinders of that age, and no other; so that it was evident that I actually had in hand an unaltered town of the twelfth dynasty, regularly laid out by the royal architect for the workmen and stores, required in building the pyramid and its temple. After a few holes had been made, I formed up the workmen in a line along the outermost street, and regularly cleared the first line of chambers, turning the stuff into the street; then the chambers beyond those were emptied into them; and so line after line, block after block, almost every room in the town was emptied out and searched. The only part not quite cleared was where habitations had been formed in Roman times by lime-burners, who had disturbed the place and destroyed the ancient walls. Every chamber as it was cleared was measured and planned, and we can see the exact scheme of the architect, and where he expanded the town as time went on.

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83. North side of Kahun, showing Line of Town Wall.

The general outline was a square mass; walled on

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84. Steps to Upper Buildings on Hill.

the west, north, and east sides, but open on the south to the Nile plain, and not fully built out in this direction. In this space were buildings adjoining the wall all round; within them a main street around three sides of a square block of buildings in the middle; and minor streets subdividing the buildings. Then outside the wall on the west the town was enlarged by a further space, also walled, and divided by a long main street, and cross streets all the way along it. The larger houses all have a court, or atrium, with columns around the middle of it, and in the centre a small stone tank let into the ground with a square of limestone around it five feet each way. These columns were sometimes of stone, sometimes of wood; with a simple abacus, or with a carved palm capital; octagonal, or fluted, or ribbed; but they always had large circular stone bases, which mostly remain in place in the rooms. The roofing was usually of beams, overlaid with bundles of straw, and mud-plastered; but many arched roofs of brickwork remain, some entire, others with only the lower part. The doorways were always arched in brickwork, and we know now for certain that the arch was not only known, but was in constant use by the early Egyptians.

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85. Basket with Tools. 1: 7.

In the rooms pottery was often found; and many parts of the town having been deserted when the building of the pyramid was finished, the empty rooms were used as rubbish holes by the inhabitants who remained; in such places there might be even six or eight feet depth of broken pottery, woodwork and other things. Tools

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86. Castanets and Figure of Dancer.

were also found hidden in the dust which had lain in the chambers; and one basket was found with a lid, marvellously fresh and firm, containing copper hatchets and chisels, and a copper bowl, all as free from rust as when they were buried. Beneath the brick floors of the rooms was, however, the best place to search; not only for hidden things, such as a statuette of a dancer and pair of ivory castanets, but also for numerous burials of babies in wooden boxes. These boxes had been made for clothes and household use, but were used to bury infants, often accompanied by necklaces and other things. On the necklaces were sometimes cylinders with the kings’ names; and thus we know for certain that these burials, and the inhabitation of the town, is of the twelfth dynasty, from Usertesen II onward. Lying on one box was a splendid ivory carving of a baboon seated, of the most naturalistic work, comparable with the best cinquecento Italian ivories. This of course is kept at the Gizeh Museum. In the houses but little sculpture was found; far the finest piece being a basalt statue of an official, now also at the Gizeh Museum.

87. Ivory Baboon.

The domestic remains were of great interest; beside the pottery there were balls of thread, linen cloth, knives and tools of copper and of flint, a mirror of copper (Group 92), fishing nets, and many wooden tools, hoes, rakes, a brick-mould, plasterers’ floats, mallets, copper chisels set in wooden handles, &c. Also games (Group 93) as whip-tops, tip-cats, draught-boards, dolls, and a beautifully woven sling. Many pieces of furniture were found, among them the greater part of a finely-made slender chair of dark wood inlaid with ivory pegs. Blue-glazed pottery was not unusual, several figures of animals and pieces of bowls being found. Hitherto we had never known how the Egyptians obtained fire, as there is no sign of this on the sculptures, nor do they seem to have attached any significance to fire-making. In this town I found several sticks with the burnt holes made by drilling fire, as many races do at present: the Egyptians probably did this with the bow-drill, with which they were so familiar, and of which specimens were found here.

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88. Flint Tools. 1: 6.

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89. Plasterers’ Floats, and Brick-mould.

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90. Agricultural Tools of Wood. 1: 20.

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91. Fire Apparatus. 1: 10.

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92. Set of Tools, Vases, and Mirror. 1: 8

Not only do we in this town drop into the midst of the daily life and productions of this early age, but the documents of the time also remain. In various chambers papyri were found; some carefully sealed up and put by, such as the wills of Uah, and Antefmeri, but mostly thrown aside as waste paper. One of the largest is a hymn of praise to Usertesen III: some pages of a medical work, some of a veterinary papyrus, and innumerable parts of letters, accounts, and memoranda make up the collection. As only five papyri of this early date were known before now, this is a wide addition to our resources.

Another subject has quite unexpectedly come to light. Marks of various kinds are found on pieces of pottery-vessels here, some put on by the maker before the baking, but mostly scratched by the owner. These marks are many of them derived from the Egyptian workmen’s signs, corruptions of hieroglyphics. But, as we shall see in the next chapter, the discoveries at Gurob point to these having some kinship with the Western alphabets. They are therefore the venerable first step in adopting marks to represent sounds, irrespective of their primitive form and significance.

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93. Clay Toys, Twelfth Dynasty.

That these marks were known not only to Egyptians, but to foreigners here as well, is probable from the discoveries of Aegean pottery in this place. Intermixed with, and even beneath, the rubbish mounds of the twelfth dynasty are pieces of pottery which appear to be the forerunners of what we know as Greek pottery in later ages. The ware, the motives of the decoration, belong to the Aegean, and not to Egypt; either Greece or Asia Minor was their home, but long centuries before any specimens that we yet know of from those countries. The weights found here also testify to foreign influences, the greater part of them being on the Phoenician, Aeginetan, and Hittite standards.

Some later times have left their traces in this place, although the bulk of it is purely of the twelfth dynasty. A wooden stamp of Apepi was found, probably of the Hyksos king; and if so, the only small article yet known of that dynasty. A small papyrus of Amenhotep III was found, rolled up, and placed in a pottery cylinder: also a splendid ‘hunting scarab’ of that king, recording his slaying 102 lions, which is of brilliant and perfect blue-green glaze. A broken papyrus of Amenhotep IV was also left here. But the main prize was a family tomb, probably of the end of the nineteenth, or early twentieth, dynasty. A cellar cut in the rock, belonging to one of the houses of the twelfth dynasty, had been found at this later date, and used as a sepulchre. More than a dozen coffins were piled in it, each containing several bodies, all the wrappings of which were reduced to black sooty dust. I stripped for the work, and for hours was occupied in opening coffin after coffin, carefully searching the dust inside each, cataloguing everything as I found it, overhauling the pottery and stone vases heaped in the chambers, and handing everything out to the one native lad whom I took down to help me. At last I finished the place, and came out much like a coal-heaver or a sweep, so that I had to go to the nearest pond to wash all over. Though none of the interments were rich, yet there were interesting

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94. Objects from Maket Tomb. 1: 10.

objects, and some foreign; and above all we had the whole find completely recorded, and the positions of things noted exactly as they had been left by the interrers. A curious point is that though the pottery, and the decoration of one of the coffins, precludes our dating this earlier than the end of the nineteenth dynasty, yet all the scarabs on the bodies are of the early part of the eighteenth dynasty, down to Tahutmes III; excepting a few of the twelfth dynasty, doubtless found, as we found so many, in this town. That all the decorations should be heirlooms is a strange fact. In the richest coffin, the only one containing a name, that of the lady Maket, were two musical reeds, carefully slipped inside a larger reed for protection; the scale shown by their holes is the major scale. The pottery here was remarkable; not only are there none of the styles characteristic of the eighteenth and nineteenth dynasties, so well known at Tel el Amarna and Gurob, but the greater part is Phoenician, and not Egyptian, in its paste and its forms; while among it is an Aegean vase, with an ivy leaf and stalk on each side, the earliest style of natural decoration after the period of geometrical. Some vases of green paste here are curious, one in the form of a horn stopped at the wide end.

Of later date still was a large wooden door, which had been probably brought from some other place in Roman times, and used here for a house. It had been made by Usarkon I; and when the bronze head and foot-bands were incised with his name, the wood beneath had received the impression, which it retained after all the bronze had been removed. On the middle of the door there had been a scene of Usarkon offering to Neit and Horus, but this had been almost all chiselled away anciently. This door is now in the Gizeh Museum.

The next period of importance at Illahun is from the twenty-second to the twenty-fifth dynasties. The hills near the pyramid had been much used for rock tombs and mastabas of the pyramid period; but these had been plundered and destroyed in early times, and the excavations were re-used during the later Bubastite and Ethiopian dynasties. These interments are generally rude, the coffins seldom having any intelligible inscription; but mostly sham copies of the usual formula, put on by a decorator who could not read. The only fine tomb I found here was that of a priestess, Amenardus; her sarcophagus has carved inscriptions along the edges and down the corner-posts, and the coffin and that of her father are finely painted: these are now at Gizeh. Many of the mummies have bead net-works and patterns upon them, with figures of winged scarabs, the four genii, the ba bird, and other emblems, all executed in coloured beads. As the threading is completely rotted, the beads all fall apart with the slightest shake, and such work is therefore never preserved when excavations are left to the native overseers. When we entered a tomb, I opened the coffins in the gentlest way, drawing or cutting out the pegs which fastened them; and then a glance inside showed if any bead-work existed. If there were bead patterns, the next step was to fetch a petroleum stove down into the chamber, melt a batch of beeswax, and then when it was on the point of chilling, ladle it out, and dash it over the bead-work. If the wax is too hot it sinks in, and soaks all the mummy wrappings into a solid mass; if poured on, it runs off the body in a narrow stream. When all the beads were covered, and the wax set, I then lifted up the sheet of wax with the bead-work sticking to it, flattened it out on a board, and it was ready for fixing in a tray permanently, with the lower side turned outward.

The amulets found in these tombs are all of the figures of deities, specially Bast, and are of pottery covered with light olivey-green glazes, quite different from those of the nineteenth or twentieth dynasties. A revival of glazed work took place under the twenty-second dynasty, of very delicate character, and fine glazing. But the amulet system went into a very different stage in the twenty-sixth dynasty; then in place of two or three, generally varying in size, we find dozens all uniform in style, either of pottery or of polished stone, arranged in rows on the mummy according to a system. Such was the plan of the amulets at Hawara and at Nebesheh.

Yet a later period had left its remains at Illahun. In Coptic times, about the sixth and seventh century A.D., the ground all about the temple, and on a hill near the canal, was used for a cemetery. Though I could not spend time on clearing such remains myself, the people of the place readily grubbed up their forefathers, and disposed of their garments to any one who would buy them. I thus obtained a large quantity of embroideries and woven stuffs, the best of which are now at South Kensington.

Illahun has then proved of great value to our knowledge of Egyptian civilization; it has shown us a completely arranged town of the middle kingdom; it has surrounded us with all the products and manufactures of that age; it reveals the simultaneous use of finely wrought flint tools with those of copper, when bronze was yet unknown; it provides us with the writings of the period, including a will two thousand years older than any known before; the pyramid proves to be of a design new to us, and contains one of the finest examples of mechanical skill; while of later ages we learn the date of Phoenician pottery, and of the earliest figured Greek vases, and can trace the history of the use of amulets. Of the blanks in the history of civilization, one more has been filled up.

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95. Flint Hippopotamus, Twelfth Dynasty.

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96. Bronze Pans, Nineteenth Dynasty.

                                                                                                                                                                                                                                                                                                           

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