CHAPTER XVIII

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"To fill the hour—that is happiness: to fill
The hour and leave no crevice for repentance."

Anon.

"Daddy Brown, this is the girl I spoke to you about; will she do?"

That had been Joan's introduction to the manager of the Brown travelling company. He was a large man, with his neck set in such rolls of fat that quick movement was an impossibility. His eyes, small and surrounded by a multitude of wrinkles, were bloodshot, but for all that excessively keen. Joan felt as they swept over her that she was being appraised, classed, and put aside under her correct value in the man's brain. His hair, which in youth must have grown thick and curly, had fallen off almost entirely from the top of his head, leaving a small island sprouting alone in the midst of the baldness. This was known among the company as "The Danger Mark," for when the skin round it flushed red a fearful storm was brewing for somebody.

He sat in front of a table littered with papers, in a small, rather dirty office, the windows of which opened on to Bedford Street. With the window open, as he kept it, the noise of the Strand traffic was plainly audible.

He eyed Joan slowly and methodically; then his glance turned back to Fanny. "What can she do?" he asked heavily.

"Oh, everything," Fanny answered with a little gasp; "and she can share my dressing-room and all that."

"Humph!" grunted the man; once more his small, shrewd eyes travelled all over Joan.

"Well, perhaps, she will do." He agreed finally, "Mind you are in time at the station to-morrow. Cut along now, girls, I am busy."

Fanny was jubilant all the way home. "I thought I should be able to work it," she bubbled; "it will be fun, honey, to-morrow we are due at Tonbridge and the tour ends at Sevenoaks. All little places this time. But mind you, it is the first rung of the ladder for you. Brown's is a good company to start with. Country Girl, Merry Widow, Waltz Dream." She ticked them all off on her fingers one by one. "You are glad about it, aren't you?" she broke off suddenly to ask.

"Of course I am glad," Joan answered quickly, "and it is sweet of you to have got it for me. Perhaps I am a little nervous; it strikes me one might get very frightened of Mr. Brown."

"What, Daddy? He is all right if you know how to manage him, and he won't bother you." Fanny took a quick look at her. "You aren't his sort."

Was she really glad? Joan pondered the matter over when Fanny had at last betaken herself to her own room. At any rate she had, as it were, burnt her boats. She had left the Evening Herald, she had told Mrs. Carew to sublet her rooms. At least it would be good to get away from London for a bit.

Mrs. Carew had been quite frank and decided in her views on the subject.

"For a young lady like you to go off with the likes of 'er," this referred to Fanny, "it hardly seems seemly to me, Miss. Not that Miss Bellairs ain't all right in her own way, but it is not your way. Mark my words, Miss, you will regret it."

"And if I do," Joan had answered, "I can always leave and come back here, can't I, Mrs. Carew? I am sure you will always do your best to put me up even if this room is let."

"If I have a corner; Miss, you shall 'ave it and welcome. Nice and quiet young lady you have always been, and I know something of young ladies, I do."

It was evident, even in her efforts to be polite, that she considered Joan's present line of action to be one of deterioration. Was it, after all, a wise move, Joan wondered rather vaguely, as she packed away her few possessions. There was a great deal in Fanny's nature that she disapproved of, that could at times even fill her with disgust. In itself, that would merely hold her from ever coming to look at life from Fanny's standpoint. And perhaps she would find in the existence, which Fanny claimed to be full of love and laughter, something to satisfy the dull aching discontent which had wrenched at her heart all this last summer. Aunt Janet, Uncle John, the old home-life, the atmosphere of love and admiration, these had been torn from her, she needed something to take their place.

They met the rest of the company next day at the station. Fanny introduced them all to Joan, rather breathlessly.

"Mr. Strachan, who plays our hero, and who is the idol of the stalls. Mr. O'Malley, our comic man. Mr. Whistler, who does heavy father parts, wig and all. Mr. Jimmy Rolls, who dances on light toes and who prompts when nothing else is doing. The ladies, honey, take their names on trust, you will find them out sooner or later."

There were, Joan discovered, eight other ladies in the company. She never knew more than four of them. Mrs. O'Malley, Grace Binning, a small soft-voiced girl, Rhoda Tompkins, and Rose Weyland—a very golden-haired, dark-eyebrowed lady, who had been in some far back period, so Fanny contrived to whisper, a flame of Brown's.

Of the men, Joan liked Mr. Strachan best; he was an ugly man with very pleasant eyes and a rare smile that lit up the whole of his face. He seemed quiet, she thought, and rather apart from the others.

The journey down to Tonbridge proved slightly disastrous. To begin with, thanks to Daddy Brown himself, the company missed the best train of the day and had to travel by one that meant two changes. On arrival at Tonbridge at four o'clock in the afternoon they found that one of the stage property boxes had gone astray. Considering that they were billed to appear that evening at eight and the next train did not arrive till ten-thirty, the prospect was not a promising one.

"Always merry and bright," as Jimmie, the stage prompter, remarked in an aside to Strachan. "By the way, is it the Arcadians that we are doing to-night?"

"How the hell can we do anything," growled Daddy Brown, the patch of skin round his danger-mark showed alarmingly red, "if that box does not appear. Who was the blasted idiot who was supposed to be looking after it?"

"Well, it was and it was not me, Sir," Jimmie acknowledged; "the truth is that I saw it labelled all right and left it with the rest of the luggage to look after itself. I suppose——"

"Oh, what is the use of talking," Brown broke in impatiently; he had thrust his hat back on his fiery head, the lines of fat above his collar shone with perspiration. "You had better go on, all of you, and see about getting rooms; the first rehearsal is in an hour, box or no box, and don't you forget it."

"I don't see," wailed Mrs. O'Malley, almost as soon as his back was turned, "how we are to live through this sort of thing. What is the use of a rehearsal if none of our things are going to turn up?"

"I guess there will be a performance whether or no," Fanny told her. "Come along, honey," this to Joan, "seize up your bag and follow me; we have got to find diggings of sorts before the hour is up."

Joan found, as they trudged from lodging-house to lodging-house, that the theatrical profession was apparently very unpopular in Tonbridge. As Fanny remarked, it was always as well to tell the old ladies what to expect, but the very mention of the word theatre caused a chill to descend on the prospective landladies' faces. They found rooms finally in one of the smaller side streets; a fair-sized double bedroom, and a tiny little sitting-room. The house had the added advantage of being very near the theatre, which was just as well, for they had barely time to settle with the woman before they had to hurry off for the rehearsal.

"It won't do to be late," Fanny confided to Joan. "Daddy is in an awful temper; we shan't get any champagne to-night unless some of us soothe him down."

At the small tin-roofed theatre supreme chaos reigned upon the stage and behind it. Daddy Brown, his hat thrown off, his coat discarded, stormed and raged at everyone within hearing. The Country Girl had replaced The Arcadians on the bill; it was an old favourite and less troublesome to stage. Fanny was to play Molly; it was a part that she might have been born for. Daddy Brown won back to his good humour as he watched her; her voice, clear and sweet, carried with it a certain untouched charm of youth, for Fanny put her whole heart into her work.

Joan felt herself infected by the other's spirit, she joined in the singing, laughing with real merriment at her chorus partner. The stage boards cracked and creaked, the man at the piano watched the performers with admiring eyes—the music was so familiar that it was quite unnecessary for him to follow the notes. Daddy Brown and the box office man, sole occupants of the stalls, saw fit to applaud as the chorus swung to a breathless pause.

"That's good, that's good," Brown shouted. "Just once more again please, ladies, then we'll call a rest. Don't want to tire you out before to-night."

The dance flourished to its second end and Fanny flung herself exhausted against the wings. Her cough was troubling her again, shaking her thin body, fighting its way through her tightened throat.

"It's worth it though," she laughed in answer to Joan's remonstrance; "it is the only time I really live when I am dancing, you see."

The rehearsal dragged out its weary length, but not until Brown had reduced all the company to such a state of exhaustion that they could raise no quiver of protest to any of his orders. A man of iron himself, he extracted and expected from the people under him the same powers of endurance which he himself possessed. Since Fanny and Joan could not go home to their lodgings, the time being too short, Strachan escorted them out to obtain a meal of sorts before the evening's performance. Short of Daddy Brown's hotel, which stood close to the theatre and which they were all reluctant to try, there did not appear to be any restaurants in the neighbourhood and they ended up by having a kind of high tea at a little baker's. "Eggs are splendid things to act on," Strachan told Joan.

The girls, however, on their return found a bottle of champagne and two glasses waiting for them in Fanny's dressing-room. It had been sent with Mr. Brown's compliments to Miss Bellairs. The sight of it sent up Fanny's spirits with a bound.

"I did not know how I was going to get through the evening," she confessed, "but this will put new life into us."

She insisted upon Joan having a glass, and the latter, conscious that in her present state of tiredness she could hardly stand, far less dance, sipped a little of the clear, bubbling liquid—sipped till the small room grew large, till her feet seemed to tread on air, and her eyes shone and sparkled like the brightest of stars on a dark night.

The theatre after that, the crowded rows of faces, the music and the thunder of applause—the audience were good-tempered and inclined to be amused at anything—passed before her like some gorgeous light-flecked dream. When the soldiers in the back row took up the words of Fanny's song and shouted the refrain she felt swept along on the wings of success.

At the fall of the curtain Daddy Brown patted her on the back. He was by this time radiant with cheerfulness once more.

"You will do, young lady," he said. "We'll have to see if we can't work in a special dance for you;" and Fanny flung her arms round Joan in wild joy. "You're made, honey," she whispered, "if Brown has noticed you, you're made. I always said you could dance."

It was very thrilling and exciting, but the champagne was beginning to lose its effect. The world was growing grey again. Joan's head throbbed, and she felt self-consciously inclined to make a fool of herself. She sat very silent through the supper to which Brown treated the company at his hotel. There were about twenty people present, nearly all men; Joan wondered where they had been collected from, and she did not quite like the look of any of them. Fanny was making a great deal of noise, and how funny and tawdry their faces looked under the bright light. After supper there was a dance, the table was pushed aside, and someone—Joan saw with surprise that it was Daddy Brown—pounded away at a one-step on the piano. Everyone danced, the men, since there were not enough ladies to go around, with each other.

Fanny, wilder, gayer than ever, skirts held very high, showed off a new cake-walk in the centre of the room. Her companion, a young, weak-looking youth, was evidently far from sober, and the more intricate the step, the more hopelessly did he become entangled with his own feet, amidst shouts of amusement from the onlookers.

Joan turned presently—she had narrowly escaped being dragged into the dance by a noisily cheerful gentleman—to find Strachan standing beside her. He was watching her with some shade of curiosity.

"Why don't you go home?" he suggested; "it isn't amusing you and I can see you are tired. We get used to these kind of shows after a time."

"I think I will," Joan agreed; "no one will mind if I do, will they?"

"Not they, most of them are incapable of noticing anything." A cynical smile stirred on his face. "It is no wonder," he commented, "that we are known as a danger to provincial towns. You see the state of confusion we reduce the young bloods to." His eyes passed round the room and came back to Joan with a shade of apology in them. "A bad night, for your first experience," he said; "we are not always as noisy as this. Come along though, I'll see you home, if I may, my rooms are somewhere down your street."

Joan lay awake long after she had got into bed, and when she did at last drop off to sleep it was to dream strange, noise-haunted dreams, that brought her little rest. It was morning, for a faint golden light was invading the room, when she woke to find Fanny standing at the foot of the bed. A different Fanny to any Joan had ever seen before, tired and blowsy-looking, her hair pulled about her face, the colour rubbed in patches from her cheeks and lips.

"My word, it has been a night;" she stood swaying and peering at Joan. "It's life though, isn't it, honey?"

Then a wild fit of coughing seized her and Joan had to scramble out of bed and give what help she could. There was no hope of sleep after that, and when Fanny had been helped to bed Joan took up a chair to the window and drew aside the curtain.

Her mind was a tumult of angry thoughts, but her heart ached miserably. If this was what Fanny called life and laughter, she had no wish to live it.


                                                                                                                                                                                                                                                                                                           

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