As weaving progresses difficulty will be experienced in inserting cane ends in the holes, due to their becoming filled. Force the scratch awl thru and turn it several times. This will effectively force an opening. In many instances long ends of cane remain from one series to another. These generally, as previously mentioned, should be used in succeeding steps. There is one limitation. They should be used provided it is not necessary to carry them over more than four holes on the under side of the frame. The fewer loose ends left, the better, for the caning is thereby neater and better. It is generally advisable to use a full length strand to avoid a number of loose ends. The amateur will find his greatest difficulty in properly weaving the diagonals at the edges; that is, immediately upon entering or leaving a hole. Many commendable pieces of caning are spoiled by ragged, improperly woven edges. Care must be taken to see that the cane goes over and under the proper strand or strands at these points. Fig. 6 clearly shows how the diagonals should run. Study it carefully. The addition of a binder is generally a matter of taste. Perhaps 50 per cent of modern hand caned furniture does not employ a binder of any description. The series of regularly exposed holes are rather pleasing and in no way detract. However, in chair seats a binder is essential to protect the ends of canes, for they are subject to hard wear. Binders of reed or of wood called “splines” may be used on hand-caned frames. If either is used a groove ¼ in. deep and ³/16 in. The size of the holes and the distance between them is determined largely by the size of the cane used. Some prefer coarse meshed areas, while others desire them closely woven. There is, however, what we may term a standard mesh. The individual may vary the dimensions given to suit himself. The Jacobean or early caning was invariably of coarse mesh. FIG. 7. WINGBACK CHAIR. Carriage and superfine cane require ? in. holes and ? in. spaces; fine-fine cane requires ³/16 in. holes and ½ in. spaces; fine cane requires ³/16 in. holes and ? in. spaces; medium, ¼ in. holes and ¾ in. spaces. Fine-fine and fine cane are the best sizes for shop use. A small amount of medium binder is desirable. One hank of cane will ordinarily be sufficient for a half-dozen areas of approximately 12 in. by 12 in. Most old pieces of period furniture utilizing cane employ a particularly narrow split horizontally and vertically, and a wider split diagonally. The opposite practice may be employed—a finer split of cane being used diagonally than horizontally and vertically. Both effects are pleasing. In all illustrations of rectangular areas shown herein, corner FIG. 8. SKETCH OF STRIP TO COVER CANE ENDS. It is frequently necessary or desirable to cover up the cane on the back or inside of an article. This is true of places exposed to view, and is especially advisable on such pieces of furniture as the wingback chair shown in Fig. 7. This chair of William and Mary design was made in a school shop, is hand caned, and of mahogany. The exposed cane is covered with strips of mahogany ¼ in. thick and 1 in. wide in which a groove ? in. deep and ? in. wide has been run. This groove may be made with saw, chisel, or combination plane. Fig. 8 shows a sketch of such a strip. It makes a neat, pleasing cover. Many pieces of so-called expensive furniture have ragged, exposed caning. This is unsightly and is not to be commended. Wherever it is found desirable to leave cane natural, it is necessary that the frame be stained before caning is begun. Box fuming will not permanently color cane. Oil stains make no appreciable impression if rubbed off at once. But water, acid, and alcohol stains produce decided colors. If the worker desires to color the cane approximately the same shade as the article, the caning may be done on the white wood and the entire article stained at the one operation. Cane may be shellacked or varnished or left natural, as desired. FIG. 9. BACK OF CHAIR SHOWING ODDLY SHAPED AREAS. FIG. 10. METHOD OF LOCATING HOLES ON WING OF CHAIR. To clearly understand how the holes are located on a wing of FIG. 11. CLOSE VIEW OF WING. In weaving the diagonals it is frequently necessary to run several in one hole in order to keep the canes as straight as possible. Just when this should be done can only be determined by the worker. A diagonal should never be permitted to swing to any great degree out of a straight line. A close observation of the photograph of the wing will reveal many diagonal canes in one hole, and several holes skipped entirely. FIG. 12. CANING OF FIVE STEPS. Fig. 12 illustrates a frame caned with the five steps. The distance between holes was purposely made greater than usual, to show the weave clearly. The first strands are strung in, in the same manner as described in the seven steps. The second series of FIG. 13. DAVENPORT WITH CANED PANELS. FIG. 14. ROCKER WITH CANED SIDES. FIG. 15. BOOK SHELVES WITH CANED PANELS. Under proper correlation with wood in school shops it promotes an appreciation of constructive design in which the element of beauty is a prime consideration. It is a practical medium in which the aspect of design as an element of utility is paramount. It has distinct commercial value, for the boys who have had training in the shops may do chair seating outside and earn considerable money. By such work they come to see a distinct relation between the commercial field and their shop experiences. This is a point of view which is very desirable in present-day industrial education. FIG. 16. LIBRARY TABLE. FIG. 17. TABLE. SIDES CANED. Fig. 16 shows a library table of oak constructed by an eighth grade boy. The lines are very pleasing and the long vertical caned panel adds a distinct note to the structure even tho purely decorative. Many modifications of the standard weave in caning are in vogue, but are more or less fads. A “rotary” weave is rather prevalent on certain types of furniture, as is what may be termed the “spider-web” weave. These are mentioned merely to suggest that caning is subject to variation. However, the standard weave, of seven steps, will not be supplanted to any appreciable degree, for it adapts itself to almost all types of furniture both decoratively and structurally. Two chairs, two stools, a table and a stand SUGGESTIVE PROJECTS. |