O
h, Laura, I want you to come home with me to-morrow after school and dine, and stay the evening. We shall be alone together, for mamma and papa are going out to a dinner-party. You'll come, won't you? Mamma told me to ask you."

"If it was any other evening."

"Now, Laura, you are not going to say you can't come!"

"I must, Kitty. I have promised to take tea with Esther Bodn."

"Esther Bodn!"

"Yes, she asked me to fix a day this week when I could come, and I fixed Thursday,—to-morrow."

"But, Laura, can't you postpone it? Tell her how it is,—that mamma and papa are going away, and that Mary and Agnes are in New York, and I shall be all alone unless you come. Can't you do that, Laura?"

"I don't want to do that, Kitty."

"Oh, you'd rather go to that little Bodn girl's than to come to me!"

"I didn't say that, and I didn't mean that, Kitty. I meant that I didn't want to do what you asked, because it wouldn't be polite or kind."

"Well, it seems to me, Laura Brooks, that you are putting on very ceremonious airs all at once. Didn't you postpone until another day a visit to Amy Stanton last winter, for just such a reason as this,—that you might go to Annie Grainger's when her mother went to Baltimore,—and Amy never thought of its being impolite or unkind."

"But that was different, Kitty."

"Different? Show me where the difference is, please."

"Oh, Kitty, you know."

"But I don't know."

Laura's delicate face flushed a little, but after a moment's hesitation she said: "Esther is—is not like Amy Stanton or you; that is, she doesn't live in the same way. The Bodns are poor,—quite poor, Kitty."

"Well, I don't see how that alters the case," still obstinately responded Kitty.

"Now, Kitty, you do see. Esther is shy and sensitive. She doesn't visit the people that we do."

"She doesn't visit anybody, so far as I know."

"Yes, that is just it," Laura went on eagerly; "and so you see that when she and her mother have made preparations for company—even one person—it would put them to a great deal of trouble and inconvenience to change the time, and it would be unkind and impolite to ask them to do it."

"How do you know that they have made such unusual preparations for you?" asked Kitty, sarcastically.

Laura flushed again as she answered: "I didn't mean unusual in one way, but I thought that they didn't often invite company by something that Esther said. When she asked me to fix a day, she told me that her mother wasn't very well, and that they didn't keep a servant."

"Not keep a servant! Not a single one! Why, they must be awfully poor, like common working-people!" exclaimed the young Beacon Street girl, in a wondering tone.

"Esther isn't common, if she is poor," Laura instantly asserted with decision.

"I don't understand how anybody so poor as that should be sent to Miss Milwood's school. I shouldn't think they could afford it," went on Kitty; "why, the place for her is a public school."

"But, Kitty, don't you know that Esther assists Miss Milwood,—that it is Esther who looks over all the French and German exercises, and makes the first corrections before mademoiselle takes them?"

"Esther Bodn?"

"Yes,—why, Esther, you must have noticed, is very proficient in French and German. She and her mother have lived abroad and here, in French and German families, to prepare her for being a teacher. She has a great natural aptitude, too, for languages."

"How in the world did you find all this out, Laura?"

"I didn't find it out, as you call it,—there is no secret about it,—Esther would no doubt have told you as much, if you had got as well acquainted with her as I have."

"I don't see how you came to get so well acquainted with her. She's nice enough, but I could always see that she wasn't like the rest of us,—of our set."

"Like the rest of us! She's just as good as the rest of us, and better than some of us."

"Oh, I dare say," said Kitty, in a patronizing tone.

"She may not be of our set, as you say, Kitty; but when I think of how Maud and Florence Aplin talk sometimes, I don't feel very proud of belonging to 'our set.'"

"Yes, I know, Maud and Flo do brag awfully now and then; but they are nice girls, and it is a nice family, mamma says."

"Every one seems to say that about them, and I've often wondered what they meant. I'm sure Mr. Aplin isn't very nice. He has no end of money, I know, but he can be so rude, and Mrs. Aplin is so patronizing. Now, why should they be called such 'nice people'?"

Kitty straightened herself up, put on a very knowing look, and repeated parrot-like what she had heard older persons say,—

"Mrs. Aplin was a Windlow."

"What in the world is a Windlow?" asked Laura, rather sarcastically.

Kitty was a worldly young woman, but she was also full of fun; and this question of Laura's amused her mightily, and with a suppressed giggle she answered demurely: "I think it has something to do with windows. The Windlows were English, and I believe their business was to open and shut the windows in the king's palaces,—perhaps to wash them. This all began ages ago, and it was considered a great honor, a tip-top thing to do, especially when the windows were high up. The honor has descended from generation to generation, and the name with it, I believe. They had some very ordinary name at the start."

The giggle, that had been suppressed up to this point, now burst forth in a shout of laughter, wherein Laura herself joined, exclaiming, as she did so, "Oh, Kitty, you are so ridiculous!"

"Why don't you make a rhyme and say, 'Oh, Kitty, you're so witty'? But, Laura, it is you who are odd and ridiculous, to pretend that you don't know that Windlow is one of the oldest names of one of the oldest families who came over to America in the Mayflower,—regular old aristocrats."

"Now, Kitty, I'm up in my history, if I'm not on this society stuff, and just let me tell you that those first settlers of America who came over in the Mayflower were not aristocrats."

"Oh, Laura, when everybody who can, brags of a Mayflower ancestor! I heard Mrs. Arkwright say to mamma, the other day that the Aplins were of the real old Mayflower blue blood."

"Then Mrs. Arkwright, with the 'everybody' you tell of, doesn't know what history says."

"Why, I'm sure I thought that was history."

"Well, it isn't. Last year I went with my father to Plymouth, and he took me to the famous rock where the Mayflower pilgrims landed, and afterward he gave me a lovely book called 'The Olden Time,' by Edmund Sears, that told me all about the pilgrims,—who they were, and why they came over, and everything, and I remember it said in this book that the Plymouth pilgrims were constantly confounded—those were the very words—with the Puritans who came over nine years later to Massachusetts."

"But Plymouth is in Massachusetts."

"Yes, I know, but it wasn't in that day. It was simply Plymouth Colony. The Mayflower sailed by Cape Cod into Plymouth Bay. They named the bay Plymouth, as they named the town Plymouth, for the old Plymouth in England."

"Did they name Cape Cod too?"

"No; that name was given years before by Captain Gosnold, an early voyager."

"Oh, I know, he caught such a lot of codfish there. I wish he'd never discovered the place; I hate codfish. But go on with your history lesson, Miss Brooks. I haven't any Mayflower ancestors, and so I'm more than resigned to have them taken down from their aristocratic peg."

"But they were lovely people,—lovely; kind and good to everybody, whether they believed as they did or not, for they had been persecuted themselves in the old country they had left for their opinions, and they meant that every one in the new country should worship as they pleased. They were very intelligent people, too, though, as this history says, 'from the middle and humbler walks of English life.' It was the men who came over to Massachusetts Bay and settled in Boston who were the aristocrats, and they were not nearly so liberal and generous as the Plymouth men. The head ones were stiff and overbearing, and meddled and interfered with people who didn't think as they did, and made a lot of strict little laws about all sorts of things, so that the name of 'Puritan' and 'puritanical' came to be used for anything that was bigoted and narrow-minded; and these names have stuck to all New England, and papa says that at this day people mix up things, and think that the Mayflower people and Boston people were all alike."

Kitty Grant gave a little hop, skip, and jump here, to Laura's astonishment. "Oh, Laura, it's such larks," she cried out. The two girls were walking down Beacon Street on their way home from school, and Laura looked about her to see what Kitty had so suddenly discovered to call out such an exclamation. Seeing nothing unusual, she asked, "What is such larks?"

Kitty laughed. "Oh, Laura, can't you see that this little fact you have pulled out from this tangled-up colony business, this dear dreadful little fact that the Mayflowers were not aristocrats, only—what does your history book say? Oh, I have it—'from the middle and humbler walks of English life;' not blue Mayflowers, but common colors—can't you see that it will be such larks for me to use this little fact like a little bombshell, when Mrs. Arkwright, or Maud, or Flo Aplin, or any of these Mayflower braggers begin to hold forth?"

"Why, Kitty, I thought you liked Maud and Flo!"

"I do when they don't give me too much Mayflower. I've always thought, and so has mamma, that this was their one fault,—that if it wasn't for that, they would be pretty near perfect; and now—and now, Brooksie, I shall proceed to be the means of grace that shall make them paragons of perfection. Oh, Laura, you're a treasure with that head of yours crammed full of facts, and I'll forgive you anything for this last little fact, even for neglecting me for that little Bodn girl!"

"I haven't neglected you."

"Well, snubbed me, then."

"Nor snubbed you. I only want to be considerate and polite to Esther; that's all."

"What a horrid name she has! Did you ever think of it, Laura—Esther Bodn—Bodn?"

"I don't think it's horrid at all. I like it."

"B-o-d-n—Bodn—it sounds awfully common."

"Why, Kitty, it's spelled B-o-w-d-o-i-n, the same as our Bowdoin Street, and pronounced Bod'n, as that is!"

"Is it, really? I didn't know that."

"I'm sure Bowdoin Street sounds well enough."

"Well, yes, I've always rather liked the sound of it; but then, you know, I always saw and felt the spelling, when I saw it. What in the world was the pronunciation ever snipped off like that for? It ought to be pronounced just as it is spelled. I've a good mind to pronounce it so the next time I speak to Esther."

"No, I wouldn't do that; but you might think of her as Miss Bowdoin," answered Laura, dryly.

"Oh, Laura, what a head full of wisdom you've got! I don't see how I ever lived without you. But—see here, tell me what street Miss Bowdoin lives in."

Laura hesitated a moment; then answered, "McVane Street."

"Where is McVane Street, for pity's sake? I never heard of it,—one of those horrid South End streets, I suppose?"

"No, it is at the West End, beyond Cambridge Street, down by the Massachusetts Hospital."

"No, no, Laura Brooks, you don't mean that she lives down there by the wharves?"

"It isn't by the wharves," cried Laura, indignantly.

"Well, it isn't far off. One of the regular old tumble-down streets, given up long ago to cobblers and tinkers of all kinds, and you're going to take tea with a girl who lives in that frowsy, dirty place!"

"It isn't frowsy and dirty. It's only an old, unfashionable street, but not frowsy or dirty. It's quite clean and quiet, and has shade-trees and little grass plots to some of the houses. Why, it used to be the court end of the town years ago."

"So was North Bennet Street, and all the rest of the North End; and now it's turned over to the rag-tag of creation,—Russian Jews, and every other kind of a foreigner,—and look here!" suddenly interrupting herself, as a new idea struck her, "I'll bet you anything that this Esther Bodn is a foreigner,—an emigrant herself of some sort."

"Kitty!"

"Yes, I'll bet you a pair of gloves,—eight-buttoned ones,—and I don't believe her name is spelled at all like our Bowdoin Street. I believe they—her mother and she—spell it that way to suit themselves. I believe it's just Bodn; and that is an outlandish foreign name, if I—"

"Kitty, I think it's positively wicked for you to talk like this,—it's slander."

Kitty laughed, and, wagging her head to and fro, sang in a merry little undertone,—

"Taffy is a Welshman, Taffy is a thief
Flaunting as a Yankee man; that's my belief."

Laura couldn't help joining in this laugh, Kitty was so droll; but the laugh died out in the next breath, as she said,—

"Now, Kitty, don't go and talk like this to the other girls; don't—"

"Laura, how did it ever come about that the Bodn invited you to tea?" interrupted Kitty.

"It came about as naturally as this: One day I was going along Boylston Street, and just as I got to the public library I met Esther coming out with her arms full of books. I joined her, and insisted upon carrying some of the books for her; and after a little hesitation she accepted my offer, and led the way across the Common to the opposite gateway upon Charles Street. Here she stopped, and held out one hand for the books, and said, 'It was so kind of you to help me. Thank you very much.'

"'But I'm not going to leave you here,' I said; 'I'll walk home with you.' 'But it's a long walk to where I live,' she answered. I told her I didn't think anything of a long walk, and insisted on going further with her. I felt sorry, however, a minute after, for I saw that I had made a mistake,—that she didn't want me to go with her; but I didn't know how to turn back at once then, as she had started up briskly at my insistence with another 'Thank you.' But when we turned into Cambridge Street, I began to understand why she didn't want me,—she felt sensitive and afraid of my criticism; and I don't wonder—"

"Nor I, either," struck in Kitty, in a flippant tone.

"I should have felt sensitive," went on Laura, pityingly, "and I was so sorry for her; but I was determined to keep on then, and seem to take no notice, and somehow make her understand that it made no difference to me where she lived. I felt sorrier and sorrier for her, though, as she went on down Cambridge Street, past all those liquor and provision and second-hand furniture shops, with the tenements over them, and I was so thankful for her when she turned out of all this, and we crossed over and went into a quiet old street, and came out upon the pretty grounds of the Massachusetts Hospital; and as soon as I saw these grounds, I said, 'Oh, how pretty!' and then we turned again, and it was into the street opposite the hospital. It was almost as quiet as the country there. There were no shops at all, and the houses, though they looked old, were in very good repair, and some of them had been freshly painted, and had little grass plots beside them; and it was before one of these that Esther stopped, and then she said, 'If we had come over the hill, the way would have been pleasanter,' and I said just what I felt,—that I thought it was very pleasant, anyway, when you got there, and that the sunset must be beautiful from the windows. She was taking the books from me as I said this, and she looked up at me for a second, as if she were studying me, and then she asked me if I would like to come in some bright day, and see her and the sunsets,—that they were very beautiful from the upper windows. I told her I would like to come very much, and thanked her for asking me; and then I kissed her, for—"

"And struck up an intimate friendship at once," burst in Kitty, laughing.

"No, for this was some weeks ago, and she's only just asked me to set the day when I could come. Oh, Kitty, you may make fun all you like; but she is a very interesting girl,—my mother thinks she is too."

"Oh, you've introduced her to your mother, have you?"

"I have told mamma about her, and I brought her in one afternoon to see the pictures,—she's very fond of pictures,—and mamma asked her to stay to luncheon, but she couldn't."

"And now it is you who are going to make the first visit, going to sunsets and tea on McVane Street!"

"Laura! Laura!" called a voice here; and Laura looked up, to see her brother Jack in his T-cart pulling up at the curbstone. The next minute she was whirling off with him, bowing good-by to Kitty; and Kitty was calling after her mischievously,—

"Laura, Laura, tell your brother you are going to take tea with a girl who lives on McVane Street!"

CHAPTER II.

The spirited horse that young Jack Brooks drove held his attention so completely at that moment that he had no time to bestow upon anything else; but when he was well out on the broad, clear roadway of the "Neck," he turned to his sister, and asked, "What did Kitty Grant; mean by your going to take tea with a girl who lives on McVane Street?"

"It is one of the girls at Miss Milwood's school,—Esther Bodn."

"How does a girl who lives on McVane Street come to go to Miss Milwood's school?"

"She assists Miss Milwood." And Laura told what she knew of Esther's assistance in the way of the French and German.

"Oh!" and the young man gave a satisfied sort of nod as he uttered this, as much as to say, "That explains it;" and then, dismissing the subject from his mind, turned his whole attention again to his horse, while Laura drew a deep breath of relief. She had begun to think that if her brother were to take up Kitty's cry against McVane Street, she might find her anticipated visit set about with thorns. "But I shall go, I shall go!" she said to herself, "whatever Jack may say, when mamma says that I may."

But Jack said no more on that occasion, nor when his mother, the next day at luncheon, asked Laura what time Miss Bodn expected her, did the young gentleman make any remark. He had evidently forgotten the matter altogether; and Laura, without further anxiety, set out upon her little journey to McVane Street.

Kitty Grant had laughed that morning when Laura had told her that she was to go to Esther's at four o'clock and leave at six, that she might be in time for her own dinner hour,—had laughed and said, "Oh, a regular 'four-to-six,'—a sunset tea! The little Bodn is 'up' on 'sassiety' matters, isn't she? Dear me, I wish I could go with you,—I never went to a sunset tea. Couldn't you take me along?"

"No, I'm sure I couldn't," Laura had answered, laughing a little, but a little irritated, nevertheless, at Kitty's tone; and when Kitty had gone on and declared that nobody could be more appreciative than herself, Laura had retorted,—

"Yes; but you make great mistakes in your appreciations. You wouldn't appreciate Esther's own sweetness and refinement at their real worth, if the carpets and curtains and chairs and things in the house on McVane Street didn't happen to please your taste."

These words of hers returned to Laura with great force as the door of the house on McVane Street was opened to her, and she found herself in a chilly hall, darkly papered and darkly and shabbily carpeted; and when she followed Esther up the stairs,—for it was Esther who had answered her ring,—and noted the general dreariness of the whole, she thought pityingly, "Poor Esther, to be obliged to live in such a dismal fashion."

It was in this depressed state of mind that she came to the top of the stairs. Here Esther was waiting for her; and as she pushed wide open a door in front of her, she said brightly, "Here we are," and Laura, turning, stood for a moment dumb with surprise, as she saw a room that by contrast with the dinginess of the halls looked almost luxurious, for it was all lightness and brightness and warmth and sweet odors, with the sunshine streaming in upon a window full of plants, and touching up a quantity of woodcuts, photographs, and water-colors, with a few oils, and two or three fine etchings,—all of which pretty nearly hid the ugly dark wallpaper. A little coal fire in a low grate made things still brighter, and brought out the soft faded reds of the rug, and purples and yellows of the worn chintz covers of lounge and chairs. And right in the lightest and brightest spot of all this lightness and brightness stood a little claw-footed round table, bearing an old-fashioned tea-service of china. The sunshine seemed actually to fill up the cups and spill over into the gilt-bordered saucers, as Laura looked. "It is a 'sunset tea,' indeed," she said to herself; "and if Kitty Grant could see how pretty and refined were the simple arrangements, she wouldn't mix Esther up with any horrid common emigrants, if she does live on McVane Street. Esther a foreigner of any kind! Nothing could be more absurd. Esther was a New England girl, if ever there was one,—a little New England girl, who had come up with her mother to Boston from the Cape perhaps to learn to be a teacher. Yes, that must be the explanation of McVane Street. The Bodns were people who had come up from the country, and country people of small means wouldn't be likely to know where to choose a home."

Laura had all this settled satisfactorily in her mind after she had chatted awhile with Esther in the sunny room, and taken in more completely its various details, such as the fishnet drapery by the windows, the group of shells on the plant-stand, and several photographs of a sea-coast. And when shown other sea-country treasures,—bits of coral and ivory and mosses,—things grew plainer than ever, and she began to have a very clear notion of Esther's past surroundings, and pictured her mother as one of those neat, trim, anxious-faced little women she had often seen in her sea or mountain summerings. It was just when she had got this fancy picture sharply defined that she heard Esther say, as a door leading from the next room opened,—

A tall, handsome woman smiled a greeting
A tall, handsome woman smiled a greeting

"Mother dear, this is my friend Laura Brooks, I've told you about;" and Laura, rising hastily, turned to see no trim, anxious-faced little person, but a tall, handsome, dark-eyed woman smiling a greeting to her daughter's guest over the pot of tea and plate of bread and butter that she carried. Not in the least like the fancy picture; but who—who was it she suggested?

All through the little meal this question kept recurring to Laura. Where had she seen that dark, handsome face before? It recurred to her again, as she followed the mother and daughter up to the little third-story room, to see the beautiful sunset effects. Where had she seen just that profile against such a sunset light? Then all at once, as the declining beams sent a redder ray across the nose and chin, the question was answered. The red ray had also illumined Laura's own face, and Mrs. Bodn, turning suddenly, caught the girl's curiously animated expression, and asked inquiringly, "What is it, my dear?" and Laura answered eagerly,—

"Oh, do you know that picture of Walter Scott's 'Rebecca,' painted by some great English artist, I think? My uncle has a copy of it in his library, and it is so like you, so like you, Mrs. Bodn. The moment I saw you I was sure that I had met you before; but just now, when the sunset lit up your face, I knew at once what made it so familiar. It was its great resemblance to the 'Rebecca.' Oh, do you know the picture, Mrs. Bodn?"

"Yes, perfectly well," answered Mrs. Bodn, quietly; "but it was not painted by an English artist, it was the work of a young German who is now dead. He was very little known, though he did some fine work."

"And did you know that the picture was so like you, Mrs. Bodn?"

"Well, yes, I knew that it was thought to be like me when it was painted; and it ought to be, you know, for I sat for it,—I was the model."

"You were a—a—the model," gasped Laura, in astonishment.

"Yes, I was a—a—the model," answered Mrs. Bodn, repeating Laura's own halting syllables, with an accent half of amusement, half of sarcasm. Then, more seriously, she added, "It was years ago, when I was living in Munich."

"Esther, where are you?" a voice from the floor below here called out.

"We are up in your room looking at the sunset; it's lovely; come up and see it," Esther called back. And the next moment Laura was being introduced to "My cousin, David Wybern,"—a tall, good-looking boy of fifteen or sixteen, with beautiful dark eyes like Mrs. Bodn's. The next moment after that, when this tall, good-looking boy, in addressing Mrs. Bodn, called her "Aunt Rebecca," like a flash these thoughts went flying through Laura's mind,—

"A model for Rebecca the Jewess, and her own name Rebecca, and her daughter's and her nephew's names,—Esther, David,—these also Hebrew names!" What did it signify? Kitty—Kitty would say that it proved she was right,—that they were the very people she had said they were. But, oh, they were not; they were not of that common kind that Kitty had classed so scornfully! No matter if her mother had been a model years ago, it was through poverty, of course, and she was very brave not to be ashamed of it; and Esther,—Esther was lovely, a girl to be good to, to be true to, and she, Laura Brooks, would be good to her and true to her, no matter what happened. Poor Laura, she little knew how this resolve would be put to the test within the next few hours, for she could not foresee that the fact of the coachman's forgetfulness to call for her, as he had been ordered to do, and her consequent acceptance of David Wybern's attendance, was to bring such a storm about her. It had seemed the simplest thing in the world, when half-past six struck, and no carriage came for her, to accept David's attendance, and just as simple, when the street cars rushed by, without an inch of standing-room, to walk on and up over the hill to Beacon Street. But in this walk it happened that her brother had passed her as he drove by with one of his friends, and he had gone straight home and into the dining-room with the words, "What does this mean?" and then he proceeded to tell how he had passed his sister accompanied by a young man or boy who looked to him like one of the clerks in Weyman & Co.'s importing-house.

What did it mean, indeed? Her father and mother also wondered and exclaimed; and when Laura appeared, and told them what it meant, there was a general outcry of disapproval and criticism, led on by her brother, who told her she should have waited and sent a message to them by this boy, instead of permitting him to walk home with her. In vain Laura spoke of the boy's good manners, of the refined aspect of the little home which she had just visited, and the intelligence and dignity of Mrs. Bodn and her daughter. Nothing she said seemed to ameliorate the disapproval or criticism; and at last, stung by a sore sense of injustice, the girl turned upon her father and said, "Papa, I've always heard you say that everybody should be judged by their worth, and you've often and often quoted from that poem of Robert Burns that you are so fond of, about honest poverty, and I remember two lines particularly, that you seemed to like most of all,—

"'That sense and worth o'er a' the earth
May bear the prize and a' that;'

"and yet now, now—"

"But, my dear child," as Laura here broke down with a little sob,—"my dear child, it isn't that these people are poor,—it is because we don't know anything about them."

"I—I think it is because you do know that—that they live on McVane Street," faltered Laura.

"Well, that is to know nothing about them, in the sense that father means," broke in her brother, sharply. "Their living there shows that they are the kind of people that are out of our class entirely,—people that we don't want to know. I didn't think it mattered much the other day, when you told me you were going down there to take tea with your teacher; but when I find you are to make friends with the young clerks who are the relations of your teacher, I think it matters a good deal."

"But this clerk, as you call him, has a great deal better manners than Charley Aplin. He behaves a great deal more like a gentleman."

"And he has a much longer nose," retorted her brother, with a sneering little laugh. "The fellow's a Jew, I'm certain; he has a regular Jewish face."

"He has not," began Laura, indignantly, and then stopped suddenly. It was the low trader-type of Jewish face reflected from her brother's mind that she saw as she spoke; then Mrs. Bodn's beautiful profile and that of her nephew rose before her! If they—if they—her brother, her father, could see these faces,—these faces so fine and intelligent, and saw, too, the likeness that she had seen to the portrait in her uncle's library,—would they feel differently,—would they do justice to Esther and her relations, though they were Jews,—would they admit that they were of the higher type, that they were fit friends for her? No, no, no, she answered herself, as soon as these questions started up in her mind, and, stung through all her generous young heart by these instinctive answers, she burst forth: "You talk about Jews as if there were but one class,—the lowest class. What if all Americans were judged by the lowest class? Would you call that fair? And you think the Bodns are the lowest kind just because they are poor and live on McVane Street! That great novelist who lived in England and who was prime minister there, Lord Beaconsfield, was a Jew, and he was proud of it; and the Mendelssohns were Jews; and there are those wonderful musical novels Uncle George gave me to read last summer, 'Charles Auchester' and 'Counterparts,' they are full of Jews and their genius—"

"Laura, Laura, there is no need of your talking like this," interrupted her father; "we are not going to deny the worth or respectability of your new acquaintances, but it is entirely unnecessary for you to rush into any intimacy with such strangers."

There was a look in her father's face, as he spoke, that told Laura very plainly that all she had said had done more harm than good, and that henceforth there would be no more "sunset teas" with Esther Bodn. All her little plans, too, for making Esther's life brighter, by welcoming her into her own home, and bringing her into a better acquaintance with the other girls, were rendered impossible now. But if she could not be good to her in this way, she would be more than ever kind and cordial to her at school, and she would try to enlist Kitty Grant's interest. She would tell Kitty about that pretty refined home, and ask her to be kind and cordial too; and she was sure that Kitty would not refuse, for, in spite of her fun and her worldliness, Kitty had really a kind heart. Yes, she would enlist Kitty, and Kitty was all powerful. If she once got interested in a person, she could make everybody else interested. But, alas, for this scheme!

CHAPTER III.

Alas! because Kitty had already taken her stand on the other side. She had already told the girls that Esther Bodn lived on McVane Street, in near neighborhood to a lot of rum-shops and foreigners, and had then "made fun," in the same rattling way that she had used with Laura, airing all her little suspicions and suggestions about the name of Bodn, in the half-frolic fashion that always had such effect upon the listeners. It had such effect on this occasion, that Laura found that every girl had passed from indifference to an active prejudice against Esther. Kitty herself had not meant to produce this result. Indeed, Kitty had had no meaning whatever but that of amusing herself,—"making fun;" and when the girls, relishing this "fun," laughed and applauded, she did not realize that she had done a mischievous thing. Poor Laura, however, realized everything as the days went by, and she saw Esther subjected to a certain critical observation. Her only hope was that the person most interested did not notice this; but one day she came upon Esther at recess, bending over a pile of exercises, at which she was apparently hard at work.

"What's the rush, Esther, that you've got to work at recess?" she asked.

Esther murmured an unintelligible reply, and bent her head still lower; and then it was that Laura, to her dismay, saw a tear drop to the exercises upon the desk.

"Esther, Esther, what is the matter? Tell me!"

"I—I don't know," faltered Esther, "but things seem different. I always knew that the girls didn't care very much for me, but they were not unkind. Now—they—seem unkind some way. Perhaps it's only my fancy, but—but they seem to look down on me as they didn't before, and—and sometimes they seem to avoid me, and—I'm just the same as ever, except—except I'm a good deal shabbier this spring. I've always been rather shabby, but this spring it's worse, because we've lost some money,—not much, but it was a good deal to us, and I couldn't have anything new; and—and there's another thing—one morning I overheard one of the girls say to Kitty Grant, 'McVane Street, that is enough!' They must have been talking about me and where I live. Nobody else here lives on McVane Street, and we—mother and I—wouldn't live there if we could afford to live where we liked; but we came here strangers, and this was much the most comfortable place we could find for what we could pay. I know it's in a disagreeable part of the city; but it isn't bad, it isn't low, where we are, it's only run down and shabby. But I thought Boston people were above judging others by such things. I'd always heard that Boston girls—"

"Boston girls! oh, don't talk to me of Boston girls, don't talk to me of any girls anywhere," burst in Laura. "I'm sick—sick of girls. Girls will do things and say things—little, mean, petty things—that boys would be ashamed to do or say."

"Then you do think it's because of my shabbiness and where I live that—that has made them—these girls so—so different; but why should they—all at once? I can't understand."

"Don't try to understand! Don't bother your head about them—they don't mean—they don't know—they are not worth your notice. You are a long, long way above them!"

"Mother didn't want to come to Boston to live; but when my uncle John Wybern, mother's brother, died three years ago,—he died in Munich; he was an artist, like my father, and we'd all lived together, since my father's death,—we came on here, as uncle had advised, because he knew some one here in an importing-house who would get David a situation. He didn't want David to be an artist. He said it was such an anxious, hand-to-mouth life, if one didn't make a quick success of it; and he knew, for he hadn't made a success any more than my father had,—and—and this is why we came here, and are here now on McVane Street, though my mother didn't want to come. But I wanted to come from the first. I'd heard and read so much about Boston, I thought I was sure to be happy here, for I thought the people were so noble and high-minded, and—" There was a pathetic little faltering break again at this, which was resolutely repressed, and the sentence resumed with, "and then I knew my father's people had once—" But at this point, "Esther," called out Miss Milwood from the doorway, "bring the exercises into my room, and we'll finish them together."

Almost at that very moment Kitty Grant came running down the aisle, calling out, "Laura, Laura, are you going this afternoon to the Art Club?"

"To hear Monsieur Baudouin? Yes."

"Well, we'll go together, then."

"Very well."

"Very well," mimicking Laura's cool tones; then with a change of voice, "Laura, what is the matter? You are enough to freeze anybody. What have I done?"

"You've done a very cruel thing."

"Laura!"

"Yes, I sha'n't take back my words,—you have done a very cruel thing."

"For pity's sake, what do you mean?"

"You may well say 'for pity's sake;'" and then Laura burst forth and repeated, word for word, the conversation that had transpired between Esther and herself, concluding with, "And you—you, Kitty, are to blame for this, for it is you who have prejudiced the girls against Esther with your talk about McVane Street and the foreigners in that neighborhood."

"I? Just my little fun about McVane Street and your sunset tea there?"

"Yes, just your little fun! I know what your fun is! Oh, Kitty, Kitty, I did think you had a kind heart! But to be the means of hurting anybody, as you have hurt Esther,—it is—it is—"

"Laura, Laura, don't," as Laura here broke down in a little fit of sobbing. "Of course I didn't know—I didn't think. Oh, dear, I'll tell the girls I didn't mean a word I said,—that I'm the biggest liar in town; that Esther is an heiress; that—that—oh, I'll do or say anything, if you'll only stop crying, Laura. There, there," as Laura tried to stifle a fresh sob, "that's right, take my handkerchief,—yours is sopping wet, and—My goodness, there comes Maud Aplin—she must not see us sniffing and sobbing like this, she'll say we've had a quarrel. Here, let us go into the little recitation-room, quick now, before she sees us."

And into the little recitation-room Laura was very willing to go and hide her tear-stained face from inquisitive eyes, while Kitty, penitent and overcome more by the spectacle of these tears than by a sense of her own shortcomings, followed briskly after, with this cheerful little running fire of remarks, anent the Art Club lecturer: "I'm just crazy—crazy to see this Monsieur Baudouin; for what do you think Flo Aplin says? That he is a real viscomte or marquis, or something of that sort, but that he came into his title only a year or two ago, and is much prouder of his reputation as an art authority and critic and his name, Pierre Baudouin,—it's his own name, you know,—and he won his reputation under that. The Aplins met him last year in Paris. Windlow Aplin, who is studying art there, just swears by him, and says the artists dote on him, and Flo says he is perfectly elegant. Etching is his great fad now, and he is going to lecture this afternoon on etching and etchers. Oh, I'm just crazy to see and hear him, aren't you?"

Laura had by this time conquered her tears, thanks to Kitty's adroitness, and, with a half-humorous, half-grateful appreciation of this adroitness, she thought to herself as she walked round to the Art Club with Kitty that afternoon, "Kitty has a good heart, after all."

The Art Club hall was quite full as they entered; but there were seats well down in front, and there they found most of the school girls under Miss Milwood's charge. Esther was one of this party; and Kitty made a great point of leaning forward and bowing to her with much graciousness. The next moment she was whispering to Laura, "There, didn't I behave prettily to Esther this time? You'll see now—" But at that instant a slender dark-eyed gentleman, accompanied by one of the artists, was seen coming rapidly up the aisle, and, "Look, look, there he is!" cried Kitty, "and isn't he elegant?"

And Laura looking, as she was told, found no reason to disagree with this comment.

"But I do hope," whispered the irrepressible Kitty again, as Monsieur Baudouin ascended the platform,—"I do hope he is as interesting as he looks; appearances are deceitful sometimes." But no one of that audience found Pierre Baudouin's appearance deceitful. He was more than interesting,—he was enthralling as he went on with his almost loving consideration of his subject, setting before his hearers, in a melodious voice and very good English, some of the results of his great knowledge and experience. You could have heard a pin drop, as the saying goes, so spell-bound was the audience; and at the end there was a warm outburst of applause, and then a gathering about him, as he left the platform, of the various artists, and others who were eager to speak with him. He was standing with this little group, when Laura, watching and listening just outside of it, heard him say, "There is a remarkable etching that I wish I could show you, for it proves completely the theory I have just placed before you. I saw it but once, in the artist's own studio, as I was passing through Munich. When a little later I heard that the artist was dead, and his effects for sale, I tried to buy the etching, but was told that it had been given to a friend, a Mr. John Wybern. Since then, I have learned that Mr. Wybern has also died, and I started again on my search; but it has been fruitless so far, though I still hope I may come across it, and be able, if not to add it to my collection, to examine it again. The artist, by the way, is the same one that painted that remarkable picture, 'Rebecca the Jewess.'"

Laura turned hastily around to look for Esther. She had not to look far. Esther was just behind her. "Esther, did you hear?" she asked.

Esther nodded.

"Do you know about the etching?"

She was addressing Monsieur Baudouin
She was addressing Monsieur Baudouin

"Yes, it hangs in our parlor. I wish I dared go forward now and tell him."

"Oh, Esther, do, do!"

But Esther hung back. Then Laura obeyed an impulse that forever after filled her with astonishment. She pressed forward, and, before she had time to think twice, was addressing Monsieur Baudouin, and telling him what she knew.

"What! you can tell me where this etching is? You can take me to it?" he exclaimed, with a sort of joyful incredulity.

Laura answered by turning to Esther and saying. "This young lady can tell you more about it. The etching is in the possession of her family."

"Ah, and this young lady is—"

Laura reached back, seized Esther's hand, and pulled her to her side.

"Is Miss Bodn."

"Mees Bodn!" he repeated with a start. "Mees Bodn! Ah, pardon me, do you spell this name B-o-w-d-o-i-n?"

"You do, you do," as Esther answered in the affirmative; "and, pardon again, are you related to one Henri—Henry, you call it here—Henry Pierre Bowdoin?"

"My father's name was Henry Pierre Bowdoin."

"Then, Mademoiselle," and Monsieur Baudouin stretched out his hand, and a smile lit up his face, "you must be a relation of mine; and three years ago, when I was in this country, and tried to find the American branch of our family that spelled its name Bowdoin and was called Bodn, but which was originally Baudouin, the old Huguenot name, I was told it had died out. Where were you then, Mademoiselle?"

"In Munich, where my mother and I had lived with my uncle John Wybern, since my father's death, years ago."

"Your uncle! John Wybern was your uncle? So—so is it possible, is it possible? And I find the two objects I have been hunting, so far apart, together! It is most astonishing and yet most simple. And your mother—your mother is living? Yes, and you will give me your address, that I may hasten to pay my respects to her;" and Monsieur whipped out a little note-book and wrote down, probably with greater satisfaction than it had ever been written before, "McVane Street."

"Most astonishing and yet most simple," as Monsieur had truly said; yet to the flock of Miss Milwood's girls, who, well down to the front, had lost nothing of this surprising interview, it was only "most astonishing," and to some of them most humiliating and mortifying. Kitty Grant was the first to voice this mortification, by turning upon them and saying, as Esther disappeared with Monsieur Baudouin, "Say, girls, how do you feel now? I feel like one of Cinderella's sisters. Laura now—Laura, where are you?" But Laura had also disappeared. She wanted to be by herself and think it over. But what of Esther,—Esther, who had been neglected and disregarded and despised? What of Esther, as she stood there, and as she walked away with Monsieur Baudouin? Esther was the least astonished of them all, for years ago she had been familiar with the facts of her paternal family history, and knew that she was a descendant of Pierre Baudouin, a French Huguenot, who had fled to America to escape religious persecution, and knew that the name Baudouin had suffered a change to Bowdoin; knew, too, that as Bowdoin it had been made illustrious in America's annals, and worn the honors of the highest offices of the State. She knew all this; but she knew also that this was long ago, and that her father was the last of his name in America, and when he died, after a wasting illness that exhausted his fortune, there was little thought given to the fact that the old Huguenot root still existed in France, though half-playful, half-serious mention had now and then been made of the kinsfolk in France they would sometime go to seek.

All this Esther had stored away in her memory, so that when Monsieur Baudouin announced himself as the kinsman from France, it was more like a long-anticipated event than a surprise. And all this she told to Laura in the days that followed,—those dear, delightful days, when there was no difficulty put in the way of going to McVane Street; when McVane Street, indeed, according to Kitty, became quite the fashion with the artists flocking to see the wonderful etching, and Monsieur Baudouin holding forth upon its merits to them as he made himself at home with his American kinsfolk, who were now discovered to be such charming folk. Laura sometimes in these days blazed up with indignation and disgust as she noted the sudden attentions that were bestowed upon Esther and her mother. No one now spoke of emigrants and foreigners in connection with these dwellers on McVane Street. Jack Brooks himself seemed to forget that David Wybern looked like a Jew, even before it was found that David and all of his people were of the most unmixed Puritan stock!

"And I, too," thought Laura,—"I, too, muddled and mistook things as I shouldn't, if Esther and her mother had lived in a different quarter. If they had lived anywhere over the hill, should I have fancied, though they were so poor, that Mrs. Bowdoin must have been a professional model? No, no, I should have thought at once, what I know now, that the artist was her friend, and that she sat to him as a friendly favor, like any other lady."

But while Laura thus scourged herself with the rest, Esther and her mother had set her apart from all the rest for their special love and confidence,—a love and confidence that are as fresh to-day as when the mother and daughter sailed away with Monsieur Baudouin, a year ago, to visit their French kinsfolk.