| Page |
| Portrait of the Artist (By Himself) (Oil) | Frontispiece |
| In the George McCulloch Collection |
| Portrait of Whistler as a Boy (By Sir William Boxall) (Oil) | 12 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| The Two Brothers (Miniature) | 12 |
| Lent by Miss Emma Palmer; formerly in the possession of Mrs. George D. Stanton and Miss Emma W. Palmer |
| Bibi Lalouette (Etching. G. 51) | 20 |
| Street at Saverne (Etching. G. 19) | 20 |
| From the "French Set" |
| La MÈre GÉrard (Oil) | 24 |
| In the possession of William Heinemann |
| Head of an Old Man Smoking (Oil) | 24 |
In the MusÉe du Luxembourg
|
| Portrait of Whistler (Etching. G. 54) | 40 |
| Sketches of the Journey to Alsace (Pen Drawings) | 40 |
| Portrait of Whistler in the Big Hat (Oil) | 44 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| Drouet (Etching. G. 55) | 44 |
| At the Piano (Oil) | 52 |
| In the possession of Edmund Davis, Esq. |
| Wapping (Oil) | 52 |
| In the possession of Mrs. Hutton |
| The Thames in Ice, the Twenty-fifth of December 1860 (Oil) | 60 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| Rotherhithe (Etching. G. 66) | 60 |
| From the "Sixteen Etchings" |
| The Music Room—Harmony in Green and Rose (Oil) | 68 |
| In the possession of Colonel F. Hecker |
| Annie Haden (Dry-Point. G. 62) | 68 |
| The White Girl—Symphony in White, No. I. (Oil) | 76 |
| In the possession of J. H. Whittemore, Esq. |
| Jo (Dry-Point. G. 77) | 76 |
| The Blue Wave (Oil) | 84 |
| In the possession of A. A. Pope, Esq. |
| The Forge (Dry-Point. G. 68) | 84 |
| From the "Sixteen Etchings" |
| The Morning before the Massacre of St. Bartholomew | 92 |
| (Wood-Engraving from "Once a Week," vol vii. p. 210) |
| The Last of Old Westminster (Oil) | 92 |
| In the possession of A. A. Pope, Esq. |
| Portrait of Whistler (By Himself) (Chalk Drawing) | 104 |
| Formerly in the possession of Thomas Way, Esq. |
| Weary (Dry-Point. G. 92) | 104 |
| Study in Chalk for the Same |
| Formerly in the possession of B. B. MacGeorge, Esq. |
| The Lange Leizen of the Six Marks—Purple and Rose (Oil) | 108 |
| In the J. G. Johnson Collection, Philadelphia |
| The Balcony—Harmony in Flesh-Colour and Green (Oil) | 108 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| La Princesse du Pays de la Porcelaine—Rose and Silver (Oil) | 112 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| Variations in Violet and Green (Oil) | 112 |
| In the possession of Sir Charles McLaren, Bart. |
| The Little White Girl—Symphony in White, No. II. (Oil) | 124 |
| In the National Gallery, London |
| Portrait of Dr. Whistler (Oil) | 124 |
| In the possession of Burton Mansfield, Esq. |
| Valparaiso Bay—Nocturne: Blue and Gold (Oil) | 132 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| Symphony in White, No. III. (Oil) | 132 |
| In the possession of Edmund Davis, Esq. |
| Whistler's Table Palette (Photograph) | 144 |
| In the possession of Mrs. Newmarch |
| Sea Beach with Figures (Study for the Six Projects) (Pastel) | 144 |
| The Three Figures—Pink and Grey (Oil) | 144 |
| In the possession of Alfred Chapman, Esq. |
| Nocturne—Blue and Green (Oil) | 148 |
| In the National Gallery, London |
| Nocturne—Blue and Silver (Oil) | 148 |
| In the possession of the Executors of Mrs. F. R. Leyland |
| The Mother—Arrangement in Grey and Black (Oil) | 160 |
| In the MusÉe du Luxembourg |
| Portrait of Thomas Carlyle—Arrangement in Grey and Black, No II.(Oil) | 160 |
| In the Corporation Art Gallery, Glasgow |
| Portrait of Cicely Henrietta, Miss Alexander—Harmony in Grey and Green (Oil) | 164 |
| In the National Gallery, London |
| Portrait of F. R. Leyland—Arrangement in Black (Oil) | 164 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| Portrait of Mrs. F. R. Leyland—Symphony in Flesh-Colour and Pink (Oil) | 172 |
| In the possession of H. C. Finck, Esq. |
| Portrait of Miss Leyland (Pastel) | 172 |
| In the possession of the Executors of Mrs. F. R. Leyland |
| Portrait of Mrs. Louis Huth—Arrangement in Black, No. II. (Oil) | 180 |
| In the possession of the Executors of the Family |
| Fanny Leyland (Study for the Etching. G. 108) (Pencil Sketch) | 180 |
| Formerly in the possession of J. H. Wrenn, Esq. |
| Whistler in his Studio (Oil) | 196 |
| In the Chicago Art Institute |
| Maud Standing (Etching. G. 114) | 196 |
| Portrait of Sir Henry Irving as Philip II. of Spain—Arrangement in Black, No. III. (Oil) | 200 |
| In the Metropolitan Museum, New York |
| Portrait of Sir Henry Cole (Oil) (Destroyed) | 200 |
| From a photograph lent by Pickford R. Waller, Esq. |
| Portrait of Miss Rosa Corder—Arrangement in Black and Brown | 208 |
| In the possession of H. C. Finck, Esq. |
| The Peacock Room (Photograph) | 208 |
| In the Charles L. Freer Collection, National Gallery of American Art |
Drawing in Wash for "A Catalogue of Blue and White Nankin Porcelain, forming the Collection of
Sir Henry Thompson." London: Ellis and White. 1878 | 216 |
| In the possession of Pickford R. Waller, Esq. |
| Study (Lithotint. W. 2) | 216 |
| From a print lent by T. R. Way, Esq. |
| Tall Bridge (Lithograph. W. 9) | 224 |
| From a print lent by T. R. Way, Esq. |
| Nocturne (Lithotint. W. 5) | 224 |
From "Notes" published by Goupil
From a print lent by T. R. Way, Esq. |
| Old Battersea Bridge—Nocturne in Blue and Gold (Oil) | 232 |
| In the National Gallery of British Art, Tate Gallery |
| The Falling Rocket—Nocturne in Black and Gold (Oil) | 232 |
| In the possession of Mrs. S. Untermeyer |
| The Bridge (Etching. G. 204) | 244 |
From the "Second Venice Set"
By the permission of Messrs. Dowdeswell |
| The Doorway (Etching. G. 188) | 244 |
From the "First Venice Set"
By the permission of the Fine Art Society |
| The Beggars (Etching. G. 194) | 252 |
From the "First Venice Set"
By permission of the Fine Art Society |
| The Rialto (Etching. G. 211) | 252 |
From the "Second Venice Set"
By the permission of Messrs. Dowdeswell |
| Portraits of Maud (Oil) (Destroyed) | 258 |
| From photographs lent by Pickford R. Waller, Esq. |
| Jubilee Memorial from the Society of British Artists to Queen Victoria, 1887 (Illumination) | 258 |
| In the Royal Collection at Windsor |
| Portrait of Lady Meux—Harmony in Pink and Grey (Oil) | 268 |
| In the possession of H. C. Finck, Esq. |
| The Salute, Venice (Water-Colour) | 268 |
| In the possession of B. B. MacGeorge, Esq. |
| The Yellow Buskin—Arrangement in Black (Oil) | 276 |
| In the Wilstach Collection, Memorial Hall, Philadelphia |
| Portrait of M. ThÉodore Duret—Arrangement in Flesh-Colour and Pink (Oil) | 276 |
| In the Metropolitan Museum, New York |
| Portrait of Pablo Sarasate—Arrangement in Black (Oil) | 304 |
| In the Carnegie Institute, Pittsburgh |
| Portrait of Lady Colin Campbell—Harmony in White and Ivory (Oil) (Destroyed) | 304 |
| From a photograph lent by Pickford R. Waller, Esq. |
| Annabel Lee (Pastel) | 312 |
In the Charles L. Freer Collection, National Gallery of American Art
|
| The Convalescent (Water-Colour) | 312 |
| In the possession of Dr. J. W. MacIntyre |
| Portrait of Miss Kinsella—The Iris, Rose and Green (Oil) | 328 |
| In the possession of Miss Kinsella |
| Whistler at his Printing Press in the Studio, Rue Notre-Dame-des-Champs, Paris | 328 |
| From a photograph by M. Dornac |
Illustration to Little Johannes
Portrait of a Lady (Drawings on Wood) | 336 |
| In the Pennell Collection, Library of Congress, Washington |
| Water-Colour Landscape | 336 |
| Loaned by Mrs. Mortimer Menpes |
| The Master Smith of Lyme Regis (Oil) | 340 |
| In the Boston Museum of Fine Arts |
| The Smith, Passage du Dragon (Lithograph. W. 73) | 340 |
| Portrait of Mrs. A. J. Cassatt | 344 |
| The Beach (Water-Colour) | 344 |
| In the possession of Mrs. Knowles |
| Shop Window at Dieppe (Water-Colour) | 344 |
| The Thames (Lithotint. W. 125) | 348 |
| Firelight—Joseph Pennell, No. I. (Lithograph. W. 104) | 348 |
| From "Lithography and Lithographers" By the permission of T. Fisher Unwin, Esq. |
| Study in Brown (Oil) | 356 |
| In the possession of the Baroness de Meyer |
| Study of the Nude (Pen Drawing) | 356 |
| In the possession of William Heinemann, Esq. |
| The Little Blue Bonnet—Blue and Coral (Oil) | 360 |
| Formerly in the possession of Wm. Heinemann, Esq. |
| Rose and Gold—Little Lady Sophie of Soho (Oil) | 360 |
| In the Charles L. Freer Collection, National Gallery of American Art |
| Model with Flowers (Pastel) | 368 |
| In the possession of J. P. Heseltine, Esq. |
| Girl with a Red Feather (Oil) | 368 |
| In the possession of the Executors of J. Staats Forbes |
| A Freshening Breeze (Oil) | 376 |
| In the possession of J. S. Ure, Esq. |
| Lillie in Our Alley—Brown and Gold (Oil) | 376 |
| In the possession of J. J. Cowan, Esq. |
| The Sea, Pourville (Oil) | 388 |
| In the possession of A. A. Hannay, Esq. |
| The Coast of Brittany—Alone with the Tide (Oil) | 388 |
| Formerly in the possession of Ross Winans, Esq. |
| The Fur Jacket—Arrangement in Black and Brown (Oil) | 388 |
Picture in Progress:From a photograph lent by Pickford R. Waller, Esq.
Completed Picture:In the Worcester Museum, Massachusetts |
| Portrait of Mrs. Walter Sickert | 404 |
| In the possession of Mrs. Cobden-Sanderson |
| Portrait of Miss Woakes | 404 |
| In the possession of Messrs. Knvedler and Co. |
| The Chelsea Girl | 416 |
| Portrait of E. S. Kennedy | 416 |
| In the Metropolitan Museum, New York |
| Gallery at the London Memorial Exhibition | 428 |
| Gallery at the Boston Memorial Exhibition | 428 |
| Whistler's Grave in Chiswick Cemetery adjoining Chiswick Churchyard | 428 |
| Monument in Whistler's Memory at the United States Military Academy at West Point | 428 |
