LITERARY WORK. 1793-1796. The first volume of “An Historical and Moral View of the Origin and Progress of the French Revolution, and the Effect it has produced in Europe,” which Mary wrote during the months she lived in France, was published by Johnson in 1794. It was favorably received and criticised, especially by that portion of the public who had sympathized with the Revolutionists in the controversy with Burke. One admirer, in 1803, declared it was not second even to Gibbon’s “Decline and Fall of the Roman Empire.” It went very quickly through two editions, surest proof of its success. The “Analytical Review” called it “... a work of uncommon merit, abounding with strong traits of original genius, and containing a great variety of just and important observations on the recent affairs of France and on the general interests of society at the present crisis.” Mary had apparently spent in idleness the years which had elapsed since the “Rights of Women” had taken England by storm. But in reality she must have made good use of them. This new book marks an enormous advance in her mental development. It is but little disfigured by the faults of style, and is As the title demonstrates, her object in writing this history was to explain the moral significance, as well as the historical value, of the incidents which she recorded. This moral element is uppermost in every page of her book. The determination to discover the truth at all hazards is its key-note. This end Mary hoped to accomplish, first by tracing the French troubles to their real causes, and then by giving an unprejudiced account of them. The result of a thorough study and investigation of her subject was the formation of doctrines which are in close sympathy with those of the evolutionists of to-day. Nothing strikes the reader so much as her firm belief in the theory of development, and her conclusion therefrom that progress in government consists in the gradual substitution of altruistic principles for the egotism which was the primal foundation of law and order. Profession of this creed is at once made in both the preface and first chapter of the “French Revolution.” In the former, she writes:— “By ... attending to circumstances, we shall be able to discern clearly that the Revolution was neither produced In considering this subject, she concludes that the civilization of the ancients was deficient because it paid more attention to the cultivation of taste in the few than to the development of understanding in the many, and that that of the moderns is superior to it because of the more general diffusion of knowledge which followed the invention of printing. Her arguments in support of her theories are excellent. “When,” she writes, “learning was confined to a small number of the citizens of a state, and the investigation of its privileges was left to a number still smaller, governments seem to have acted as if the people were formed only for them; and ingeniously confounding their rights with metaphysical jargon, the luxurious grandeur of individuals has been supported by the misery of the bulk of their fellow-creatures, and ambition gorged by the butchery of millions of innocent victims.” This despotism, she further asserts, always continues so long as men are unqualified to judge with precision of their civil and political rights. But once they begin to think, and hence to learn the true facts of history, they must discover that the first social systems were founded on passion,—“individuals wishing to fence round their own wealth or power, and make slaves of their brothers to prevent encroachment,”—and that the laws of society could not have been originally “adjusted so as to take in the future conduct of its members, “When society was first subjugated to laws,” she writes, “probably by the ambition of some, and the desire of safety in all, it was natural for men to be selfish, because they were ignorant how intimately their own comfort was connected with that of others; and it was also very natural that humanity, rather the effect of feeling than of reason, should have a very limited range. But when men once see clear as the light of heaven—and I hail the glorious day from afar!—that on the general happiness depends their own, reason will give strength to the fluttering wings of passion, and men will ‘do unto others what they wish they should do unto them.’” One of the first means, therefore, by which this much-to-be-desired end is to be attained, is the destruction of blind reverence of the past. With uncompromising honesty, she says:— “We must get entirely clear of all the notions drawn from the wild traditions of original sin: the eating of the apple, the theft of Prometheus, the opening of Pandora’s box, and the other fables too tedious to enumerate, on which priests have erected their tremendous structures of imposition to persuade us that we are naturally inclined to evil. We shall then leave room for the expansion of the human heart, and, I trust, find that men will insensibly render each other happier as they grow wiser.” After a brief analysis of the laws of progress in general, Mary proceeds to their special application in the Having thus given the raison d’Être of the great French crisis, she describes with striking energy the events which ensued. She makes manifest the folly and blindness of the court, the shortcomings and vile intrigues of ministers, the duplicity and despotism of the parliaments, which prevented the petitions and demands of the people from receiving the attention and consideration which alone could have satisfied them. That there were evils in the French government, not even its friends could deny. The recognition of them “First, if from the progress of reason we be authorized to infer that all governments will be meliorated, and the happiness of man placed on the solid basis gradually prepared by the improvement of political science; if the degrading distinctions of rank, born in barbarism and nourished by chivalry, be really becoming in the estimation of all sensible people so contemptible, that a modest man, in the course of fifty years, would probably blush at being thus distinguished; if the complexion of manners in Europe be completely changed from what it was half a century ago, and the liberty of its citizens tolerably secured; if every day extending freedom be more firmly established in consequence of the general dissemination of truth and knowledge,—it then seems injudicious for statesmen to force the adoption of any opinion, by aiming at the speedy destruction of obstinate prejudices; because these premature reforms, instead of promoting, destroy the comfort of those unfortunate beings who are under their dominion, affording at the same time to despotism the strongest arguments to urge in opposition to the theory of reason. Besides, the objects intended to be forwarded “But, secondly, it is necessary to observe, that, if the degeneracy of the higher orders of society be such that no remedy less fraught with horror can effect a radical cure; and if, enjoying the fruits of usurpation, they domineer over the weak, and check, by all the means in their power, every humane effort to draw man out of the state of degradation into which the inequality of fortune has sunk him; the people are justified in having recourse to coercion to repel coercion. And, further, if it can be ascertained that the silent sufferings of the citizens of the world are greater, though less obvious, than the calamities produced by such violent convulsions as have happened in France, which, like hurricanes whirling over the face of nature, strip off all its blooming graces, it may be politically just to pursue such measures as were taken by that regenerating country, and at once root out those deleterious plants which poison the better half of human happiness.” Among the most remarkable passages in the book are those relating to Marie Antoinette. As was the case when she wrote her answer to Burke, the misery of millions unjustly subjected moved Mary more than the woes of one woman justly deprived of an ill-used liberty. Her love and sympathy for the people made her perhaps a little too harsh in her judgment of the queen. “Some hard words, some very strong epithets, are indeed used of Marie Antoinette,” Mr. Kegan Paul says in his short but appreciative criticism of this book, “showing that she, who could in those matters know nothing personally, could not but depend on Paris gossip; but this is interesting, as showing what the view taken of the queen was before passion rose to its “The unfortunate Queen of France, beside the advantages of birth and station, possessed a very fine person; and her lovely face, sparkling with vivacity, hid the want of intelligence. Her complexion was dazzlingly clear; and when she was pleased, her manners were bewitching; for she happily mingled the most insinuating voluptuous softness and affability with an air of grandeur bordering on pride, that rendered the contrast more striking. Independence also, of whatever kind, always gives a degree of dignity to the mien; so that monarchs and nobles with most ignoble souls, from believing themselves superior to others, have actually acquired a look of superiority. “But her opening faculties were poisoned in the bud; for before she came to Paris she had already been prepared, by a corrupt, supple abbÉ, for the part she was to play; and, young as she was, became so firmly attached to the aggrandizement of her house, that, though plunged deep in pleasure, she never omitted sending immense sums to her brother on every occasion. The person of the king, in itself very disgusting, was rendered more so by gluttony, and a total disregard of delicacy, and even decency, in his apartments; and when jealous of the queen, for whom he had a kind of devouring passion, he treated her with great brutality, till she acquired sufficient finesse to subjugate him. Is it then surprising that a very desirable woman, with a sanguine constitution, should shrink, abhorrent, from his embraces; or that an empty mind should be employed only to vary the pleasures which emasculated her Circean court? And, added to this, the histories of the Julias and Messalinas of antiquity convincingly prove that there is no end to the vagaries of “Lost, then, in the most luxurious pleasures, or managing court intrigues, the queen became a profound dissembler; and her heart was hardened by sensual enjoyments to such a degree that, when her family and favorites stood on the brink of ruin, her little portion of mind was employed only to preserve herself from danger. As a proof of the justness of this assertion, it is only necessary to observe that, in the general wreck, not a scrap of her writing has been found to criminate her; neither has she suffered a word to escape her to exasperate the people, even when burning with rage and contempt. The effect that adversity may have on her choked understanding, time will show [this was written some months before the death of the queen]; but, during her prosperity, the moments of languor that glide into the interstices of enjoyment were passed in the most childish manner, without the appearance of any vigor of mind to palliate the wanderings of the imagination. Still, she was a woman of uncommon address; and though her conversation was insipid, her compliments were so artfully adapted to flatter the person she wished to please or dupe, and so eloquent is the beauty of a queen, in the eyes even of superior men, that she seldom failed to carry her point when she endeavored to gain an ascendency over the mind of an individual. Over that of the king she acquired unbounded sway, when, managing the disgust she had for his person, she made him pay a kingly price for her favors. A court is the best school in the world for actors; it was very natural then for her to become a complete actress, and an adept in all the arts of coquetry that debauch the mind, whilst they render the person alluring.” Mary’s inflexible hatred of the cruelty of the court and the nobility, which had led to the present horrors, though great, did not prevent her from seeing the tyranny and brutality in which the people indulged so “Weeping, scarcely conscious that I weep, O France! over the vestiges of thy former oppression, which, separating man from man with a fence of iron, sophisticated all, and made many completely wretched, I tremble, lest I should meet some unfortunate being, fleeing from the despotism of licentious freedom, hearing the snap of the guillotine at his heels, merely because he was once noble, or has afforded an asylum to those whose only crime is their name; and, if my pen almost bound with eagerness to record the day that levelled the Bastille with the dust, making the towers of despair tremble to their base, the recollection that still the abbey is appropriated to hold the victims of revenge and suspicion palsies the hand The same impartiality is preserved in the relation of even the most exciting and easily misconceived incidents of the Revolution. The courageous and resolute resistance of the Third Estate to the clergy and nobility is described with dignified praise which never descends into fulsome flattery. The ignorance, vanity, jealousy, disingenuousness, self-sufficiency, and interested motives of members of the National Assembly are unhesitatingly exposed in recording such of their actions as, examined superficially, might seem the outcome of a love of freedom. In giving the details of the taking of the Bastille, and the women’s march on Versailles, Mary becomes really eloquent. Mr. Kegan Paul’s opinion may be here advantageously cited. “Her accounts of the Bastille siege and of the Versailles episode,” he says, “are worth reading beside those of the master to whose style they are so great a contrast. Carlyle has seized on the comic element in the march to Versailles, Mary Wollstonecraft on the tragic; and hers seems to me the worthier view.” Many of the remarks upon civilization and the influence Notwithstanding its excellence and the reputation it once had, this work is now almost unknown. But few have ever heard of it, still fewer read it; a fact due, of course, to its incompleteness. The first and only volume ends with the departure of Louis from Versailles to Paris, when the Revolution was as yet in its earliest stages. This must ever be a matter of regret. That succeeding volumes, had she written them, would have been even better is very probable. There was marked development in her intellectual powers after she published the “Rights of Women.” The increased merit of her later works somewhat confirms Southey’s declaration, made three years after her death, that “Mary Wollstonecraft was but beginning to reason when she died.” The last book she finished and published during her life-time was her “Letters Written during a Short Residence in Sweden, Norway, and Denmark.” Her journey, as has been explained in the last chapter, was undertaken to attend to certain business affairs for Imlay. Landing in Sweden, she went from there to Norway, then again to Sweden, and finally to Denmark and Hamburg, in which latter places she remained a comparatively short period. Not being free to go and come as she chose, she was sometimes detained in They were published by her friend Johnson in 1796. Hitherto, her work had been purely of a philosophical, historical, or educational nature. The familiar epistolary style in which she had begun to record her observations of the French people had been quickly changed for the more formal tone of the “French Revolution.” These travels, consequently, marked an entirely new departure in her literary career. Their success was at once assured. Even the fastidious Godwin, who had condemned her other books, could find no fault with this one. Contemporary critics agreed in sharing his good opinion. “Have you ever met with Mary Wollstonecraft’s ‘Letters from Sweden and Norway’?” Southey asked in a letter to Thomas Southey. “She has made me in love with a cold climate and frost and snow, with a northern moonlight.” The impression they produced was lasting. When, several years later, he wrote an “Epistle” to A. S. Cottle to be published in the latter’s volume of “Icelandic Poetry,” he again alluded to them. In referring to the places described in northern poems he declared,— Have almost lived before me, when I gazed Upon their fair resemblance traced by him Who sung the banished man of Ardebeil, Or to the eye of Fancy held by her, Who among Women left no equal mind When from the world she passed; and I could weep To think that She is to the grave gone down!” The “Annual Register” for 1796 honored the “Letters” by publishing in its columns a long extract from them containing a description of the Norwegian character. The “Monthly Magazine” for July of the same year concluded that the book, “though not written with studied elegance, interests the reader in an uncommon degree by a philosophical turn of thought, by bold sketches of nature and manners, and above all by strong expressions of delicate sensibility.” The verdict of the “Analytical Review” was as follows:— “A vigorous and cultivated intellect easily accommodates itself to new occupations. The notion that individual genius can only excel in one thing is a vulgar error. A mind endued by nature with strong powers and quick sensibility, and by culture furnished in an uncommon degree with habits of attention and reflection, wherever it is placed will find itself employment, and whatever it undertakes will execute it well. After the repeated proofs which the ingenious and justly admired writer of these letters has given the public, that her talents are far above the ordinary level, it will not be thought surprising that she could excel in different kinds of writing; that the qualifications which have enabled her to instruct young people by moral lessons and tales, and to furnish the philosopher with original and important speculations, should also empower her to entertain and interest the “We have no hesitation in assuring our readers that Mrs. Wollstonecraft has done this in the present volume.” The qualities most desirable in a writer of travels are quickness of perception, active interest in the places and people described, appreciation of local color, a nice sense of discrimination, and a pleasant, simple style. It is true that occasionally affected and involved phrases occur in Mary’s letters from the North, and that the tone of many passages is a trifle too sombre. But the former defects are much less glaring and fewer in number than those of her earlier writings; while, when it is remembered that during her journey her heart was heavy-laden with disappointment and despair, her melancholy reflections must be forgiven her. With the exception of these really trifling shortcomings, she may be said to have ably fulfilled the required conditions. It may be asserted of her, in almost the identical words which Heine uses in praise of Goethe’s “Italian Journey,” that she, during her travels, saw all things, the dark and the light, colored nothing with her individual feelings, and pictured the land and its people in the true outlines and true colors in which God clothed it. Determined to avoid the mistake common to most travellers, of speaking from feeling rather than from reason, she shows her readers the virtues and faults of the people among whom she travelled, without overestimating the former or exaggerating the latter. She found Swedes and Norwegians unaffected and hospitable, but sensual and indolent. Both good and evil To Mary the coarseness of the people seemed the more unbearable because of the wonderful beauty of their country as she saw it in midsummer. She could not understand their continued indifference to its loveliness. Her own keen enjoyment of it shows itself in all her letters. She constantly pauses in relating her experiences to dwell upon the grandeur of cliffs and sea, upon the impressive wildness of certain districts, full of great pine-covered mountains and endless fir woods, contrasting with others more gentle and fertile, which are covered with broad fields of corn and rye. She loves to describe the long still summer nights and the The following extract from a letter written from Gothenburg gives a good idea of the impression made upon her by the moral ugliness and natural beauty which she met wherever she went. The passage is characteristic, since its themes are the two to which she most frequently recurs:— “... Every day, before dinner and supper, even whilst the dishes are cooling on the table, men and women repair to a side-table, and, to obtain an appetite, eat bread and butter, cheese, raw salmon or anchovies, drinking a glass of brandy. Salt fish or meat then immediately follows, to give a further whet to the stomach. As the dinner advances,—pardon me for taking up a few minutes to describe what, alas! has detained me two or three hours on the stretch, observing,—dish after dish is changed, in endless rotation, and handed round with solemn pace to each guest; but should you happen not to like the first dishes, which was often my case, it is a gross breach of politeness to ask for part of any other till its turn comes. But have patience, and there will be eating enough. Allow me to run over the acts of a visiting day, not overlooking the interludes. “Prelude, a luncheon; then a succession of fish, flesh, and fowl for two hours; during which time the dessert “The cow’s bell has ceased to tinkle the herd to rest; they have all paced across the heath. Is not this the witching time of night? The waters murmur, and fall with more than mortal music, and spirits of peace walk abroad to calm the agitated breast. Eternity is in these moments; worldly cares melt into the airy stuff that dreams are made of; and reveries, mild and enchanting as the first hopes of love, or the recollection of lost enjoyment, carry the hapless wight into futurity, who, in bustling life, has vainly strove to throw off the grief which lies heavy at the heart. Good-night! A crescent hangs out in the vault before, which As might be expected, judging from Mary’s natural benevolence, the poverty and misery she saw during “The Swedes pique themselves on their politeness; but far from being the polish of a cultivated mind, it consists merely of tiresome forms and ceremonies. So far indeed from entering immediately into your character, and making you feel instantly at your ease, like the well-bred French, their over-acted civility is a continual restraint on all your actions. The sort of superiority which a fortune gives when there is no superiority of education, excepting what consists in the observance of senseless forms, has a contrary effect than what is intended; so that I could not help reckoning the peasantry the politest people of Sweden, who, only aiming at pleasing you, never think of being admired for their behavior.” Mary found the condition of the Norwegians somewhat better. The lower classes were freer, more industrious, “The Norwegians appear to me a sensible, shrewd people, with little scientific knowledge, and still less taste for literature; but they are arriving at the epoch which precedes the introduction of the arts and sciences. “Most of the towns are seaports, and seaports are not favorable to improvement. The captains acquire a little superficial knowledge by travelling, which their indefatigable attention to the making of money prevents their digesting; and the fortune that they thus laboriously acquire is spent, as it usually is in towns of this description, in show and good living. They love their country, but have not much public spirit. Their exertions are, generally speaking, only for their families; which I conceive will always be the case, till politics, becoming a subject of discussion, enlarges the heart by opening the understanding. The French Revolution will have this effect. They sing at present, with great glee, many republican songs, and seem earnestly to wish that the republic may stand; yet they appear very much attached to their prince royal; and, as far as rumor can give an idea of character, he appears to merit their attachment.” She remained in Copenhagen and Hamburg but a short time. Imlay’s unkindness and indecision had, by the time she reached Holland, so increased her melancholy that the good effect of the bracing northern air was partially destroyed. She lost her interest in the novelty of her surroundings, and as she says in It was always impossible for Mary not to reflect and moralize upon what passed around her. She not only wanted to examine and record phenomena and events, but to discover a reason for their existence. She invariably sought for the primal causes and the final results of the facts in which she was interested. The civilization of the northern countries through which she travelled, so different from the culture of England and France, gave her ample food for thought. The reflections it aroused found their way into her letters. Some of them are really remarkable, as for example, the following:— “Arriving at Sleswick, the residence of Prince Charles of Hesse-Cassel, the sight of the soldiers recalled all the unpleasing ideas of German despotism, which imperceptibly vanished as I advanced into the country. I viewed, with a mixture of pity and horror, these beings training to be sold to slaughter, or be slaughtered, and fell into reflections on an old opinion of mine, that it is the preservation of the species, not of individuals, which appears to be the design of the Deity throughout the whole of nature. Blossoms come forth only to be blighted; fish lay their spawn where it will be devoured; and what a large portion of the human race are born merely to be swept prematurely away! Does not this waste of budding life emphatically assert, that it is not men, but man, whose preservation is so necessary to the completion of the grand Had Mary Wollstonecraft lived in the present time, she too would have written hymns to Man. This is another of the many strange instances in her writings of the resemblance between theories which she evolved for herself and those of modern philosophers. She lived a century too soon. The “Letters” were published in the same year, 1796, in Wilmington, Delaware. A few years later, extracts from them, translated into Portuguese, together with a brief sketch of their author, were published in Lisbon, while a German edition appeared in Hamburg and Altona. The book is now not so well known as it deserves to be. Mary’s descriptions of the physical characteristics of Norway and Sweden are equal to any written by more recent English travellers to Scandinavia; and her account of the people is valuable as an unprejudiced record of the manners and customs existing among them towards the end of the eighteenth century. But though so little known, it is still true that, as her self-appointed defender said in 1803, “Letters so replete with correctness of remark, delicacy of feeling, and pathos of expression, will cease to exist only with the language in which they were written.” Shortly after her death, Godwin published in four volumes all Mary’s unprinted writings, unfinished as well as finished. This collection, which is called simply Of the “Letters to Imlay,” which fill the third and a part of the fourth volume, nothing more need be said. They have been fully explained, and sufficient extracts from them have been made in the account of that period of her life during which they were written. The next in importance of these writings is “Maria; or, The Wrongs of Woman,” a novel. It is but a fragment. Mary intended to revise the first chapters carefully, and of the last she had written nothing but the headings and a few detached hints and passages. Godwin, in his Preface, says, “So much of it as is here given to the public, she was far from considering as finished; and in a letter to a friend directly written on this subject, she says, ‘I am perfectly aware that some of the incidents ought to be transposed and heightened by more luminous shading; and I wished in some degree to avail myself of criticism before I began to adjust my events into a story, the outline of which I had sketched in my mind.’” It therefore must be more gently criticised than such of her books as were published during her life-time, and considered by her ready to be given to the public. But, as the last work upon which she was engaged, and as one which engrossed her thoughts for months, and to which she devoted, for her, an unusual amount of labor, it must be read with interest. The incidents of the story are, in a large measure, drawn from real life. Her own experience, that of her sister, and events which had come within her actual knowledge, are the materials which she used. “Maria” is a story with a purpose. Its aim is the reformation of the evils which result from the established relations of the sexes. Certain rights are to be vindicated by a full exposition of the wrongs which their absence causes. Mary wished, as her Preface sets forth, to exhibit the misery and oppression peculiar to women, that arise out of the partial laws and customs of society. “Maria,” in fact, was to be a forcible proof of the necessity of those social changes which she had urged in the “Vindication of the Rights of Women.” In the career of the heroine the wrongs women suffer from matrimonial despotism and cruelty are demonstrated; while that of Jemima shows how impossible it is for poor or degraded women to find “The marriage state is certainly that in which women, generally speaking, can be most useful; but I am far from thinking that a woman, once married, ought to consider the engagement as indissoluble (especially if there be no children to reward her for sacrificing her feelings) in case her husband merits neither her love nor esteem. Esteem will often supply the place of love, and prevent a woman from being wretched, though it may not make her happy. The magnitude of a sacrifice ought always to bear some proportion to the utility in view; and for a woman to live with a man for whom she can cherish neither affection nor esteem, or even be of any use to him, excepting in the light of a housekeeper, is an abjectness of condition, the enduring of which no concurrence of circumstances can ever make a duty in the sight of God or just men. If indeed she submits to it merely to be maintained in idleness, she has no right to complain bitterly of her fate; or to act, as a person of independent character might, as if she had a title to disregard general rules. The incidents selected by Mary to prove her case are, it must be admitted, disagreeable, and the minor details too frequently revolting. The stories of Maria, Darnford, and Jemima are records of shame, crime, and human bestiality little less unpleasant than the realism of a Zola. It is an astonishing production, even for an age when Fielding and Smollett were not considered coarse. But, as was the case in the “Rights of Women,” this plainness of speech was due not to a delight in impurity and uncleanness for their own sakes, but to Mary’s certainty that by the proper use of subjects vile in themselves, she could best establish principles of purity. Whatever may be thought of her moral creed and of her manner of promulgating it, no reader of her books can deny her the respect which her courage and sincerity evoke. One may mistrust the mission of a Savonarola, and yet admire his inexorable adherence to it. Mary Wollstonecraft’s faith in, and devotion to, the doctrines she preached was as This story gives little indication of literary merit. The style is stilted, and there is no attempt at delineation of character. It is wholly without dramatic action; for this, Mary explains, would have interfered with her main object. But then its straightforward statement of facts, by concentrating the attention upon them, adds very strongly to the impression they produce. Maria is as complete a departure from the conventional heroine of the day, as, at a later period, Charlotte BrontË’s Rochester was from the heroes of contemporary novelists. And the book contains at least one description which should find a place here. This is the account Maria gives of a visit she makes to her country home a few years after her marriage and realization of its bitterness, and is really a record of the sentiments awakened in her when she visited Beverly, her early home, just before she left England for Sweden. The passage, in its contrast to the oppressive narrative which it interrupts, is as refreshing as a cool sea-breeze after the suffocating sirocco of the desert:— “This was the first time I had visited my native village since my marriage. But with what different emotions did I return from the busy world, with a heavy weight of experience benumbing my imagination, to scenes that whispered recollections of joy and hope most eloquently to my heart! The first scent of the wild-flowers from the heath thrilled through my veins, awakening every sense to pleasure. The icy hand of despair seemed to be removed from my bosom; and, forgetting my husband, the nurtured visions of a romantic mind, bursting on me with all their “Maria” seemed to many of its readers an unanswerable proof of the charge of immorality brought against its authoress. Mrs. West, in her “Letters to a Young Man,” pointed to it as evidence of Mary’s unfitness for the world beyond the grave. The “For originality of invention, tragic incident, and a certain fiery eloquence of style, this is certainly the most remarkable and mature of her works, although one may object that for a novel the moral purpose is far too obvious, the manner too generalized, and many of the situations revolting to the taste of a modern reader. But, with all its faults, it is a production that, in the implacable truth with which it lays open the festering sores of society, in the unshrinking courage with which it drags into the light of day the wrongs the feeble have to suffer at the hands of the strong, in the fiery enthusiasm with which it lifts up its voice for the voiceless outcasts, may be said to resemble ‘Les MisÉrables,’ by Victor Hugo.” The other contents of these four volumes are as follows: a series of lessons in spelling and reading, which, because prepared especially for her “unfortunate child,” Fanny Imlay, are an interesting relic; the “Letters on the French Nation,” mentioned in a previous chapter; a fragment and list of proposed “Letters on the Management of Infants;” several letters to Mr. Johnson, the most important of which have been already given; the “Cave of Fancy,” an Oriental tale, as Godwin calls These fragments and works are intrinsically of small value. The “Cave of Fancy” contains an interesting definition of sensibility, in which Mary, perhaps unconsciously, gives an excellent analysis of her own sensitive nature. This quality, the old sage says, is the “result of acute senses, finely fashioned nerves, which vibrate at the slightest touch, and convey such clear intelligence to the brain, that it does not require to be arranged by the judgment. Such persons instantly enter into the character of others, and instinctively discern what will give pain to every human being; their own feelings are so varied that they seem to contain in themselves not only all the passions of the species, but their various modifications. Exquisite pain and pleasure is their portion; nature wears for them a different aspect than is displayed to common mortals. One moment it is a paradise: all is beautiful; a cloud arises, an emotion Of the “Hints,” one on a subject which has of late years been very eloquently discussed is valuable as demonstrating her opinion of the relation of religion to morals. It is as follows:— “Few can walk alone. The staff of Christianity is the necessary support of human weakness. An acquaintance with the nature of man and virtue, with just sentiments on the attributes, would be sufficient, without a voice from heaven, to lead some to virtue, but not the mob.” |