In the last chapter we described type-setting by hand. Let us now for a few moments look at the method of doing this by machinery. This is the last achievement of that inventive enterprise which we have seen to be so efficient in all the history of the art; and it deserves some mention here, both for what it already is, and for what it so confidently promises. On witnessing this most interesting and curious operation, one wonders, first, that such a work, apparently requiring the constant exercise of mind and intelligence, can be so rapidly and perfectly done by machinery; and then, observing the simplicity of the instruments and the certainty of their work, one wonders again that it has never been done before. It is our aim in this history to illustrate the prominence machinery has held in the several departments Several type-setting machines have been devised, some of them very ingenious; but one after another failed to stand the test of actual work. It is not, however, half so strange that many should fail as that any should succeed in so great and delicate a work. So vast and difficult is the problem, that many of the best mechanicians of our day, whose knowledge of the capabilities of machinery gives their judgment peculiar weight, have pronounced it an impossibility, and have classed these efforts with the fascinating but visionary chase after a method of perpetual motion. But inventors are a The inventor of the machines we have examined, Mr. O.L. Brown, of Boston, has made a careful study of the subject for years, and seems finally to have found the secret, both of simplicity and success. Especially is the device for setting the types so simple that it might perhaps more properly be called an instrument than a machine. The Type-distributer strikes one as more curious and wonderful, inasmuch as it is entirely automatic, and is operated by steam; but it is an adaptation of one of the most common and familiar mechanical principles. The Type-setter comprises a case, a stick, and a justifier. The case consists of a series of grooves or channels ranged side by side, each just wide enough to receive a line of type. There is no limit to this case, either in the number of channels, or their length. In these channels, the types stand upon their feet, and the case is set at such an angle that they slide downward by their own gravity, and rest upon the bar which closes the lower ends. Across the foot a shield is placed, provided with openings for the types to pass through as they are Below and in front of the case, sliding back and forth upon a track at the will of the operator, is the stick, or mechanical hand, which takes the letters from the case. The stick consists of a semicircular groove for receiving the type, and a lever or key for operating it. The uppermost end of the stick forms an indicator, pointing to the index upon the shield. The key is provided at one end with a tongue, or plunger, for lifting the type, and the other forms a handle for working it. The whole weighing but a few ounces, it is moved with the greatest ease from letter to letter. The operator, seizing the handle with the thumb and finger, runs it nearly opposite the letter to be taken. It is so arranged with an adjusting gauge that no greater accuracy of stroke is required than in playing a piano. As the handle of the key is depressed, a type is thrust out into the stick. As the handle is raised again, a “follower” pushes the type just lifted sufficiently down the channel to allow the next one to be taken in the same way. This operation is repeated till the stick is full, when it is run to one end of the track, and the line slipped into the justifier. The stick is then ready for another In all machines that have heretofore been produced, use has been made of a set of keys to take the letters from the case; and at first thought these would seem to have an advantage over this with its single key. But experience has proved it otherwise; for the object is not merely to take the letters from the case, but also to form them into line; and this last has hitherto proved the most difficult and expensive part of the work. A case capable of holding one hundred and fifty lines of type the size of this in which this book is printed is about thirty inches in length; and when one letter is taken from one end of the case and the next from the other end, the difficult thing is to bring them together into line quickly, surely, and with perfect safety. It will readily be seen that in this passage there is likely to be loss of time, and the types are liable to misplacement, and, in the case of the more delicate, to breakage. That nothing is gained by multiplying the keys, will at once be seen when it is considered that the keys, however many there may be, must be struck singly, and time allowed for disposing of each letter as it is indicated. The operation of type-setting is not like that of playing the piano, where several keys are struck simultaneously; but, on the contrary, care must be taken This Type-setter was brought to perfection several years ago; but the necessity of a distributing The Type-distributer consists of a rotating ring, about ten inches in diameter. At regular intervals in the edge of the ring are recesses for holding the types while being carried to their places. Radiating from this ring are the channels into which the types are distributed; and which, when full, are transferred to the setter, and constitute a part The type are placed in the machine just as they come from the press, the galley being adjustable to any size of page; and any letters that the machine cannot distribute are simply transferred to the “pi-line,” where they stand in regular order, and can be distributed by another machine or by hand. The type used is the common type cast at our foundries, as described on page 225. For the setting-machine no change is made, but for the distributer, this being automatic, it is prepared by a The question which will doubtless decide the fate of this and all other machines for the purpose is the question of speed. The machines we have described, notwithstanding their newness and the necessary inexperience of the operators, make an economy of more than fifty per cent. in the time of doing a given amount of work. The distributer, being run by steam and tended by a boy, does the work of several men. This is a great gain; twenty-five per cent. has been thought an amount very desirable to be reached. It seems, too, that skill in operating the setter is easily acquired. As an illustration of this, may be given the case of a young girl who had never seen the inside of a printing-office, and who was induced to try the new machine. She was initiated into the ready use of the type-setter in five minutes’ instruction. Seizing the mechanical hand, which takes the letters one by one as rapidly as thought can spell from the groove-like case, in the first hour, with the rapid click, click, of the new-found “key,” she An office boy was as successful. After a few hours’ acquaintance with the machine, it is common for mere children, in dispatch and correctness of execution, to rival workmen who have had long experience in type-setting by hand. The setter has been operated in competition with two superior compositors of many years’ practice, and has done more work than both, on fair and equal terms. Such being the results in the present condition of the machinery, it is only just to conclude that this is an invention which not only does honor to the art, and is an important step in its progress, but must contribute materially to the cheapening of books and the dissemination of literature, and so serve the highest interests of human life. STEREOTYPE FOUNDRY. |