The trite maxim, A place for everything, and everything in its place, so commends itself to the sense of fitness, as hardly to need exposition or enforcement; yet while no maxim is more generally admitted, scarce any is so frequently violated in practice. In duty, the elements of time and place are intimately blended. Disorder in place generates derangement in time. The object which is out of place can be found only by the waste of time; and the most [pg 169] faithful industry loses a large part of its value when its materials are wanting where they ought to be, and must be sought where they ought not to be.

Apart from considerations of utility, order is an Æsthetic duty. It is needed to satisfy the sense of beauty. Its violation offends the eye, insults the taste. The Æsthetic nature craves and claims culture. It has abundant provision made for it in external nature; but so large a part of life must be passed within doors, at least in a climate like ours, that it is starved and dwarfed, if there be not in interior arrangements some faint semblance of the symmetry and harmony of the universe. To effect this needs neither abundance nor costliness of material. A French man or woman will charm the eye at a cost which in England would be represented by bare and squalid poverty. A Parisian shop-window will make with a few francs' worth of goods an exhibition of artistical beauty which might challenge the most fastidious criticism. These effects are produced solely by prime reference to fitness of place,—to orderly arrangement,—to a symmetry which all can understand, and which any one might copy. Our very capacity of receiving gratification from this source is the measure of our duty in this regard. If with the simplest materials we can give pleasure to the soul through the eye by merely assigning its fit place to every object, order is among the plainest dictates of beneficence.

Order is essential to domestic comfort and well-being, [pg 170] and thus to all the virtues which have their earliest and surest nurture in domestic life. There are homes at once affluent and joyless, groaning with needless waste and barren of needed comfort, in which the idea of repose seems as irrelevant as Solomon's figure of lying down on the top of a mast, and all from a pervading spirit of disorder. In such dwellings there is no love of home. The common house is a mere lodging and feeding place. Society is sought elsewhere, pleasure elsewhere; and for the young and easily impressible there is the strongest inducement to those modes of dissipation in which vice conceals its grossness behind fair exteriors and under attractive forms. On the other hand, the well-ordered house affords to its inmates the repose, comfort, and enjoyment which they crave and need, and for those whose characters are in the process of formation may neutralize allurements to evil which might else be irresistible.