HAFFNER, a well-known manufacturer, at Colmar. He was a multi-millionaire, and became a politician during the time of the Second Empire. He was the husband of Suzanne Haffner. La Curee.

HAFFNER (MADAME SUZANNE), wife of a celebrated manufacturer of Colmar, a millionaire twenty times over, whom the Empire was transforming into a politician. She was the inseparable companion of the Marquise d’Espanet, and had been a schoolfellow of Madame Renee Saccard. La Curee.

HALLEGRAIN (CAPTAIN JACQUES), the father of Christine. He was a Gascon from Montauban. A stroke of paralysis in the legs caused his retirement from the army, and he settled at Clermont with his wife and daughter. One day, when they were at church, he died of a second attack of paralysis. L’Oeuvre.

HALLEGRAIN (MADAME), wife of the preceding. She survived him for five years, remaining at Clermont, managing as well as she could on her scanty pension, which she eked out by painting fans, in order to bring up her daughter as a lady. During these five years Madame Hallegrain became each day paler and thinner, until she was only a shadow; one morning she could not rise, and she died, looking sadly at Christine, with her eyes full of great tears. L’Oeuvre.

HALLEGRAIN (CHRISTINE), daughter of the preceding, was born at Strasburg. Her father died when she was twelve years old, and her mother, who had a severe struggle to make a living for herself and her child, only survived him five years. Christine was left penniless and unprotected, without a friend, save La Mere des Saints-Anges, the Superior of the Sisters of the Visitation, who kept her in the convent until she got a situation as reader and companion to Madame Vanzade, an old lady who lived in Paris. Chance led to a meeting between Christine and Claude Lantier on the evening of her arrival in the city, and the acquaintanceship ripened into love. Ultimately she ran off with him, and they took up house at Bennecourt, where they lived happily for several years, a son being born to them in 1860. She was devoted to Claude, who was engrossed in his art, and when she saw that he was becoming discontented in the country she urged his return to Paris. There he became obsessed by the idea of a masterpiece, by means of which he was to revolutionize the world of art, and Christine allowed him to sacrifice their child and herself to his hopes of fame. They began to encroach on the principal of their small fortune, and while this lasted were not unhappy, though Claude’s increasing mental disturbance already gave cause for anxiety. Their marriage had taken place some time previously, and this had tended to make her position more comfortable. The exhaustion of their means was followed by great hardships, but Christine continued to sacrifice everything to her husband. The death of their child drew him away from his task for a time, but he again took it up, his mind becoming more and more unhinged. Christine made a last effort to detach him, but the call of his masterpiece was too strong, and one morning she found him hanging in front of the picture, dead. She fell on the floor in a faint, and lay there to all appearance as dead as her husband, both of them crushed by the sovereignty of art. L’Oeuvre.

HAMELIN (CAROLINE), sister of Georges Hamelin, accompanied him to Paris after the death of their father. She took a situation as governess, and soon after married a millionaire brewer in whose house she was employed. After a few years of married life, she was obliged to apply for a separation in order to avoid being killed by her husband, a drunkard who pursued her with a knife in fits of insane jealousy. Living with her brother, in the flat of the Orviedo mansion above that occupied by Saccard, she made the acquaintance of the latter, becoming after a time his housekeeper and subsequently his mistress. During the absence of her brother in the East, after the foundation of the Universal Bank, she did everything she could to protect his interests, and tried to persuade Saccard to discontinue the gambling in the shares of the bank which ultimately led to its ruin. Like her brother, she sold all her shares in the bank, and after the final crash divested herself of all her means in the assistance of ruined shareholders. She followed her brother in his flight to Rome. L’Argent.

HAMELIN (GEORGES), son of a Montpellier physician, a remarkable savant, an enthusiastic Catholic, who had died poor. After his father’s death he came to Paris, along with his sister Caroline, and entered the Polytechnic school. He became an engineer, and having received an appointment in connection with the Suez Canal, went to Egypt. Subsequently he went to Syria, where he remained some years, laying out a carriage road from Beyrout to Damascus. He was an enthusiast, and his portfolio was full of schemes of far-reaching magnitude. Having met Saccard in Paris, he joined with him in the formation of the Universal Bank, which was intended to furnish the means of carrying out some at least of his schemes. Against his wish, Hamelin was made chairman of the bank, and he thus became liable for the actions of the other directors, though he was himself absent in the East forming the companies in which the bank was interested. He was a man of high honour, and when the gamble in the shares of the bank reached an excessive point, he did all he could to restrain it, even selling his own shares. The money received for these was subsequently used in relieving other shareholders who lost their all. When the crash came, Hamelin was arrested along with Saccard, and, after trial, was sentenced to five years’ imprisonment and a fine of three thousand francs. By a technicality of law they were allowed a month to appeal, during which they were at liberty. With the connivance of Eugene Rougon, they fled the country, Hamelin going to Rome, where he secured a situation as an engineer. L’Argent.

HAMELIN (FRANCOISE), sister of M. Hamelin, a farmer, who lived at Soulanges. She brought up Angelique Marie, who was handed over to her by the Foundling Hospital when only a few days old. Angelique remained with her until she went to Paris with Madame Franchomme, some years later. Le Reve.

HARDY, tax-collector at Cloyes. La Terre.

HARTMANN (BARON), Director of the Credit Immobilier, a concern which had large interests in property immediately adjoining “The Ladies’ Paradise.” The Baron had been a lover of Madame Desforges, and through her influence he agreed to give financial support to Octave Mouret, thereby enabling him to carry out the large schemes of extension to which he had long looked forward. Au Bonheur des Dames.

HAUCHECORNE, principal assistant in the draper’s shop known as Vieil Elbeuf. He married Desiree, the daughter of his employer, and succeeded to the business, which he ultimately handed over to Baudu, his own son-in-law. Au Bonheur des Dames.

HAUCHECORNE (MADAME), wife of the preceding. See Desiree Finet.

HAUCHECORNE (ELIZABETH), daughter of the preceding. See Madame Baudu.

HAUTECOEUR (MONSEIGNEUR JEAN D’) was a member of one of the oldest and proudest families in France. He was for some time in the army, and until he was forty years of age he led an adventurous life, travelling everywhere and having many strange experiences. At last he chanced to meet Mademoiselle Pauline, daughter of the Comte de Valencay, very wealthy, marvellously beautiful, and scarcely nineteen years of age. They were married, but at the end of a year Pauline had a son and died. A fortnight later M. d’Hautecoeur entered into Holy Orders, and soon became a priest; twenty years afterwards he was made a bishop. During all that time he refused to see Felicien, his son, who had been brought up by an old abbot, a relation of his wife. He intended to have his son brought up as a priest, but the lad having no vocation, he gave up the idea and brought him to live at Beaumont. There Felicien met and fell in love with Angelique, but the Bishop sternly forbade any thought of marriage between them, and even went the length of arranging a marriage between his son and Claire de Voincourt. A touching personal appeal by Angelique had no effect in gaining the Bishop’s consent, but he was secretly much moved, and when she fell into ill-health he himself came to administer the last rites of the Church. Her semi-miraculous recovery led to the Bishop consenting to his son’s marriage, which was celebrated a few months later in the cathedral of Beaumont. Le Reve.

HAUTECOEUR (MARQUISE JEAN XII DE). See Paule de Valencay.

HAUTECOEUR (ANGELIQUE DE). See Angelique Marie.

HAUTECOEUR (FELICIEN D’), only child of Jean d’Hautecoeur, who was afterwards Bishop of Beaumont. Felicien’s mother having died at his birth, his father took Holy Orders, and refused to see him for over twenty years. Having ultimately come to live with his father at Beaumont, Felicien met and fell in love with Angelique, the adopted daughter of Hubert, the chasuble-maker. The Bishop having absolutely refused to consent to the marriage, the Huberts endeavoured to separate the lovers by persuading Angelique that Felicien no longer cared for her. They were aided in this by a rumour that Felicien was to marry Claire de Voincourt. A meeting between Angelique and Felicien cleared away the mists, but by this time the girl had fallen into ill-health and appeared to be dying. The Bishop, who had formerly been secretly moved by an appeal made to him by Angelique, came to administer to her the last rites of the Church. A semi-miraculous recovery followed, and, the Bishop having consented, Felicien was married to Angelique in the cathedral of Beaumont. The recovery had, however, been a mere spark of an expiring fire, for as Felicien led his new-made wife to the cathedral porch, she slipped from his arm, and in a few moments was dead. Le Reve.

HAZARD, a horse in the Mechain stable. It ran in the Grand Prix de Paris. Nana.

HEDOUIN (CHARLES), originally a salesman in the draper’s shop known as Au Bonheur des Dames, he became a partner by marrying Caroline Deleuze, a daughter of one of the proprietors. He fell into ill-health, but when he died the business was left in a flourishing condition. Pot-Bouille.

HEDOUIN (MADAME CAROLINE), wife of M. Hedouin, the proprietor of a draper’s shop in Paris known as “The Ladies’ Paradise.” She was a handsome woman with strong commercial capabilities, and during the frequent absences of her husband she undertook the management of the business. When Octave Mouret came to Paris, he first got employment at “The Ladies’ Paradise,” and with a view to establishing his position he conceived the idea of becoming Madame Hedouin’s lover. She discouraged his advances, however, and he gave up his situation. M. Hedouin died soon afterwards, and his widow, finding the responsibilities of business too heavy, invited Octave Mouret to return; a few months afterwards they were married. Pot-Bouille.

After her marriage with Octave Mouret the business extended rapidly, and an enlargement of the shop soon became necessary. While the work was in progress she met with an accident which resulted in her death three days later. Au Bonheur des Dames.

HELENE (DUCHESSE), the principal character in La Petite Duchesse, a piece by Fauchery played at the Theatre des Varietes. The part was originally given to Rose Mignon, but was played by Nana, who was a complete failure in it. Nana.

HELOISE, an actress at the Folies. She was plain-looking, but very amusing. Au Bonheur des Dames.

HENNEBEAU, general manager of the Montsou Mining Company, was born in the Ardennes. In his early life he had undergone the hardships of a poor boy thrown as an orphan on the Paris streets. After having followed the courses of the Ecole des Mines, at the age of twenty-four he became engineer to the Sainte-Barbe mine, and three years later he became divisional engineer in the Pas-de-Calais, at the Marles mines. When there he married the daughter of the rich owner of a spinning factory at Arras. For fifteen years they lived in the same small provincial town, and no event broke the monotony of existence, not even the birth of a child. An increasing irritation detached Madame Hennebeau, who was disdainful of this husband who gained a small salary with such difficulty. The misunderstandings between them became more pronounced, but with the view of pleasing his wife Hennebeau accepted a situation in an office in Paris. But Paris only completed their separation, for she immediately threw herself into all the luxurious follies of the period. During the ten years spent there she carried on an open intrigue with a man whose desertion nearly killed her. It was then that her husband accepted the management of the Montsou mines, still hoping that his wife might be changed down there in that desolate black country. When the great strike of miners broke out he at first minimized its seriousness, thinking that it would not last a week. By his lack of decided action he forfeited to some extent the confidence of his directors, but he regained this by the subsequent measures taken by him for bringing the strike to an end, and ultimately received the decoration of an officer of the Legion of Honour. His domestic life was, however, once more embittered by the discovery of a liaison between his wife and his nephew, Paul Negrel. Germinal.

HENNEBEAU (MADAME), wife of the preceding, was the daughter of a rich spinner at Arras. She did not get on well with her husband, whom she despised for his small success, and after she accompanied him to Paris she entered into a notorious liaison with a man whose subsequent desertion nearly killed her. For a time after their removal to Montsou she seemed more contented, but this did not last long, and she ultimately consoled herself with her husband’s nephew, Paul Negrel. She was angry at the strikers, as they interfered with the arrival of provisions for a dinner-party which she was giving; but she was incapable of understanding the sufferings of the miners and their families in the hardships they were forced to undergo. Germinal.

HEQUET (CAROLINE), a well-known demi-mondaine in Paris. Her father, who was a clerk in Bordeaux, was long since dead, and her mother, accepting the situation, looked after Caroline’s financial affairs with the strictest regularity. She bought the estate known as La Mignotte after Nana tired of it. Nana.

HEQUET (MADAME), mother of the preceding. She was a model of orderliness, who kept her daughter’s accounts with severe precision. She managed the whole household from some small lodgings two stories above her daughter’s, where, moreover, she had established a work-room for dressmaking and plain sewing. Nana.

HERBELIN, a great chemist whose discoveries revolutionized that science. Lazare Chanteau, who was for some time in his laboratory as an assistant, got from him the idea of extracting chemicals from seaweed by a new process. La Joie de Vivre.

HERMELINE, a student of rhetoric at the college of Plassans. He was in love with Sister Angele, and once went the length of cutting his hands with his penknife to get an opportunity of seeing and speaking to her while she dressed his self-inflicted hurts. In the end the student and the Sister ran off together. L’Oeuvre.

HIPPOLYTE, valet to Duveyrier. Pot-Bouille.

HIPPOLYTE, valet to Hennebeau, the manager of the Montsou Mining Company. Germinal.

HOMME NOIR (L’), an apparition said to haunt the Voreux pit. It was said to take the form of an old miner who twisted the necks of bad girls. Germinal.

HONORINE, a maid-servant with the Gregoires. She was a girl of some twenty years, who had been taken in as a child and brought up in the house. Germinal.

HONORINE, a servant in the employment of the Badeuils. When dismissed for misconduct she became insolent.

HORN (LEA DE), a Parisian demi-mondaine whose drawing-room was frequented by some of the old ministers of Louis Philippe. Nana.

HORTEUR (ABBE), parish priest of Bonneville, was a thick-set man of peasant-like build whose red hair was still unsilvered by his fifty years. Much of his time was spent in cultivating a small plot of ground in the churchyard, which he had enclosed as a vegetable garden. With regard to religion, he had come to be contented with the observance of outward ceremonies, and his tolerance had degenerated into a state of indifference as to the spiritual condition of his flock. He was on good terms with Chanteau, with whom it was his custom to play draughts every Saturday. La Joie de Vivre.

HOTON, a sugar-refinery at Montsou. Its prosperity was greatly affected by the strike of miners. Germinal.

HOURDEQUIN (ALEXANDRE), born 1804, was the only son of Isidore Hourdequin. He studied at the college of Chateaudun, but made little progress, as his only interest was in farming, for which he had an absolute passion. On the death of his father he became master of La Borderie, which he cultivated on the latest principles of agriculture, spending large sums upon it. He married a sister of Baillehache, the notary, who brought him a considerable sum, which also went into the land. His wife died in a few years, leaving him with two children, a son named Leon, who to his great disappointment became a soldier, and a daughter who died young. In spite of these misfortunes he retained all his passion for the land, and in it he gradually sunk all his fortune, getting little from it in return. A liaison with Jacqueline Cognet, followed, and she gradually acquired complete influence over him. He died as the result of an accident brought about by Tron, one of his own servants, who was also a lover of Jacqueline. La Terre.

HOURDEQUIN (MADAME), wife of the preceding. See Mademoiselle Baillehache. La Terre.

HOURDEQUIN (ISIDORE), born 1767, was the descendant of an old peasant family of Cloyes, which had educated and elevated itself into a middle-class position in the sixteenth century. They had all been employed in the administration of the salt monopoly, and Isidore, who had been left an orphan, was worth sixty thousand francs, when at twenty-six, the Revolution cost him his post. As a speculation he bought the farm of La Borderie for a fifth of its value, but the depreciation of real estate continued, and he was unable to resell it at the profit of which he had dreamed. He therefore determined to farm it himself, and about this time he married the daughter of a neighbour, who brought him an additional hundred and twenty acres of land. He had one son, Alexandre, and died in 1831. La Terre.

HOURDEQUIN (LEON), son of Alexandre Hourdequin. He had an intense hatred of the soil and became a soldier, being promoted Captain after Solferino. He did not visit his home more than once a year, and was much annoyed to discover the liaison between his father and Jacqueline Cognet. He endeavoured to get the latter into disgrace, but the only effect was to make a complete breach between his father and himself. La Terre.

HOURDEQUIN (MADEMOISELLE), the second child of Alexandre Hourdequin. She was a delicate and charming girl, tenderly loved by her father. She died young, a short time after her mother. La Terre.

HOUTELARD, a fisherman of Bonneville, whose house was washed away after the destruction by the sea of the barricade erected by Lazare Chanteau. La Joie de Vivre.

HUBERT, a chasuble-maker who lived in a house immediately adjoining the cathedral of Beaumont. “For four hundred years the line of Huberts, embroiderers from father to son, had lived in this house.” At twenty years of age he fell in love with a young girl of sixteen, Hubertine, and as her mother refused to give her consent to their union they ran away and were married. On the morning after Christmas, 1860, he found the child Angelique lying in a fainting condition in the snow outside the cathedral door. Having taken her into his house, he and his wife soon became attached to her, and as they had no children, ultimately adopted her as their daughter. Le Reve.

HUBERTINE, wife of the preceding. At the age of sixteen she fell in love with Hubert, the chasuble-maker, and as her mother, widow of a magistrate, would not give her consent, they ran away and were married. A year later she went to the deathbed of her mother, who, however, disinherited her and gave her her curse. “So affected was she by the terrible scene that her infant, born soon after, died.” The Huberts had no other children, and after twenty-four years they still mourned the little one they had lost. She warmly approved of the adoption by her husband and herself of the foundling child Angelique, whom she treated with the greatest kindness. From the bitterness of her own experience she had a horror of disobedience to parents, and when she found that the consent of Monseigneur d’Hautecoeur could not be obtained to a marriage between his son Felicien and Angelique, she did all she could to sever the lovers. In this she was successful for a time, until the illness of Angelique, and her miraculous recovery, induced the Bishop to give his consent. Le Reve.

HUE (M.) a retired Government official, who was a sincere lover of art. He was unfortunately not rich enough to be always buying pictures, and could only bewail the blindness of the public which allowed a genius to die of starvation; for he himself, convinced, had selected Claude Lantier’s crudest works, which he hung by the side of his Delacroix, predicting an equal fortune for them. L’Oeuvre.

HUGON (MADAME), mother of Philippe and Georges Hugon. She was the widow of a notary, and lived quietly at Fondettes, an old family property near Orleans, but had retained a house in Paris in Rue de Richelieu. She had been an old friend of the Marquise de Chouard, and was on intimate terms with her daughter, the Comtesse Sabine. A woman of high principles, she believed that one should overlook much in others in order that something might be pardoned in oneself. In this she contrasted strongly with her old friend the Marquis de Chouard, who professed the most rigorous virtue while he secretly lived a shameful life. She was, however, unable to bear with equanimity the eccentricities of Nana, her neighbour in the country, who led Philippe Hugon into dishonour, and his brother Georges to suicide. Nana.

HUGON (GEORGES), the younger son of Madame Hugon. At seventeen years of age he became infatuated with Nana, and a liaison with her followed. His mother, having discovered the state of affairs, interfered, and kept him at Fondettes for some months after Nana had returned to Paris, but he ultimately followed her there. Though he was not affected by the knowledge that Nana had other lovers, he was driven to frenzy when he learned that his brother Philippe had become one of the number. He implored Nana to marry him, and when she refused to take his offer seriously he plunged a pair of her scissors into his breast. The injury was not immediately fatal, but he died a few months afterwards; some said as the result of the wound reopening, while others spoke of a second and successful attempt at suicide. Nana.

HUGON (PHILIPPE), the elder son of Madame Hugon. A tall, handsome youth, he quickly attained the rank of lieutenant in the army, and was stationed first in the garrison at Bourges, and afterwards at Vincennes. His mother imprudently sent him to endeavour to release Georges from the toils of Nana, with the result that he was himself ensnared. He had little money of his own, and, as the demands of Nana were unceasing, he began to take small sums from the regimental funds, of which he was treasurer. The thefts went on for a considerable time, and when discovery was made they amounted to twelve thousand francs. Philippe was arrested, and when he was released from prison some months afterwards, dishonoured for ever, he was only in time to join his mother at the death-bed of her other son, who was also a victim to Nana’s unhappy influence. Nana.

HUGUENIN, held a sinecure worth six thousand francs at the Ministry of the Interior. When he died Eugene Rougon, the Minister, gave the post to Leon Bejuin. Son Excellence Eugene Rougon.

HUPEL DE LA NOUE (M.), prefet of the district for which M. Mareuil was member. He arranged the tableaux vivants at the great party given by Aristide Saccard. La Curee.

HURET, a member of the Chamber of Deputies who obtained his election through the influence of Eugene Rougon. His very existence depended on the favour of the Minister of State, towards whom he conducted himself as a sort of general servant. “By following this calling for a couple of years he had, thanks to bribes and pickings, prudently realized, been able to increase his estates.” Having ascertained that Rougon would not oppose the foundation of the Universal Bank, Huret became a director; later on, when the shares had risen to their highest point, he sold out in the knowledge that Rougon had decided to abandon his brother and that a catastrophe would be inevitable. L’Argent.

HUTIN, a salesman in the silk department of “The Ladies’ Paradise.” “He had managed after eighteen months’ service to become one of the principal salesmen, thanks to a natural flexibility of character, a continual flow of caressing flattery under which was concealed a furious rage for business.” Having conspired against Robineau, the “second hand” in his department, he succeeded him, only to be conspired against in turn by his own subordinates. When Denise Baudu first came to “The Ladies’ Paradise” Hutin showed her some kindness, for which she was grateful, but ultimately he made statements about her which were entirely without foundation. Au Bonheur des Dames.

HUTIN (MADAME), a woman who lived in the vicinity of the Halles Centrales, and was spied on by Mademoiselle Saget, whose penetrating eyes allowed none of her neighbours to escape notice. Le Ventre de Paris.