BOOK I. | | | | PAGE | | | THE PROLOGUE. | 13 | CANTO | | I. | THE CATHEDRAL CLOSE | 17 | | Preludes: | | 1. | The Impossibility | 17 | | 2. | Love’s Really | 17 | | 3. | The Poet’s Confidence | 18 | | The Cathedral Close | 19 | II. | MARY AND MILDRED | 24 | | Preludes: | | 1. | The Paragon | 24 | | 2. | Love at Large | 26 | | 3. | Love and Duty | 27 | | 4. | A Distinction | 28 | | Mary and Mildred | 28 | III. | HONORIA | 32 | | Preludes: | | 1. | The Lover | 32 | | 2. | Love a Virtue | 34 | | 3. | The Attainment | 34 | | Honoria | 35 | IV. | THE MORNING CALL | 39 | | Preludes: | | 1. | The Rose of the World | 39 | | 2. | The Tribute | 41 | | 3. | Compensation | 42 | | The Morning Call | 42 | V. | THE VIOLETS | 46 | | Preludes: | | 1. | The Comparison | 46 | | 2. | Love in Tears | 48 | | 3. | Prospective Faith | 48 | | 4. | Venus Victrix | 49 | | The Violets | 49 | VI. | THE DEAN | 53 | | Preludes: | | 1. | Perfect Love rare | 53 | | 2. | Love Justified | 54 | | 3. | Love Serviceable | 55 | | 4. | A Riddle Solved | 56 | | The Dean | 56 | VII. | ÆTNA AND THE MOON | 60 | | Preludes: | | 1. | Love’s Immortality | 60 | | 2. | Heaven and Earth | 61 | | Ætna and the Moon | 62 | VIII. | SARUM PLAIN | 66 | | Preludes: | | 1. | Life of Life | 66 | | 2. | The Revelation | 67 | | 3. | The Spirit’s Epochs | 67 | | 4. | The Prototype | 68 | | 5. | The Praise of Love | 68 | | Sarum Plain | 69 | IX. | SAHARA | 74 | | Preludes: | | 1. | The Wife’s Tragedy | 74 | | 2. | Common Graces | 75 | | 3. | The Zest of Life | 76 | | 4. | Fool and Wise | 76 | | Sahara | 77 | X. | CHURCH TO CHURCH | 81 | | Preludes: | | 1. | The Joyful Wisdom | 81 | | 2. | The Devices | 84 | | Going to Church | 84 | XI. | THE DANCE | 89 | | Preludes: | | 1. | The Daughter of Eve | 89 | | 2. | Aurea Dicta | 91 | | The Dance | 93 | XII. | THE ABDICATION | 97 | | Preludes: | | 1. | The Chace | 97 | | 2. | Denied | 100 | | 3. | The Churl | 101 | | The Abdication | 102 | BOOK II. | | THE PROLOGUE | 105 | I. | ACCEPTED | 109 | | Preludes: | | 1. | The Song of Songs | 109 | | 2. | The Kites | 110 | | 3. | Orpheus | 111 | | 4. | Nearest the Dearest | 111 | | 5. | Perspective | 112 | | Accepted | 112 | II. | THE COURSE OF TRUE LOVE | 116 | | Preludes: | | 1. | The Changed Allegiance | 116 | | 2. | Beauty | 120 | | 3. | Lais and Lucretia | 120 | | The Course of True Love | 121 | III. | THE COUNTRY BALL | 126 | | Preludes: | | 1. | Love Ceremonious | 126 | | 2. | The Rainbow | 127 | | 3. | A Paradox | 127 | | The County Ball | 128 | IV. | LOVE IN IDLENESS | 132 | | Preludes: | | 1. | Honour and Desert | 132 | | 2. | Love and Honour | 133 | | 3. | Valour Misdirected | 134 | | Love in Idleness | 134 | V. | THE QUEEN’S ROOM | 139 | | Preludes: | | 1. | Rejected | 139 | | 2. | Rachel | 140 | | 3. | The Heart’s Prophecies | 141 | | The Queen’s Room | 141 | VI. | THE LOVE-LETTERS | 145 | | Preludes: | | 1. | Love’s Perversity | 145 | | 2. | The Power of Love | 147 | | The Love-Letters | 148 | VII. | THE REVULSION | 152 | | Preludes: | | 1. | Joy and Use | 152 | | 2. | ‘She was Mine’ | 153 | | The Revulsion | 153 | VIII. | THE KOH-I-NOOR | 158 | | Preludes: | | 1. | In Love | 158 | | 2. | Love Thinking | 160 | | 3. | The Kiss | 161 | | The Koh-i-noor | 161 | IX. | THE FRIENDS | 165 | | Preludes: | | 1. | The Nursling of Civility | 165 | | 2. | The Foreign Land | 166 | | 3. | Disappointment | 166 | | The Friends | 167 | X. | THE EPITAPH | 170 | | Preludes: | | 1. | Frost in Harvest | 170 | | 2. | Felicity | 171 | | 3. | Marriage Indissoluble | 172 | | The Epitaph | 172 | XI. | THE WEDDING | 176 | | Preludes: | | 1. | Platonic Love | 176 | | 2. | A Demonstration | 177 | | 3. | The Symbol | 178 | | 4. | Constancy Rewarded | 178 | | The Wedding | 179 | XII. | HUSBAND AND WIFE | 183 | | Preludes: | | 1. | The Married Lover | 183 | | 2. | The Amaranth | 184 | | Husband and Wife | 185 | | The Epilogue | 189 |
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