INDEX. MISCELLANEOUS. SUBJECT. AUTHOR.
LIST OF ILLUSTRATIONS. JAMES PARTON BRYANT BURNS LAMB BYRON
MISCELLANEOUS. TO MY EMPTY PURSE. CHAUCER.
THE LISBON PACKET. BYRON.
RINGS AND SEALS. THOMAS MOORE.
MY LETTERS. R. HARRIS BARHAM.
SPRING. A NEW VERSION. THOMAS HOOD.
SCHOOL AND SCHOOL-FELLOWS. W. MACKWORTH PRAED.
THE VICAR. W. MACKWORTH PRAED
COME OUT, LOVE. N. P. WILLIS.
YOU KNOW IF IT WAS YOU N. P. WILLIS.
TO HELEN IN A HUFF. N. P. WILLIS
THE HEIGHT OF THE RIDICULOUS. OLIVER WENDELL HOLMES.
TAKE THY OLD CLOAK ABOUT THEE [OLD BALLAD, QUOTED BY SHAKSPEARE, IN OTHELLO.] PERCY RELIQUES
THE BAFFLED KNIGHT, OR LADY'S POLICY [A VERY FAVORITE ANCIENT BALLAD.] PERCY RELIQUES
JULIA. SAMUEL TAYLOR COLERIDGE.
A COCK AND HEN STORY. ROBERT SOUTHEY PART I.
SIR RUPERT THE FEARLESS. A LEGEND OF GERMANY. R. HARRIS BARHAM
DAME FREDEGONDE. WILLIAM AYTOUS.
THE RABBLE: OR, WHO PAYS! SAMUEL BUTLER.
THE PROGRESS OF POETRY. DEAN SWIFT
A NEW SIMILE FOR THE LADIES. WITH USEFUL ANNOTATIONS, DR. THOMAS SHERIDAN.
FAMILY POETRY. R. HARRIS BARHAM
THE SUNDAY QUESTION. THOMAS HOOD.
DEATH'S RAMBLE. THOMAS HOOD.
ON SAMUEL ROGERS. LORD BYRON.
MY PARTNER. W. MACKWORTH PRAED.
THE BELLE OF THE BALL. W. MACKWORTH PRAED.
SORROWS OF WERTHER. W. MAKEPEACE THACKERAY.
THE YANKEE VOLUNTEERS. W. MAKEPEACE THACKERAY.
COURTSHIP AND MATRIMONY. A POEM, IN TWO CANTOS. PUNCH. CANTO THE FIRST. COURTSHIP.
CONCERNING SISTERS-IN-LAW. PUNCH. I.
TO SONG-BIRDS ON A SUNDAY. PUNCH.
THE FIRST SENSIBLE VALENTINE. (ONE OF THE MOST ASTONISHING FRUITS OF THE EMIGRATION MANIA.) PUNCH.
A SCENE ON THE AUSTRIAN FRONTIER. PUNCH.
ODE TO THE GREAT SEA-SERPENT ON HIS WONDERFUL REAPPEARANCE. PUNCH.
KINDRED QUACKS. PUNCH.
THE RAILWAY TRAVELER'S FAREWELL TO HIS FAMILY. PUNCH.
A LETTER AND AN ANSWER. PUNCH. THE PRESBYTERS TO PALMERSTON.
PAPA TO HIS HEIR, A FAST MINOR. PUNCH.
WONDERS OF THE VICTORIAN AGE. PUNCH.
TO THE PORTRAIT OF "A GENTLEMAN," IN THE ATHENAEUM GALLERY. OLIVER WENDELL HOLMES.
MY AUNT. OLIVER WENDELL HOLMES.
COMIC MISERIES. JOHN G. SAXE.
THE LAY OF THE LOVER'S FRIEND WILLIAM AYTOUN
ODE ON SCIENCE. DEAN SWIFT.
A DESCRIPTION OF A CITY SHOWER IN IMITATION OP VIRGIL'S GEORGICS. DEAN SWIFT.
THE PROGRESS OF CURIOSITY; OR A ROYAL VISIT TO WHITBKEAD'S BREWERY. PETER PINDAR.
INSCRIPTION FOR THE DOOR OF THE CELL IN NEWGATE, WHERE MRS.
THE LOVE ELEGIES OF ABEL SHUFFLEBOTTOM. ROBERT SOUTHEY. I. THE
PLAY-HOUSE MUSINGS. A BURLESQUE IMITATION OF COLERIDGE. REJECTED ADDRESSES. JAMES SMITH
DRURY'S DIRGE. [BY LAUBA MATILDA. REJECTED ADDRESSES.] HORACE SMITH.
WHAT IS LIFE BY "ONE OF THE FANCY." BLACKWOOD'S MAGAZINE
FRAGMENTS. [BY A FREE-LOVER.] BLACKWOOD'S MAGAZINE, 1823
THE MILLING-MATCH BETWEEN ENTELLUS AND DARES. TRANSLATED FROM
RAISING THE DEVIL. A LEGEND OF CORNELIUS AGRIPPA. R. HARRIS BARHAM.
DOMESTIC POEMS. THOMAS HOOD. I. GOOD-NIGHT.
A THEATRICAL CURIOSITY. CRUIKSHANK'S OMNIBUS.
THE SECRET SORROW. PUNCH
SONG FOR PUNCH DRINKERS. AFTER SCHILLER. PUNCH.
THE SONG OF THE HUMBUGGED HUSBAND. PUNCH.
TEMPERANCE SONG. PUNCH. AIR FRIEND OF MY SOUL.
MADNESS. PUNCH.
LINES WRITTEN AFTER A BATTLE. BY AN ASSISTANT SURGEON OF THE NINETEENTH NANKEENS. PUNCH.
THE CHEMIST TO HIS LOVE. PUNCH.
A BALLAD OF BEDLAM. PUNCH.
STANZAS TO AN EGG. [BY A SPOON.] PUNCH.
A FRAGMENT. PUNCH.
EATING SONG. PUNCH.
THE SICK CHILD. [BY THE HONOBABLE WILHELMINA SKEGGS.] PUNCH.
MONODY ON THE DEATH OF AN ONLY CLIENT. PUNCH.
PARODY FOR A REFORMED PARLIAMENT. PUNCH.
DRAMA FOR EVERY-DAY LIFE. LUDGATE HILL. A MYSTERY. PUNCH.
JONES AT THE BARBER'S SHOP. PUNCH. SCENE. A Barber's Shop.
THE SATED ONE. [IMPROMPTU AFTER CHRISTMAS DINNER.] PUNCH.
"A BOOK IN A BUSTLE." A TRUE TALE OF THE WARWICK ASSIZES. BY THE GHOST OF CRABBE. PUNCH.
COLLOQUY ON A CAB-STAND. ADAPTED FOR THE BOUDOIR. PUNCH.
THE SONG OF HIAWATHA. AN ENGLISH CRITICISM PUNCH.
THE BITER BIT. WILLIAM AYTOUN.
THE BATTLE OF THE BOULEVARD WILLIAM AYTOUN.
PUFFS POETICAL. WILLIAM AYTOUM I. PARIS AND HELEN.
REFLECTIONS OF A PROUD PEDESTRIAN. OLIVER WENDELL HOLMES
EVENING. BY A TAILOR. OLIVER WENDELL HOLMES
PHAETHON; OR, THE AMATEUR COACHMAN. JOHN G. SAXX
EPIGRAMS OF BEN JONSON. TO FINE GRAND.
EPIGRAMATIC VERSES BY SAMUEL BUTLER. OPINION.
EPIGRAMS OF EDMUND WALLEB. A PAINTED LADY WITH ILL TEETH.
EPIGRAMS OF MATTHEW PRIOR. A SIMILE.
EPIGRAMS OF JOSEPH ADDISON. THE COUNTESS OF MANCHESTER.
EPIGRAMS OF ALEXANDER POPE. ON MRS. TOFTS. (A CELEBRATED OPERA SINGER.)
EPIGRAMS OF DEAN SWIFT. ON BURNING A DULL POEM.
PAULUS THE LAWYER. LINDSAY.
EPIGRAMS BY THOMAS SHERIDAN. ON A CARICATURE.
WHICH IS WHICH. BYRON.
ON SOME LINES OF LOPEZ DE VEGA. DR. JOHNSON.
ON SCOTLAND. CLEVELAND.
EPIGRAMS OF PETER PINDAR. EDMUND BURKE'S ATTACK ON WARREN HASTINGS
EPIGRAMS BY ROBERT BURNS. THE POET'S CHOICE.
EPIGRAMS FROM THE GERMAN OF LESSING. NIGER.
EPIGRAMS S. T. COLERIDGE.
TO MR. ALEXANDRE, THE VENTRILOQUIST. SIR WALTER SCOTT.
FRENCH AND ENGLISH. ERSKINE
EPIGRAMS BY THOMAS MOORE. TO SIR HUDSON LOWE.
ON BUTLER'S MONUMENT. REV. SAMUEL WESLEY.
ON THE DISAPPOINTMENT OF THE WHIG ASSOCIATES OP THE PRINCE REGENT, AT NOT OBTAINING OFFICE. CHARLES LAMB.
ON LORD DUDLEY AND WARD. SAMUEL ROGERS
EPIGRAMS OF LORD BYRON. TO THE AUTHOR OF A SONNET BEGINNING
EPIGRAMS OF BARHAM. ON THE WINDOWS OF KING'S COLLEGE REMAINING BOARDED.
EPIGRAMS BY THOMAS HOOD. ON THE ART-UNIONS.
EPIGRAMS BY W. SAVAGE LANDOR ON OBSERVING A VULGAR NAME ON THE PLINTH OF AN ANCIENT STATUE.
THE EMPTY BOTTLE. WILLIAM AYTOUN
EPIGRAMS BY JOHN G. SAXE. ON A RECENT CLASSIC CONTROVERSY.
A REVOLUTIONARY HERO. JAMES RUSSELL LOWELL
EPIGRAMS OF HALPIN THE LAST RESORT.
THE JOVIAL PRIEST'S CONFESSION. TRANSLATED FROM THE LATIN OF
TONIS AD RESTO MARE. ANONYMOUS
DIC. DEAN SWIFT.
MOLL. DEAN SWIFT.
A GENTLE ECHO ON WOMAN. IN THE DORIC MANNER. DEAN SWIFT.
TO MY NOSE. ANONYMOUS.
ROGER AND DOLLY. BLACKWOOD.
THE IRISHMAN. BLACKWOOD. I.
A _CAT_ALECTIC MONODY! CRUIKSHANK'S OMNIBUS.
A NEW SONG OF NEW SIMILES. JOHN BAY
REMINISCENCES OP A SENTIMENTALIST. THOMAS HOOD.
FAITHLESS NELLY GRAY. A PATHETIC BALLAD. THOMAS HOOD.
NO! THOMAS HOOD.
JACOB OMNIUM'S HOSS A NEW PALLICE COURT CHANT. W. MAKEPEACE THACKERAY
THE BALLAD OF ELIZA DAVIS. W. MAKEPEACE THACKERAY
THE LAMENTABLE BALLAD OF THE FOUNDLING OF SHOREDITCH. W. MAKEPEACE THACKERAY.
THE CRYSTAL PALACE. W. MAKEPEACE THACKERAY.
LETTER FROM MR. HOSEA BIGLOW TO THE HON. J. T. BUCKINGHAM,
A LETTER FROM A CANDIDATE FOR THE PRESIDENCY IN ANSWER TO
THE CANDIDATE'S CREED. (BIGLOW PAPERS.) JAMES RUSSELL LOWELL.
THE COURTIN'. JAMES RUSSELL LOWELL.
A SONG FOR A CATARRH. PUNCH
EPITAPH ON A CANDLE. PUNCH.
POETRY ON AN IMPROVED PRINCIPLE. A RENCONTER WITH A TEA-TOTALLER. PUNCH.
ON A REJECTED NOSEGAY, OFFERED BY THE AUTHOR TO A BEAUTIFUL YOUNG LADY, WHO RETURNED IT. PUNCH.
A SERENADE. PUNCH.
AN INVITATION TO THE ZOOLOGICAL GARDENS PUNCH.
THE PEOPLE AND THEIR PALACE. IMPROVISED BY A FINE GENTLEMAN. PUNCH.
A "SWELL'S" HOMAGE TO MRS. STOWE PUNCH.
THE EXCLUSIVE'S BROKEN IDOL. PUNCH.
EPITAPH ON A LOCOMOTIVE. BY THE SOLE SURVIVOR OF A DEPLORABLE
THE TICKET OF LEAVE. [AS SUNG BY THE HOLDER, AMID A CONVIVIAL CIRCLE IN THE SLUMS.] PUNCH.
A POLKA LYRIC. BARCLAY PHILLIPS
A SUNNIT TO THE BIG OX. COMPOSED WHILE STANDING WITHIN 2 FEET
ENIGMATIC RIDDLES BY MATTHEW PRIOR. TWO RIDDLES.
Title: The Humourous Poetry of the English Language
Author: James Parton
Edition: 10
Language: English
Rose Koven, Juliet Sutherland, Charles Franks and the Online Distributed
Proofreading Team.
THE HUMOROUS POETRY OF THE ENGLISH LANGUAGE, FROM CHAUCER TO SAXE.
Narratives, Satires, Enigmas, Burlesques, Parodies, Travesties,
Epigrams, Epitaphs, Translations, Including the Most Celebrated Comic
Poems of the Anti-Jacobin, Rejected Addresses, the Ingoldsby Legends,
Blackwood's Magazine, Bentley's Miscellany, and Punch.
With More Than Two Hundred Epigrams, and the Choicest Humorous Poetry
of Wolcott, Cowper, Lamb, Thackeray, Praed, Swift, Scott, Holmes,
Aytoun, Gay, Burns, Southey, Saxe, Hood, Prior, Coleridge, Byron,
Moore, Lowell, Etc.
WITH
NOTES, EXPLANATORY AND BIOGRAPHICAL,
BY JAMES PARTON.
PREFACE.
The design of the projector of this volume was, that it should contain the Best of the shorter humorous poems in the literatures of England and the United States, except:
Poems so local or cotemporary in subject or allusion, as not to be readily understood by the modern American reader;
Poems which, from the freedom of expression allowed in the healthy ages, can not now be read aloud in a company of men and women;
Poems that have become perfectly familiar to every body, from their incessant reproduction in school-books and newspapers; and
Poems by living American authors, who have collected their humorous pieces from the periodicals in which most of them originally appeared, and given them to the world in their own names.
Holmes, Saxe, and Lowell are, therefore, only REPRESENTED in this collection. To have done more than fairly represent them, had been to infringe rights which are doubly sacred, because they are not protected by law. To have done less would have deprived the reader of a most convenient means of observing that, in a kind of composition confessed to be among the most difficult, our native wits are not excelled by foreign.
The editor expected to be embarrassed with a profusion of material for his purpose. But, on a survey of the poetical literature of the two countries, it was discovered that, of really excellent humorous poetry, of the kinds universally interesting, untainted by obscenity, not marred by coarseness of language, nor obscured by remote allusion, the quantity in existence is not great. It is thought that this volume contains a very large proportion of the best pieces that haveappeared.
An unexpected feature of the book is, that there is not a line in it by a female hand. The alleged foibles of the Fair have given occasion to libraries of comic verse; yet, with diligent search, no humorous poems by women have been found which are of merit sufficient to give them claim to a place in a collection like this. That lively wit and graceful gayety, that quick perception of the absurd, which ladies are continually displaying in their conversation and correspondence, never, it seems, suggest the successful epigram, or inspire happy satirical verse.
The reader will not be annoyed by an impertinent superfluity of notes. At the end of the volume may be found a list of the sources from which its contents have been taken. For the convenience of those who live remote from biographical dictionaries, a few dates and other particulars have been added to the mention of each name. For valuable contributions to this portion of the volume, and for much well-directed work upon other parts of it, the reader is indebted to Mr. T. BUTLER GUNN, of this city.
There is, certainly, nothing more delightful than the fun of a man of genius. Humor, as Mr. Thackeray observes, is charming, and poetry is charming, but the blending of the two in the same composition is irresistible. There is much nonsense in this book, and some folly, and a little ill-nature; but there is more wisdom than either. They who possess it may congratulate themselves upon having the largest collection ever made of the sportive effusions of genius.