We all recall the old story of the Hartford personage who achieved a certain measure of fame by remarking that Mrs. Sigourney's personal obituary poems had added a new terror to death. Dr. Dwight's paper begins with a reference to this same phase of the poetess.

"Whenever any person has died in our country," he says, "during the last score of years, who was of public reputation sufficient to justify it ... a kind of calm and peaceful confidence has rested in our minds, that, within a brief season, a poetical obituary would appear in the public prints from the well-known pen of Mrs. Sigourney. Indeed so general has been this confidence among the people of Connecticut, that some persons, who, from peculiar modesty or from some other reason, have desired to escape the notice of the great world after death, have been beset by a kind of perpetual fear that she might survive them, and thus, having them at a great disadvantage, might send out their names unto all the earth."

And later on in the essay he mentions the reported story of the man who was unwilling to travel from New Haven to Hartford on the same train with the distinguished Hartford lady lest in case of a railroad accident she might put him into rhyme.

Though it is doubtful if the author of "The Anthology of Spoon River" ever heard of these obituary poems, they form a strange precedent for that original collection of verse. Some of them were gathered by their authoress in a volume entitled "The Man of Uz, and Other Poems," published at Hartford in 1862, where the literary antiquarian may still peruse them. If they originally possessed any poetry it is now extinct, and the only interest remaining is the personal one. To those for whom the older Hartford still has its appeal such names as those of Colonel Samuel Colt, Samuel Tudor, "The Brothers Buell," Harvey Seymour, D. F. Robinson, Judge Thomas S. Williams, Deacon Normand Smith, Governor Joseph Trumbull, and Mary Shipman Deming—to mention only a few—have their memories and possibly their family associations.

Perhaps it is not strange that such a considerable part of Mrs. Sigourney's facile effusions related to the tomb for hers was the age of pensive sentiment. It was the time when the weeping willow was popular in all forms of art, from the tombstone to the mezzotint illustration, when young ladies sang captivatingly, to the harp, of an early death, when funeral sermons were printed, widely circulated and even read, and when everybody was wondering whether they were numbered among the "elect" or—not.

Yet it would be a mistake to give the impression that all the sentiment of the time, or all of Mrs. Sigourney's poetry, partook of gloom. Far from it. Though there was, to be sure, a kind of background of agreeable melancholy, and such alluring titles of her books as "Whisper to a Bride" and "Water Drops" (a plea for temperance) were doubtless not intentionally humorous, Mrs. Sigourney could be playful at times and she invariably painted the immediate scene in colors of the rose. She was, in fact, an idealist. She so far idealized her early surroundings in Norwich, where she was born, that Dr. Dwight, who also knew Norwich in his boyhood, finds difficulty in identifying places and people. She even idealized the Park River, sometimes known in her day, as in ours, by a less euphonious title, alluding to it as "the fair river that girdled the domain [her home on what is now known as Asylum Hill] from which it was protected by a mural parapet." Who other than Mrs. Sigourney could have transformed an ordinary stone wall into a "mural parapet"?

Speaking of the Park River, Mrs. Sigourney, in the course of describing the pastoral surroundings of what was then her country home, confesses that she could never understand why pigs were unmentionable in polite society—though we think she herself refrained from referring to them by their ordinary term. "Such treatment," she asserts "is peculiarly ungrateful in a people who allow this scorned creature to furnish a large part of their subsistence, to swell the gains of commerce and to share with the monarch of ocean the honor of lighting the evening lamp."

Here are two other references, quoted by Dr. Dwight, to this rural "domain" of which the dwelling house, it will be remembered, is still standing:

"Two fair cows, with coats brushed to a satin sleekness, ruminated at will, and filled large pails with creamy nectar."

And again, the poultry "munificently gave us their eggs, their offspring and themselves."

But even this idealized Sabine farm was not exempt from the troubles that lie in wait for all of us, and we must be chivalrous enough to admit that Mrs. Sigourney bore the sorrows that came to her with grace and dignity. Soon after the poetess and her husband took up their residence here Mr. Sigourney was overtaken by business troubles, which his wife translates into "obstructions in the course of mercantile prosperity," and she cheerfully undertook various
economies, among which was "prolonging
the existence of garments by transmigration." Later the family moved to a less pretentious home on High street where the latter part of the life of Mrs. Sigourney, who survived her husband, was spent.

Later still this house became a kind of shrine, and a distinguished Yale teacher and poet, whose people, back in his undergraduate days of the sixties, dwelt for a time in the poetess's old home, has told the writer how nice old ladies from the country used to make pilgrimages thither to pluck a spray of lilac from the garden where the poetess was wont to walk and to see the room where she "mused."

The fact is that she appears to have dwelt in a world of the mind that, however real to her, was in reality distinctly artificial, like most of her poetic writings. In these faded verses there now appears to be little real thought, still less real poetry. The only stanzas about which any flavor of poetic eloquence still clings are those entitled "The Return of Napoleon from St. Helena" and "Indian Names." Compare her "Niagara" and "The Indian Summer" with the poems on the same subjects by J. G. C. Brainard, another now almost forgotten Hartford poet of her time, whose early death prevented the flowering of a fame that was just beginning to unfold, and the reader grasps at once the difference between a certain graceful turn of thought and facility of phrase on the one hand, and genuine poetic genius on the other.

And yet in her day she had a prodigious vogue and the reference to her as "The Hemans of America," while now holding a certain facetious implication, was gravely accepted at the time. Her journey abroad after her husband's death was in its way a sort of mild ovation. She met Queen Victoria and it is significant as well as amusing to find that our Hartford citizeness alluded to the Queen as "a sister woman." Her verses were translated into several languages and she received presents and letters of commendation from the King of Prussia, the Empress of Russia and the Queen of France.

The explanation of her contemporary popularity must lie in the state of mind of the period. In that era "sensibility" was the passport to literary success and Mrs. Sigourney certainly possessed sensibility, if nothing else, to a high degree. Those sentimental, yearly gift books known as "annuals" were a phenomenon of the time, and no "annual" was complete without one or more of her poems. It is time that some qualified person gave to the world a study of this old "annual" literature, so sentimental, so romantic, and so generally languishing. The most delightful appreciation that comes to mind at the moment, of the "annual" as a literary curio is contained in Professor Beers's life of Willis in the American Men of Letters series—or in his essay on Percival in "The Ways of Yale."

There is a certain pathos in the fact that the years have denied this Hartford poetess's gentle claim to immortality, because the impossibility of granting this claim has led the world to neglect two very definite and admirable characteristics she possessed.

One is that she was a remarkably good woman. She carried her Christian precepts into her daily practice in a way that few of us seem to succeed in doing. In spite of a little harmless vanity, everyone who came in contact with her appears to have admired and loved her.

In the social life of the old city she was a leading and popular figure. Samuel G. Goodrich in his "Recollections of a Life Time" describing Hartford in the second decade of the nineteenth century says of Mrs. Sigourney, then Miss Huntley: "Noiselessly and gracefully she glided into our social circle and ere long was its presiding genius.... Mingling in the gayeties of our social gatherings and in no respect clouding their festivity, she led us all toward intellectual pursuits and amusements. We had even a literary cotery under her inspiration, its first meetings being held at Mr. Wadsworth's." Before the writer lie a half dozen of Mrs. Sigourney's letters written in her distinct and regular handwriting. They relate to business matters, to social engagements, and a few are letters of consolation. Perhaps they seem a little stilted and formal, but in all the personal notes there is evident a very genuine and very charming spirit of sympathy and kindliness.

The other trait that has been largely forgotten is that she was a natural teacher of youth. In her early days in Hartford she conducted a school for girls on singularly successful and somewhat original lines. This she relinquished on her marriage, but for nearly half a century those of her old pupils who lived never failed to meet annually with her in remembrance of their early association. Clearly, she inspired in them all an ardent and lasting affection.

On the writer's desk, among her letters, lies an ancient school copy-book containing the transcript of an address she made to her old scholars August 17, 1822, "on their meeting to form a Charitable and Literary Society." It is characteristic that the greater part of this composition is concerned with affectionate and what now seem rather pathetic sketches of the five young girls of her flock who had died. The address confirms what we know from other sources—that her school was started in 1814, soon after she came from Norwich to Hartford.

The old manuscript abounds in unimpeachable moral aphorisms. One may, perhaps, smile at the carefully balanced phraseology of this: "Some sciences are more attractive to ambition, more congenial with fame, more omnipotent over wealth, but I know of none so closely connected with happiness as the science of doing good." Yet most of us would be better men and women if we applied that maxim in our lives as constantly as did this gentle "lady of old years." In her teaching "the science of doing good" was not a theoretical matter alone. It was directed to practical ends. "During a period of somewhat less than two years and a half," she says, "you completed for the poor 160 garments of different descriptions, many of which were carefully altered and repaired from your own—among them 35 pairs of stockings, knit without sacrifice of time during the afternoon reading and recitation of history. You likewise contributed ten dollars to the Asylum for the Deaf and Dumb, five dollars to the schools then established among the Cherokees, and distributed religious books to an amount exceeding ten dollars, among the children of poverty and ignorance.... Some of you were accustomed to gain time for these extra employments by rising an hour earlier in the morning."

Had Mrs. Sigourney continued her school it is not by any means preposterous to believe that her fame as an educator might have outlasted her reputation in literature, and that she might have shared with Miss Beecher of the old Hartford Female Seminary a certain degree of distinction in connection with the early education of women in this country.

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