The marshal's lips smiled.

"Sure, Jim," he drawled, "anything to oblige, although this is a new one on me. Come on, Matt; it seems the gentleman does not wish to be disturbed—— Well, neither would I under such circumstances. Here you! line up there in single file, and get a move on you—pronto! Show 'em what I mean, Matt; put that guy that talks English at the head—— Yes, he's the one. Now look here, amigo, you march straight out through that door, and head for the bunk-house—do you get that?"

"Si, seÑor; I savvy!"

"Well, you better; tell those fellows that if one of 'em makes a break he's goin' ter be a dead Mex—will yer? Get to the other side of them, Matt; now step ahead—not too fast."

Westcott watched the procession file out, still clasping the partially unconscious girl in his arms. Moore, bringing up the rear, disappeared through the entrance, and vanished into the night without. Except for the three motionless bodies, they were alone. The lamp on the high shelf flared fitfully in the wind, and the charred embers on the floor exhibited a glowing spark of colour. From a distance Brennan's voice growled out a gruff order to his line of prisoners. Then all was still. The eyes of the girl opened slowly, her lids trembling, but as they rested on Westcott's face, she smiled.

"You are glad I came?"

"Glad! Why I never really knew what gladness meant before."

He bent lower, his heart pounding fiercely, strange words struggling for utterance.

"You love me?"

She looked at him, all the fervent Irish soul of her in her eyes. Then one arm stole upward to his shoulder.

"As you love me," she whispered softly, "as you love me!"

"I can ask no more, sweetheart," he breathed soberly, and kissed her. At last she drew back, still restrained by his arms, but with her eyes suddenly grave and thoughtful.

"We forget," she chided, "where we are. You must let me go now, and see if he is alive. I will wait on the bench, here."

"But you said he had been killed."

"I do not know; there was no time for me to be sure of that. The shot struck him here in the chest, and when he fell he knocked me down. I tore open his shirt, and bound up the wound hastily; it did not bleed much. He never spoke after that, and lay perfectly still."

"Poor old Fred. I'll do what I can for him—I'll not be away a minute, dear."

He could see little from the doorway, only the dark shadow of a man's form lying full length on the floor. To enter he pushed aside the uptilted bed, picking up the shotgun, and setting it against the log wall. Then he took the lamp down from the shelf, and held it so the feeble light fell upon the upturned face. He stared down at the features thus revealed, unable for the moment to find expression for his bewilderment.

"Can you come here, dear?" he called.

She stood beside him, gazing from his face into those features on which the rays of the lamp fell.

"What is it?" she questioned breathlessly. "Is he dead?"

"I do not know; but that man is not Cavendish."

"Not Cavendish! Why he told me that was his name; he even described being thrown from the back platform of a train by that Ned Beaton; who can he be, then?"

"That is more than I can guess; only he is not Fred Cavendish. Will you hold the lamp until I learn if he is alive?"

She took it in trembling hands, supporting herself against the wall, while he crossed the room, and knelt beside the motionless figure. A careful examination revealed the man's wound to be painful though not particularly serious, Westcott carefully redressed the wound as best he could, then with one hand he lifted the man's head and the motion caused the eyelids to flutter. Slowly the eyes opened, and stared up into the face bending over him. The wounded man breathed heavily, the dull stare in his eyes changing to a look of bewildered intelligence.

"Where am I?" he asked thickly. "Oh, yes, I remember; I was shot. Who are you?"

"I am Jim Westcott; do you remember me?"

The searching eyes evidenced no sense of recollection.

"No," he said, struggling to make the words clear. "I never heard that name before."

Miss Donovan came forward, the lamp in her hand, the light shining full in her face.

"But you told me you were Mr. Cavendish," she exclaimed, "and Mr.
Westcott was an old friend of his—surely you must remember?"

He looked up at her, and endeavoured to smile, yet for the moment did not answer. He seemed fascinated by the picture she made, as though some vision had suddenly appeared before him.

"I—I remember you," he said at last. "You—you are Miss Donovan; I'll never forget you; but I never saw this man before—I'm sure of that."

"And I am equally convinced as to the truth of that remark," returned
Westcott, "but why did you call yourself Cavendish?"

"Because that is my name—why shouldn't I?"

"Why, see here, man," and Westcott's voice no longer concealed his indignation, "you no more resemble Fred Cavendish than I do; there is not a feature in common between you."

"Fred Cavendish?"

"Certainly; of New York; who do you think we were talking about?"

"I've had no chance to think; you jump on me here, and insist I'm a liar, without even explaining what the trouble is all about. I claim my name is Cavendish, and it is; but I've never once said I was Fred Cavendish of New York. If you must know, I am Ferdinand Cavendish of Los Angeles."

Westcott permitted the man's head to rest back on the floor, and he arose to his feet. He felt dazed, stunned, as though stricken a sudden blow. His gaze wandered from the startled face of the motionless girl to the figure of the man outstretched on the floor at his feet.

"Good God!" he exclaimed. "What can all this mean? You came from New
York City?"

"Yes; I had been there a month attending to some business."

"And when you left for the coast, you took the midnight train on the
New York Central?"

"Yes. I had intended taking an earlier one, but was delayed."

"You bought return tickets at the station?"

"No; I had return tickets; they had to be validated."

"Then your name was signed to them; what is your usual signature?"

"F. Cavendish."

"I thought so. Stella, this has all been a strange blunder, but it is perfectly clear how it happened. That man Beaton evidently had never seen Frederick Cavendish. He was simply informed that he would leave New York on that train. He met this Cavendish on board, perhaps even saw his signature on the ticket, and cultivated his acquaintance. The fellow never doubted but what he had the right man."

The wounded man managed to lift himself upon one elbow.

"What's that?" he asked anxiously. "You think he knocked me overboard, believing I was some one else? That all this has happened on account of my name?"

"No doubt of it. You have been the victim of mistaken identity. So have we, for the matter of that."

He paused suddenly, overwhelmed by a swift thought. "But what about
Fred?" he asked breathless.

Stella's hand touched his arm.

"He—he must have been the dead man in the Waldron Apartments," she faltered. "There is no other theory possible now."

The marshal of Haskell came out of the bunk-house, and closed the door carefully behind him. He was rather proud of his night's work, and felt quite confident that the disarmed Mexicans locked within those strong log walls, and guarded by Moore, with a loaded rifle across his knee, would remain quiet until daylight. The valley before him was black and silent. A blaze of light shone out through the broken door and window of the smaller cabin, and he chuckled at remembrance of the last scene he had witnessed there—the fainting girl lying in Westcott's arms. Naturally, and ordinarily, Mr. Brennan was considerable of a cynic, but just now he felt in a far more genial and sympathetic mood.

"Jim's some man," he confided to himself, unconsciously speaking aloud. "An' the girl's a nervy little thing—almighty good lookin', too. I reckon it'll cost me a month's salary fer a weddin' present, so maybe the joke's on me." His mind reverted to Mendez. "Five thousand on the old cuss," he muttered gloomily, "an' somebody else got the chance to pot him. Well, by hooky, whoever it was sure did a good job—it was thet shotgun cooked his goose, judgin' from the way his face was peppered. Five thousand dollars—oh, hell!"

His eyes followed the outline of the valley, able to distinguish the darker silhouette of the cliffs outstanding against the sky sprinkled with stars. Far away toward the northern extremity a dull red glow indicated the presence of a small fire.

"Herders," Brennan soliloquised, his thought instantly shifting. "Likely to be two, maybe three ov 'em out there; an' then there's them two on guard at the head o' the trail. I reckon they're wonderin' what all this yere shootin' means; but 'tain't probable they'll kick up any fuss yet awhile. We can handle them all right, if they do—hullo, there! What's comin' now?"

It was the thud of a horse's hoofs being ridden rapidly. Brennan dropped to the ground, and skurried out of the light. He could perceive nothing of the approaching rider, but whoever the fellow was he made no effort at secrecy. He drove his horse down the bank and into the stream at a gallop, splashed noisily through the water, and came loping up the nearer incline. Almost in front of the bunk-house he seemed suddenly struck by the silence and gleam of lights, for he pulled his pony up with a jerk, and sat there, staring about. To the marshal, crouching against the earth, his revolver drawn, horse and man appeared a grotesque shadow.

"Hullo!" the fellow shouted. "What's up? Did you think this was
Christmas Eve? Hey, there—Mendez; Cateras."

The little marshal straightened up, and took a step forward; the light from the cabin window glistened wickedly on the blue steel of his gun barrel.

"Hands up, Bill!" he said quietly, in a voice carrying conviction. "None of that—don't play with me. Take your left hand an' unbuckle your belt—I said the left. Now drop it into the dirt."

"Who the hell are you?"

"That doesn't make much difference, does it, as long as I've got the drop?" asked the other genially. "But, if you must know to be happy—I'm the marshal o' Haskell. Go easy, boy; you've seen me shoot afore this, an' I was born back in Texas with a weapon in each hand. Climb down off'n that hoss."

Lacy did so, his hands above his head, cursing angrily.

"What kind of a low-down trick is this, Brennan?" he snapped, glaring through the darkness at the face of his captor. "What's become of Pasqual Mendez? Ain't his outfit yere?"

"His outfit's here all right, dead an' alive," and Brennan chuckled cheerfully, "but not being no gospel sharp I can't just say whar ol' Mendez is. What's left ov his body is in thet cabin yonder, so full o' buckshot it ought ter weigh a ton."

"Dead?"

"As a door nail, if yer ask me. It was some nice ov yer ter come ridin' long here ter-night, Lacy. It sorter helps me ter make a good, decent clean-up ov this whole measly outfit. I reckon I'll stow yer away, along with them others. Mosey up them steps there, an' don't take no chances lookin' back."

"I'll get you for this, Brennan."

"Not if the Circuit Court ain't gone out o' business, you won't. I've got yer cinched an' hog tied—here now; get in thar."

He opened the door just wide enough for Lacy to pass, holding it with one hand, his revolver ready and eager in the other.

A single lamp lit the room dingily, revealing the Mexicans bunched on the farther side, a number of them lying down. Moore sat on a stool beside the door, a rifle in the hollow of his arm. He rose up as the door opened, and grinned at sight of Lacy's face.

"Well, I'll be dinged," he said. "What have we got here?"

Brennan thrust his new prisoner forward.

"Another one of yer ol' pals, Matt. You two ought ter have a lot ter talk over, an' thar's six hours yet till daylight."

The little marshal drew back, and closed the door. He heard the echo of an oath, or two, within as he turned the key in the lock. Then he straightened up and laughed, slapping his knee with his hand.

"Well," he said at last, soberly. "I reckon my place will be about yere till sun-up; thar might be some more critters like that gallivantin' round in these parts—I hope Matt's enjoyin' himself."