Parpon sat in the dormer window for a long time, the cat purring against his head, and not seeming the least afraid of falling, though its master was well out on the window-ledge. He kept mumbling to himself: "Ho, ho, Farette is below there with the gun, rubbing and rubbing at the rust! Holy mother, how it will kick! But he will only meddle. If she set her eye at him and come up bold and said: 'Farette, go and have your whiskey-wine, and then to bed,' he would sneak away. But he has heard something. Some fool, perhaps that Benoit—no, he is sick—perhaps the herb-woman has been talking, and he thinks he will make a fuss. But it will be nothing. And M'sieu' Armand, will he look at her?" He chuckled at the cat, which set its head back and hissed in reply. Then he sang something to himself. Parpon was a poor little dwarf with a big head, but he had one thing which made up for all, though no one knew it—or, at least, he thought so. The Cure himself did not know. He had a beautiful voice. Even in speaking it was pleasant to hear, though he roughened it in a way. It pleased him that he had something of which the finest man or woman would be glad. He had said to himself many times that even Armand de la Riviere would envy him. Sometimes Parpon went off away into the Bois Noir, and, perched there in a tree, sang away—a man, shaped something like an animal, with a voice like a muffled silver bell. Some of his songs he had made himself: wild things, broken thoughts, not altogether human; the language of a world between man and the spirits. But it was all pleasant to hear, even when, at times, there ran a weird, dark thread through the woof. No one in the valley had ever heard the thing he sang softly as he sat looking down at Julie: "The little white smoke blows there, blows here, It was crooned quietly, but it was distinct and melodious, and the cat purred an accompaniment, its head thrust into his thick black hair. From where Parpon sat he could see the House with the Tall Porch, and, as he sang, his eyes ran from the miller's doorway to it. Off in the grounds of the dead Seigneur's manor he could see a man push the pebbles with his foot, or twist the branch of a shrub thoughtfully as he walked. At last another man entered the garden. The two greeted warmly, and passed up and down together. III"My good friend," said the Cure, "it is too late to mourn for those lost years. Nothing can give them back. As Parpon the dwarf said—you remember him, a wise little man, that Parpon—as he said one day, 'For everything you lose you get something, if only how to laugh at yourself."' Armand nodded thoughtfully and answered: "You are right—you and Parpon. But I cannot forgive myself; he was so fine a man: tall, with a grand look, and a tongue like a book. Yes, yes, I can laugh at myself—for a fool." He thrust his hands into his pockets, and tapped the ground nervously with his foot, shrugging his shoulders a little. The priest took off his hat and made the sacred gesture, his lips moving. Armand caught off his hat also, and said: "You pray—for him?" "For the peace of a good man's soul." "He did not confess; he had no rites of the Church; he had refused you many years." "My son, he had a confessor." Armand raised his eyebrows. "They told me of no one." "It was the Angel of Patience." They walked on again for a time without a word. At last the Cure said: "I cannot tell. This 'here' is a small world, and the little life may fret me. Nor do I know what I have of this,"—he waved his hands towards the house,—"or of my father's property. I may need to be a wanderer again." "God forbid! Have you not seen the will?" "I have got no farther than his grave," was the sombre reply. The priest sighed. They paced the walk again in silence. At last the "You are persistent," replied the young man, smiling. "Whoever lives here should make it less gloomy." "We shall soon know who is to live here. See, there is Monsieur Garon, and Monsieur Medallion also." "The Avocat to tell secrets, the auctioneer to sell them—eh?" Armand went forward to the gate. Like most people, he found Medallion interesting, and the Avocat and he were old friends. "You did not send for me, monsieur," said the Avocat timidly, "but I thought it well to come, that you might know how things are; and Monsieur Medallion came because he is a witness to the will, and, in a case—"here the little man coughed nervously—"joint executor with Monsieur le Cure." They entered the house. In a business-like way Armand motioned them to chairs, opened the curtains, and rang the bell. The old housekeeper appeared, a sorrowful joy in her face, and Armand said: "Give us a bottle of the white-top, Sylvie, if there is any left." "There is plenty, monsieur," she said; "none has been drunk these twelve years." The Avocat coughed, and said hesitatingly to Armand: "I asked Parpon the dwarf to come, monsieur. There is a reason." Armand raised his eyebrows in surprise. "Very good," he said. "When will he be here?" "He is waiting at the Louis Quinze hotel." "I will send for him," said Armand, and gave the message to Sylvie, who was entering the room. After they had drunk the wine placed before them, there was silence for a moment, for all were wondering why Parpon should be remembered in the Seigneur's Will. "Well," said Medallion at last, "a strange little dog is Parpon. I could surprise you about him—and there isn't any reason why I should keep the thing to myself. One day I was up among the rocks, looking for a strayed horse. I got tired, and lay down in the shade of the Rock of Red Pigeons—you know it. I fell asleep. Something waked me. I got up and heard the finest singing you can guess: not like any I ever heard; a wild, beautiful, shivery sort of thing. I listened for a long time. At last it stopped. Then something slid down the rock. I peeped out, and saw Parpon toddling away." The Cure stared incredulously, the Avocat took off his glasses and tapped his lips musingly, Armand whistled softly. "So," said Armand at last, "we have the jewel in the toad's head. The clever imp hid it all these years—even from you, Monsieur le Cure." "Even from me," said the Cure, smiling. Then, gravely: "It is strange, the angel in the stunted body." "Are you sure it's an angel?" said Armand. "Who ever knew Parpon do any harm?" queried the Cure. "He has always been kind to the poor," put in the Avocat. "With the miller's flour," laughed Medallion: "a pardonable sin." He sent a quizzical look at the Cure. "Do you remember the words of Parpon's song?" asked Armand. "Only a few lines; and those not easy to understand, unless one had an inkling." "Had you the inkling?" "Perhaps, monsieur," replied Medallion seriously. They eyed each other. "We will have Parpon in after the will is read," said Armand suddenly, looking at the Avocat. The Avocat drew the deed from his pocket. He looked up hesitatingly, and then said to Armand: "You insist on it being read now?" Armand nodded coolly, after a quick glance at Medallion. Then the Avocat began, and read to that point where the Seigneur bequeathed all his property to his son, should he return—on a condition. When the Avocat came to the condition Armand stopped him. "I do not know in the least what it may be," he said, "but there is only one by which I could feel bound. I will tell you. My father and I quarrelled"—here he paused for a moment, clinching his hands before him on the table—"about a woman; and years of misery came. I was to blame in not obeying him. I ought not to have given any cause for gossip. Whatever the condition as to that matter may be, I will fulfil it. My father is more to me than any woman in the world; his love of me was greater than that of any woman. I know the world—and women." There was a silence. He waved his hand to the Avocat to go on, and as he did so the Cure caught his arm with a quick, affectionate gesture. Then Monsieur Garon read the conditions: "That Farette the miller should have a deed of the land on which his mill was built, with the dam of the mill —provided that Armand should never so much as by a word again address Julie, the miller's wife. If he agreed to the condition, with solemn oath before the Cure, his blessing would rest upon his dear son, whom he still hoped to see before he died." When the reading ceased there was silence for a moment, then Armand stood up, and took the will from the Avocat; but instantly, without looking at it, handed it back. "The reading is not finished," he said. "And if I do not accept the condition, what then?" Again Monsieur Garon read, his voice trembling a little. The words of the will ran: "But if this condition be not satisfied, I bequeath to my son Armand the house known as the House with the Tall Porch, and the land, according to the deed thereof; and the residue of my property—with the exception of two thousand dollars, which I leave to the Cure of the parish, the good Monsieur Fabre—I bequeath to Parpon the dwarf." Then followed a clause providing that, in any case, Parpon should have in fee simple the land known as the Bois Noir, and the hut thereon. Armand sprang to his feet in surprise, blurting out something, then sat down, quietly took the will, and read it through carefully. When he had finished he looked inquiringly, first at Monsieur Garon, then at the Cure. "Why Parpon?" he said searchingly. The Cure, amazed, spread out his hands in a helpless way. At that moment Sylvie announced Parpon. Armand asked that he should be sent in. "We'll talk of the will afterwards," he added. Parpon trotted in, the door closed, and he stood blinking at them. Armand put a stool on the table. "Sit here, Parpon," he said. Medallion caught the dwarf under the arms and lifted him on the table. Parpon looked at Armand furtively. "The wild hawk comes back to its nest," he said. "Well, well, what is it you want with the poor Parpon?" He sat down and dropped his chin in his hands, looking round keenly. Armand nodded to Medallion, and Medallion to the priest, but the priest nodded back again. Then Medallion said: "You and I know the Rock of Red Pigeons, Parpon. It is a good place to perch. One's voice is all to one's self there, as you know. Well, sing us the song of the little brown diver." Parpon's hands twitched in his beard. He looked fixedly at Medallion. Presently he turned towards the Cure, and shrank so that he looked smaller still. "It's all right, little son," said the Cure kindly. Turning sharply on Medallion told him. He nodded, then sat very still. They said nothing, but watched him. They saw his eyes grow distant and absorbed, and his face took on a shining look, so that its ugliness was almost beautiful. All at once he slid from the stool and crouched on his knees. Then he sent out a low long note, like the toll of the bell-bird. From that time no one stirred as he sang, but sat and watched him. They did not even hear Sylvie steal in gently and stand in the curtains at the door. The song was weird, with a strange thrilling charm; it had the slow dignity of a chant, the roll of an epic, the delight of wild beauty. It told of the little good Folk of the Scarlet Hills, in vague allusive phrases: their noiseless wanderings; their sojourning with the eagle, the wolf, and the deer; their triumph over the winds, the whirlpools, and the spirits of evil fame. It filled the room with the cry of the west wind; it called out of the frozen seas ghosts of forgotten worlds; it coaxed the soft breezes out of the South; it made them all to be at the whistle of the Scarlet Hunter who ruled the North. Then, passing through veil after veil of mystery, it told of a grand Seigneur whose boat was overturned in a whirlpool, and was saved by a little brown diver. And the end of it all, and the heart of it all, was in the last few lines, clear of allegory: "And the wheel goes round in the village mill, And the little brown diver he tells the grain. . . And the grand Seigneur he has gone to meet The little good Folk of the Scarlet Hills!" At first, all were so impressed by the strange power of Parpon's voice, that they were hardly conscious of the story he was telling. But when he sang of the Seigneur they began to read his parable. Their hearts throbbed painfully. As the last notes died away Armand got up, and standing by the table, said: "Parpon, you saved my father's life once?" Parpon did not answer. "Will you not tell him, my son?" said the Cure, rising. Still Parpon was silent. "The son of your grand Seigneur asks you a question, Parpon," said "Oh, my grand Seigneur!" said Parpon, throwing up his hands. "Once he said to me, 'Come, my brown diver, and live with me.' But I said, 'No, I am not fit. I will never go to you at the House with the Tall Porch.' And I made him promise that he would never tell of it. And so I have lived sometimes with old Farette." Then he laughed strangely again, and sent a furtive look at Armand. "Parpon," said Armand gently, "our grand Seigneur has left you the Bois Noir for your own. So the hills and the Rock of Red Pigeons are for you —and the little good people, if you like." Parpon, with fiery eyes, gathered himself up with a quick movement, then broke out: "Oh, my grand Seigneur—my grand Seigneur!" and fell forward, his head in his arms, laughing and sobbing together. Armand touched his shoulder. "Parpon!" But Parpon shrank away. Armand turned to the rest. "I do not understand it, gentlemen. Parpon does not like the young Seigneur as he liked the old." Medallion, sitting in the shadow, smiled. He understood. Armand continued: "As for this 'testament, gentlemen, I will fulfil its conditions; though I swear, were I otherwise minded regarding the woman" —here Parpon raised his head swiftly—"I would not hang my hat for an hour in the Tall Porch." They rose and shook hands, then the wine was poured out, and they drank it off in silence. Parpon, however, sat with his head in his hands. "Come, little comrade, drink," said Medallion, offering him a glass. Parpon made no reply, but caught up the will, kissed it, put it into Armand's hand, and then, jumping down from the table, ran to the door and disappeared through it. |