The Renaissance was the fourth of the great events in the history of the Christian Era; the first being the decline of Rome, the second the introduction of the Christian cult, and the third, the intrusion into Southern Europe of the Teutonic and Slavonic tribes. With none of these however, save the fourth, is this paper primarily concerned, and not even with the fourth save indirectly, though it deals with a special feature of it. Protestants and Catholics alike impeded progress and the self-evolution of reason in every possible way. Italy gave the world the Roman Republic, then the Roman Empire and finally the Roman Church; after that arose a new storm centre in the North which swept toward the Mediterranean. The Teutons effaced the Western Empire, adopted Christianity, and completely modified what remained of Latin civilization. Then the Roman Bishops separated the Latin from the Greek Church, and under the captious title of The Holy Roman Empire bound Western Europe into what has been called a "cohesive whole." While Romans and Teutons never actually blended homogeneously, they had yet a common bond of union. When this coalition was for a time freed from both Papacy and Empire—then began intellectual ac In the long run both attained the same result, i. e., liberation of the mind from artificial impediments and fetters, though they of the North achieved it in its full extent far earlier. (I am speaking of course, relatively; men's minds are far from free even today, but the state we have reached is a great advance upon that of Bruno's time). The Reformation led men to be far more outspoken than they dared be in the South; the free thinkers of Italy were still content to do homage to a thoroughly corrupt Papal hierarchy. As critics and warriors Luther and Calvin rank as liberators of the human mind, but later, as founders of mutually hostile sects, they only retarded civilization, and the churches they founded are today as stagnant pools. In 1548, in the midst of this stormy period in Italian history Bruno was born, in the little village of Nola, not far from Naples, whence Vesuvius was visible in the picturesque distance. His father was a soldier, his mother of very humble origin. Of his In those days as in many others superstition was everywhere rife and effective. Its influence must not be disregarded as one studies the formation of Bruno's character. When he was about eleven years old Bruno was sent to Naples to be taught logic, dialectics and humanities. When fifteen he entered the Dominican Monastery in Naples, and assumed the clerical habit of that order. Here he gave up his baptismal name of Filippo and assumed that of Giordano, according to the monastic custom. In 1572 he was ordained priest. His reasons for thus entering the Church are scarcely far to seek. Of intellectual bent, and studious rather than martial in his habits and inclinations, This was the age when efforts to put down every heresy had been redoubled. The fanaticism of Loyola, and the decision of the Council of Trent "to erase with fire and sword the slightest traces of heresy," made a poor frame work in which to place the picture of a liberal minded scholar. Bruno soon learned this at his cost. Even during his novitiate he was accused of giving away images of the saints, and of giving bad advice to his associates. In 1576 he was accused of apologizing for the heresy of Arius, that the Son was begotten of the Father, and so not consubstantial nor coeternal with Him, but created by Him and subordinate to Him; (which was condemned by the Council of Nice, 325, and contradicted in the Nicene Creed;) admiring its scholastic form, rather than its abstract truth. Disgusted with his treatment he left Naples and went to Rome. Even here he was molested in the Cloister of Minerva (note the pagan name), and was met with an accusation of 130 specifications. He then abandoned his He now resumed for a time his baptismal name, and traveled to a town on the Gulf of Genoa, where he taught youth and young gentlemen. Then he passed on to Turin and Venice, where he spent weeks in futile attempts to find work. But the schools and the printing houses were closed because of the plague. In Venice however he managed to print his first book on "The Signs of the Times;" or rather this was his first book to appear in print. It seems that before he left Naples he wrote "The Ark of Noah," a satirical allegory. In this he represented that the animals held a formal meeting in the Ark, to settle questions of precedence and rank, and that the presiding officer, the Ass, was in danger of losing his position and his influence, because his power lay rather in hoofs than horns. Throughout most of his life Bruno constantly scored and criticised Asinity; it was frequently the topic of his invective, and those who read between his lines were probably quite justified in regarding these frequent allusions as references to the ignorance, bigotry and credulity of the Monks. From Venice Bruno went to Padua, where some of the Dominican friars persuaded him to resume monas Here is raised the great question,—Did Bruno adopt Calvinism? Before the Inquisition fifteen years later he practically denied this, yet acknowledged attending the lectures of Balbani, of Lucca, as well as of others who taught and preached in Geneva. Under the regulations of the Academy (University), where he had already registered, certain regulations must be complied with, and Bruno appears to have obeyed them in at least a certain degree. But the immediate cause for his departure from Geneva appears to have been one of his outbreaks of cynicism and accurate scholarship, since in 1579 he was called before the Council for having caused to be printed a document enumerating twenty errors made by the Professor of Philosophy (de la Faye) in one of his lectures. The latter was incensed and outraged at this criticism and disparagement of his views and learning, and the quarrel assumed unexpected magnitude, since Bruno, on his second appearance before And so shaking the dust of Geneva from his feet he journeyed to Lyons, where he failed utterly to find occupation, and then on to Toulouse, where he remained about two years. Here he took a Doctorate in Theology in order to compete for a vacant chair. To this he was elected by the students, as the custom then was in most of the scholia or universities. For two sessions he lectured on Aristotle. Had this University required of him that he should attend mass, as did some others, he could not have done so, owing to his excommunication; though just why exclusion from a Calvinistic academy should debar him from Catholic mass does not appear. Toulouse was a warm place for heretics; the burning of 14,000 of them at its capture will prove this. A few years (35) after he left it Vanini was burned for heretic notions. It is hardly to be believed that Bruno could pass two years or more here without controversies arising from his teaching. But his nominal reason for leaving, in 1581, and going to Paris, was the war then raging in Southern France, under Henry of Navarre. Before leaving Toulouse he completed his "Clavis Magna" or "Great Key," the last word—as he seemed to think—on the art of memory. Only one volume of this great work, which, in his peculiarly egotistical way, he said is "superlatively pregnant," was ever published, and that in England, the "Sigillus Sigillorum." It must not be forgotten that it was on both teaching and practising this art of memory that But this was shortly after his arrival in Paris, in 1581, where he quickly became famous. A course of thirty lectures on "The Thirty Divine Attributes" of St. Thomas Aquinas would have given him a chair, could he have attended mass. His residence in Paris was marked by an extraordinary literary activity. He published in succession De Umbris Idearum (Shadow of Ideas), dedicated to Henry III, (this included the Art of Memory just mentioned) Cantus Circaeus (Incantation of Circe) dedicated to Prince Henry; De Compendiosa Architectura et Complemento Artis Lulli (Compendious Architecture); Il Candelaio (The Torchbearer); these all appeared in 1582. These varied greatly in character. The first was devoted to the metaphysics of the art of remembering, with an analysis of that faculty, and these second was given up to the same general topic. It was all obscure, hence perhaps its popularity. Brunnhofer says that it was "a convenient means of introducing Bruno to strange universi The "Torchbearer" was a work of very different character. It was described as a "Comedy" by one who described himself as "Academico di nulla academia, ditto il fastidito: In tristitia hilaris, hilaritate tristis." It is essentially a satire on the predominant vices of pedantry, superstition and selfishness or sordid love. Though lacking in dramatic power it is regarded as second to nothing of its kind and time. Its dramatis personae are personified types, not individuals. It was realistic even in its vulgarity, for obscenity was prevalent in the literature of those days. But in it Bruno struck at what seemed to him his greatest enemy, i. e. pedantry. There were at this time in Paris two great Universities, one the College de France, with liberal tendencies, and opposed to the Jesuits and all pedantry; the other the Sorbonne, for centuries the guardian of the Catholic faith, endowed with the right of censorship, which must have been exercised over Bruno's works. In which of these, though surely in one of them, Bruno was made an Extraordinary Lecturer history has failed to record. He must have offended both, since he was anxious to be taken back into the Church, yet was revolutionary in his teaching. More than thirty years later Nostitz, one of his pupils, paid tribute to his versatility and skill, saying "he was able to discourse impromptu on any suggested subject, to speak extensively and elaborately without preparation, so that he attracted many pupils and admirers in Paris." (McIntyre). But Bruno belonged to the literally peripatetic school, and in 1583 he forsook Paris for London, because as he says of "tumults," leaving it to the imagination whether these were civil or scholastic. Elizabeth reigned at this time; her influence made England a harbor of safety for religious and other mental suspects. She had a penchant for Italians and their language; two of her physicians were Italians, and Florio was ever welcome at her court. To this court Bruno also was welcomed, and, basking for sometime in the sunshine of her regard and patronage, passed there the happiest portion of his unhappy life. Oxford was at that time the stronghold of Shortly after this he published his Cena (Ash Wednesday Supper) in which he ridiculed the Oxford doctors, saying among other things that they were much better acquainted with beer than with Greek. But he criticised too cynically and lost thereby in popularity. This led to the appearance of the Causa, a dia Returning to London after this experience Bruno went to live with Mauvissiere, the French Ambassador. While the English records make no mention of his presence it is yet quite certain that he was frequently at Court, and that men like Sydney, Greville, Temple and others were his frequent associates. But as the Ambassador's influence was on the wane, he was not equal to his great trust. At this time our philosopher spoke of himself as one "whom the foolish hate, the ignoble despise, whom the wise love, the learned admire," etc. (McIntyre). Of Queen Elizabeth he wrote in most fulsome phrases, such as she too dearly loved. Before his judges, a few years later, Bruno apologized for his exaggerated expressions concerning a Protestant ruler, claiming that when he Bruno published seven works in England. The first was "Explicatio triginta Sigillorum," the Thirty Seals thus explained being hints for acquiring, arranging and remembering all arts and sciences. To it was added his Sigillus Sigillorum for comparing and explaining all mental operations. Then came an Italian dialogue "La Cena de le Ceneri" or Ash Wednesday Supper. This was written in praise and extension of the Copernican theory, indeed quite exceeding it in teaching the identity of matter, the infinity of the universe, the possibility of life on other spheres, with a painstaking attempt to show that these notions do not conflict with those of Mother Church. Next came "De Causa, Principio et Uno." (Cause, Principle and Unity). This treated of the immanence of spirit, the eternity of matter, the potential divinity of life, the origin of sin and death, and many other similar abstruse topics. It was followed by De l'Infinito Universo ed Mondi, with numerous reasons for believing the universe to be infinite and full of innumerable worlds, with the divine essence everywhere pervading. All these works appeared in 1583. In 1584 appeared his "Spacio de la Bestia Triofante" or Expulsion of the Triumphant Beast. In this prose poem Jupiter, repenting his errors, resolves to expel the many beasts that occupy his heavenly sphere—the When his ambassadorial patron was recalled Bruno probably returned to Paris with him, during the latter part of 1585. Here he spent a year amidst constant turmoil and excitement, and at his own expense. Though he attempted reconciliation with the Church he was regarded as an apostate. He held one more In addition to this Bruno had also published, before leaving Paris, a commentary on the Physics of Aristotle. Tarrying somewhat by the wayside Bruno reached Wittenberg, where, in 1586, he matriculated at its University, Marburg having curtly rejected him. Describing him here McIntyre styles him the "Knight Errant of Philosophy." Here Lutheranism dominated the theological faculty, while the philosophical faculty was dominated by Calvinism; views concerning the person of Christ, the "Real Presence," and the doctrine of Predestination keeping them apart in spite But again fate compelled a change of residence, for the Calvanistic and Ducal party gained in political ascendancy, to which party Bruno, as a Copernican, would have appeared as a heretic. After delivering an eloquent address of farewell he moved on, his next abiding place being Prague, where Rudolph II, of Bohemia, was posing as the friend of all learned men. Here he already had friends at court, and here he introduced himself with another Lullian work. To the Emperor he next dedicated a work of iconoclastic type, "One hundred and sixty articles against the mathematicians and philosophers of the day." For this the Emperor granted him the sum of three hundred dollars, and in January, 1589, he shifted again to Helmstadt, in Brunswick, where he matriculated The fatuous simplicity and the worldly blindness which Bruno displayed, in ever setting foot inside of Italian or papal territory after the delivery of this Oratio Consolatoria, may in one way be appreciated but never understood or explained. Moreover he had made himself persona non grata as well to the Protestants, who were scarcely more liberal than the Catholics. It appears that the great Boethius, superintendent of the Church at Helmstadt, had acted both as judge and executioner, and publicly excommunicated Bruno without a hearing, since there is extant a letter appealing from his arbitrary judgment and malice. The grounds for this judgment were never made These were his two great Latin Works, "De Minimo" and "De Immenso," the introduction to the latter being the "De Monade." He worked at these with his own hands. In the introduction to the former his publisher stated that before its final revision Bruno had been hurriedly called away by an unforseen chance. This sudden departure may have been due to a refusal of the town Council to permit his residence there, or it may have been a call to ZÜrich, where he spent a few months with one Hainzel, who had a leaning toward the Black Arts. Bruno wrote for him "De Imaginum Compositione," a manual of his Art of Memory. In this Swiss city he also dictated a work "Summa Terminorum Metaphysicorum," which was not published until 1609, and then in Marburg. But Bruno returned to Frankfort in 1591, where he obtained permission to publish his De Minimo. This work was on the "three fold minimum and measurement, being the elements of three speculative and several practical sciences." This like the two next mentioned was a Latin poem, after the fashion of Lucretius. The De Monade, Numero et Figura dealt with the Monad, and with the elements While thus staying in Frankfort for the second time Bruno was invited by a young Venetian patrician to pay him a visit, and become his tutor in those arts in which the philosopher excelled. It was the most unfortunate event in Bruno's unhappy life when he accepted this apparently tempting invitation. Mocenigo, his host, was of good family, but shallow, vain, weak-minded and dishonest, with the fashionable taste of his day for the black arts. It is quite possible that he was moreover the tool of the Inquisition, which had long desired to entrap Bruno. It is probable moreover that the latter quite failed to appreciate how unenviably he was regarded by that Church to which he still felt that he belonged. Furthermore Venice was then a Republic and free, and he longed for his beloved Italy again. En route to Venice he spent three months in Padua, teaching there and gathering around himself pupils, even in that short time. He had barely left it when Galileo was invited there to teach; as Riehl has said, "the creator of modern science following in the steps of its prophet." Early in 1592 Bruno went to live in Mocenigo's house. Trouble soon began. Entirely apart in temperament and characteristics, they soon disagreed. When Bruno at last appreciated the dangers by which he was surrounded he announced his intent to go again to Frankfort to have some of his books printed, and so took his leave of Mocenigo. On the following day, in May, 1592, Bruno was seized by six men, using force, who locked him in an upper story of Mocenigo's house. The next day he was transferred to an underground cellar, and the following night to the prison of the Inquisition. May 23rd his former host denounced him, with a cunning and lying statement concerning some of his views and teachings. Thus he was reported as stating that Christ's miracles were only apparent, that He and the apostles were magicians, that the Catholic faith was full of blasphemies against God, that the Friars befouled the world and should not be allowed to preach, that they were asses, and the doctrines of the Church were asses' beliefs, etc. (McIntyre). This was followed Other counts in the indictment which he had to face were his doubts concerning the miracles, the sacraments and the incarnation, his praise of heretics and heretic princes and his familiarity with the magic arts. He finally made a formal solemn abjuration of all the errors he had ever committed, and the heresies he had ever uttered, or doubts expressed or believed, praying only that the Holy Office would receive him back into the Church where he might rest in peace. Further examinations were held and the earlier processes against him in Naples and Rome recalled. After this there was a period of apparent quiet save that he remained in prison. It is not known to what tortures he may have been subjected, but it is recorded that he knelt before his judges asking their pardon, and God's, for all his faults, and professed himself A little later it transpired that the Sacred Congregation of the Supreme Tribunal of the Holy Office, in Rome, desired to assume all further responsibility for the process against so distinguished a heretic. Accordingly the machinery of the Church was put in motion to this end. Negotiations with the Venetian Republic, somewhat tedious and complicated, which need not detain us now, were at last concluded. January 7, 1603, the Venetian procurator reported of Bruno that "his faults were exceedingly grave in respect of heresies, though in other respects he was one of the most excellent and rarest natures, and of exquisite learning and knowledge," (McIntyre) but that the case was of unusual gravity, Bruno not a Venetian subject, the Pope most anxious, etc. It was then decided to remit him to the Tribunal of the Inquisition at Rome; whereat it is duly reported, the Pope was deeply gratified. To Rome then he went and here he was lost, so far as documentary records go, for a period of six years. How to explain this fact and this apparent clemency has bothered the biographers not a little. Whether this time was spent in an examination of his voluminous writings, which would seem incredible, or whether the Dominicans labored so long to procure his more absolute recantation in order to prevent scandal in and reflection on their order, or whether Pope Clement himself regarded kindly—in some degree— Finally matters were hastened to an end by the efforts of Fathers Commisario and Bellarmino; the latter being the zealous bigot who decided that Copernicanism was a heresy, who later laid the indictment against Galileo. Through their machinations Bruno was, in February, 1599, decreed on eight counts as a dangerous heretic, who might still admit his heresies, and he was to be granted forty days in which to recant and repent. But this period was stretched out some ten months, until December, when it was reported that Bruno refused to recant, having nothing to take back. Among the Tribunal at this time was San Severino, fanatical, bitter because of his failure to secure the papacy, who had declared that St. Bartholomew's was "a glorious day, a day of joy for Catholics." It was decided that the high officers of the Dominicans should make one last effort to compel or coax Bruno to abjure. This he declined to do, Whereupon, January 20th, 1600, it was decreed that "further measures be proceeded to, servatis servandis, that sentence be passed, and that the said Friar Giordano be handed over to the secular authority." A few days later Bruno was degraded, excommunicated and Bruno's reply to his judges deserves to be printed in letters of gold whenever it can be recorded;—"Greater perhaps is your fear in pronouncing my sentence than mine in hearing it." Let us spare ourselves a too minute account of his execution. Some reports are to the effect that his tongue was tied, because he refused to listen to the exhortations of those members of the Company of St. John the Beheaded, better known as the Brothers of the Misericordia, who accompanied the condemned to the scaffold or the stake, resorting to the most cruel methods in order to provoke at least some appearance of recantation or repentance during the last moments of life. Right here let it be said of Bruno that whatever may have been his weaknesses before the Inquisition at Venice, he stood firmly by his creed when put to the final test, and died an ideal martyr's death because his creed did not agree with that of his persecutors. And so terminated the life of one of Italy's greatest ornaments and scholars. The occasion had not then the importance we assign it now. The burning of a heretic was a frequent spectacle, and the year 1600 was the year of Jubilee, in which the death of one unbeliever more was but the incident of a day. He had himself foreseen it, saying, "Torches, fifty or a hun There remains yet to comment on his character and to analyze his views. The greatest blot upon the former is his attitude before the Venetian Tribunal. Here he was at first defiant, even polemical, strong in his asserted right to use the natural light of sense and reason. Under greater stress he modified this to one of absolute and indignant denial, and finally became submissive to the last degree, cringing and finally begging for pardon on bended knees. That this attitude changed with his better realization of his predicament is undeniable. Moreover what keen and sensitive natures may do under the influence of torture is never to be predicated. How many of us could resist the persuasiveness of the rack when it came to modifying our beliefs? But whatever may have been his weakness at that time, he completely rehabilitated himself before his end, for were not his ashes scattered to the winds as a token that he completely failed to recant? Surely no martyr to science or dogma ever died a more dignified death, for the edification or example of others. What shall be said of his persecutors and prosecutors? Let us here be charitable; let us be just. Have we yet that absolute knowledge of right and wrong which can enable us to pass final judgment on men of the past, their motives and actions? Moral percep Let us say then that Bruno was in some respects so far ahead of his day and generation that they understood him not. And yet he was a torch bearer, save What shall be said of Bruno as a philosopher? He, first of all men in the middle ages, taught that Nature was lovable and worthy of study. Loving her, trusting, confiding in her, he found himself at outs with all the mental processes of his fellow scholars. In this way the natural method was brought into direct opposition with the ponderously artificial and strained methods of his day. He held that our eyes were given us that we might open and look upward. "Seeing, I do not pretend not to see, nor fear to profess it openly," he says. His philosophy was rather a product of intuition than of ratiocination, which became his real religion, for which Catholicism was a cloak, because in those days one was compelled to wear a cloak or live but a short life, and that within prison walls. What the medieval church, Catholic and even Protestant, has to answer for, as to the suppression of truth and provocation of hypocrisy, is beyond the mensuration of man. For the argument from authority he had the greatest contempt, and herein he set the world of thinkers a valuable lesson. "To believe with the many because they were many, was the mark of a slave," (McIntyre). Before Ba "Oh, holy assinity! Oh, holy ignorance, holy folly and pious devotion; which alone makest souls so good that human wit and zeal can go no further," etc. By the independence of his mental processes he was thrown quite upon his own resources, and his nature, already dignified and reserved, was made more introspective and self-conscious. In this way he developed strains of vanity and egotism which led him at times to the bombastic self-laudation of a Paracelsus. He had nothing but disgust for the common people and the sort of scholars (pedants) whom they admired. The vulgar mind was more influenced by sophisms, by appearance, by failure to distinguish between the shadow and the substance. Take but two or three of Bruno's conceptions:— He perhaps first during the middle ages taught the transformation of lower into higher organisms, following the Greeks who first enunciated the doctrine of evolution, which it remained for Darwin and Wallace to edit and illustrate as that law of the organic continuity of life, which we call evolution. He further wrote of the human hand as a factor in the evolution of the human race, in a way which should have commended him to the author of the Bridgewater treatise. He wrote of the changes on the earth's surface brought about by natural processes, which have When we realize how to such highly developed reasoning powers as Bruno possessed, were added a phenomenal memory, a tremendous power of assimilation, a developed imagination, a poetic nature, the gift of easy and accurate speech and a temperament easily excited to fervor in attack or defense, we may the better appreciate his dominating greatness as well as his trifling weakness; the former being entirely to his own credit while the latter are ascribed largely to the faults of his time, and the fact that he was really living far ahead of his day and generation. He was not only the forerunner of modern science, he was the prototype of the modern biblical critic, foreshadowing the modern higher criticism, albeit in veiled terms, and as a matter of esoteric teaching; because the biblical critic of those days was burned at the stake, while to-day he is barely ostracized by the shallow and narrow minded, with whom he has at best nothing mentally in common. So much have four centuries of labor and vicarious suffering accomplished for the emancipation of the human mind. Bruno had a creed, but it was too simple for his times. He rejected certain orthodox dogmas, (e. g. the Trinity, the Immaculate Conception) which commend themselves still less to the emancipated and cultivated minds of to-day. He absolutely rejected authority, which was a step toward reason comparable to the freeing of the slaves or serfs. He evolved a theory of evolution from a priori concepts, which it remained for Darwin to complete and demonstrate. He believed in the natural history of religions. His motives were of the loftiest, though his methods were not always those of to-day. He believed that the essence of truth inhered in those differences which kept men apart, and still sever them. He believed the law of love and that it sprang from God, which is the Father of All, that it was in harmony with nature, and that by love we may be transformed into something of His likeness. As Bruno himself says:—"This is the religion, above controversy or dispute, which I observe from the belief of my own mind, and from the custom of my fatherland and my race." (McIntyre, p. 110). And yet this sublime man was burned as a heretic! Let us stop when we hereafter pass through the Campo dei Fiori, as I have done many a time, and take off our hats to the memory of this great man, who, while small in some human traits, yet was the greatest thinker in Italy during the sixteenth century, whose memory may help us to forget some of the hypocrisies and cant so generally prevalent during the age which This paper has already been prolonged, perhaps tiresomely, nevertheless I cannot refrain from quoting a few paragraphs from that most versatile student of this period, Symonds, whose estimate of Bruno is as follows:—(Renaissance in Italy; Catholic Reaction, II Chap. ix). "Bruno appears before us as the man who most vitally and comprehensively grasped the leading tendencies of his age in their intellectual essence. He left behind him the mediaeval conception of an extra-mundane God, creating a finite world, of which this globe is the center, and the principal episode in the history of which is the series of events from the Fall, through the Incarnation and Crucifixion, to the Last Judgment. He substituted the conception of an ever-living, ever-acting, ever-self-effectuating God, immanent in an infinite universe, to the contemplation of whose attributes the mind of man ascends by the study of Nature and interrogation of his conscience. "Bolder even than Copernicus, and nearer in his intuition to the truth, he denied that the universe had "flaming walls" or any walls at all. That "immaginata circonferenza," "quella margine immaginata del cielo," on which antique science and Christian theol Bruno was convinced that religion in its higher essence would not sufferer from the new philosophy. Larger horizons extended before the human intellect. The soul expanded in more exhilarating regions than the old theologies had offered. "Lift up thy light on us and on thine own, O soul whose spirit on earth was as a rod To scourge off priests, a sword to pierce their God, A staff for man's free thought to walk alone, A lamp to lead him far from shrine and throne On ways untrodden where his fathers trod Ere earth's heart withered at a high priest's nod, And all men's mouths that made not prayer made moan. From bonds and torments, and the ravening flame, Surely thy spirit of sense rose up to greet Lucretius, where such only spirits meet, And walk with him apart till Shelley came To make the heaven of heavens more heavenly sweet, And mix with yours a third incorporate name." |