Belief in magic has been called by Tylor, one of the greatest authorities on the occult sciences, "one of the most pernicious delusions that ever vexed mankind." It has been at all times among credulous and superstitious people made the tool of envy, which Bacon well described as the vilest and most depraved of all feelings. Bacon, moreover, singled out love and envy as the only two affections which have been noted to fascinate, or bewitch, since they both have "vehement wishes, frame themselves readily into imaginations and suggestions and come easily into the eye." He also noted the fact that in the Scriptures envy was called the Evil Eye. It is to this interesting subject in anthropological and folk-lore study, namely, the Evil Eye, that I wish to invite your attention for a time. Belief in it is, of course, inseparable from credence in a personal devil or some personal evil and malign influence, but in modern times and among people who are supposed to be civilized has been regarded ordinarily as an attribute of the devil. Consideration of the subject is inseparable, too, from a study of the expressions Belief in an evil power constantly at work has existed from absolutely prehistoric times. It has been more or less tacitly adopted and sanctioned by various creeds or religious beliefs, particularly so by the church of Rome, by mediaeval writers and by writers on occult science. Even now it exists not only among savage nations but everywhere among common people. We to-day may call it superstition, but there was a time when it held enormous sway over mankind, and exercised a tremendous influence. In its present form it consists often of a belief that certain individuals possess a blighting power, and the expression in England to "overlook" is not only very common, but an easily recognizable persistence of the All the ancients believed that from the eyes of envious or angry people there was projected some malign influence which could infect the air and penetrate and corrupt both living creatures and inanimate objects. Woyciki, in his Polish Folk-lore, relates the story of a most unhappy Slav, who though possessed of a most loving heart realized that he was afflicted with the evil eye, and at last blinded himself in order that he might not cast a spell over his children. Even to-day, among the Scotch Highlanders, if a stranger look too admiringly at a cow the people believe that she will waste away of the evil eye, and they give him of her milk to drink in order to break the spell. Plutarch was sure that certain men's eyes were destructive to infants and young animals, and he believed that the Thebans could thus destroy not only the young but strong men. The classical writers are so full of allusions to this subject that it is easy to see where people during the Middle Ages Not only was this effect supposed to be produced by the fascinating eye, but even by the voice, which, some asserted, could blast trees, kill children and destroy animals. In Pliny's time special laws were enacted against injury to crops by incantation or fascination; but the Romans went even farther than this, and believed that their gods were envious of each other and cast their evil eyes upon the less powerful of their own circle; hence the caduceus which Mercury always carried as a protection. To be the reputed possessor of an evil eye was an exceeding great misfortune. Solomon lent himself to the belief when he enjoined, "Eat thou not the bread of him that hath an evil eye." (Prov. 23:6). The most inconvenient country in which to have this reputation to-day is Italy, and especially in Naples. The Italians apply the term jettatore to the individual thus suspected, and to raise the cry of "Jettatore" in a Neapolitan crowd even to-day is to cause a speedy stampede. For the Italians the worst of all is the "jettatore di bambini," or the fascinator of infants. Elworthy relates the case of a gentleman who on three occasions acted in Naples in the capacity of sponsor; A most interesting work was written by Valletta and published in Naples in 1787. It was practically a treatise upon fascination and the jettatore. Valletta himself was a profound believer in all this sort of thing, and finished up his work by offering rewards for answers to certain questions, among which were the following:—"Which jettatore is most powerful, he who has or he who has not a wig? Whether monks are more powerful than others? To what distance does the influence of the jettatore extend, and whether it operates more to the side, front or back? What words in general ought one to repeat to escape the evil eye?" In ancient times it was believed that women had greater power of fascination then men, a belief to which our sex still hold at the present day, although in modern times the evil eye proper is supposed to be possessed by men rather than by women; monks especially, ever since the establishment of religious orders, being considered to possess this fatal influence. Curiously enough, the late Pope, Pius IX, was sup The superstition of the evil eye and of witchcraft goes everywhere with the belief in the power of transformation, which at certain periods of history has been so prevalent as to account for many of the stories of ancient mythology, and will account even for such nursery stories as that of Little Red Riding Hood, as well as for the old-world belief in the werewolf. Indeed, a common expression of to-day re In England during the horrible times when the Black Death raged it was supposed that the disease was communicated by a glance from the distorted eyes of a sick man. In 1603 Delrio, a Jesuit, published a large six-volume folio work entitled "A Disquisition on Magic," in which he takes it for granted that the calamities of mortals are the work of evil spirits. He says, "Fascination is a power derived The more we deal with the superstitions now under consideration the more evident it becomes that the principal thought among the simpler peoples, or even among some of the religious sects of to-day, has been the propitiation of angry deities, or of destructive influences, rather than the worship and exaltation of In mediaeval symbolism, as in ancient, the intent often was to represent either on some amulet, charm or picture a figure of the thing against which it was most desired that a protective influence should be exercised, hence the general prevalence of the eye in some pictorial representation. The ancient Egyptians, as well as the Etruscans, used to paint a huge eye on the bows of their vessels, which was supposed to be a charm against the evil eye. Even to-day in the Orient I have seen Greek boats with eyes painted on either side of their prows. The eye was a common adornment of Egyptian pottery, usually in combination with various other pictures, but as a symbol Another of the most efficacious of these amulets takes the general form of a hideous mask, often called the Gorgoneion. In all probability this was largely for the reason given above—that it was most likely to attract attention. Symbols of this kind are in very general use among people who know nothing of the reason therefore. Thus, we see them on seals, coins, etc. The gargoyles of mediaeval architecture are frequently given this fantastic appearance and for this same purpose. In Roman times the dolphin was a favorite device for a potent charm against the evil eye, and was pictured on many a soldier's shield. Ulysses adopted it as his especial choice, both on his signet and his shield, To us in the medical profession it is of no little interest that in Rome, according to Varro, there stood three temples on the Esquiline dedicated to the goddess of Fever and one to Mephitis. Tacitus relates that a temple to Mephitis was the only building left standing after the destruction of Cremona, where there was also an altar dedicated to the Evil Eye. We know, also, that in the very centre of the Forum there stood an altar to Cloacina, the Goddess of Typhoid. What complete sway this goddess has held from ancient times to the present I need scarcely tell you. "When Rome, after the fall of the empire, relapsed into its most insanitary condition this old worship reappeared in another shape, and a chapel arose near the Vatican to the Madonna della Febre, the most popular in Rome in times of sickness or epidemic." This simply shows a transfer of ideas, the attributes of Diana being conveyed over to her Christian successor, the virgin, whose cult became equally supreme. The principal symbol of this cult was the horned moon or crescent, and, in consequence, horns in one form or another became the most common of objects as amulets against the Evil Eye. So comprehensive and persistent is this belief in Naples that, in the absence of a horn in some shape, the mere utterance of the name corno was supposed to be an effectual pro The horn has been an important feature of Christian symbolism, as of pagan, and we constantly see the ram's horn, which was the successor of the bull's horn, made such from economical reasons, all over the ruins of ancient Rome. The married women of Lebanon wear silver horns upon their heads to distinguish them from the single women. The Jewesses of Northern Africa wear them as a part of their regular costume, and even to-day curious spiral ornaments are worn on either side of the head by the Dutch women. In Naples horns in all shapes are exceedingly common upon the trappings of the cab horses. Indeed the heavy trappings and harness of these overloaded animals are usually protected with a perfect battery of potent charms, so that any evil glance must be fully extinguished before it can light But the most numerous of all these emblems is a hand in various positions or gestures. Probably every other cab horse in Naples carries the hand about him in some form. In Rome these things are not seen so much on horses' backs, although wolf skins, horns and crescents are common enough, but we see large numbers of silver rings for human fingers, to each of which a little pendant horn is attached. These may be seen in the shop windows strung upon rods and plainly marked Annelli contra la Jettatura. Those who have seen Naples thoroughly have noted how cows' horns, often painted blue, are fixed against the walls, especially at an angle, about the height of the first floor. But one of the most remarkable amulets which I have ever seen hangs outside one of the entries to the Cathedral in Seville, where over a door is hung by a chain the tusk of an elephant, and further out, over the same doorway, swung by another chain, an enormous crocodile, sent as a present or charm of special power to Alfonso, in 1260, by the Sultan of Egypt. These two strange charms hang Again, in Rome it is very common to see a small cow's horn on the framework of the Roman wine carts or dangling beneath the axle. Much more common and better known among the Anglo-Saxon peoples is the horse-shoe emblem, which with us has lost all of its original signification, as an emblem of fecundity, and has become a charm against evil. It is hung up over doorways, is nailed up in houses, it guards stable doors and protects fields against malign influences. Even in the Paris Exhibition of 1889, where there was a representation of a street from old Cairo, there hung over several of the doors a crocodile with a horse-shoe on his snout. So far I have said very little about the positions of the hand and certain gestures by which it is intended to ward off the evil eye. The Mohammedans, like the Neapolitans, are profound believers in the efficacy of manual signs; thus outside of many a door in Tangier I have seen the imprint of a hand made by placing the outstretched hand upon some sticky black or colored material, which was then transferred as by a type or die to the doorway of the dwelling, where in the likeness of the outstretched manus it serves to guard the dwellers within. This is to me one of the most curious things to be observed in Mohammedan countries. A relic of the same belief I have seen also over the great gate of the Alhambra, The hand in the customary position of benediction is sometimes open and extended, while at other times only the first and second fingers are straightened. The power which the extended hand may exert is well illustrated in the biblical account (Exodus 17: 11) "And it came to pass when Moses held up his hand that Israel prevailed, and when he let down his hand Amalek prevailed." And so it happened that when Moses wearied of the constrained position his hand was supported by Aaron and by Hur. This is only one of numerous illustrations in the holy writings showing the talismanic influence of the human hand. There are comparatively few people who realize, to-day, that the conventional attitude of prayer as of benediction, with hands held up, is the old charm as against the evil eye. In one of the great marble columns in the Mosque of St. Sophia in Constantinople there is a remarkable natural freak by which there seems to appear upon the dark marble the white figure of an outspread hand. This is held in the highest reverence by the superstitious populace, The hand clenched in various forms has been used in more ways than as a mere signal or sign of defiance. In Italy the mano-fica implies contempt or insult rather than defiance. Among all the Latin races this peculiar gesture of the thumb between the first and second fingers has a significant name and a significant meaning. It is connected everywhere with the fig, and expresses in the most discourteous way that which is implied in our English phrase "don't care a fig." It is in common use as an amulet to be worn from the neck or about the body, and conveys the same meaning as that which the Neapolitans frequently express when they say "May the evil eye do you no harm." Another position of the hand, namely, that with the index and little fingers extended, while the middle and ring fingers are flexed and clasped by the thumb, gives also the rude imitation of the head of a horned animal, and is frequently spoken of as the mano cornuta. A Neapolitan's right hand is frequently, in some instances almost constantly, kept in that position pointing downwards, just as hand charms are made to hang downwards, save when it is desired to use the sign against some particular individual, when the hand is pointed toward him, even The sign of the cross is very often made with the hand, usually with the first two fingers extended, and seems to mean a benediction of double potency, because both the hand and the cross itself are utilized in the gesture. I have elsewhere discussed the signification of the sign of the cross, and do not care to take it up again just now. It is certainly of phallic origin and as certainly antedates the Christian era by many hundred years. It is, in other words, a pagan symbol to which a newer significance has been given. Talismanic power has usually been ascribed to it, and in some form, either as the Greek Tau or the Crux Ansata, has been most frequently employed. In one or the other of these forms it was the mark set upon the houses of the Israelites to preserve them from the destroying angel. In the roll of the Roman soldiery, after a battle, it was placed after the names of those still alive; and we read in Ezekiel 9:4 of the mark which was to be set upon "the foreheads of the men that cry," which was certainly the Greek Tau, because the Vulgate plainly states this. Upon some of the old Anglo-Saxon coins there was placed a cross on each side, usually the handled cross, and The hand with the first two fingers and thumb extended in the ordinary position of sacerdotal benediction was certainly a charm against evil long before the Christian era. This is not used so much by the common people, but has been appropriated rather by the priests. By a sort of general consent this has been especially the attitude permitted to the Second Person of the Trinity, although there are numerous instances in mediaeval painting where the hand of the First Person has been shown in this position. Indeed, the expression "dextera Dei," or "right hand of God," is conventionalized. In many amulets, images and pictures, other charms are combined with that supposed to be exercised by the human hand. An exceedingly common one was the Egyptian scarab. The Egyptians believed that there were no females of this kind of insect, hence it was considered a symbol of virility and manly force, Again, the serpent was a frequent emblem in this same connection. As I have elsewhere written upon the subject of serpent-worship I need scarcely more than allude to it here, save to say that to the serpent were ascribed numerous virtues and powers, and that its use upon any charm was supposed to reinforce the virtues already possessed by it. Among the most curious of all the Italian charms against the Evil Eye, and yet one which has been singularly neglected by most writers, is the sprig of rue or, as the Neapolitans call it, the cimaruta. In its simplest form it was undoubtedly of Etruscan or Phoenician origin. Later, however, it became curiously involved with other symbols and quite complicated. It is worn especially upon the breasts of Neapolitan babies, and is considered their especial protection against the much-dreaded jettatura. In ancient times no plant had so many virtues ascribed to it as had the rue. Pliny, indeed, cites it as being a remedy for 84 different diseases. It used to be hung about the neck in primeval times to serve as an amulet against fascination. In most of these amulet forms it consists of three branches, which were supposed to be typical of Diana Triformis, who used often to be represented in three positions and as if having three pairs of arms. Diana, by the way, was the especial protectress of women in child-birth. Silver was her own metal and the moon her special emblem. Therefore, the expression, "the silver moon" is not so meaningless as it would appear. This will in some measure account for the fact that corals, to which large virtues were ascribed, used always to be mounted in silver, and that the crescent, or new moon, is also almost invariably made of this same metal. Of the many charms which used to be combined in the cimaruta there is scarcely one which may not be more or less considered as connected with Diana, the Goddess of Infants. Frequently, also, we may see representations of the sea-horse quite like the living hippocampi of to-day, which are worn alike by cab horses and by women in Naples. They are known locally as the Cavalli marini. Protection supposed to be most efficient was and is frequently afforded also by another method, namely, printed or written invocations, prayers, formulae, etc., worn somewhere about the body. Sometimes these were worn concealed from view and at others they were openly displayed. Even today on Turkish horses and Arab camels are hung little bags containing passages from the Koran, while the Neapolitan horses frequently carry in little canvas bags prayers to the Madonna or verses from scripture,—these as a sort of last resort in case the other charms fail. The good Catholic of to-day, especially if of Irish descent, wears his little scapulary suspended around An appeal to luck to-day is the equivalent of the old prayer to the Goddess Fortuna, and is voiced in the common idea about the lucky coin and the various little observances for luck which are so popular. These observances are everywhere inclusive of the popular importance attached to expectoration, which is one of the most curious features of these many widespread beliefs. The habit of spitting on a coin, for instance, is very common, just as the schoolboy spits on his agate when playing marbles or on his baseball, or the bowler upon his wooden ball before rolling it. In fact, this whole matter of spitting has been in all ages an expression of a deep-rooted popular belief. Among the ancient Greeks and Romans the most common remedy against an envious look was The virtues and properties attributed to saliva among various peoples have been numerous and exalted. To lick a wart on rising in the morning used to be one of its well-recognized cures, and is to-day a popular remedy for any slight wound. Especially was the saliva of a fasting person peculiarly efficacious. Pliny states that when a person looks upon an infant asleep the nurse should spit three times upon the ground. But the most marvellous virtues were attributed to saliva in the direction of restoration of sight. The most conspicuous illustration of this is the instance mentioned in the New Testament when Christ healed the blind man, for it is related that: "He spat on the ground and made clay of the spittle, and did anoint the eyes of the blind man with the clay." The practice of concealing the eyes is prevalent throughout the Orient, and among the Mohammedans, cannot be referred entirely to male jealousy, for the women themselves confess to the greatest reluctance to show their faces to the stranger, fearing the influence of the evil eye. Again, inasmuch as from time immemorial diseases of all kinds have been considered the direct result of fascination, it was most natural that charms of varied form should be introduced as a protection. Many It would be possible to go on with an almost endless enumeration of the forms of this still generally prevalent belief in the power of the evil eye, and of the charms by which it may be averted. As has been set forth, it is but a particulate expression of a general and widespread belief in the existence of an evil being, for some vague and almost unsubstantial, for others assuming almost the proportions of the personal devil of mediaeval theology, or even of the Tyrolean Passion Plays. A discussion in a general way of this topic I have held to be not entirely foreign to the purpose of this society, it being one of the most interesting subjects of folklore study, and it may perhaps be considered just at the present to have a more particular interest for us in that we have so recently been favored with a most delightful and scholarly essay on the "Salem Witchcraft" by Prof. John Fiske, in which he graphically set forth the mechanism and the consequences of an aggravated expression of this belief, which constitutes the most serious blot which can be found upon the history of the Protestant white races in this country. |