Cassius Dio Cocceianus, Roman senator and prÆtor, when about forty years of age delivered himself of a pamphlet describing the dreams and omens that had led the general Septimius Severus to hope for the imperial office which he actually secured. One evening there came to the author a note of thanks from the prince; and the temporary satisfaction of the recipient was continued in his dreams, wherein his guiding angel seemed to urge him to write a detailed account of the reign of the unworthy Commodus (Book Seventy-two), just ended. Once again did Dio glow beneath the imperial felicitations and those of the public. Inoculated with the bacillus of publication and animated by a strong desire for immortality,—a wish happily realized,—he undertook the prodigious task of giving to the world a complete account of Roman events from the beginning to so late a date as Fortune might vouchsafe. Forthwith he began the accumulation of materials, a task in which ten active years (A.D. 200 to 210) were utilized. The actual labor of composition, continued for twelve years more at intervals of respite from duties of state, brought him in his narrative to the inception of the reign of his original patron, the first Severus.—All the foregoing facts are given us as Dio's own statement, in what is at present the twenty-third chapter of the seventy-second book, by that painter in miniature, Ioannes Xiphilinus. It was now the year A.D. 223, Dio was either consul for the first time (as some assert) or had the consular It seems that Dio's work had no immediate influence, but "Time brings roses", and in the Byzantine age we find that he had come to be regarded as the canonical example of the way in which Roman History should be written. Before this desirable result, however, had been brought to pass, Books Twenty-two to Thirty-five inclusive had disappeared. These gave the events of the years from the destruction of Carthage and Corinth (in the middle of the second century B.C.) to the activity of Lucullus in 69. A like fate befell Books The world has, then, in this twentieth century, those entire books of Dio which have already been mentioned,—Thirty-six to Sixty,—and something more. Let us first consider, accordingly, the condition in which this intact remnant has come down to the immediate present, and afterward the sources on which we have to depend for a knowledge of the lost portion. There are eleven manuscripts for this torso of Roman History, taking their names from the library of final deposit, but they are not all, by any means, of equal value. First come Mediceus A (referred to in this book as Ma), Vaticanus A, Parisinus A, and Venetus A (Va) of the first class; then Mediceus B Vaticanus A has been copied from Mediceus A, and Parisinus A from Vaticanus A, so that they are practically one with their archetype. Venetus A is of equal age and authority with Mediceus A. One can not now get back of these two codices. There is none of remoter date for Dio save the parchment Cod. Vat. 1288, containing most of Books Seventy-eight and Seventy-nine,—a portion of the work for the moment not under discussion. Coming to the second class, Mediceus B is a joint product of copying from the two principal MSS. just mentioned. In the third class, Parisinus B is a copy of Mediceus B with a little at the opening taken from Mediceus A. This was the version selected as a guide by Robert Estienne in the first important edition of Dio ever published (A.D. 1548). All the rest, Escorialensis, Turinensis, Vaticanus B, and Venetus B are mere offshoots of Parisinus B. The Vesontinus codex is derived partly from Venetus A and partly from some manuscript of the third class. The parchment manuscript to which allusion was made above is only some three centuries later than the time of Dio himself. It covers the ground from Book 78, 2, 2, to 79, 8, 3 inclusive (ordinary division). It belonged to Orsini, and after his death (A.D. 1600) became the property of the Vatican Library. It is square in shape and consists of thirteen leaves, each The dates of these codices (centuries indicated by Arabic numerals) are about as follows:
Mediceus A contains practically Books Thirty-six to Fifty-four, and Venetus A Books Forty-one to Sixty (two "decades"). As they are both the oldest copies
What knowledge has the world of the first thirty-five books of Dio's Roman History? To such a question answer must be made that of this whole section the Parallel with this account of Zonaras and extending beyond it, even to the extent of throwing a wire of communication across the yawning time-chasm represented by Books Twenty-two to Thirty-five, are certain excerpts and epitomes found in various odd corners and strangely preserved to the present moment. These are: Excerpts Concerning Virtues and Vices; Excerpts Concerning Judgments; Excerpts Concerning Embassies. The so-called "Planudean Excerpts" which used to be admitted to editions are rejected on good authority The Excerpts Concerning Virtues and Vices exist in a manuscript of the tenth century at the library of Tours, originally brought from the island of Cyprus and sold to Nicolas Claude Fabre de Peiresc, who lived from 1580 to 1637. Apparently it is a collection made at the order of Constantine VII. Porphyrogenitus. It was first published at Paris by Henri de Valois in 1634. The collection consists of quotations from Polybius, Diodorus Siculus, Nicolas Damascenus, Dionysius of Halicarnassus, Appian, Dio, John of Antioch, and others. The Excerpts Concerning Judgments are found in a Vatican manuscript known as Codex Vaticanus Rescriptus GrÆcus, N. 73. Angelo Mai first published the The Excerpts Concerning Embassies are contained in somewhat less than a dozen manuscripts, all of which prove to have sprung from a Spanish archetype (since destroyed by fire) that Juan Paez de Castro owned in the sixteenth century. Many of the copies were made Now it was the custom of the earlier editors to arrange the (early) fragments of Dio according to the groups from which they were taken: (1) the so-called Fragmenta Valesia (pickings from grammarians, lexicographers, scholiasts), edited by the same Henri de Valois above mentioned; (2) the Fragmenta Peiresciana (= Excerpts Concerning Virtues and Vices); (3) the Fragmenta Ursina (= Excerpts Concerning Embassies); and finally, in the edition of Sturz The body of Fragments preceding Book Thirty-six cites, in addition to the collections mentioned, the following works or authors: Anecdota GrÆca of Immanuel Bekker (1785-1871), a scholar of vast attainments and profound learning in classical literature. These Anecdota are excerpts made from various Greek manuscripts found in the course of travels extending through France, Italy, England, and Germany. There were three volumes, appearing from 1814 to 1821. Antonio Melissa.—A Greek monk living between 700 and 1100 A.D. He collected two books of quotations from early Christian Fathers (one hundred and seventy-six titles) on the general subject of Virtues and Vices. Arsenius.—Archbishop of Monembasia: age of the Revival of Learning. Cedrenus.—A Greek monk of the eleventh century who compiled a historical work (Συνοψις 'ιστοριων) the scope of which extended from the creation to 1057 A.D. He gives no evidence of historical knowledge or the critical sense, but rather of great credulity and a fondness for legends. His treatise is, moreover, largely plagiarized from the Annals of Ioannes Scylitzes Curopalates. Cramer, J.A.—An Oxford scholar who published two collections of excerpts (similar to those of Bekker) between 1835 and 1841. The collection referred to in our text had its source in manuscripts of the Royal Library in Paris. It was in three octavo volumes. Etymologicum Magnum.—A lexicon of uncertain date, after Photius (886 A.D.) and before Eustathius. This dictionary contains many valuable citations from lost Greek works. First edition, Venice, 1499. Eustathius.—Archbishop of Thessalonica and the most learned man of his age (latter half of the twelfth century). His most important composition is his Commentary on Homer's Iliad and Odyssey in which he quotes vast numbers of authors unknown to us now except by name. First edition, Rome, 1542-1550. Glossary of C. LabbÆus, the editor of Ancient Glosses of Law Terms, published in Paris, 1606. John of Antioch.—Author of a work called "Chronological History from Adam" quoted in the Excerpts Concerning Virtues and Vices (vid. supra). Internal evidence indicates that the book was written after 610 and before 900 A.D. John of Damascus.—A voluminous ecclesiastical writer belonging to the reigns of Leo Isauricus and Constantine VII. (approximately from 700 to 750 A.D.). He was an opponent of the iconoclastic movement. The best edition of his works was published at Paris in 1712. The passage cited in our Fragments is from περι Δρακοντων, a mutilated essay on dragons standing between a "Dialogue Between a Saracen and a Christian" and a "Discussion of the Holy Trinity." John Laurentius Lydus.—A Byzantine writer, born at Philadelphia (the city of Revelation, III, 7), in 490 A.D. Although he was famed during his lifetime as a poet, all his verses have perished. The work cited in our Fragments,—"Concerning the Offices of the Roman Republic, in Three Books,"—had a curious history. For centuries it was regarded as lost, but about 1785 nine tenths of it was discovered by De Villoison in a MS. in the suburbs of Constantinople. It was published in Paris, 1811.—Laurentius in the course of his career held important political posts and received two important literary appointments from the Emperor Justinian I. Suidas.—A lexicographer of the tenth century, composer of the most comprehensive Greek dictionary of early times. It is a manual at once of language and of antiquities. Inestimable as its value is, the workman John Tzetzes.—A Greek grammarian of the twelfth century. His learning was great but scarcely equaled his self-conceit, as repeatedly displayed in passages of his works. Many of his writings are still extant. One of these is called Chiliades (or Thousands), a name bestowed by its first editor, who divided the work into sections of one thousand lines each. The subject-matter consists of the most miscellaneous historical or mythological narratives or anecdotes, absolutely without connection. Tzetzes copied these accounts from upward of four hundred writers,—one of them being Cassius Dio. The Chiliades is written in the so-called Versus politicus, or "political verse," which is really not verse at all, but a kind of decadent doggerel.—A minor treatise by the same author is the Exegesis of the Iliad of Homer, published by Hermann (Leipzig, 1812). Isaac Tzetzes, who has attracted less attention than his brother John, is best known as the author of a commentary on the Cassandra of Lycophron (a poem of 1474 iambic verses by a post-classical tragedian, about 285 B.C., embodying the warnings of the royal prophetess and couched in appropriately incomprehensible expressions). It was hardly worth all the care that Tzetzes lavished upon it. From manuscript evidence and various claims of John Tzetzes it seems that John worked over, improved, and enlarged the commentary of his brother. Isaac's name, however, still remains associated with this particular exposition. We are now at length placed in a position to consider Boissevain concludes (by comparing the Table of Contents found with a remark of Photius) that this particular piece of salvage was originally Books Seventy-nine and Eighty (instead of Seventy-eight and Seventy-nine), that Book Eighty of Dio was really what is A word of explanation about Xiphilinus must come next. This Xiphilinus was a native of Trapezos (Trebizond) and became a monk at Constantinople. Here, at the behest of Michael VII. Ducas (1071-1078) he made an abridgment of Books Thirty-six to Eighty of Dio; thus it is his version of the lost books Sixty-one to Eighty on which we are compelled to rely. His task was accomplished with an even greater degree of carelessness than is customary in such compositions, and it may be said that his ability or, at least, his good will is not nearly so great as that of Zonaras. Yet he is largely a pis aller for the would-be reader of Cassius Dio. Whereas the original was divided arbitrarily into books, Xiphilinus divided his condensation into "sections," each containing the life of one emperor. Readers must further note that the present division of Books Seventy-one to Eighty dates only from Leunclavius (1592, first edition) and is not necessarily correct. Improvements in arrangement by Boissevain (latest editor of Dio entire) are indicated in the present translation, though for convenience of reference the old headlines are still retained. Before speaking of the editions through which Dio's Roman History has passed it seems desirable to summarize briefly the condition of the whole as explained in the preceding pages. Here is a bird's-eye view of the whole situation.
EDITIONS.A brief list of important editions of this author is appended; the order is chronological. 1. N. Leonicenus.—Italian translation of Books 35 to 60. Venice, 1533. Free, and with many errors. 2. R. Stephanus.—Greek text of Books 35 to 60. Paris, 1548. Work well done, but based on a poor MS. 3. Xylander.—Latin translation of Books 35 to 60, with a brief Latin index. Basle, 1557. This version was made from No. 2. 4. Baldelli.—Italian translation of Books 35 to 60. Venice, 1562. 5. H. Stephanus.—A second edition of No. 2 with Latin translation of No. 2 added. A few corrections have been made and the Latin index is a little fuller. Paris, 1591. 6. Leunclavius.—A second edition of No. 3, somewhat emended, and with Books 61 to 80 (Xiphilinus) added; also containing Orsini's Excerpts Concerning Embassies (in Greek and Latin), notes of Leunclavius, and a still fuller Latin index. Frankfurt, 1592. 7. Leunclavius.—Posthumous edition. Text of Dio and of Xiphilinus (the latter from Nero to Alexander Severus). Corrections of R. Stephanus in Dio proper, and of Xylander in both Dio and Xiphilinus, notes of Leunclavius on Dio, and notes of Orsini on Excerpts Concerning Embassies. Same Latin index as in No. 6. Hanover, 1606. 8. Reimar. (Important. All previous editions are taken from codex Parisinus B. Reimar, assisted by Gronovius (father and son) and by Quirinus, employed Mediceus A (the standard codex) together with Vaticanus A and Vaticanus B.) Text of Dio and Xiphilinus (Books 36 to 80), the Xylander-Leunclavius Latin version, the Excerpts Concerning Virtues and Vices, and fragments collected from various sources by Henri de Valois. Reimar used not only the three MSS. mentioned above, but three copies of previous editions,—one of No. 2 (with notes of Turnebus and others), one 9. J.A. Wagner.—German translation in five volumes. Frankfurt, 1783. 10. Penzel.—German translation with notes. Four volumes. Leipzig, 1786-1818. 11. Morellius.—Fragments of Dio, with new readings of the same. Emphasizes the importance of codex Venetus A and has some remarks on Venetus B. Published in 1793. 12. Sturz.—New edition of Dio based on No. 8, improved by a new collation of the Medicean manuscripts and with collation of the codex Turinensis, besides emendations gathered from many new sources. Eight volumes. Leipzig, 1824-5. (Volume IX in 1843, containing Mai's Excerpts Concerning Judgments.) 13. Tauchnitz text.—Stereotyped edition, four volumes, Leipzig, 1829. New impression, Leipzig, 1870-77. (Originally used as a basis for the present translation after Book Fifty: later, wholesale revisions were undertaken to make the English for the most part conform to the text of Boissevain.) 14. Tafel.—German translation, three volumes. Stuttgart, 1831-1844. 15. J. Bekker.—Dio entire. (With new collation of the old MS. containing most of Books Seventy-eight and Seventy-nine, and with many new and brilliant conjectural emendations by the editor.) Two volumes. Leipzig, 1849. 16. Gros-BoissÉe.—French translation together with the Greek text and copious notes. (With new collation of the Vatican, Medicean, and Venetian codices, besides use of Parisinus A and Vesontinus; manuscripts of the Fragments, especially the Tours manuscript (concerning Virtues and Vices) have been carefully gone over.) Ten volumes. Gros edited the first four; BoissÉe the last six. Paris, 1845-1870. 17. Dindorf.—Teubner text. Dindorf was the first to perceive the relation of the manuscripts and their respective values. He used Herwerden's new collation of the Vatican palimpsest containing Excerpts Concerning Judgments. From making fuller notes and emendations he was prevented by untimely death. Five volumes. Leipzig, 1863-1865. 18. Melber.—Teubner text, being a new recension of Dindorf, with numerous additions. To consist of five volumes. Leipzig, from 1890. The first two volumes, all that were available, have been used for this translation. 19. Boissevain.—The most modern, accurate, and artistic edition of Dio. The editor is very conservative in the matter of manuscript tradition. He personally read in Italy many of the MSS., and had the aid of numerous friends at 1. The entire epitome of Xiphilinus (Books 36-80). 2. Vatican Excerpts of Peter Patricius (Nos. 1-38), compared with Dio's wording. 3. Vatican Excerpts of Peter Patricius (Nos. 156-191), containing that portion of the Historia Augusta which is subsequent to Dio's narrative. 4. Excerpts by John of Antioch, taken from Dio. 5. The "Salmasian Excerpts." 6. Some "Constantinian Excerpts," compared with Dio. 7. The account of Dio given by Photius and by Suidas. 8. Table of Fragments. Boissevain's invaluable emendations and interpretations have been liberally used by the present translator, and some of his changes of arrangement have been accepted outright, others only indicated. CHARACTERISTICS OF THE NARRATIVE.The atmosphere of Dio's Roman History is serious to a degree. Its author never loses sight of the fact that by his labor he is conferring a substantial benefit upon mankind, and he follows, moreover, a particular historical theory, popular at the time, which allows little chance for sportiveness or wit. Just as the early French drama could concern itself only with personages of noble or royal rank, so Dio's ideal compels him for the most part to restrict himself to the large transactions of governments or rulers and to diminish the consideration that idiosyncrasies of private life or points of antiquarian interest might otherwise seem to claim. The name of this ideal is "Dignity" (ογκος is the Greek), a principle of construction which is opposed to a narration adorned with details. However much it may have been overworked at times, its influence was certainly healthful, for it demanded that the material be handled in organic masses to prevent the reader from being lost in a confused mass of minutiÆ. Racy gossip and old wives' tales are to be replaced by philosophic reflection and pictures of temperament. Instead of mere lists of anecdotes there must be a careful survey of political The style of the original is rendered somewhat difficult by a conscious imitation of the involved sentence-unit found in Thukydides (though reminiscences of Herodotos and Demosthenes also abound) but gives an effect of solidity that is symmetrical with both the method and the man. Moreover, one may assert of it what Matthew Arnold declared could not be said regarding Homer's style, that it rises and falls with the matter it treats, so that at every climax we may be sure of finding the charm of vividness and at many intermediate points the merit of grace. It is a long course that our historian, pressed by official cares, has to cover, and he accomplishes his difficult task with creditable zeal: finally, when his Thousand Years of Rome is done, he compares himself to a warrior helped by a protecting deity from the scene of conflict. Surely it must have been one of the major battles of his energetic life to wrest from the formless void this orderly record of actions and events embroidered with Dio has apparently equipped himself extremely well for his undertaking. A fragment edited by Mai (see Fragment I) seems to make him say that he has read every available book upon the subject; and, like Thukydides, he is critical, he is eclectic, and often supports his statements by the citation or introduction of documentary testimony. His superstition is debasing and repellent, but works harm only in limited spheres, and it is counterbalanced by the fact that he had been a part of many events recounted and had held high governmental offices, enjoying a career which furnished him with standards by which to judge the likelihood of allegations regarding earlier periods of Rome,—that, in a word, he was no mere carpet-knight of History. He is honestly conscientious in his use of language, attempting to give the preference to standard phrases and words of classical Greek over corrupt idioms and expressions of a decadent tongue; it is this very conscientiousness, of course, which leads him to adopt so much elaborate syntax from bygone masters of style. Finally,—the point in which, I think, Dio has come nearest to the gloomy Athenian,—something of the matter-of-fact directness of Thukydides is perceptible in this Roman History. The operator unrolls before us the long panorama of wars and plots and bribes and murders: his pictures speak, but he himself seldom interjects a word. Sometimes the lack of comment seems almost brutal, but what need to darken the torture-chamber in the House of Hades? There are two ways of writing history. One is to observe a strictly chronological order, describing together only such events as took place in a single year or reign; and the other, to give all in one place and in one narration the story of a single great movement, though it should cover several years and a fraction,—or, again, to sketch the condition of affairs in one province, or valley, or peninsula for so long a time as the story of such a region seems to possess unity of development. The first kind of writing takes the year or the reign as its standard, whereas the second uses the matter under discussion or some part of the earth in the same way: and they may accordingly be called, one, the chronological method, and the other, the pragmato-geographical. The difference between the two is well illustrated by the varying ways in which modern works on Greek history treat the affairs of Sicily. The first plan is that which Dio follows, and his work would have been called by the Romans annales rather than historiÆ. The method has its advantages, one of which is, or should be, that the reader knows just how far he has progressed; he can compare the relative significance of events happening at the same time in widely separated lands: he is, as it were, living in the past, and receives from week to week or month to month reports of the world's doings in all quarters. On the other hand, this plan lacks dramatic force; there are sub-climaces and one grand climax: and the interest is apt to flag through being obliged to divide itself among many districts. The same results, both If we read the pages closely, we find that by Dio's own statement his work falls properly into three parts. The first consists of the first fifty-one books, from the landing of Æneas to the establishment of the empire by Octavianus. Up to that time, Dio says (in LIII, 19), political action had been taken openly, after discussion in the senate and before the people. Everybody knew the facts, and in case any authors distorted them, the public records were open for any one to consult. After that time, however, the rulers commonly kept their acts and discussions secret; and their censored accounts, when made public, were naturally looked upon by the man in the street with doubt and suspicion. Hence, from this point, says the historian, a radical difference must inevitably be found in the character of his account. The second portion, opening with Book Fifty-two, ends at the death of Marcus Aurelius (180 B.C.). In LXXI, 36, 4 Dio admits that the old splendor ended with Marcus and was not renewed. His history, he The third section, then, extends from the beginning of Book Seventy-two to the end of the work. Here Dio breaks away oftener than before from his servility to the Dignity of History, only to display a far more contemptible servility to his imperial masters. According to his own account he stood by and passively allowed atrocities to be multiplied about him, nor does he venture to express any forceful indignation at the performance of such deeds. Had he protested, the world's knowledge of Rome's degenerate tyrants would undoubtedly have been less complete than it now is; and Dio was quite enough of an egotist to believe that his own life and work were of paramount importance. If we compare him unfavorably with Epictetus, we must remember that the latter was obscure enough to be ignored. In both the second and the third parts, that is to say throughout the entire imperial period, Dio is conceded to have committed an error in his point of view by making the relations of the emperor to the senate the leading idea in his narrative and subordinating other events to that relation. Senator as he was, he naturally magnified its importance, and in an impartial estimate of his account one must allow for personal bias. Our historian's sources for the earlier part of his work are not positively known. He has been credited We have already noticed Dio's similarity to Thukydides in style, arrangement, and emotional attitude. There remains one more bond of brotherhood,—the speeches. Just as the sombre story of the Peloponnesian conflict has for a prominent feature the pleas and counterpleas of contending parties, together with a few independent orations, so this Roman History is filled with public utterances of famous men, either singly or in pairs. Dio evinces considerable fondness for these wordy combats ('αμιλλαι λογων). About one speech to the book is the average in the earlier portion of the work. The author probably adapted them from rhetorical μελεται, or essays, then in existence. He was himself a finished product of the rhetorical schools and was inclined to give their output the greatest publicity. The most interesting of these efforts,—some go so far as to say the only one of real interest,—is |