Let not the Grundy woman raise an eyebrow of deprecation at the informal introduction of Jack and Mary, or we shall refute her with her own precepts, which make the steps to a throne the steps of the social pyramid. If she wishes a sponsor, we name an impeccable majesty of the very oldest dynasty of all, which is entirely without scandal. We remind her of the ancient rule that people who meet at court, vouched for by royal favor, need no introduction.

These two had met under the roof of the Eternal Painter. His palette is somewhere in the upper ether and his head in the interplanetary spaces. His heavy eyebrows twinkle with star-dust. Dodging occasional flying meteors, which harass him as flies harass a landscapist out of doors on a hot day, he is ever active, this mighty artist of the changing desert sky. So fickle his moods, so versatile his genius, so quick to creation his fancy, that he never knows what his next composition will be till the second that it is begun.

No earthly rival need be jealous of him. He will never clog the galleries. He always paints on the same canvas, scraping off one picture to make room for another. And you do not mind the loss of the old. You live for the new.

His Majesty has no artistic memory. He is as young as he was the day that he flung out his first tentative lunette after chaos. He is the patron saint of all pilgrims from the city's struggle, where they found no oases of rest. He melts "pasts" and family skeletons and hidden stories of any kind whatsoever into the blue as a background with the abandoned preoccupation of his own brushwork. His lieges, who seek oblivion in the desert, need not worry about the water that will never run over the millwheel again, or dwell in prophecy on floods to come. The omnipotence of the moment transports and soothes them.

"Time is nothing!" says the Eternal Painter. "If you feel important, remember that man's hectic bustling makes but worm-work on the planet. Live and breathe joyfully and magnificently! Do not strain your eyes over embroidery! Come to my open gallery! And how do you like the way I set those silver clouds a-tumbling? Do you know anything better under the dome of any church or capitol? Shall I bank them? Line them with purple? It is done! But no! Let us wipe it all out, change the tint of our background, and start afresh!"

With his eleven hundred million billionth sunset, or thereabouts, His Majesty held a man and a woman who had met on the roof of the world in thrall. He was lurid at the outset, dipping his camel's hair in at the round furnace door sinking toward the hills, whose red vortex shot tongues of flame into canyons and crevasses and drove out their lurking shadows with the fire of its inquisition. The foliage of Little Rivers became a grove of quivering leaves of gold, set on a vast beaten platter of gold. And the man and the woman, like all things else in the landscape, were suffused in this still, Parnassian, penetrating brilliancy, which ought to make even a miser feel that his hoarded eagles and sovereigns are ephemeral dross.

"I love it all—all the desert!" said Mary Ewold.

"And I, too!"

"I have for six years."

"I for five."

The sentences had struck clearly as answering chimes, impersonally, in their preoccupied gazing.

"It gave me life!" he added.

"And it gave me life!"

Then they looked at each other in mutual surprise and understanding; each in wonder that the other had ever been anything but radiant of out-of-doors health. That fleck on the lungs which brought a doctor's orders had long ago been healed by the physician of the ozone they were breathing.

"And you remained," he said.

"And you, also," she answered.

Their own silence seemed to become a thing apart from the silence of the infinite. It was as if both recognized a common thought that even the Eternal Painter could not compel oblivion of the past to which they did not return; of the faith of cities to which they had been bred. But it is one of the Eternal Painter's rules that no one of his subjects should ask another of his subjects why he stays on the desert. Jack was the first to speak, and his voice returned to the casual key.

"Usually I watch the sunset while we make camp," he said. "I am very late to-night—late beyond all habit; and sunset and sunrise do make one a creature of habit out here. Firio and my little train will grow impatient waiting for me."

"You mean the Indian and the burro with the silver bells that came over the pass some time before you?"

Of course they belonged to him, she was thinking, even as she made the inquiry. This play cowboy, with his absurdly enormous silver spurs, would naturally put bells on his burro.

"Yes, I sent Firio with Wrath of God and Jag Ear on ahead and told him to wait at the foot of the descent. Wrath of God will worry—he is of a worrying nature. I must be going."

In view of the dinosaur nonsense she was already prepared for a variety of inventional talk from him. As they started down from the pass in single file, she leading, the sun sank behind the hills, leaving the Eternal Painter, unhindered by a furnace glare in the centre of the canvas, to paint with a thousand brushes in the radiant tints of the afterglow.

"You don't like that one, O art critics!" we hear him saying. "Well, here is another before you have adjusted your pince-nez, and I will brush it away before you have emitted your first Ah! I do not criticise. I paint—I paint for the love of it. I paint with the pigments of the firmament and the imagination of the universe."

The two did not talk of that sky which held their averted glances, while knowing hoofs that bore their weight kept the path. For how can you talk of the desert sky except in the banality of exclamations? It is lÈse majestÉ to the Eternal Painter to attempt description.

At times she looked back and their eyes met in understanding, as true subjects of His Majesty, and then they looked skyward to see what changes the Master's witchery had wrought. In supreme intoxication of the senses, breathing that dry air which was like cool wine coming in long sips to the palate, they rode down the winding trail, till, after a surpassing outburst, the Eternal Painter dropped his brush for the night.

It was dusk. Shadows returned to the crevasses. Free of the magic of the sky, with the curtains of night drawing in, the mighty savagery of the bare mountains in their disdain of man and imagination reasserted itself. It dropped Mary Ewold from the azure to the reality of Pete Leddy. She was seeing, the smoking end of a revolver and a body lying in a pool of blood; and there, behind her, rode this smiling stranger, proceeding so genially and carelessly to the fate which she had provided for him.

With the last turn, which brought them level with the plain, they came upon an Indian, a baggage burro, and a riding-pony. The Indian sprang up, grinning: his welcome and doffing a Mexican steeple-hat.

"I must introduce you all around," Jack told Mary.

She observed in his manner something new!—a positive enthusiasm for his three retainers, which included a certain well-relished vanity in their loyalty and character.

"Firio has Sancho Panza beaten to a frazzle," Jack said. "Sancho was fat
and unresourceful; even stupid. Fancy him broiling a quail on a spit!
Fancy what a lot of trouble Firio could have saved Don Quixote de la
Mancha! Why, confound it, he would have spoiled the story!"

Firio was a solid grain, to take Jack's view, winnowed out of bushels of aboriginal chaff; an Indian, all Indian, without any strain of Spanish blood in the primitive southern strain.

"And Firio rides Wrath of God," Jack continued, nodding to a pony with a low-hung head and pendant lip, whose lugubrious expression was exaggerated by a scar. "He looks it, don't you think?—always miserable, whether his nose is in the oats or we run out of water. He is our sad philosopher, who has just as dependable a gait as P.D. I have many theories about the psychology of his ego. Sometimes I explain it by a desire both to escape and to pursue unhappiness, which amounts to a solemn kind of perpetual motion. But he has a positively sweet nature. There is no more malice in his professional mournfulness than in the cheerful humor of Jag Ear."

"It is plain to see which is Jag Ear," she observed, "and how he earned his name."

Every time a burro gets into the corn, an Indian master cuts off a bit of long, furry ear as a lesson. Before Jag Ear passed into kindlier hands he had been clipped closer than a Boston terrier. Only a single upstanding fragment remained in token of a graded education which had availed him nothing.

"There's no curtailing Jag Ear's curiosity," said Jack. "To him, everything is worth trying. That is why he is a born traveller. He has been with me from Colorado to Chihuahua, on all my wanderings back and forth."

While he spoke, Firio mounted Wrath of God and, with Jag Ear's bells jingling, the supply division set out on the road. Jack and Mary followed, this time riding side by side, pony nose to pony nose, in an intimacy of association impossible in the narrow mountain trail. It was an intimacy signalized by silence. There was an end to the mighty transports of the heights; the wells of whimsicality had dried up. The weight of the silence seemed balancing on a brittle thread. All the afternoon's events aligned themselves in a colossal satire. In the half light Jack became a gaunt and lonely figure that ought to be confined in some Utopian kindergarten.

Mary could feel her temples beating with the fear of what was waiting for him in Little Rivers, now a dark mass on the levels, just dark, without color or any attraction except the mystery that goes with the shroud of night. She knew how he would laugh at her fears; for she guessed that he was unafraid of anything in the world which, however, was no protection from Pete Leddy's six-shooter.

"I—I have a right to know—won't you tell me how you are going to defend yourself against Pete Leddy?" she demanded, in a sudden outburst.

"I hadn't thought of that. Certainly, I shall leave it to Pete himself to open hostilities. I hadn't thought of it because I have been too busy thinking out how I was going to break a piece of news to Firio. I have been an awful coward about it, putting it off and putting it off. I had planned to do it on my birthday two weeks ago, and then he gave me these big silver spurs—spent a whole month's wages on them, think of that! I bought this cowboy regalia to go with them. You can't imagine how that pleased him. It certainly was great fun."

Mary could only shake her head hopelessly.

"Firio and Jag Ear and Wrath of God and old P.D. here—we've sort of grown used to one another's foolishness. Now I can't put it off any longer, and I'd about as soon be murdered as tell him that I am going East in the morning."

"You mean you are going to leave here for good?" She mistrusted her own hearing. She was dazzled by this sudden burst of light through the clouds.

"Yes, by the first train. This is my last desert ride."

Why had he not said so at first? It would not only have saved her from worry, but from the humiliation of pleading with a stranger. Doubtless he had enjoyed teasing her. But no matter. The affair need not last much longer, now. She told herself that, if necessary, she would mount guard over him for the remaining twelve hours of his stay. Once he was aboard the Pullman he would be out of danger; her responsibility would be over and the whole affair would become a bizarre memory; an incident closed.

"Back to New York," he said, as one who enters a fog without a compass. "Back to fight pleosaurs, dinosaurs, and all kinds of monsters," he added, with a cheeriness which rang with the first false note she had heard from him. "I don't care," he concluded, and broke into a Spanish air, whose beat ran with the trickling hoof-beats of the ponies in the sand.

"That is it!" she thought. "That explains. He just does not care about anything."

Ahead, the lamps were beginning to twinkle in the little settlement which had sent such a contrast in citizenship as Mary Ewold and Pete Leddy out to the pass. They were approaching a single, isolated building, from the door of which came a spray of light and the sound of men's voices.

"That is Bill Lang's place," Mary explained. "He keeps a store, with a bar in the rear. He also has the post-office, thanks to his political influence, and this is where I have to stop for the mail when I return from the pass."

She had not spoken with any sense of a hint which it was inevitable he should accept.

"Let me get it for you;" and before she had time to protest, he had dismounted, drawing rein at the edge of the wooden steps.

She rode past where his pony was standing. When he entered the door, his tallness and lean ease of posture silhouetted in the light, she could look in on the group of idling male gossips.

"Don't!"

It was a half cry from her, hardly audible in an intensity which she knew was futile in the surge of her torturing self-incrimination. Why had she not thought that it would be here that Pete Leddy was bound to wait for anyone coming in by the trail from Galeria? The loungers suddenly dropped to the cover of boxes and barrels, as a flicker of steel shot upward, and behind the gleaming rim of a revolver muzzle held rigid was a brown hand and Leddy's hard, unyielding face.

What matter if the easy traveller could shoot? He was caught like a man coming out of an alley. He had no chance to draw in turn. In the click of a second-hand the thing would be over. Mary's eyes involuntarily closed, to avoid seeing the flash from the revolver. She listened for the report; for the fall of a body which should express the horror she had visualized for the hundredth time. A century seemed to pass and there was no sound except the beat of her heart, which ran in a cataract throb to her temples; no sound except that and what seemed to be soft, regular steps on the bare floor of the store.

"Coward!" she told herself, with the agony of her suspense breaking. "He saved you from inexpressible humiliation and you are afraid even to look!"

She opened her eyes, prepared for the worst. Had she gone out of her head? Could she no longer trust her own eyesight? What she saw was inconceivable. The startled faces of the loungers were rising from behind the boxes and barrels. Pete Leddy's gun had dropped to his side and his would-be victim had a hand on Pete's shoulder. Jack was talking apparently in a kindly and reasoning tone, but she could not make out his words.

One man alone evidently had not taken cover. It was Jim Galway, a rancher, who had been standing at the mail counter. To judge by his expression, what Jack was saying had his approval.

With a nod to Leddy and then a nod to the others, as if in amicable conclusion of the affair, Jack wheeled around to the counter, disclosing Leddy's face wry with insupportable chagrin. His revolver was still in his hand. In the swift impulse of one at bay who finds himself released, he brought it up. There was murder, murder from behind, in the catlike quickness of his movement; but Jim Galway was equally quick. He threw his whole weight toward Leddy in a catapult leap, as he grasped Leddy's wrist and bore it down. Jack faced about in alert readiness. Seeing that Galway had the situation pat, he put up his hand in a kind of questioning, puzzled remonstrance; but Mary noticed that he was very erect. He spoke and Galway spoke in answer. Evidently he was asking that Leddy be released. To this Galway consented at length, but without drawing back until he had seen Leddy's gun safe in the holster.

Then Leddy raised himself challengingly on tiptoes to Jack, who turned to Galway in the manner of one extending an invitation. On his part, Leddy turned to Ropey Smith, another of Little Rivers' ruffians. After this, Leddy went through the door at the rear; the loungers resumed their seats on the cracker barrels and gazed at one another with dropped jaws, while Bill Lang proceeded with his business as postmaster.