Julian Paul Goetze died December 21st, 1885. This event removed the final reason for concealment of that strange story whose dark reality flung a shadow about his later years. At his death Goetze was in his thirty-fifth year, and for more than a decade previous had been considered one of the foremost portrait painters of the younger school. I knew him intimately—was a frequent visitor at his studio, and, I believe, the only As I recall those years there is an unreality about them that I am unable to dispel. The problems discussed—the theories maintained of life, death, art, poetry, and any number of other unfathomed subjects, appear to me now so preternatural—the conceptions of his wonderful brain so startling, that I can hardly realize having ever been a part, even though but a faint reflex, of that dazzling and unsated life. In appearance he was no less remarkable. His figure was rather slight than otherwise, and of medium height. His features, though greatly modified, were distinctly those of the American Indian. High cheek bones, slightly aquiline nose, dark olive skin. His eyes and hair were a blue black. You would hardly His nature was a strange blending of opposing forces, forever at civil war and each swaying him in turn. He had few friends, but those few adored him for his splendid genius and prodigal generosity, pitying his darker side. When, as not unfrequently happened, he locked his studio and plunged for days into abject depravity, they sought him out and It was in one of these that he apprised me of the existence of certain private papers, the contents of which would make the chain of circumstances complete. Then the fires that had blazed forever within him burned out his life. H.L. Note by the Author.—The above, accompanied by a manuscript roll of considerable |