PROLOGUE.

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Julian Paul Goetze died December 21st, 1885. This event removed the final reason for concealment of that strange story whose dark reality flung a shadow about his later years.

At his death Goetze was in his thirty-fifth year, and for more than a decade previous had been considered one of the foremost portrait painters of the younger school. I knew him intimately—was a frequent visitor at his studio, and, I believe, the only confidant he was ever known to have.

As I recall those years there is an unreality about them that I am unable to dispel. The problems discussed—the theories maintained of life, death, art, poetry, and any number of other unfathomed subjects, appear to me now so preternatural—the conceptions of his wonderful brain so startling, that I can hardly realize having ever been a part, even though but a faint reflex, of that dazzling and unsated life.

In appearance he was no less remarkable. His figure was rather slight than otherwise, and of medium height. His features, though greatly modified, were distinctly those of the American Indian. High cheek bones, slightly aquiline nose, dark olive skin. His eyes and hair were a blue black. You would hardly have called him handsome, but there was something in that fiercely intense face, in the lithe grace of movement, in the small and exquisitely shaped hands and feet, that made him a fascinating, if not a dangerous, companion for the other sex. All of these had been bequeathed him by his mother, in whose veins ran the French and Indian blood in equal parts. From his father, a fair-haired German, he had inherited only his name.

His nature was a strange blending of opposing forces, forever at civil war and each swaying him in turn. He had few friends, but those few adored him for his splendid genius and prodigal generosity, pitying his darker side.

When, as not unfrequently happened, he locked his studio and plunged for days into abject depravity, they sought him out and led him back to his better self. After the culmination of that singular affair narrated in these papers, and for which he doubtless felt himself greatly to blame, these lapses became more and more frequent and protracted. The facts which I have collected relating to this period of his life were many of them gathered bit by bit as the events occurred, and later from brief interviews during temporary periods of consciousness just prior to his death.

It was in one of these that he apprised me of the existence of certain private papers, the contents of which would make the chain of circumstances complete. Then the fires that had blazed forever within him burned out his life.

H.L.
St. Louis, Nov. 4th, 1890.

Note by the Author.—The above, accompanied by a manuscript roll of considerable size, a crumpled, and yellow letter torn in halves, and a number of loose pages covered with peculiar writing (unsigned, though evidently the work of the unhappy artist) lie before me. It is with hesitating and unsteady hands that I separate these silent voices of the past, and gather them at last together into a living though unworthy echo of my own.


                                                                                                                                                                                                                                                                                                           

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