IN WHICH THERE ARE SEVERAL INTRODUCTIONS The old Gray plantation, “Red Rock,” lay at the highest part of the rich rolling country, before it rose too abruptly in the wooded foothills of the blue mountains away to the westward. As everybody in the country knew, who knew anything, it took its name from the great red stain, as big as a blanket, which appeared on the huge bowlder in the grove, beside the family grave-yard, at the far end of the Red Rock gardens. And as was equally well known, or equally well believed, which amounted almost to the same thing, that stain was the blood of the Indian chief who had slain the wife of the first Jacquelin Gray who came to this part of the world: the Jacquelin who had built the first house at Red Rock, around the fireplace of which the present mansion was erected, and whose portrait, with its piercing eyes and fierce look, hung in a black frame over the mantel, and used to come down as a warning when any peril impended above the house. The bereft husband had exacted swift retribution of the murderer, on that very rock, and the Indian’s heart blood had left that deep stain in the darker granite as a perpetual memorial of the swift vengeance of the Jacquelin Grays. This, at least, was what was asserted and believed by the old negroes (and, perhaps, by some of the whites, too, a little). And if the negroes did not know, who did? So Jacquelin often pondered. Steve Allen, who was always a reckless talker, however, used to say that the stain was nothing but a bit of red sandstone which had outcropped at the point where that huge fragment was broken off, and rolled along by a glacier thousands of years ago, far to the northward; but this view was to the other children’s minds clearly untenable; for there never could have been any glacier there—glaciers, as they knew from their geographies, being confined to Switzerland, and the world having been created only six thousand years ago. The children were well grounded by their mothers and Miss Thomasia in Bible history. Besides, there was the picture of the “Indian-killer,” in the black frame nailed in the wall over the fireplace in the great hall, and one could not go anywhere in the hall without his fierce eyes following you with a look so intent and piercing that Mammy Celia was wont to use it half jestingly as a threat effectual with little Jacquelin when he was refractory—that if he did not mind, the “Indian-killer” would see him and come after him. How often Mammy Celia employed it with Jacquelin, and how severe she used to be with tall, reckless Steve, because he scoffed at the story, and to tease her, threatened, with appropriate gesture, to knock the picture out of the frame, and see what was in the secret cabinet behind it! What would have happened had Steve carried out his threat, Jacquelin, as a boy, quite trembled to think; for though he admired Steve, his cousin, above all other mortals, as any small boy admires one several years his senior, who can ride wild horses and do things he cannot do, this would have been to engage in a contest with something supernatural and not mortal. Still he used to urge Steve to do it, with a certain fascinating apprehensiveness that made the chills creep up and down his back. Besides, it would have been very interesting to know whether the Indian’s scalp was still in the hollow space behind the picture, and if so, whether it was still bleeding, and that red stain on the bottom of the frame was really blood. Jacquelin Gray—the one who figures in these pages—was born while his father, and his father’s cousin, Dr. Cary, of Birdwood, and Mr. Legaie were in Mexico, winning renown in those battles which helped to establish the security of the United States. He grew up to be just what most other boys of his station, stature, and blood, living on a plantation, under similar conditions, would have been. He was a hale, hearty boy, who adored his cousin, Steve Allen, because Steve was older and stronger than he; despised Blair Cary because she was a girl; disliked Wash Still, the overseer’s son, partly because Steve sneered at him, and partly because the negro boys disliked him, and envied every cart-driver and stable-boy on the place. He used to drive with string “lines” two or four or six of his black boon companions, giving them the names of his father’s horses in the stable; or sometimes, even the names of those steeds of which his Aunt Thomasia, a famous story-teller, told him in the hour before the candles were lighted. But if he drove the black boys in harness, it was because they let him do it, and not because he was their master. If he possessed any privileges or power, he did not know it. If anything, he thought the advantage rather on their side than on his, as they could play all the time, while he had to go to school to his Aunt Thomasia, whose bell he thought worse than any curfew; for that rang only at night, while Miss Thomasia’s bell was sure to tinkle just at the moment when he was having the most beautiful time in the world. How gladly would he have exchanged places to mind the cows and ride the horses to the stable, and be free all day long; and whenever he could slip off he was with the boys, emulating them and being adored by them. Once, indeed, his mastership appeared. Wash Still, the overseer’s son, who was about Steve’s age, used to bully the smaller boys, and one day when Jacquelin was playing about the blacksmith’s shop, Wash, who was waiting for a horse to be shod, twisted the arm of Doan, one As to learning, Jacquelin was not very apt. It was only when Blair Cary came over one winter and went to school to Miss Thomasia—and he was laughed at by everyone, particularly by Steve, because Blair, a girl several years younger than he, could read Latin better—that Jacquelin really tried to study. Though no one knew it, many of the things that Jacquelin did were done in the hope that Steve might think well of him; and whether it was riding wild colts, with the certainty of being thrown and possibly hurt; diving into deep pools with the prospect of being drowned, or doing anything else that he was afraid to do, it was almost sure that it was done because of Steve. With some natures the mere performance of an action is sufficient reward: that man suffers martyrdom; this one does a great act; another lives a devoted, saint’s life, impelled solely from within, and with no other idea than to perform nobly. But these are rare natures: the Christophers, À Kempises and Theresas of the world. The common herd must have some more material motive: “wine, or sleep, or praise.” That charge was led because a dark—or blonde-haired girl was waiting somewhere; that gate was blown up because an army was standing by, and a small cross might be worn on the breast for it; that poem was written for Lalage, or Laura, Stella, or Saccharissa. Even the saint was crowned, because somewhere, in retired monasteries or in distant cities, deeds were sure to be Steve Allen had come to Red Rock before Jacquelin could remember—the year after Steve’s father was killed in Mexico, leading his company up the heights of Cerro Gordo, and his mother died of fever far down South. Mr. Gray had brought the boy home on his mother’s death; so Steve was part of Red Rock. Everybody spoiled him, particularly Miss Thomasia, who made him her especial charge and was notoriously partial to him, and old Peggy, Steve’s “Momma,” as she was called, who had come from the far South with him, and with her sharp eyes and sharper tongue was ready to fight the world for him. Steve was a tall, brown-haired young fellow, as straight as a sapling, and with broad shoulders; gray eyes that could smile or flash; teeth as white as snow, and a chin that Dr. Cary used to say he must have got from his mother. He was as supple as an eel. He could turn back-somersaults like a circus man, and as he was without fear, so he was without reverence. He would tease Miss Thomasia, and play practical jokes on Mr. Gray and Dr. Cary. To show his contempt for the “Indian-Killer,” he went alone and spent the night on the bloody rock, and when the other boys crept in a body to see if he were really there, he was found by the little party of scared searchers to be tranquilly asleep on the “Indian-Killer’s” very grave. This and similar acts gained Steve Allen, with some, the credit of being in a sort of compact with the spirit of darkness, and several of the old negroes on the plantation began to tell of his wonderful powers, a reputation which Steve was not slow to improve; and afterward, many a strange, unearthly sound, that scared the negroes, and ghostly manifestations which went the rounds of the plantation The only persons on the place who did not get on well with Steve were Hiram Still, the manager, and his son, Wash. Between them and Steve there was declared enmity, if not open war. Steve treated Hiram with superciliousness, and Wash with open contempt. The old negroes—who remembered Steve’s father, Captain Allen, Mr. Gray’s cousin, and the dislike between him and Hiram—said it was “bred in the bone.” At length Steve went off to school to Dr. Maule, at “The Academy,” as it was called, no further designation being needed to distinguish it, as no other academies could for a moment have entered into competition with it, and there was a temporary suspension of the supernatural manifestations on the plantation. Jacquelin missed him sorely and tried to imitate him in many things; but he knew it was a poor imitation, for often he could not help being afraid, whilst Steve did not know what fear was. Jacquelin’s knees would shake, and his teeth sometimes chatter, whilst Steve performed his most dangerous feats with mantling cheeks and dancing eyes. However, the boy kept on, and began to do things simply because he was afraid. One day he read how a great general, named Marshal Turenne, on being laughed at because his knees were shaking as he mounted his horse to go into battle, replied that if his knees knew where he was going to take them that day they would shake still more. This incident helped Jacquelin mightily, and he took his knees into many dangerous places. In time this had its effect, and as his knees began to shake less he began to grow more self-confident and conceited. He began to be very proud of himself, and to take opportunities to show his superiority over others, which developed with some rapidity the character existent somewhere in most persons: the prig. Blair Cary gave the first, if not the final, shock to this development. She was the daughter of Dr. Cary, Mr. Gray’s cousin, who lived a few miles off across the river, at “Birdwood,” perhaps the next most considerable place to Red Rock in that section. She was a slim little girl with a rather pale face, large brown eyes, and hair that was always blowing into them. She would have given her eyes, no doubt, to have been accepted as companion by Jacquelin, who was several years her senior; but as that young man was now aspiring to be comrade to Steve and to Blair’s brother, Morris, he relegated Blair to the companionship of his small brother, Rupert, who was as much younger than Blair as she was younger than himself, and treated her with sovereign disdain. The first shock he received was when he found how much better Blair could read Latin than he could, and how much Steve thought of her on that account. After that, he actually condescended to play with her occasionally, and, sometimes, even to let her follow him about the plantation to admire his feats, whilst he tried to revenge himself on her for her superior scholastic attainments by showing her how much more a boy could do than a girl. It was all in vain. For, with this taunt for a spur, she would follow him even to the tops of trees, or the bottoms of ponds: so he determined to show his superiority by one final and supreme act. This was to climb to the roof of the “high barn,” as it was called, and spring off into the top of a tree which spread its branches below. He had seen Steve do it, but had never ventured to try it himself. He had often climbed to the roof, and had fancied himself performing this feat to escape from pursuing Indians, but had never really contemplated doing it in fact, until Blair’s persistent emulation, daunted by nothing that he attempted, spurred him to undertake it. So one day, after some boasting, he climbed to the peak of the roof. His heart beat so as he gazed down into the green mass far below him and saw the patches of brown earth through the leaves, that he wished “Blair! Blair!” he cried, waving her back. “Don’t! don’t!” But Blair took no heed. She only settled herself for a firmer foothold, and the next second, with outstretched arms, she sprang into space. Whether it was that his cry distracted her, or whether her hair blew into her eyes and made her miss her step, or whether she would have misjudged her distance anyhow, instead of reaching the thickly leaved part where Jacquelin had landed, she struck where the boughs were much less thick, and came crashing through: down, down, from bough to bough, until she landed on the lowest limb, where she stopped for a second, and then rolled over and fell in a limp little bundle on the ground, where she lay quite still. Jacquelin never forgot the feeling he had at that moment. He was sure she was dead, and that he was a murderer. In a second he was down on his knees, bending over her. “Blair, Blair,” he cried. “Dear Blair, are you hurt?” But there was no answer. And he began to whimper in a very unmanly fashion for one who had been so boastful a “I’m all right—I did it.” In his joy Jacquelin actually kissed her. It seemed to him afterward to mark an epoch. The next quarter of an hour was passed in getting Blair’s breath back. Fortunately for her, if not for her dress, her clothes had caught here and there as she came crashing through the branches, and though the breath was knocked out of her, and she was shaken and scratched and stunned, no bones were broken, and she was not seriously hurt after all. She proposed that they should say nothing about it to anyone: she could get his Mammy to mend her clothes. But this magnanimous offer Jacquelin firmly declined. He was afraid that Blair might be hurt some way that she did not know, and he declared that he should go straight and tell it at the house. “But I did it myself,” persisted little Blair; “you were not to blame. You called to me not to do it.” “Did you hear me call? Then why did you do it?” “Because you had done it and said I could not.” “But didn’t you know you would get hurt?” She nodded. “I thought so.” Jacquelin looked at her long and seriously, and that moment a new idea seemed to him to enter his mind: that, after all, it might be as brave to do a dangerous “Blair, you are a brick,” he said; “you are braver than any boy I know—as brave as Steve. As brave as Marshal Turenne.” Which was sweet enough to Blair to make amends for all her bruises and scratches. From that time Jacquelin made up his mind that he would never try to stump her again, but would guard her, and this sweetened to him the bitterness of having to confess when he got to the house. He did it like a man, going to his father, of whom, at heart, he was mightily afraid, and telling him the whole story alone without the least reference to Blair’s part in it, taking the entire blame on himself; and it was only after he had received the punishment which was deemed due him that Blair’s joint responsibility was known from her own lips. This escapade, however, proved a little too much for the elders, and Jacquelin was sent off to school, to the Academy at Brutusville, under the learned Doctor Maule, where, still emulating Steve, who was the leader in most of the mischief that went on at that famous institution of learning, he made more reputation by the way he constructed a trap to catch one of the masters, Mr. Eliphalet Bush, than in construing the ancient language which was that gentleman’s particular department. |