Damaris, meanwhile, was altogether at ease as to her own circumstances. No doubt ever entered her mind as to the legacy bequeathed by her grandfather; it was more than enough for all her wants, and she understood that she could live at Les Hameaux easily, all her lifetime, if she chose. But without She threw herself into the resources of study with a kind of passion. In books, she thought, lay all the secrets of the spells of power. When he had bidden her wed a farmer of La Beauce he had wounded her in a way that she could not forget; not because she despised that homelier life of the husbandman, but because she thought that he deemed her incapable of the higher life of the intellect or the soul. She had been violently uprooted from all her childish associations, and severed from all the habits, thoughts, and attachments which had been hers from birth. The shock of that separation had intensified and deepened the sensitive side of her nature, and subdued the sanguine insouciance of it. She was not happy at Les Hameaux as she had been happy on Bonaventure; but she was still companioned by many dreams, and still full of high courage, though the dreams had lost something of their splendid phantasy, and the courage had lost something of its rash undoubting faith. At times she longed for her old playmate, the sea, with a curious painful yearning—the yearning of the home-sickness of the exile. 'How well I can understand,' she said once to Rosselin, 'that Napoleon longed all his life for the smell of the earth of Corsica. All my life I am sure I shall smell the smell of the fresh sea water leaping up in the wind under the orange boughs and the bay leaves; there is nothing like it here, though the pastures smell sweet in the dew.' In a short time she had changed much. She had become still taller, and the peachlike bloom of her face had paled. She had the look in her eyes of one who studies assiduously the great thoughts of great writers; she had a less childlike and boylike beauty, and one more intellectual and spiritual. Months count as years at her age, and the southern blood of the BÉrardes matured early. Rosselin watched her growth with pride. Her softened accent, her subdued gesture, her intelligent comprehension of intellectual things, her simple but picturesque clothing, were all due to his training or his suggestion. He had taken her to great libraries, famous galleries, historic palaces, and had taught her to understand the true and the false in art; he had taken her to recitals of the Conservatoire, and even to rehearsals at the great theatres, where, secured from observation, she could herself observe, and realised, as she listened, all the many traits and the many efforts which go together to make up admirable dramatic representation. He never allowed anyone to speak to her, scarcely to see her, but he gave her thus that training of the eye and of the ear without which no great artist can be created. 'Nature does much,' he said to her. 'Yes. But art is a different thing to nature. Art is three parts divine, but it is one part human, and that human part requires the most unwearied and elaborate training. The sculptor may bring a god out of the clay in the fire and the fever of his inspiration, but if he have not studied the laws of anatomy, the limbs of his god will be out of proportion, and one leg will be shorter than the other.' In the artistic circles there went a whisper about that Rosselin had some paragon whom he was educating, and would produce some day; but every one feared the sarcastic power of the great artist's tongue too much to meddle, unasked, with his concerns, and Damaris, under his guidance, passed unmolested, almost unobserved, through the intricate mazes of that art-world, which she touched without entering it. One day, when she had been taken to a recital at the Conservatoire, he had left her alone for a few moments; the recital was over, the pupils had left the stage; the professors were conversing together; from the floor there rose a cloud of dust, and from the hot, pent air a strong noisome odour. Her eyes ached, her temples throbbed; she, whose whole life had been passed in the fragrance of the open air, in the freshness of buoyant sea winds, felt stifled, stunned, nauseated. Fame itself seemed hateful, approached through this vitiated atmosphere. To pass your years in boxes of brick and stone, in cages of wood and iron, rather than in the glad freedom of glancing waters and unchecked movement over golden sands and flowering meadows, was it not madness indeed? She remembered the words of Othmar, bidding her live the life that was led on the wide cornlands of La Beauce. All that was strong in her, and born to freedom, and filled with the love of the sea, and the joys of untrammelled movement through sunlit air, and against fruit-scented breezes, rose in nausea and revolt against the pent-up life of the artist in cities. Where, oh where, was the open-air theatre of the Greeks, with no dome but the blue sky, and the voices of the chorus echoed by the sounds of the sea-waves breaking to surf upon the marble stairs? 'What are you thinking of? Your eyes look wild,' said Rosselin, rejoining her. 'I was thinking that I could never speak upon a covered stage: the air would choke me!' Rosselin looked at her in silence. He himself was thinking of AimÉe DesclÉe, of the bohÉmienne who had always wanted the fresh air, the free sunlight, the unpaid laughter, the unbought love. AimÉe DesclÉe seemed to rise before him, and cry to him: 'Why tempt another on my path?' He said to her solemnly and tenderly, while his voice sounded very grave in the silence of the emptied theatre: 'My dear, we cannot call back the Athens of Pindar for you, nor yet give you the ideal world of your fancy. If you want to be great in our world as it is, you must breathe its air, which is dust and chokes sensitive lungs. When the air is gold dust it is not much lighter to breathe, though people fancy it light as the air of the planet Venus. If you decide that it will be too weighty for yours, I do not say that you will not decide wisely. Your friend Othmar has told you that obscurity and liberty are the happier choice. He is a man who knows by experience how painful a thraldom are eminence and wealth. You yourself may attain eminence, and wealth too, possibly, probably, but you cannot do so and remain free to be all day long under the blue sky. You must dwell in the air that is full of dust, and poisoned by being shared by a million mouths. That air killed AimÉe DesclÉe.' Damaris was silent. She went out beside him through the sordid ways and shabby passages of this temple of the acolytes of fame, and thence into the crowded streets, which were grey with a leaden-coloured slow rain. Oh, how sweet the rain was in the country, scudding over the green fields, brimming in the grass holes, hanging from the orchard boughs, shining in the window lattices, lying in the great dock leaves! How the snails came out in the glistening roads, and the birds drank it from off the ground, and the ducks went about in the little shallows it left, and how merry and glad the whole land was! 'You love the country,' said Rosselin, when they had walked the length of some streets in silence. 'You love the country, my dear. Stay in it; you have enough to live on; let fame go by, unsought, unmourned.' Damaris sighed: 'But if I do not do something great she will always say that I could not. She will always despise me.' 'Who?' 'His wife.' 'Othmar's?' 'Yes.' 'Ah!' said Rosselin; he understood the motives which moved her more completely than she understood them herself. 'Do not think of that capricious woman,' he said with irritation. 'Be sure that the day after she saw you she had forgotten that you existed.' The colour rose to the face of Damaris. 'I wish to make her remember,' she said under her breath. 'Ah!' said Rosselin once more. |